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America on Film

America on Film
Hollywood and American History

by Kenneth M. Cameron

  • Publisher : Burns & Oates
  • Release : 1997
  • Pages : 272
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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The challenge of making the great American historical film has attracted some of our finest talents: D. W. Griffith, John Ford, Robert Altman, Francis Ford Coppola, Martin Scorsese, Oliver Stone, Spike Lee. From the earliest flickering images of The Spirit of 76 (1905) through Nixon, America on Film subtly and entertainingly examines Hollywood's filming of American history, including biographies. Among the many films considered, some omissions seem surprising: The Birth of a Nation and Gone with the Wind, for example, since they are based on fiction. But The Iron Horse, The Beginning or the End?, the Jackie Robinson Story, Patton, Quiz Show, Lenny, Malcolm, X, Apollo 13, and literally hundreds of others are all here. Through these many movies, we see the interrelationships between image and substance, illusion and reality, racism and democracy, and cynicism and idealism, which form America's unique national identity.

Outlines and Highlights for America on Film

Outlines and Highlights for America on Film
Representing Race, Class, Gender, and Sexuality at the Movies by Harry M. Benshoff, ISBN

by Cram101 Textbook Reviews

  • Publisher : Academic Internet Pub Incorporated
  • Release : 2013-01-01
  • Pages : 210
  • ISBN : 9781618120373
  • Language : En, Es, Fr & De
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Never HIGHLIGHT a Book Again! Virtually all of the testable terms, concepts, persons, places, and events from the textbook are included. Cram101 Just the FACTS101 studyguides give all of the outlines, highlights, notes, and quizzes for your textbook with optional online comprehensive practice tests. Only Cram101 is Textbook Specific. Accompanys: 9781405170550 .

America on Film

America on Film
Modernism, Documentary, and a Changing America

by Sam B. Girgus

  • Publisher : Cambridge University Press
  • Release : 2002-10-17
  • Pages : 238
  • ISBN : 9780521810920
  • Language : En, Es, Fr & De
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This study examines a selection of films made in the last quarter of the twentieth century in an effort to trace how the notion of "American" has changed drastically from that portrayed in American cinema up to the 1950s. In works such as Mississippi Masala, Lone Star, Malcolm X, Raging Bull, When We Were Kings and Bugsy Sam Girgus finds a new and ethnically varied array of characters that embody American values, ideals and conflicts. He charts these changes through analysis of cinematic tensions between fiction, documentary and modernism.

America on Film

America on Film
Modernism, Documentary, and a Changing America

by Sam B. Girgus

  • Publisher : Cambridge University Press
  • Release : 2002-10-17
  • Pages : 226
  • ISBN : 9780521009317
  • Language : En, Es, Fr & De
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In America on Film, first published in 2002, Sam Girgus examines a selection of films made in the last quarter of the twentieth century in an effort to trace how the notion of 'American' has changed drastically from that portrayed in American cinema up to the 1950s. In works such as Mississippi Masala, Lone Star, Malcolm X, Raging Bull, When We Were Kings, and Bugsy he finds a new and ethnically varied array of characters that embody American values, ideals, and conflicts; and a transformation in the relationship of American identity and culture to race and ethnicity, as well as to sexuality, gender, and the body. America on Film charts these changes through analysis of cinematic tensions between fiction, documentary, and modernism. An art form that combines fragments of reality with imagination, film, Girgus maintains, connects the documentary realism of the photographic image to the abstraction and non-representation of modernism.

Film and Television Analysis

Film and Television Analysis
An Introduction to Methods, Theories, and Approaches

by Harry Benshoff

  • Publisher : Routledge
  • Release : 2015-09-16
  • Pages : 318
  • ISBN : 1136473890
  • Language : En, Es, Fr & De
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Film and Television Analysis is especially designed to introduce undergraduate students to the most important qualitative methodologies used to study film and television. The methodologies covered include: ideological analysis auteur theory genre theory semiotics and structuralism psychoanalysis and apparatus theory feminism postmodernism cultural studies (including reception and audience studies) contemporary approaches to race, nation, gender, and sexuality. With each chapter focusing on a distinct methodology, students are introduced to the historical developments of each approach, along with its vocabulary, significant scholars, key concepts and case studies. Other features include: Over 120 color images throughout Questions for discussion at the end of each chapter Suggestions for further reading A glossary of key terms. Written in a reader-friendly manner Film and Television Analysis is a vital textbook for students encountering these concepts for the first time.

America on Film

America on Film
Representing Race, Class, Gender, and Sexuality at the Movies

by Harry M. Benshoff,Sean Griffin

  • Publisher : John Wiley & Sons
  • Release : 2021-04-20
  • Pages : 448
  • ISBN : 1118743652
  • Language : En, Es, Fr & De
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A comprehensive and insightful examination of the representation of diverse viewpoints and perspectives in American cinema throughout the 20th and 21st centuries America on Film: Representing Race, Class, Gender and Sexuality at the Movies, now in its third edition, is an authoritative and lively examination of diversity issues within American cinema. Celebrated authors and academics Harry M. Benshoff and Sean Griffin provide readers with a comprehensive discussion and overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, sexuality, and ability. The book incorporates several different theoretical perspectives, including film genre, auteurism, cultural studies, Orientalism, the "male gaze," feminism, and queer theory. The authors examine each selected subject via representative films, figures, and movements. Each chapter also includes an in-depth analysis of a single film to illuminate and inform its discussion of the chosen topic. America on Film fearlessly approaches and tackles several controversial areas of representation in film, including the portrayal of both masculinity and femininity in film and African- and Asian-Americans in film. It devotes the entirety of Part V to an analysis of the depiction of sex and sexuality in American film, with a particular emphasis on the portrayal of homosexuality. Topics covered include: The structure and history of American filmmaking, including a discussion of the evolution of the business of Hollywood cinema African Americans and American film, with a discussion of BlacKkKlansman informing its examination of broader issues Asian, Latin/x, and Native Americans on film Classical Hollywood cinema and class, with an in-depth examination of The Florida Project Women in classical Hollywood filmmaking, including a discussion of the 1955 film, All that Heaven Allows Perfect for undergraduate and graduate students in film, media, and diversity-related courses, the book also belongs on the shelves of anyone interested in diversity issues in the context of American studies, communications, history, or gender studies. Lastly, it's ideal for use within corporate diversity training curricula and human relations training within the entertainment industry.

"Film Europe" and "Film America"

'Film Europe' and 'Film America'
Cinema, Commerce and Cultural Exchange, 1920-1939

by Andrew Higson,Richard Maltby

  • Publisher : Unknown Publisher
  • Release : 1999
  • Pages : 406
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Winner of the 2000 Prix Jean Mitry. A volume of specially-commissioned essays dealing with the attempts to create a pan-European film production movement in the 1920s and 1930s, and the reactions of the American film industry to these plans to rival its hegemony. The book has an impressive array of top scholars from both America and Europe, including Thomas Elsaesser, Kristin Thompson and Ginette Vincendeau, as well as essays by some younger scholars who have recently completed new archival research. It also includes a number of primary documents selected by the contributors to illuminate their arguments and provide a stimulus to further research. This book is a volume in the series Exeter Studies in Film History, and represents a major contribution to cinema scholarship as well as reflecting a strong interest in an area of study currently being developed in university departments and at the British Film Institute. Winner Prix Jean Mitry 2000

Colonial America on Film and Television

Colonial America on Film and Television
A Filmography

by Bertil O. Österberg

  • Publisher : McFarland
  • Release : 2009-04-15
  • Pages : 275
  • ISBN : 0786450584
  • Language : En, Es, Fr & De
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The early history of American settlement, pioneering, and independence is marked by fascinating characters and events who are often shrouded in legend. Through the eye of the movie camera, filmmakers have sought to capture these characters and to penetrate the mists of time. This comprehensive filmography provides production information and commentary on all films and television episodes set during the years between the first settlements in the future United States and the fledgling country’s War of 1812 with Britain.

Free and Easy?

Free and Easy?
A Defining History of the American Film Musical Genre

by Sean Griffin

  • Publisher : John Wiley & Sons
  • Release : 2017-05-25
  • Pages : 376
  • ISBN : 1118322843
  • Language : En, Es, Fr & De
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A History of the American Musical narrates the evolution of the film musical genre, discussing its influences and how it has come to be defined; the first text on this subject for over two decades, it employs the very latest concepts and research. The most up-to-date text on the subject, with uniquely comprehensive coverage and employing the very latest concepts and research Surveys centuries of music history from the music and dance of Native Americans to contemporary music performance in streaming media Examines the different ways the film musical genre has been defined, what gets counted as a musical, why, and who gets to make that decision The text is written in an accessible manner for general cinema and musical theatre buffs, whilst retaining theoretical rigour in research Describes the contributions made to the genre by marginalized or subordinated identity groups who have helped invent and shape the musical

Mixed Race Cinemas

Mixed Race Cinemas
Multiracial Dynamics in America and France

by Zélie Asava

  • Publisher : Bloomsbury Publishing USA
  • Release : 2017-09-07
  • Pages : 216
  • ISBN : 1501312480
  • Language : En, Es, Fr & De
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Using critical race theory and film studies to explore the interconnectedness between cinema and society, Zélie Asava traces the history of mixed-race representations in American and French filmmaking from early and silent cinema to the present day. Mixed Race Cinemas covers over a hundred years of filmmaking to chart the development of (black/white) mixed representations onscreen. With the 21st century being labelled the Mulatto Millennium, mixed bodies are more prevalent than ever in the public sphere, yet all too often they continue to be positioned as exotic, strange and otherworldly, according to 'tragic mulatto' tropes. This book evaluates the potential for moving beyond fixed racial binaries both onscreen and off by exploring actors and characters who embody the in-between. Through analyses of over 40 movies, and case studies of key films from the 1910s on, Mixed Race Cinemas illuminates landmark shifts in local and global cinema, exploring discourses of subjectivity, race, gender, sexuality and class. In doing so, it reveals the similarities and contrasts between American and French cinema in relation to recognising, visualising and constructing mixedness. Mixed Race Cinemas contextualizes and critiques raced and 'post-race' visual culture, using cinematic representations to illustrate changing definitions of mixed identity across different historical and geographical contexts.

Dark Shadows

Dark Shadows
A Book

by Harry M. Benshoff

  • Publisher : Wayne State University Press
  • Release : 2011
  • Pages : 130
  • ISBN : 0814334393
  • Language : En, Es, Fr & De
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Explores the cultural, industrial, formal, and generic contexts of the television soap opera Dark Shadows as a precursor to today's popular gothic media franchises.

Pennsylvania's Revolution

Pennsylvania's Revolution
A Book

by William Pencak

  • Publisher : Penn State Press
  • Release : 2010-01
  • Pages : 396
  • ISBN : 027103579X
  • Language : En, Es, Fr & De
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"A collection of essays on the American Revolution in Pennsylvania. Topics include the politicization of the English- and German-language press and the population they served; the Revolution in remote areas of the state; and new historical perspectives on the American and British armies during the Valley Forge winter"--Provided by publisher.

A Companion to the Horror Film

A Companion to the Horror Film
A Book

by Harry M. Benshoff

  • Publisher : John Wiley & Sons
  • Release : 2017-01-17
  • Pages : 608
  • ISBN : 1119335019
  • Language : En, Es, Fr & De
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"Offers a critical survey of the art and practice of horror movies covering everything from craft and technique, historical developments, and modern-day trends, to broader topics opening onto the socio-political dimensions of the genre. The volume begins with essays devoted to the theoretical methodologies used to study the genre, from cognitive and philosophical approaches, through audience reception and psychoanalysis, to those approaches that examine gender, sexuality, race, class, and (dis) ability in relation to the horror film. Subsequent sections cover horror film aesthetics, the history of the genre, and specific subjects including distribution and the relationship between horror, art house movies, and the documentary impulse."--Provided by publisher.

Imagining America at War

Imagining America at War
Morality, Politics and Film

by Cynthia Weber

  • Publisher : Routledge
  • Release : 2020-07-24
  • Pages : 192
  • ISBN : 1000155293
  • Language : En, Es, Fr & De
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Ten films released between 9/11 and Gulf War II reflect raging debates about US foreign policy and what it means to be an American. Tracing the portrayal of America in the films Pearl Harbor (World War II); We Were Soldiers and The Quiet American (the Vietnam War); Behind Enemy Lines, Black Hawk Down and Kandahar (episodes of humanitarian intervention); Collateral Damage and In the Bedroom (vengeance in response to loss); Minority Report (futurist pre-emptive justice); and Fahrenheit 9/11 (an explicit critique of Bush’s entire war on terror), Cynthia Weber presents a stimulating new study of how Americans construct their identity and the moral values that inform their foreign policy. This is not just another book about post-9/11 America. It introduces the concept of 'moral grammars of war', and explains how they are articulated: Many Americans asked in the wake of 9/11 – not only 'why do they hate us?' but 'what does it mean to be a moral America(n) and how might such an America(n) act morally in contemporary international politics? This text explores how these questions were answered at the intersections of official US foreign policy and post-9/11 popular films. It also details US foreign policy formation in relation to traditional US narratives about US identity ‘who we think we were/are’, 'who we wish we’d never been', 'who we really are', and 'who we might become' as well as in relation to their foundations in nationalist discourses of gender and sexuality. This book will be of great interest to students of American Studies, US Foreign Policy, Contemporary US History, Cultural Studies, Gender and Sexuality Studies and Film Studies.

Levinas and the Cinema of Redemption

Levinas and the Cinema of Redemption
Time, Ethics, and the Feminine

by Sam B. Girgus

  • Publisher : Columbia University Press
  • Release : 2010-04-13
  • Pages : 272
  • ISBN : 0231519494
  • Language : En, Es, Fr & De
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In his philosophy of ethics and time, Emmanuel Levinas highlighted the tension that exists between the "ontological adventure" of immediate experience and the "ethical adventure" of redemptive relationships-associations in which absolute responsibility engenders a transcendence of being and self. In an original commingling of philosophy and cinema study, Sam B. Girgus applies Levinas's ethics to a variety of international films. His efforts point to a transnational pattern he terms the "cinema of redemption" that portrays the struggle to connect to others in redeeming ways. Girgus not only reveals the power of these films to articulate the crisis between ontological identity and ethical subjectivity. He also locates time and ethics within the structure and content of film itself. Drawing on the work of Luce Irigaray, Tina Chanter, Kelly Oliver, and Ewa Ziarek, Girgus reconsiders Levinas and his relationship to film, engaging with a feminist focus on the sexualized female body. Girgus offers fresh readings of films from several decades and cultures, including Frank Capra's Mr. Smith Goes to Washington (1939), Federico Fellini's La dolce vita (1959), Michelangelo Antonioni's L'avventura (1960), John Huston's The Misfits (1961), and Philip Kaufman's The Unbearable Lightness of Being (1988).

Cinema and Social Change in Latin America

Cinema and Social Change in Latin America
Conversations with Filmmakers

by Margaret Jean McColl

  • Publisher : Unknown Publisher
  • Release : 1986-11
  • Pages : 302
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Since the late 1960s, films from Latin America have won widening audiences in North America and Europe. Until now, no single book has offered an introduction to the diverse personalities and practices that make up this important regional film movement. In Cinema and Social Change in Latin America, Julianne Burton presents twenty interviews with key figures of Latin American cinema, covering three decades and ranging from Argentina to Mexico. Interviews with pioneers Fernando Birri, Nelson Pereira dos Santos, and Glauber Rocha, renowned feature filmmakers Tomas Gutierrez Alea and Carlos Diegues, prize-winning documentarists Patricio Guzman and Helena Solberg-Ladd, among others, endeavor to balance personal achievement against the backdrop of historical, political, social, and economic circumstances that have influenced each director's career. Presented also are conversations that cast light on the related activities of acting, distribution, theory, criticism, and film-based community organizing. More than their counterparts in other regions of the world, Latin American artists and intellectuals acknowledge the degree to which culture is shaped by history and politics. Since the mid-1950s, a period of rising nationalism and regional consciousness, talented young artists and activists have sought to redefine the uses of the film medium in the Latin American context. Questioning the studio and star systems of the Hollywood industrial model, these innovators have developed new forms, content, and processes of production, distribution, and reception. The specific approaches and priorities of the New Latin American Cinema are far from monolithic. They vary from realism to expressionism, from observational documentary to elaborate fictional constructs, from "imperfect cinema" to a cinema that emulates the high production values of the developed sectors, from self-reflexive to "transparent" cinematic styles, from highly industrialized modes of production to purely artisanal ones. What does not vary is the commitment to film as a vehicle for social transformation and the expression of national and regional cultural autonomy. From early alternative cinema efforts in Argentina, Brazil, and Cuba to a contemporary perspective from within the Mexican commercial industry to the emerging cinema and video production from Central America, Cinema and Social Change in Latin America offers the most comprehensive look at Latin American film available today.

War and Film in America

War and Film in America
Historical and Critical Essays

by Marilyn J. Matelski,Nancy Lynch Street

  • Publisher : McFarland
  • Release : 2003-07-21
  • Pages : 218
  • ISBN : 0786416734
  • Language : En, Es, Fr & De
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America's chief exports are war and entertainment; combined, they are the war films viewed all over the world. The film industry is a partner of the government; American film shapes the ways in which both Americans and others view war. The authors herein explore differing film perspectives across five decades. The essays, written especially for this volume, explore topics such as frontier justice, Cold War fervor, government-sponsored terrorism, the "back-to-Nam" films, films as a venue for propaganda, and war's far-reaching effects on personal values, family relationships, and general civility. The movies used in these analyses vary from conventional battle epics like Bridge on the River Kwai and The Green Berets to motion pictures with a war motif either as part of the story (The Way We Were) or as a historical setting (The Graduate). Some of the films are satirical (Dr. Strangelove); some are propagandistic (The Alamo, Big Jim McLain). Other films include Black Hawk Down, True Lies, The Deer Hunter, Patriot Games and Let There Be Light. Instructors considering this book for use in a course may request an examination copy here.

Library Journal

Library Journal
A Book

by Anonim

  • Publisher : Unknown Publisher
  • Release : 1986
  • Pages : 329
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.

Reel Nature

Reel Nature
America's Romance with Wildlife on Film

by Gregg Mitman,William Coleman Professor of History of Science Gregg Mitman

  • Publisher : Harvard University Press
  • Release : 1999
  • Pages : 263
  • ISBN : 9780674715714
  • Language : En, Es, Fr & De
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Americans have had a long-standing love affair with the wilderness. As cities grew and frontiers disappeared, film emerged to feed an insatiable curiosity about wildlife. The camera promised to bring us into contact with the animal world, undetected and unarmed. Yet the camera's penetration of this world has inevitably brought human artifice and technology into the picture as well. In the first major analysis of American nature films in the twentieth century, Gregg Mitman shows how our cultural values, scientific needs, and new technologies produced the images that have shaped our contemporary view of wildlife. Like the museum and the zoo, the nature film sought to recreate the experience of unspoiled nature while appealing to a popular audience, through a blend of scientific research and commercial promotion, education and entertainment, authenticity and artifice. Travelogue-expedition films, like Teddy Roosevelt's African safari, catered to upper- and middle-class patrons who were intrigued by the exotic and entertained by the thrill of big-game hunting and collecting. The proliferation of nature movies and television shows in the 1950s, such as Disney's True-Life Adventures and Marlin Perkins's Wild Kingdom, made nature familiar and accessible to America's baby-boom generation, fostering the environmental activism of the latter part of the twentieth century. Reel Nature reveals the shifting conventions of nature films and their enormous impact on our perceptions of, and politics about, the environment. Whether crafted to elicit thrills or to educate audiences about the real-life drama of threatened wildlife, nature films then and now reveal much about the yearnings of Americans to be both close to nature and yet distinctly apart.

Dialogue on Film

Dialogue on Film
A Book

by Anonim

  • Publisher : Unknown Publisher
  • Release : 1972
  • Pages : 329
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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