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A History of Narrative Film

A History of Narrative Film

by David A. Cook

  • Publisher : W. W. Norton
  • Release : 2004
  • Pages : 1120
  • ISBN : 9780393978681
  • Language : En, Es, Fr & De
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Sophisticated in its analytical content, current and comprehensive in its coverage of all aspects of film and filmmaking, and informed throughout by fascinating historical and cultural contexts, A History of Narrative Film is widely acknowledged to be the definitive text in the field.

A History of Narrative Film

A History of Narrative Film
Fifth Edition

by David A. Cook

  • Publisher : W. W. Norton & Company
  • Release : 2016-02-01
  • Pages : 845
  • ISBN : 0393920097
  • Language : En, Es, Fr & De
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Sophisticated in its analytical content, current in its coverage, and informed throughout by fascinating historical and cultural contexts, A History of Narrative Film is one of the most respected and widely read texts in film studies. This Fifth Edition features a new chapter on twenty-first century film, and includes refreshed coverage of contemporary digital production, distribution, and consumption of film. Now 20% shorter, with new four-color design and an updated art program, A History of Narrative Film is also the only film history text available as an ebook.

A History of Narrative Film

A History of Narrative Film

by David A. Cook

  • Publisher : W W Norton & Company Incorporated
  • Release : 1996
  • Pages : 1087
  • ISBN : 9780393968194
  • Language : En, Es, Fr & De
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Adopted at over 325 colleges and universities in its Second Edition, David A. Cook's A History of Narrative Film has established itself as a leader in its field. Throughout, A History of Narrative Film integrates film history and aesthetics with an astute analysis of the technological, social, and economic context of world cinema. The Third Edition has been revised to include new and significant scholarship on early cinema and to feature the latest developments in contemporary film around the world.

A History of Narrative Film

A History of Narrative Film

by David A. Cook

  • Publisher :
  • Release : 1981
  • Pages : 329
  • ISBN : 9789393090225
  • Language : En, Es, Fr & De
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A History of Narrative Film

A History of Narrative Film

by David A. Cook

  • Publisher : New York : Norton
  • Release : 1981
  • Pages : 721
  • ISBN : 9780393090222
  • Language : En, Es, Fr & De
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A History of Narrative Film

A History of Narrative Film

by David A. Cook

  • Publisher : W. W. Norton
  • Release : 2016-02
  • Pages : 864
  • ISBN : 9780393600773
  • Language : En, Es, Fr & De
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A trusted reference, a popular teaching text, and a well-written history is now bolder, briefer, and better than ever.Sophisticated in its analytical content, current in its coverage, and informed throughout by fascinating historical and cultural contexts, A History of Narrative Film is one of the most respected and widely read texts in film studies. This Fifth Edition features a new chapter on twenty-first century film, and includes refreshed coverage of contemporary digital production, distribution, and consumption of film. Now 20% shorter, with new four-color design and an updated art program, A History of Narrative Film is also the only film history text available as an ebook.

Closely Watched Films

Closely Watched Films
An Introduction to the Art of Narrative Film Technique

by Marilyn Fabe

  • Publisher : Univ of California Press
  • Release : 2014-11-24
  • Pages : 312
  • ISBN : 0520959019
  • Language : En, Es, Fr & De
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How do films work? How do they tell a story? How do they move us and make us think? Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch. Ranging from D. W. Griffith's The Birth of a Nation to James Cameron’s Avatar, and ending with an epilogue on digital media, Closely Watched Films focuses on exemplary works of fourteen film directors whose careers together span the history of the narrative film. Lively and down-to-earth, this concise introduction provides a broad, complete, and yet specific picture of visual narrative techniques that will increase readers' excitement about and knowledge of the possibilities of the film medium. Shot-by-shot analyses of short passages from each film ground theory in concrete examples. Fabe includes original and well-informed discussions of Soviet montage, realism and expressionism in film form, classical and modern sound theory, the classic Hollywood film, Italian neorealism, the French New Wave, auteur theory, modernism and postmodernism in film, political cinema, feminist film theory and practice, and narrative experiments in new digital media. Encompassing the earliest silent films as well as those that exploit the most recent technological innovations, this book gives us the particulars of how film—arguably the most influential of contemporary forms of representation—constitutes our pleasure, influences our thoughts, and informs our daily reality. Updated to include a discussion of 3-D and advanced special effects, this tenth anniversary edition is an essential film studies text for students and professors alike.

A New History of Japanese Cinema

A New History of Japanese Cinema

by Isolde Standish

  • Publisher : Bloomsbury Publishing USA
  • Release : 2006-05-08
  • Pages : 416
  • ISBN : 1441161546
  • Language : En, Es, Fr & De
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In A New History of Japanese Cinema Isolde Standish focuses on the historical development of Japanese film. She details an industry and an art form shaped by the competing and merging forces of traditional culture and of economic and technological innovation. Adopting a thematic, exploratory approach, Standish links the concept of Japanese cinema as a system of communication with some of the central discourses of the twentieth century: modernism, nationalism, humanism, resistance, and gender. After an introduction outlining the earliest years of cinema in Japan, Standish demonstrates cinema's symbolic position in Japanese society in the 1930s - as both a metaphor and a motor of modernity. Moving into the late thirties and early forties, Standish analyses cinema's relationship with the state-focusing in particular on the war and occupation periods. The book's coverage of the post-occupation period looks at "romance" films in particular. Avant-garde directors came to the fore during the 1960s and early seventies, and their work is discussed in depth. The book concludes with an investigation of genre and gender in mainstream films of recent years. In grappling with Japanese film history and criticism, most western commentators have concentrated on offering interpretations of what have come to be considered "classic" films. A New History of Japanese Cinema takes a genuinely innovative approach to the subject, and should prove an essential resource for many years to come.

D.W. Griffith and the Origins of American Narrative Film

D.W. Griffith and the Origins of American Narrative Film
The Early Years at Biograph

by Tom Gunning

  • Publisher : University of Illinois Press
  • Release : 1994
  • Pages : 316
  • ISBN : 9780252063664
  • Language : En, Es, Fr & De
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Emotion and the Structure of Narrative Film

Emotion and the Structure of Narrative Film
Film As An Emotion Machine

by Ed S. Tan

  • Publisher : Routledge
  • Release : 2013-10-16
  • Pages : 312
  • ISBN : 1136694978
  • Language : En, Es, Fr & De
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Introduced one hundred years ago, film has since become part of our lives. For the past century, however, the experience offered by fiction films has remained a mystery. Questions such as why adult viewers cry and shiver, and why they care at all about fictional characters -- while aware that they contemplate an entirely staged scene -- are still unresolved. In addition, it is unknown why spectators find some film experiences entertaining that have a clearly aversive nature outside the cinema. These and other questions make the psychological status of emotions allegedly induced by the fiction film highly problematic. Earlier attempts to answer these questions have been limited to a few genre studies. In recent years, film criticism and the theory of film structure have made use of psychoanalytic concepts which have proven insufficient in accounting for the diversity of film induced affect. In contrast, academic psychology -- during the century of its existence -- has made extensive study of emotional responses provoked by viewing fiction film, but has taken the role of film as a natural stimulus completely for granted. The present volume bridges the gap between critical theories of film on the one hand, and recent psychological theory and research of human emotion on the other, in an attempt to explain the emotions provoked by fiction film. This book integrates insights on the narrative structure of fiction film including its themes, plot structure, and characters with recent knowledge on the cognitive processing of natural events, and narrative and person information. It develops a theoretical framework for systematically describing emotion in the film viewer. The question whether or not film produces genuine emotion is answered by comparing affect in the viewer with emotion in the real world experienced by persons witnessing events that have personal significance to them. Current understanding of the psychology of emotions provides the basis for identifying critical features of the fiction film that trigger the general emotion system. Individual emotions are classified according to their position in the affect structure of a film -- a larger system of emotions produced by one particular film as a whole. Along the way, a series of problematic issues is dealt with, notably the reality of the emotional stimulus in film, the identification of the viewer with protagonists on screen, and the necessity of the viewer's cooperation in arriving at a genuine emotion. Finally, it is argued that film-produced emotions are genuine emotions in response to an artificial stimulus. Film can be regarded as a fine-tuned machine for a continuous stream of emotions that are entertaining after all. The work paves the way for understanding and, in principle, predicting emotions in the film viewer using existing psychological instruments of investigation. Dealing with the problems of film-induced affect and rendering them accessible to formal modeling and experimental method serves a wider interest of understanding aesthetic emotion -- the feelings that man-made products, and especially works of art, can evoke in the beholder.

A New History of Japanese Cinema

A New History of Japanese Cinema

by Isolde Standish

  • Publisher : Bloomsbury Publishing USA
  • Release : 2006-05-08
  • Pages : 416
  • ISBN : 1441161546
  • Language : En, Es, Fr & De
GET BOOK

In A New History of Japanese Cinema Isolde Standish focuses on the historical development of Japanese film. She details an industry and an art form shaped by the competing and merging forces of traditional culture and of economic and technological innovation. Adopting a thematic, exploratory approach, Standish links the concept of Japanese cinema as a system of communication with some of the central discourses of the twentieth century: modernism, nationalism, humanism, resistance, and gender. After an introduction outlining the earliest years of cinema in Japan, Standish demonstrates cinema's symbolic position in Japanese society in the 1930s - as both a metaphor and a motor of modernity. Moving into the late thirties and early forties, Standish analyses cinema's relationship with the state-focusing in particular on the war and occupation periods. The book's coverage of the post-occupation period looks at "romance" films in particular. Avant-garde directors came to the fore during the 1960s and early seventies, and their work is discussed in depth. The book concludes with an investigation of genre and gender in mainstream films of recent years. In grappling with Japanese film history and criticism, most western commentators have concentrated on offering interpretations of what have come to be considered "classic" films. A New History of Japanese Cinema takes a genuinely innovative approach to the subject, and should prove an essential resource for many years to come.

An Introduction to Film Analysis

An Introduction to Film Analysis
Technique and Meaning in Narrative Film

by Michael Ryan,Melissa Lenos

  • Publisher : Bloomsbury Publishing USA
  • Release : 2020-04-16
  • Pages : 288
  • ISBN : 1501318551
  • Language : En, Es, Fr & De
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An Introduction to Film Analysis is designed to introduce students to filmmaking techniques while also providing an invaluable guide to film interpretation. It takes readers step by step through: -the basic technical terms -shot-by-shot analyses of film sequences -set design, composition, editing, camera work, post-production, art direction and more -each chapter provides clear examples and full colour images from classic as well as contemporary films Ryan and Lenos's updated edition introduces students to the different kinds of lenses and their effects, the multiple possibilities of lighting, and the way post-production modifies images through such processes as saturation and desaturation. Students will learn to ask why the camera is placed where it is, why an edit occurs where it does, or why the set is designed in a certain way. The second section of the book focuses on critical analysis, introducing students to the various approaches to film, from psychology to history, with new analysis on postcolonial, transnational and Affect Theory. New to this edition is a third section featuring several in-depth analyses of films to put into practice what comes before: The Birds, The Shining, Vagabond, In the Mood for Love, Before the Devil Knows You're Dead.

A Theory of Narrative

A Theory of Narrative

by Rick Altman

  • Publisher : Columbia University Press
  • Release : 2008
  • Pages : 377
  • ISBN : 9780231144292
  • Language : En, Es, Fr & De
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Narrative is a powerful element of human culture, storing and sharing the cherished parts of our personal memories and giving structure to our laws, entertainment, and history. This text presents a wide-ranging and wholly original approach to understanding the nature of narrative.

The Children's Film

The Children's Film
Genre, Nation, and Narrative

by Noel Brown

  • Publisher : Columbia University Press
  • Release : 2017-05-16
  • Pages : 144
  • ISBN : 0231851111
  • Language : En, Es, Fr & De
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Films for children and young people are a constant in the history of cinema, from its beginnings to the present day. This book serves as a comprehensive introduction to the children's film, examining its recurrent themes and ideologies, and common narrative and stylistic principles. Opening with a thorough consideration of how the genre may be defined, this volume goes on to explore how children's cinema has developed across its broad historical and geographic span, with particular reference to films from the United States, Britain, France, Denmark, Russia, India, and China. Analyzing changes and continuities in how children's film has been conceived, it argues for a fundamental distinction between commercial productions intended primarily to entertain, and non-commercial films made under pedagogical principles, and produced for purposes of moral and behavioral instruction. In elaborating these different forms, this book outlines a history of children's cinema from the early days of commercial cinema to the present, explores key critical issues, and provides case studies of major children's films from around the world.

The Woman's Film of the 1940s

The Woman's Film of the 1940s
Gender, Narrative, and History

by Alison L. McKee

  • Publisher : Routledge
  • Release : 2014-04-03
  • Pages : 208
  • ISBN : 1135053707
  • Language : En, Es, Fr & De
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This book explores the relationship among gender, desire, and narrative in 1940s woman’s films which negotiate the terrain between public history and private experience. The woman’s film and other form of cinematic melodrama have often been understood as positioning themselves outside history, and this book challenges and modifies that understanding, contextualizing the films it considers against the backdrop of World War II. In addition, in paying tribute to and departing from earlier feminist formulations about gendered spectatorship in cinema, McKee argues that such models emphasized a masculine-centered gaze at the inadvertent expense of understanding other possible modes of identification and gender expression in classical narrative cinema. She proposes ways of understanding gender and narrative based in part on literary narrative theory and ultimately works toward a notion of an androgynous spectatorship and mode of interpretation in the 1940s woman’s film.

Altman and After

Altman and After
Multiple Narratives in Film

by Peter F. Parshall

  • Publisher : Scarecrow Press
  • Release : 2012-06-21
  • Pages : 264
  • ISBN : 0810885077
  • Language : En, Es, Fr & De
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In Altman & After: Multiple Narratives in Film, Peter Parshall carefully examines films that feature various plotlines. In each chapter, Parshall looks at a different example of the multi-plot form, such as network narrative and the multiple-draft narrative, demonstrating that the structure of each is central to their artistry, and that these devices open up a variety of creative vistas. Films studied in this book include Nashville, Pulp Fiction, Amores Perros, Code Unknown, The Edge of Heaven, Virgin Stripped Bare by Her Bachelors, Run Lola Run, and Kieslowski’s Three Colors trilogy: Red, White, and Blue.

Story and Discourse

Story and Discourse
Narrative Structure in Fiction and Film

by Seymour Chatman

  • Publisher : Cornell University Press
  • Release : 2019-06-30
  • Pages : 288
  • ISBN : 1501741616
  • Language : En, Es, Fr & De
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This book is the first comprehensive approach in English to a general theory of narrative, both in verbal and in visual media. The primary question to which Professor Chatman addresses himself is what narrative is in itself. Following such French structuralists as Roland Barthes, Tzvetan Todorov, and Gerard Genette, he posits a what and a way. "The what of narrative," he says, "I call its 'story'; the way, I call its 'discourse.'" Liberally illustrating his concepts with discussions of particular novels and films, he effects a synthesis of the latest Continental critical thinking about narrative and the Anglo-American tradition exemplified by Henry James, Percy Lubbock, Wayne Booth, and others. A judicious and well-informed book, Story and Discourse should become a standard guide to narrative and to modern thinking about narrative.

The Fiction of Narrative

The Fiction of Narrative
Essays on History, Literature, and Theory, 1957–2007

by Hayden White

  • Publisher : JHU Press
  • Release : 2010-06
  • Pages : 382
  • ISBN : 0801894808
  • Language : En, Es, Fr & De
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For students and scholars of historiography, the theory of history, and literary studies, Robert Doran (French and comparative literature, U. of Rochester) gathers together 23 previously uncollected essays written by theorist and historian Hayden White (comparative literature, Stanford U.) from 1957 to 2007, on his theories of historical writing and narrative. Essays are organized chronologically and reveal the evolution of White's thought and its relationship to theories of the time, as well as the impact on the way scholars think about historical representation, the discipline of history, and how historiography intersects with other areas, especially literary studies. They specifically address theory of tropes, theory of narrative, and figuralism.

Voice and Vision: A Creative Approach to Narrative Film and DV Production

Voice and Vision: A Creative Approach to Narrative Film and DV Production

by Mick Hurbis-Cherrier

  • Publisher : Taylor & Francis
  • Release : 2007-03-13
  • Pages : 560
  • ISBN : 1136067892
  • Language : En, Es, Fr & De
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Voice & Vision is a comprehensive manual for the independent filmmakers and film students who want a solid grounding in the tools, techniques, and processes of narrative film in order to achieve their artistic vision. This book includes essential and detailed information on relevant film and digital video tools, a thorough overview of the filmmaking stages, and the aesthetic considerations for telling a visual story. The ultimate goal of this book is to help you develop your creative voice while acquiring the solid practical skills and confidence to use it. Unlike many books that privilege raw technical information or the line-producing aspects of production, Voice & Vision places creativity, visual expression, and cinematic ideas front and center. After all, every practical decision a filmmaker makes, like choosing a location, an actor, a film stock, a focal length, a lighting set-up, an edit point, or a sound effect is also an expressive one and should serve the filmmaker's vision. Every decision, from the largest conceptual choices to the smallest practical solutions, has a profound impact on what appears on the screen and how it moves an audience. "In Practice sidebars throughout Voice & Vision connect conceptual, aesthetic and technical issues to their application in the real world. Some provide a brief analysis of a scene or technique from easily rentable films which illustrate how a specific technology or process is used to support a conceptual, narrative, or aesthetic choice. Others recount common production challenges encountered on real student and professional shoots which will inspire you to be innovative and resourceful when you are solving your own filmmaking challenges.

A History of Narrative Film 1st Ed

A History of Narrative Film 1st Ed

by N.A

  • Publisher :
  • Release :
  • Pages : 721
  • ISBN : 9780393013702
  • Language : En, Es, Fr & De
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