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American Cinema/American Culture

American Cinema/American Culture
A Book

by John Belton

  • Publisher : McGraw-Hill Education
  • Release : 2017-10-09
  • Pages : 464
  • ISBN : 9780073514291
  • Language : En, Es, Fr & De
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American Cinema/American Culture, 5th Edition, looks at the interplay between American cinema and mass culture from the 1890s to 2017. Students are introduced to the cultural history of film focusing on topics and issues rather than on rote learning. This introduction to American Cinema is ideal for introductory courses of American cinema, American film history courses, and introductory film appreciation courses. The text provides a cultural overview of the phenomenon of the American moviegoing experience, engagingly written in a lively and entertaining style by John Belton, a preeminent scholar in the field of film studies.

ISE American Cinema/American Culture

ISE American Cinema/American Culture
A Book

by John Belton

  • Publisher : Unknown Publisher
  • Release : 2021-01-26
  • Pages : 480
  • ISBN : 9781265818630
  • Language : En, Es, Fr & De
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American Cinema/American Culture

American Cinema/American Culture
Fourth Edition

by John Belton

  • Publisher : McGraw-Hill Higher Education
  • Release : 2012-01-11
  • Pages : 329
  • ISBN : 0077443470
  • Language : En, Es, Fr & De
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Looseleaf for American Cinema/American Culture

Looseleaf for American Cinema/American Culture
A Book

by John Belton

  • Publisher : McGraw-Hill Education
  • Release : 2021-02-01
  • Pages : 464
  • ISBN : 9781264177301
  • Language : En, Es, Fr & De
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American Cinema/American Culture introduces the reader to basic issues related to the phenomenon of American cinema. It looks at American film history from the 1890s through today, but it does not always explore this history in a purely chronological way. In fact, it is not (strictly speaking) a history. Rather, it is a cultural history, which focuses more on topics and issues than on what happened when. American Cinema/American Culture plays a crucial role in the process of identity-formation. Films not only serve as texts that document who we think we are or were, but they also reflect changes in our self-image, tracing the transformation from one kind of America to another.

Study Guide To Accompany American Cinema / American Culture

Study Guide To Accompany American Cinema / American Culture
A Book

by John Belton

  • Publisher : McGraw-Hill Education
  • Release : 2012-02-09
  • Pages : 192
  • ISBN : 9780077443467
  • Language : En, Es, Fr & De
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Written by Ed Sikov, this useful study guide has also been updated, including a new chapter on Horror and Science Fiction. The guide introduces each topic in American Cinema/American Culture with an explanatory overview written in more informal language than the textbook; suggests screenings and readings; and contains self-tests so students can check their level of learning before taking exams.

American Cinema, American Culture, 2nd Ed

American Cinema, American Culture, 2nd Ed
A Book

by John Belton

  • Publisher : Unknown Publisher
  • Release : 2005
  • Pages : 329
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Loose Leaf for American Cinema/American Culture with Connect Access Card

Loose Leaf for American Cinema/American Culture with Connect Access Card
A Book

by John Belton

  • Publisher : McGraw-Hill Education
  • Release : 2015-08-26
  • Pages : 329
  • ISBN : 9781259814563
  • Language : En, Es, Fr & De
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American Cinema/American Culture looks at the interplay between American cinema and mass culture from the 1890s to 2011. It begins with an examination of the basic narrative and stylistic features of classical Hollywood cinema. It then studies the genres of silent melodrama, the musical, American comedy, the war/combat film, film noir, the western, and the horror and science fiction film, investigating the way in which movies shape and are shaped by the larger cultural concerns of the nation as a whole. The book concludes with a discussion of post World War II Hollywood, giving separate chapter coverage to the effects of the Cold War, 3D, television, the counterculture of the 1960s, directors from the film school generation, and the cultural concerns of Hollywood from the 1970s through 2011. Ideal for Introduction to American Cinema courses, American Film History courses, and Introductory Film Appreciation courses, this text provides a cultural overview of the phenomenon of the American movie-going experience. An updated study guide is also available for American Cinema/American Culture. Written by Ed Sikov, this guide introduces each topic with an explanatory overview written in more informal language, suggests screenings and readings, and offers self-tests. McGraw-Hill Connect® is a subscription-based learning service accessible online through your personal computer or tablet. Choose this option if your instructor will require Connect to be used in the course. Your subscription to Connect includes the following: • SmartBook® - an adaptive digital version of the course textbook that personalizes your reading experience based on how well you are learning the content. • Access to your instructor’s homework assignments, quizzes, syllabus, notes, reminders, and other important files for the course. • Progress dashboards that quickly show how you are performing on your assignments and tips for improvement. • The option to purchase (for a small fee) a print version of the book. This binder-ready, loose-leaf version includes free shipping. Complete system requirements to use Connect can be found here: http://www.mheducation.com/highered/platforms/connect/training-support-students.html

The City in American Cinema

The City in American Cinema
Film and Postindustrial Culture

by Johan Andersson,Lawrence Webb

  • Publisher : Bloomsbury Publishing
  • Release : 2019-06-27
  • Pages : 400
  • ISBN : 1350115622
  • Language : En, Es, Fr & De
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How has American cinema engaged with the rapid transformation of cities and urban culture since the 1960s? And what role have films and film industries played in shaping and mediating the “postindustrial” city? This collection argues that cinema and cities have become increasingly intertwined in the era of neoliberalism, urban branding, and accelerated gentrification. Examining a wide range of films from Hollywood blockbusters to indie cinema, it considers the complex, evolving relationship between moving image cultures and the spaces, policies, and politics of US cities from New York, Los Angeles, and Boston to Detroit, Oakland, and Baltimore. The contributors address questions of narrative, genre, and style alongside the urban contexts of production, exhibition, and reception, discussing films including The Friends of Eddie Coyle (1973), Cruising (1980), Desperately Seeking Susan (1985), King of New York (1990), Inception (2010), Frances Ha (2012), Fruitvale Station (2013), Only Lovers Left Alive (2013), and Doctor Strange (2016).

American Cinema/American Culture

American Cinema/American Culture
A Book

by John Belton

  • Publisher : McGraw-Hill Humanities, Social Sciences & World Languages
  • Release : 1994
  • Pages : 374
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Developed to accompany the Annenberg-funded telecourse American Cinema, and written under the aegis of The New York Center for Visual History, this text offers a fascinating look at the interplay between the movie industry and mass culture in America. Ideal for film appreciation and film and culture courses found in Cinema Studies, English, History, American Studies, or other departments, American Cinema/American Culture first examines the industry, its narrative conventions, and its cinematographic style. Following this introduction, students are exposed to the sweep of film history in the U.S. using five genres as the bases for discussion and focusing on the point at which each had the greatest affect on the industry, film aesthetics, and American culture. Finally, the book concludes with a look at Hollywood post World War II, giving separate chapter coverage to the effects of the Cold War, television, the counterculture of the Sixties, directors from the film school generation, and the trends of the Eighties and Nineties.

Study Guide t/a American Cinema/American Culture

Study Guide t/a American Cinema/American Culture
A Book

by John Belton

  • Publisher : McGraw-Hill Humanities/Social Sciences/Languages
  • Release : 2004-08-18
  • Pages : 191
  • ISBN : 9780073102870
  • Language : En, Es, Fr & De
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American Cinema of the 1930s

American Cinema of the 1930s
Themes and Variations

by Ina Rae Hark

  • Publisher : Rutgers University Press
  • Release : 2007
  • Pages : 279
  • ISBN : 0813540828
  • Language : En, Es, Fr & De
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Abstract:. - http://www3.openu.ac.il/ouweb/owal/new_books1.book_desc?in_mis_cat=115074.

American Cinema and Cultural Diplomacy

American Cinema and Cultural Diplomacy
The Fragmented Kaleidoscope

by Thomas J. Cobb

  • Publisher : Springer Nature
  • Release : 2020-07-25
  • Pages : 264
  • ISBN : 3030426785
  • Language : En, Es, Fr & De
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This book contends that Hollywood films help illuminate the incongruities of various periods in American diplomacy. From the war film Bataan to the Revisionist Western The Wild Bunch, cinema has long reflected US foreign policy’s divisiveness both directly and allegorically. Beginning with the 1990s presidential drama The American President and concluding with Joker’s allegorical treatment of the Trump era, this book posits that the paradigms for political reflection are shifting in American film, from explicit subtexts surrounding US statecraft to covert representations of diplomatic disarray. It further argues that the International Relations theorist Walter Mead’s concept of a US polity dominated by contesting beliefs, or a ‘kaleidoscope’, permeates these changing paradigms. This synergy reveals a cultural milieu where foreign policy fissures are increasingly encoded by cinematic representation. The interdisciplinarity of this focus renders this book pertinent reading for scholars and students of American Studies, Film Studies and International Relations, along with those generally interested in Hollywood filmmakers and foreign policy.

American Cinema of the 1950s

American Cinema of the 1950s
Themes and Variations

by Murray Pomerance

  • Publisher : Rutgers University Press
  • Release : 2005
  • Pages : 287
  • ISBN : 9780813536736
  • Language : En, Es, Fr & De
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Bringing together original essays by ten respected scholars in the field, American Cinema of the 1950s explores the impact of the cultural environment of this decade on film, and the impact of film on the American cultural milieu. Contributors examine the signature films of the decade, including From Here to Eternity, Sunset Blvd., Singin' in the Rain, Shane, Rear Window, and Rebel Without a Cause, as well as lesser-known but equally compelling films, such as Dial 1119, Mystery Street, Suddenly, Summer Stock, The Last Hunt, and many others.

Study Guide to accompany American Cinema / American Culture Telecourse

Study Guide to accompany American Cinema / American Culture Telecourse
A Book

by John Belton

  • Publisher : McGraw-Hill Humanities/Social Sciences/Languages
  • Release : 2009-02-05
  • Pages : 192
  • ISBN : 9780077265472
  • Language : En, Es, Fr & De
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Written by Ed Sikov, this guide parallels the American Cinema instructional video series, produced by Annenburg/CPB, and connects it with the textbook. For more information on the Annenburg telecourse, please visit www.learner.org or call 1-800-LEARNER (1-800-532-7637).

American Cinema of the 1920s

American Cinema of the 1920s
Themes and Variations

by Lucy Fischer

  • Publisher : Rutgers University Press
  • Release : 2009-04-15
  • Pages : 312
  • ISBN : 0813547156
  • Language : En, Es, Fr & De
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During the 1920s, sound revolutionized the motion picture industry and cinema continued as one of the most significant and popular forms of mass entertainment in the world. Film studios were transformed into major corporations, hiring a host of craftsmen and technicians including cinematographers, editors, screenwriters, and set designers. The birth of the star system supported the meteoric rise and celebrity status of actors including Charlie Chaplin, Mary Pickford, Joan Crawford, Greta Garbo, and Rudolph Valentino while black performers (relegated to "race films") appeared infrequently in mainstream movies. The classic Hollywood film style was perfected and significant film genres were established: the melodrama, western, historical epic, and romantic comedy, along with slapstick, science fiction, and fantasy. In ten original essays, American Cinema of the 1920s examines the film industry's continued growth and prosperity while focusing on important themes of the era.

Studyguide for American Cinema: American Culture by John Belton, ISBN 9780073535098

Studyguide for American Cinema: American Culture by John Belton, ISBN 9780073535098
A Book

by Cram101 Textbook Reviews

  • Publisher : Cram101
  • Release : 2013-01-01
  • Pages : 254
  • ISBN : 9781490207339
  • Language : En, Es, Fr & De
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Never HIGHLIGHT a Book Again! Virtually all of the testable terms, concepts, persons, places, and events from the textbook are included. Cram101 Just the FACTS101 studyguides give all of the outlines, highlights, notes, and quizzes for your textbook with optional online comprehensive practice tests. Only Cram101 is Textbook Specific. Accompanys: 9780073535098 .

Utopia and Neoliberalism in Latin American Cinema

Utopia and Neoliberalism in Latin American Cinema
The Allegory of the Motionless Traveler

by Carla Grosman

  • Publisher : Cambridge Scholars Publishing
  • Release : 2019-01-15
  • Pages : 239
  • ISBN : 1527525864
  • Language : En, Es, Fr & De
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The topic of the crisis and recovery of utopia, at both a global and regional level, stands out in these melancholic times in which the capitalist era can no longer legitimize itself as an irreplaceable form of social existence. This book reflects upon the place of utopia, moving from classic Greece to the neoliberal era, specifically as manifested in Latin America. It studies utopia as a political and literary device for paradigmatic changes. As such, it links with the literary mode of the travelogue and its supporting role in the consolidation and perpetuation of the modern/colonial discourse. The book reviews critical approaches to modernity and postmodernity as a philosophical enquiry on the role of symbolic languages, particularly the one played by the image and the theories of representation and performance. With that, and by using decolonialist theory to inform an audio-visual text analysis, it contributes to film philosophy with a model of analysis for Latin American cinema: namely, “the allegory of the motionless traveler”. This model states that Latin America millennial cinema possesses a significant aesthetic-political power achieved by enacting a process of utopic re-narration. This book will appeal to students and academics in the humanities and social sciences and readers interested in film culture, as well as those searching specifically for new perspectives on socio-symbolic decolonialist dynamics operating at the crossroads of cultural politics and political culture in Latin America.

Hip Hop in American Cinema

Hip Hop in American Cinema
A Book

by Melvin Donalson,Melvin Burke Donalson,Professor Melvin Donalson

  • Publisher : Peter Lang
  • Release : 2007
  • Pages : 191
  • ISBN : 9780820463452
  • Language : En, Es, Fr & De
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Hip Hop in American Cinema examines the manner in which American feature films have served as the primary medium for mainstreaming hip hop culture into American society. With their glamorizing portrayals of graffiti writing, break dancing, rap music, clothing, and language, Hollywood movies have established hip hop as a desirable youth movement. This book demonstrates how Hollywood studios and producers have exploited the profitable connection among rappers, soundtracks, and mass audiences. Hip Hop in American Cinema offers valuable information for courses in film studies, popular culture, and American studies.

The Hollywood Brand

The Hollywood Brand
Movies and American Modernity

by Peter M. Catapano

  • Publisher : Routledge
  • Release : 2018-01-31
  • Pages : 166
  • ISBN : 1351183249
  • Language : En, Es, Fr & De
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The Hollywood Brand traces the development of the moving picture from its humble roots as an object of mass amusement to its transformation into an art form worthy of exhibition in museums and academic study in leading universities. This book provides historical context to the ideas that coalesce to create the iconic Hollywood brand that comes to define American identity.

The Euro-American Cinema

The Euro-American Cinema
A Book

by Peter Lev

  • Publisher : University of Texas Press
  • Release : 2014-05-23
  • Pages : 188
  • ISBN : 0292763794
  • Language : En, Es, Fr & De
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With McDonalds in Moscow and Disneyland in Paris and Tokyo, American popular culture is spreading around the globe. Regional, national, and ethnic cultures are being powerfully affected by competition from American values and American popular forms. This literate and lively study explores the spread of American culture into international cinema as reflected by the collision and partial merger of two important styles of filmmaking: the Hollywood style of stars, genres, and action, and the European art film style of ambiguity, authorial commentary, and borrowings from other arts. Peter Lev departs from the traditional approach of national cinema histories and discusses some of the blends, overlaps, and hegemonies that are typical of the world film industry of recent years. In Part One, he gives a historical and theoretical overview of what he terms the "Euro-American art film," which is characterized by prominent use of the English language, a European art film director, cast and crew from at least two countries, and a stylistic mixing of European art film and American entertainment. The second part of Lev’s study examines in detail five examples of the Euro-American art film: Contempt (1963), Blow-Up (1966), The Canterbury Tales (1972), Paris, Texas (1983), and The Last Emperor (1987). These case studies reveal that the European art film has had a strong influence on world cinema and that many Euro-American films are truly cultural blends rather than abject takeovers by Hollywood cinema.