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America on Film

America on Film
Representing Race, Class, Gender,and Sexuality at the Movies

by Harry M. Benshoff,Sean Griffin

  • Publisher : Wiley-Blackwell
  • Release : 2003-10-20
  • Pages : 392
  • ISBN : 9780631225836
  • Language : En, Es, Fr & De
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America on Film: Representing Race, Class, Gender, and Sexuality in the Movies is a lively introduction to issues of diversity as represented within the American cinema. Introduces issues of diversity as represented within the American cinema in a lively and accessible manner. Provides a comprehensive overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, and sexuality. Is designed specifically for students and includes 101 illustrations, a glossary of key terms, questions for discussion, and lists for futher reading and further viewing. Includes case studies of a number of films, including The Lion King, The Jazz Singer, Smoke Signals, The Grapes of Wrath, and The Celluloid Closet. Each chapter features a concise overview of the topic at hand, a discussion of representative films, figures, and movements, and an in-depth analysis of a single film.

America on Film: Representing Race, Class, Gender, and Sexuality at the Movies, 2nd Ed

America on Film: Representing Race, Class, Gender, and Sexuality at the Movies, 2nd Ed
A Book

by Harry M. & Sean Griffin Benshoff

  • Publisher : Unknown Publisher
  • Release : 2009
  • Pages : 329
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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America on Film

America on Film
Modernism, Documentary, and a Changing America

by Sam B. Girgus

  • Publisher : Cambridge University Press
  • Release : 2002-10-17
  • Pages : 226
  • ISBN : 9780521009317
  • Language : En, Es, Fr & De
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America on Film, first published in 2002, examines how the notion of 'American' has changed from American cinema up to the 1950s.

Outlines and Highlights for America on Film

Outlines and Highlights for America on Film
Representing Race, Class, Gender, and Sexuality at the Movies by Harry M. Benshoff, ISBN

by Cram101 Textbook Reviews

  • Publisher : Academic Internet Pub Incorporated
  • Release : 2013-01-01
  • Pages : 210
  • ISBN : 9781618120373
  • Language : En, Es, Fr & De
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Never HIGHLIGHT a Book Again! Virtually all of the testable terms, concepts, persons, places, and events from the textbook are included. Cram101 Just the FACTS101 studyguides give all of the outlines, highlights, notes, and quizzes for your textbook with optional online comprehensive practice tests. Only Cram101 is Textbook Specific. Accompanys: 9781405170550 .

America on Film

America on Film
Representing Race, Class, Gender, and Sexuality at the Movies

by Harry M. Benshoff,Sean Griffin

  • Publisher : John Wiley & Sons
  • Release : 2021-04-20
  • Pages : 448
  • ISBN : 1118743652
  • Language : En, Es, Fr & De
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A comprehensive and insightful examination of the representation of diverse viewpoints and perspectives in American cinema throughout the 20th and 21st centuries America on Film: Representing Race, Class, Gender and Sexuality at the Movies, now in its third edition, is an authoritative and lively examination of diversity issues within American cinema. Celebrated authors and academics Harry M. Benshoff and Sean Griffin provide readers with a comprehensive discussion and overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, sexuality, and ability. The book incorporates several different theoretical perspectives, including film genre, auteurism, cultural studies, Orientalism, the "male gaze," feminism, and queer theory. The authors examine each selected subject via representative films, figures, and movements. Each chapter also includes an in-depth analysis of a single film to illuminate and inform its discussion of the chosen topic. America on Film fearlessly approaches and tackles several controversial areas of representation in film, including the portrayal of both masculinity and femininity in film and African- and Asian-Americans in film. It devotes the entirety of Part V to an analysis of the depiction of sex and sexuality in American film, with a particular emphasis on the portrayal of homosexuality. Topics covered include: The structure and history of American filmmaking, including a discussion of the evolution of the business of Hollywood cinema African Americans and American film, with a discussion of BlacKkKlansman informing its examination of broader issues Asian, Latin/x, and Native Americans on film Classical Hollywood cinema and class, with an in-depth examination of The Florida Project Women in classical Hollywood filmmaking, including a discussion of the 1955 film, All that Heaven Allows Perfect for undergraduate and graduate students in film, media, and diversity-related courses, the book also belongs on the shelves of anyone interested in diversity issues in the context of American studies, communications, history, or gender studies. Lastly, it's ideal for use within corporate diversity training curricula and human relations training within the entertainment industry.

America on Film

America on Film
Hollywood and American History

by Kenneth M. Cameron

  • Publisher : Burns & Oates
  • Release : 1997
  • Pages : 272
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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The challenge of making the great American historical film has attracted some of our finest talents: D. W. Griffith, John Ford, Robert Altman, Francis Ford Coppola, Martin Scorsese, Oliver Stone, Spike Lee. From the earliest flickering images of The Spirit of 76 (1905) through Nixon, America on Film subtly and entertainingly examines Hollywood's filming of American history, including biographies. Among the many films considered, some omissions seem surprising: The Birth of a Nation and Gone with the Wind, for example, since they are based on fiction. But The Iron Horse, The Beginning or the End?, the Jackie Robinson Story, Patton, Quiz Show, Lenny, Malcolm, X, Apollo 13, and literally hundreds of others are all here. Through these many movies, we see the interrelationships between image and substance, illusion and reality, racism and democracy, and cynicism and idealism, which form America's unique national identity.

America on Film

America on Film
Modernism, Documentary, and a Changing America

by Sam B. Girgus

  • Publisher : Cambridge University Press
  • Release : 2002-10-17
  • Pages : 238
  • ISBN : 9780521810920
  • Language : En, Es, Fr & De
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This study examines a selection of films made in the last quarter of the twentieth century in an effort to trace how the notion of "American" has changed drastically from that portrayed in American cinema up to the 1950s. In works such as Mississippi Masala, Lone Star, Malcolm X, Raging Bull, When We Were Kings and Bugsy Sam Girgus finds a new and ethnically varied array of characters that embody American values, ideals and conflicts. He charts these changes through analysis of cinematic tensions between fiction, documentary and modernism.

Film and Television Analysis

Film and Television Analysis
An Introduction to Methods, Theories, and Approaches

by Harry Benshoff

  • Publisher : Routledge
  • Release : 2015-09-16
  • Pages : 318
  • ISBN : 1136473890
  • Language : En, Es, Fr & De
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Film and Television Analysis is especially designed to introduce undergraduate students to the most important qualitative methodologies used to study film and television. The methodologies covered include: ideological analysis auteur theory genre theory semiotics and structuralism psychoanalysis and apparatus theory feminism postmodernism cultural studies (including reception and audience studies) contemporary approaches to race, nation, gender, and sexuality. With each chapter focusing on a distinct methodology, students are introduced to the historical developments of each approach, along with its vocabulary, significant scholars, key concepts and case studies. Other features include: Over 120 color images throughout Questions for discussion at the end of each chapter Suggestions for further reading A glossary of key terms. Written in a reader-friendly manner Film and Television Analysis is a vital textbook for students encountering these concepts for the first time.

"Film Europe" and "Film America"

'Film Europe' and 'Film America'
Cinema, Commerce and Cultural Exchange, 1920-1939

by Andrew Higson,Richard Maltby

  • Publisher : Unknown Publisher
  • Release : 1999
  • Pages : 406
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Winner of the 2000 Prix Jean Mitry. A volume of specially-commissioned essays dealing with the attempts to create a pan-European film production movement in the 1920s and 1930s, and the reactions of the American film industry to these plans to rival its hegemony. The book has an impressive array of top scholars from both America and Europe, including Thomas Elsaesser, Kristin Thompson and Ginette Vincendeau, as well as essays by some younger scholars who have recently completed new archival research. It also includes a number of primary documents selected by the contributors to illuminate their arguments and provide a stimulus to further research. This book is a volume in the series Exeter Studies in Film History, and represents a major contribution to cinema scholarship as well as reflecting a strong interest in an area of study currently being developed in university departments and at the British Film Institute. Winner Prix Jean Mitry 2000

Hetero

Hetero
Queering Representations of Straightness

by Sean Griffin

  • Publisher : SUNY Press
  • Release : 2021
  • Pages : 278
  • ISBN : 1438426380
  • Language : En, Es, Fr & De
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Uncovers the queer nature of heterosexuality on film.

A Companion to the Horror Film

A Companion to the Horror Film
A Book

by Harry M. Benshoff

  • Publisher : John Wiley & Sons
  • Release : 2017-01-17
  • Pages : 608
  • ISBN : 1119335019
  • Language : En, Es, Fr & De
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"Offers a critical survey of the art and practice of horror movies covering everything from craft and technique, historical developments, and modern-day trends, to broader topics opening onto the socio-political dimensions of the genre. The volume begins with essays devoted to the theoretical methodologies used to study the genre, from cognitive and philosophical approaches, through audience reception and psychoanalysis, to those approaches that examine gender, sexuality, race, class, and (dis) ability in relation to the horror film. Subsequent sections cover horror film aesthetics, the history of the genre, and specific subjects including distribution and the relationship between horror, art house movies, and the documentary impulse."--Provided by publisher.

Mixed Race Cinemas

Mixed Race Cinemas
Multiracial Dynamics in America and France

by Zélie Asava

  • Publisher : Bloomsbury Publishing USA
  • Release : 2017-09-07
  • Pages : 216
  • ISBN : 1501312480
  • Language : En, Es, Fr & De
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Using critical race theory and film studies to explore the interconnectedness between cinema and society, Zélie Asava traces the history of mixed-race representations in American and French filmmaking from early and silent cinema to the present day. Mixed Race Cinemas covers over a hundred years of filmmaking to chart the development of (black/white) mixed representations onscreen. With the 21st century being labelled the Mulatto Millennium, mixed bodies are more prevalent than ever in the public sphere, yet all too often they continue to be positioned as exotic, strange and otherworldly, according to 'tragic mulatto' tropes. This book evaluates the potential for moving beyond fixed racial binaries both onscreen and off by exploring actors and characters who embody the in-between. Through analyses of over 40 movies, and case studies of key films from the 1910s on, Mixed Race Cinemas illuminates landmark shifts in local and global cinema, exploring discourses of subjectivity, race, gender, sexuality and class. In doing so, it reveals the similarities and contrasts between American and French cinema in relation to recognising, visualising and constructing mixedness. Mixed Race Cinemas contextualizes and critiques raced and 'post-race' visual culture, using cinematic representations to illustrate changing definitions of mixed identity across different historical and geographical contexts.

Free and Easy?

Free and Easy?
A Defining History of the American Film Musical Genre

by Sean Griffin

  • Publisher : John Wiley & Sons
  • Release : 2017-05-25
  • Pages : 376
  • ISBN : 1118322843
  • Language : En, Es, Fr & De
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A History of the American Musical narrates the evolution of the film musical genre, discussing its influences and how it has come to be defined; the first text on this subject for over two decades, it employs the very latest concepts and research. The most up-to-date text on the subject, with uniquely comprehensive coverage and employing the very latest concepts and research Surveys centuries of music history from the music and dance of Native Americans to contemporary music performance in streaming media Examines the different ways the film musical genre has been defined, what gets counted as a musical, why, and who gets to make that decision The text is written in an accessible manner for general cinema and musical theatre buffs, whilst retaining theoretical rigour in research Describes the contributions made to the genre by marginalized or subordinated identity groups who have helped invent and shape the musical

America, History and Life

America, History and Life
A Book

by Anonim

  • Publisher : Unknown Publisher
  • Release : 2006
  • Pages : 329
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Article abstracts and citations of reviews and dissertations covering the United States and Canada.

America on Film and Tape

America on Film and Tape
A Topical Catalog of Audiovisual Resources for the Study of United States History, Society, and Culture

by Howard B. Hitchens

  • Publisher : Greenwood Publishing Group
  • Release : 1985
  • Pages : 392
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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"an excellent resource on locating audiovisual materials covering a wide variety of topics in American Studies. Both librarians and teachers should find it quite helpful. Recommended for all libraries." Reference Book Review

Journal of American Studies

Journal of American Studies
A Book

by Anonim

  • Publisher : Unknown Publisher
  • Release : 2003
  • Pages : 329
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Dark Shadows

Dark Shadows
A Book

by Harry M. Benshoff

  • Publisher : Wayne State University Press
  • Release : 2011
  • Pages : 130
  • ISBN : 0814334393
  • Language : En, Es, Fr & De
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Explores the cultural, industrial, formal, and generic contexts of the television soap opera Dark Shadows as a precursor to today's popular gothic media franchises.

Mediamerica, Mediaworld

Mediamerica, Mediaworld
Form, Content, and Consequence of Mass Communication

by Edward Jay Whetmore

  • Publisher : Unknown Publisher
  • Release : 1993
  • Pages : 492
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Levinas and the Cinema of Redemption

Levinas and the Cinema of Redemption
Time, Ethics, and the Feminine

by Sam B. Girgus

  • Publisher : Columbia University Press
  • Release : 2010-04-13
  • Pages : 272
  • ISBN : 0231519494
  • Language : En, Es, Fr & De
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In his philosophy of ethics and time, Emmanuel Levinas highlighted the tension that exists between the "ontological adventure" of immediate experience and the "ethical adventure" of redemptive relationships-associations in which absolute responsibility engenders a transcendence of being and self. In an original commingling of philosophy and cinema study, Sam B. Girgus applies Levinas's ethics to a variety of international films. His efforts point to a transnational pattern he terms the "cinema of redemption" that portrays the struggle to connect to others in redeeming ways. Girgus not only reveals the power of these films to articulate the crisis between ontological identity and ethical subjectivity. He also locates time and ethics within the structure and content of film itself. Drawing on the work of Luce Irigaray, Tina Chanter, Kelly Oliver, and Ewa Ziarek, Girgus reconsiders Levinas and his relationship to film, engaging with a feminist focus on the sexualized female body. Girgus offers fresh readings of films from several decades and cultures, including Frank Capra's Mr. Smith Goes to Washington (1939), Federico Fellini's La dolce vita (1959), Michelangelo Antonioni's L'avventura (1960), John Huston's The Misfits (1961), and Philip Kaufman's The Unbearable Lightness of Being (1988).

America on the Edge

America on the Edge
Is it Too Late to Turn Back?

by Thomas D. Elliff

  • Publisher : National Christian Ministries
  • Release : 1992
  • Pages : 128
  • ISBN : 9780963461407
  • Language : En, Es, Fr & De
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