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American Cinema/American Culture

American Cinema/American Culture
A Book

by John Belton

  • Publisher : McGraw-Hill Education
  • Release : 2017-10-09
  • Pages : 464
  • ISBN : 9780073514291
  • Language : En, Es, Fr & De
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American Cinema/American Culture, 5th Edition, looks at the interplay between American cinema and mass culture from the 1890s to 2017. Students are introduced to the cultural history of film focusing on topics and issues rather than on rote learning. This introduction to American Cinema is ideal for introductory courses of American cinema, American film history courses, and introductory film appreciation courses. The text provides a cultural overview of the phenomenon of the American moviegoing experience, engagingly written in a lively and entertaining style by John Belton, a preeminent scholar in the field of film studies.

ISE American Cinema/American Culture

ISE American Cinema/American Culture
A Book

by John Belton

  • Publisher : Unknown Publisher
  • Release : 2021-01-26
  • Pages : 480
  • ISBN : 9781265818630
  • Language : En, Es, Fr & De
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Looseleaf for American Cinema/American Culture

Looseleaf for American Cinema/American Culture
A Book

by John Belton

  • Publisher : McGraw-Hill Education
  • Release : 2021-02-01
  • Pages : 464
  • ISBN : 9781264177301
  • Language : En, Es, Fr & De
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American Cinema/American Culture introduces the reader to basic issues related to the phenomenon of American cinema. It looks at American film history from the 1890s through today, but it does not always explore this history in a purely chronological way. In fact, it is not (strictly speaking) a history. Rather, it is a cultural history, which focuses more on topics and issues than on what happened when. American Cinema/American Culture plays a crucial role in the process of identity-formation. Films not only serve as texts that document who we think we are or were, but they also reflect changes in our self-image, tracing the transformation from one kind of America to another.

American Cinema, American Culture, 2nd Ed

American Cinema, American Culture, 2nd Ed
A Book

by John Belton

  • Publisher : Unknown Publisher
  • Release : 2005
  • Pages : 329
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Study Guide t/a American Cinema/American Culture

Study Guide t/a American Cinema/American Culture
A Book

by John Belton

  • Publisher : McGraw-Hill Humanities/Social Sciences/Languages
  • Release : 2004-08-18
  • Pages : 191
  • ISBN : 9780073102870
  • Language : En, Es, Fr & De
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Study Guide To Accompany American Cinema / American Culture

Study Guide To Accompany American Cinema / American Culture
A Book

by John Belton

  • Publisher : McGraw-Hill Education
  • Release : 2012-02-09
  • Pages : 192
  • ISBN : 9780077443467
  • Language : En, Es, Fr & De
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Written by Ed Sikov, this useful study guide has also been updated, including a new chapter on Horror and Science Fiction. The guide introduces each topic in American Cinema/American Culture with an explanatory overview written in more informal language than the textbook; suggests screenings and readings; and contains self-tests so students can check their level of learning before taking exams.

Loose Leaf for American Cinema/American Culture with Connect Access Card

Loose Leaf for American Cinema/American Culture with Connect Access Card
A Book

by John Belton

  • Publisher : McGraw-Hill Education
  • Release : 2015-08-26
  • Pages : 329
  • ISBN : 9781259814563
  • Language : En, Es, Fr & De
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American Cinema/American Culture looks at the interplay between American cinema and mass culture from the 1890s to 2011. It begins with an examination of the basic narrative and stylistic features of classical Hollywood cinema. It then studies the genres of silent melodrama, the musical, American comedy, the war/combat film, film noir, the western, and the horror and science fiction film, investigating the way in which movies shape and are shaped by the larger cultural concerns of the nation as a whole. The book concludes with a discussion of post World War II Hollywood, giving separate chapter coverage to the effects of the Cold War, 3D, television, the counterculture of the 1960s, directors from the film school generation, and the cultural concerns of Hollywood from the 1970s through 2011. Ideal for Introduction to American Cinema courses, American Film History courses, and Introductory Film Appreciation courses, this text provides a cultural overview of the phenomenon of the American movie-going experience. An updated study guide is also available for American Cinema/American Culture. Written by Ed Sikov, this guide introduces each topic with an explanatory overview written in more informal language, suggests screenings and readings, and offers self-tests. McGraw-Hill Connect® is a subscription-based learning service accessible online through your personal computer or tablet. Choose this option if your instructor will require Connect to be used in the course. Your subscription to Connect includes the following: • SmartBook® - an adaptive digital version of the course textbook that personalizes your reading experience based on how well you are learning the content. • Access to your instructor’s homework assignments, quizzes, syllabus, notes, reminders, and other important files for the course. • Progress dashboards that quickly show how you are performing on your assignments and tips for improvement. • The option to purchase (for a small fee) a print version of the book. This binder-ready, loose-leaf version includes free shipping. Complete system requirements to use Connect can be found here: http://www.mheducation.com/highered/platforms/connect/training-support-students.html

The City in American Cinema

The City in American Cinema
Film and Postindustrial Culture

by Johan Andersson,Lawrence Webb

  • Publisher : Bloomsbury Publishing
  • Release : 2019-06-27
  • Pages : 400
  • ISBN : 1350115622
  • Language : En, Es, Fr & De
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How has American cinema engaged with the rapid transformation of cities and urban culture since the 1960s? And what role have films and film industries played in shaping and mediating the “postindustrial” city? This collection argues that cinema and cities have become increasingly intertwined in the era of neoliberalism, urban branding, and accelerated gentrification. Examining a wide range of films from Hollywood blockbusters to indie cinema, it considers the complex, evolving relationship between moving image cultures and the spaces, policies, and politics of US cities from New York, Los Angeles, and Boston to Detroit, Oakland, and Baltimore. The contributors address questions of narrative, genre, and style alongside the urban contexts of production, exhibition, and reception, discussing films including The Friends of Eddie Coyle (1973), Cruising (1980), Desperately Seeking Susan (1985), King of New York (1990), Inception (2010), Frances Ha (2012), Fruitvale Station (2013), Only Lovers Left Alive (2013), and Doctor Strange (2016).

Pre-Code Hollywood

Pre-Code Hollywood
Sex, Immorality, and Insurrection in American Cinema, 1930–1934

by Thomas Doherty

  • Publisher : Columbia University Press
  • Release : 1999-08-27
  • Pages : 400
  • ISBN : 9780231500128
  • Language : En, Es, Fr & De
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Pre-Code Hollywood explores the fascinating period in American motion picture history from 1930 to 1934 when the commandments of the Production Code Administration were violated with impunity in a series of wildly unconventional films—a time when censorship was lax and Hollywood made the most of it. Though more unbridled, salacious, subversive, and just plain bizarre than what came afterwards, the films of the period do indeed have the look of Hollywood cinema—but the moral terrain is so off-kilter that they seem imported from a parallel universe. In a sense, Doherty avers, the films of pre-Code Hollywood are from another universe. They lay bare what Hollywood under the Production Code attempted to cover up and push offscreen: sexual liaisons unsanctified by the laws of God or man, marriage ridiculed and redefined, ethnic lines crossed and racial barriers ignored, economic injustice exposed and political corruption assumed, vice unpunished and virtue unrewarded—in sum, pretty much the raw stuff of American culture, unvarnished and unveiled. No other book has yet sought to interpret the films and film-related meanings of the pre-Code era—what defined the period, why it ended, and what its relationship was to the country as a whole during the darkest years of the Great Depression... and afterward.

American Cinema of the 1930s

American Cinema of the 1930s
Themes and Variations

by Ina Rae Hark

  • Publisher : Rutgers University Press
  • Release : 2007
  • Pages : 279
  • ISBN : 0813540828
  • Language : En, Es, Fr & De
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Abstract:. - http://www3.openu.ac.il/ouweb/owal/new_books1.book_desc?in_mis_cat=115074.

American Cinema and Cultural Diplomacy

American Cinema and Cultural Diplomacy
The Fragmented Kaleidoscope

by Thomas J. Cobb

  • Publisher : Springer Nature
  • Release : 2020-07-25
  • Pages : 264
  • ISBN : 3030426785
  • Language : En, Es, Fr & De
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This book contends that Hollywood films help illuminate the incongruities of various periods in American diplomacy. From the war film Bataan to the Revisionist Western The Wild Bunch, cinema has long reflected US foreign policy’s divisiveness both directly and allegorically. Beginning with the 1990s presidential drama The American President and concluding with Joker’s allegorical treatment of the Trump era, this book posits that the paradigms for political reflection are shifting in American film, from explicit subtexts surrounding US statecraft to covert representations of diplomatic disarray. It further argues that the International Relations theorist Walter Mead’s concept of a US polity dominated by contesting beliefs, or a ‘kaleidoscope’, permeates these changing paradigms. This synergy reveals a cultural milieu where foreign policy fissures are increasingly encoded by cinematic representation. The interdisciplinarity of this focus renders this book pertinent reading for scholars and students of American Studies, Film Studies and International Relations, along with those generally interested in Hollywood filmmakers and foreign policy.

Screen Decades

Screen Decades
American Cinema from the 1890s to the 2000s

by Murray Pomerance,Lester Friedman

  • Publisher : Unknown Publisher
  • Release : 2012-09-01
  • Pages : 329
  • ISBN : 9780813554457
  • Language : En, Es, Fr & De
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The Screen Decades: American Culture/American Cinema series is now available as an eleven-volume set: American Cinema from the 1890 to the 2000s. Each volume presents a group of original essays analyzing the impact of cultural issues on the cinema and the impact of the cinema on society. Because every chapter explores a spectrum of particularly significant motion pictures and the broad range of historical events in one year, readers will gain a continuing sense of the decade as it came to be depicted on movie screens across the nation. The integration of historical and cultural events with the sprawling progression of American cinema illuminates the pervasive themes and essential movies that define an era. The series represents one among many possible ways of confronting the past and understanding the connections between American culture and film history.

American Cinema of the 1910s

American Cinema of the 1910s
Themes and Variations

by Charlie Keil,Ben Singer

  • Publisher : Rutgers University Press
  • Release : 2009-02-04
  • Pages : 296
  • ISBN : 0813546540
  • Language : En, Es, Fr & De
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It was during the teens that filmmaking truly came into its own. Notably, the migration of studios to the West Coast established a connection between moviemaking and the exoticism of Hollywood. The essays in American Cinema of the 1910s explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By mid-decade, multi-reel feature films were profoundly reshaping the industry and deluxe theaters were built to attract the broadest possible audience. Stars like Mary Pickford, Charlie Chaplin, and Douglas Fairbanks became vitally important and companies began writing high-profile contracts to secure them. With the outbreak of World War I, the political, economic, and industrial groundwork was laid for American cinema's global dominance. By the end of the decade, filmmaking had become a true industry, complete with vertical integration, efficient specialization and standardization of practices, and self-regulatory agencies.

American Cinema of the 1990s

American Cinema of the 1990s
Themes and Variations

by Chris Holmlund

  • Publisher : Rutgers University Press
  • Release : 2008-10-11
  • Pages : 304
  • ISBN : 0813545781
  • Language : En, Es, Fr & De
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With the U.S. economy booming under President Bill Clinton and the cold war finally over, many Americans experienced peace and prosperity in the nineties. Digital technologies gained popularity, with nearly one billion people online by the end of the decade. The film industry wondered what the effect on cinema would be. The essays in American Cinema of the 1990s examine the big-budget blockbusters and critically acclaimed independent films that defined the decade. The 1990s' most popular genre, action, channeled anxieties about global threats such as AIDS and foreign terrorist attacks into escapist entertainment movies. Horror films and thrillers were on the rise, but family-friendly pictures and feel-good romances netted big audiences too. Meanwhile, independent films captured hearts, engaged minds, and invaded Hollywood: by decade's end every studio boasted its own "art film" affiliate.

Hip Hop in American Cinema

Hip Hop in American Cinema
A Book

by Melvin Donalson,Melvin Burke Donalson,Professor Melvin Donalson

  • Publisher : Peter Lang
  • Release : 2007
  • Pages : 191
  • ISBN : 9780820463452
  • Language : En, Es, Fr & De
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Hip Hop in American Cinema examines the manner in which American feature films have served as the primary medium for mainstreaming hip hop culture into American society. With their glamorizing portrayals of graffiti writing, break dancing, rap music, clothing, and language, Hollywood movies have established hip hop as a desirable youth movement. This book demonstrates how Hollywood studios and producers have exploited the profitable connection among rappers, soundtracks, and mass audiences. Hip Hop in American Cinema offers valuable information for courses in film studies, popular culture, and American studies.

The Euro-American Cinema

The Euro-American Cinema
A Book

by Peter Lev

  • Publisher : University of Texas Press
  • Release : 2014-05-23
  • Pages : 188
  • ISBN : 0292763794
  • Language : En, Es, Fr & De
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With McDonalds in Moscow and Disneyland in Paris and Tokyo, American popular culture is spreading around the globe. Regional, national, and ethnic cultures are being powerfully affected by competition from American values and American popular forms. This literate and lively study explores the spread of American culture into international cinema as reflected by the collision and partial merger of two important styles of filmmaking: the Hollywood style of stars, genres, and action, and the European art film style of ambiguity, authorial commentary, and borrowings from other arts. Peter Lev departs from the traditional approach of national cinema histories and discusses some of the blends, overlaps, and hegemonies that are typical of the world film industry of recent years. In Part One, he gives a historical and theoretical overview of what he terms the "Euro-American art film," which is characterized by prominent use of the English language, a European art film director, cast and crew from at least two countries, and a stylistic mixing of European art film and American entertainment. The second part of Lev’s study examines in detail five examples of the Euro-American art film: Contempt (1963), Blow-Up (1966), The Canterbury Tales (1972), Paris, Texas (1983), and The Last Emperor (1987). These case studies reveal that the European art film has had a strong influence on world cinema and that many Euro-American films are truly cultural blends rather than abject takeovers by Hollywood cinema.

American Cinema in the Shadow of 9/11

American Cinema in the Shadow of 9/11
A Book

by Terence McSweeney

  • Publisher : Edinburgh University Press
  • Release : 2016-12-05
  • Pages : 352
  • ISBN : 1474413838
  • Language : En, Es, Fr & De
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American Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able to both reflect the defining fears and anxieties of the tumultuous era, but also shape them in compelling and resonant ways.

Magical Reels

Magical Reels
A History of Cinema in Latin America

by John King,Professor of Latin American Cultural History John King

  • Publisher : Verso
  • Release : 2000
  • Pages : 314
  • ISBN : 9781859842331
  • Language : En, Es, Fr & De
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On Latin American cinema.

Latin American Cinema

Latin American Cinema
A Book

by Stephen M. Hart

  • Publisher : Reaktion Books
  • Release : 2014-10-15
  • Pages : 240
  • ISBN : 1780234031
  • Language : En, Es, Fr & De
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From El Megano and Black God, White Devil to City of God and Babel, Latin American films have a rich history. In this concise but comprehensive account, Stephen M. Hart traces Latin American cinema from its origins in 1896 to the present day, along the way providing original views of major films and mini-biographies of major film directors. Describing the broad contours of Latin American film and its connections to major historical developments, Hart guides readers through the story of how Hollywood dominance succumbed to the emergence of the Nuevo Cine Latinoamericano and how this movement has led to the “New” New Latin American Cinema of the twenty-first century. He offers a fresh analysis of the effects of major changes in film technology, revealing how paradigm shifts such as the move to digital preceded new cinematographic techniques and visions. He also looks closely at the films themselves, examining how filmmakers express their messages. Finally, he considers the decision by a group of directors to film in English, which enhanced the visibility of Latin American cinema around the world. Featuring 120 illustrations, this clear, cogent guide to the history of this region’s cinema will appeal to fans of Central Station and Like Water for Chocolate alike.

American Cinema of the 1920s

American Cinema of the 1920s
Themes and Variations

by Lucy Fischer

  • Publisher : Rutgers University Press
  • Release : 2009
  • Pages : 291
  • ISBN : 0813544858
  • Language : En, Es, Fr & De
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In ten original essays, American Cinema of the 1920s examines the film industry's continued growth and prosperity while focusing on important themes of the era that witnessed the birth of the star system that supported the meteoric rise and celebrity status of actors, including Charlie Chaplin, Mary Pickford, Joan Crawford, Greta Garbo, and Rudolph Valentino, while black performers (relegated to "race films") appeared infrequently in mainstream movies.