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American Cinema/American Culture

American Cinema/American Culture
Fourth Edition

by John Belton

  • Publisher : McGraw-Hill Higher Education
  • Release : 2012-01-11
  • Pages : 329
  • ISBN : 0077443470
  • Language : En, Es, Fr & De
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American Cinema/American Culture

American Cinema/American Culture

by John Belton

  • Publisher : McGraw-Hill Education
  • Release : 2012-01-11
  • Pages : 480
  • ISBN : 9780073535098
  • Language : En, Es, Fr & De
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American Cinema/American Culture looks at the interplay between American cinema and mass culture from the 1890s to 2011. It begins with an examination of the basic narrative and stylistic features of classical Hollywood cinema. It then studies the genres of silent melodrama, the musical, American comedy, the war/combat film, film noir, the western, and the horror and science fiction film, investigating the way in which movies shape and are shaped by the larger cultural concerns of the nation as a whole. The book concludes with a discussion of post World War II Hollywood, giving separate chapter coverage to the effects of the Cold War, 3D, television, the counterculture of the 1960s, directors from the film school generation, and the cultural concerns of Hollywood from the 1970s through 2011. Ideal for Introduction to American Cinema courses, American Film History courses, and Introductory Film Appreciation courses, this text provides a cultural overview of the phenomenon of the American movie-going experience. An updated study guide is also available for American Cinema/American Culture. Written by Ed Sikov, this guide introduces each topic with an explanatory overview written in more informal language, suggests screenings and readings, and offers self-tests. Instructors and students can now access their course content through the Connect digital learning platform by purchasing either standalone Connect access or a bundle of print and Connect access. McGraw-Hill Connect® is a subscription-based learning service accessible online through your personal computer or tablet. Choose this option if your instructor will require Connect to be used in the course. Your subscription to Connect includes the following: • SmartBook® - an adaptive digital version of the course textbook that personalizes your reading experience based on how well you are learning the content. • Access to your instructor’s homework assignments, quizzes, syllabus, notes, reminders, and other important files for the course. • Progress dashboards that quickly show how you are performing on your assignments and tips for improvement. • The option to purchase (for a small fee) a print version of the book. This binder-ready, loose-leaf version includes free shipping. Complete system requirements to use Connect can be found here: http://www.mheducation.com/highered/platforms/connect/training-support-students.html

American Cinema/American Culture

American Cinema/American Culture

by John Belton

  • Publisher :
  • Release : 2012-04-01
  • Pages : 448
  • ISBN : 9780071326179
  • Language : En, Es, Fr & De
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American Cinema/American Culture looks at the interplay between American cinema and mass culture from the 1890s to 2011. It begins with an examination of the basic narrative and stylistic features of classical Hollywood cinema. It then studies the genres of silent melodrama, the musical, American comedy, the war/combat film, film noir, the western, and the horror and science fiction film, investigating the way in which movies shape and are shaped by the larger cultural concerns of the nation as a whole. The book concludes with a discussion of post World War II Hollywood, giving separate chapter coverage to the effects of the Cold War, 3D, television, the counterculture of the 1960s, directors from the film school generation, and the cultural concerns of Hollywood from the 1970s through 2011. Ideal for Introduction to American Cinema courses, American Film History courses, and Introductory Film Appreciation courses, this text provides a cultural overview of the phenomenon of the American movie-going experience. An updated study guide is also available for American Cinema/American Culture. Written by Ed Sikov, this guide introduces each topic with an explanatory overview written in more informal language, suggests screenings and readings, and offers self-tests.

American Cinema/American Culture

American Cinema/American Culture

by John Belton

  • Publisher : McGraw-Hill Humanities, Social Sciences & World Languages
  • Release : 2005
  • Pages : 452
  • ISBN : 9780072886276
  • Language : En, Es, Fr & De
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Ideal for introducing American cinema courses, this text offers a cultural examination of the US motion picture industry, with attention focused on the economic & aesthetic institution of Hollywood.

American Cinema/American Culture

American Cinema/American Culture

by John Belton

  • Publisher : McGraw-Hill Education
  • Release : 2017-10-09
  • Pages : 464
  • ISBN : 9780073514291
  • Language : En, Es, Fr & De
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American Cinema/American Culture, 5th Edition, looks at the interplay between American cinema and mass culture from the 1890s to 2017. Students are introduced to the cultural history of film focusing on topics and issues rather than on rote learning. This introduction to American Cinema is ideal for introductory courses of American cinema, American film history courses, and introductory film appreciation courses. The text provides a cultural overview of the phenomenon of the American moviegoing experience, engagingly written in a lively and entertaining style by John Belton, a preeminent scholar in the field of film studies.

ISE American Cinema/American Culture

ISE American Cinema/American Culture

by John Belton

  • Publisher :
  • Release : 2021-01-26
  • Pages : 480
  • ISBN : 9781265818630
  • Language : En, Es, Fr & De
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Study Guide To Accompany American Cinema / American Culture

Study Guide To Accompany American Cinema / American Culture

by John Belton

  • Publisher : McGraw-Hill Education
  • Release : 2012-02-09
  • Pages : 192
  • ISBN : 9780077443467
  • Language : En, Es, Fr & De
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Written by Ed Sikov, this useful study guide has also been updated, including a new chapter on Horror and Science Fiction. The guide introduces each topic in American Cinema/American Culture with an explanatory overview written in more informal language than the textbook; suggests screenings and readings; and contains self-tests so students can check their level of learning before taking exams.

American Cinema of the 1910s

American Cinema of the 1910s
Themes and Variations

by Charlie Keil,Ben Singer

  • Publisher : Rutgers University Press
  • Release : 2009
  • Pages : 278
  • ISBN : 0813544459
  • Language : En, Es, Fr & De
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It was during the teens that filmmaking truly came into its own. Notably, the migration of studios to the West Coast established a connection between moviemaking and the exoticism of Hollywood. The essays in American Cinema of the 1910s explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By mid-decade, multi-reel feature films were profoundly reshaping the industry and deluxe theaters were built to attract the broadest possible audience. Stars like Mary Pickford, Charlie Chaplin, and Douglas Fairbanks became vitally important, and companies began writing high-profile contracts to secure them. With the outbreak of World War I, the political, economic, and industrial groundwork was laid for American cinema's global dominance. By the end of the decade, filmmaking had become a true industry, complete with vertical integration, efficient specialization and standardization of practices, and self-regulatory agencies. Charlie Keil is an associate professor in the Department of History and the director of the Cinema Studies Institute at the University of Toronto. He is the author of Early American Cinema in Transition: Story, Style, and Filmmaking, 1907-1913. Ben Singer is an associate professor of film in the Department of Communication Arts at the University of Wisconsin, Madison. He is the author of Melodrama and Modernity: Early Sensational Cinema and Its Contexts.

Outlines and Highlights for American Cinema/ American Culture by John Belton, Isbn

Outlines and Highlights for American Cinema/ American Culture by John Belton, Isbn
9780073386157

by Cram101 Textbook Reviews,John Belton

  • Publisher : Academic Internet Pub Incorporated
  • Release : 2009-12
  • Pages : 366
  • ISBN : 9781428884359
  • Language : En, Es, Fr & De
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Never HIGHLIGHT a Book Again! Virtually all of the testable terms, concepts, persons, places, and events from the textbook are included. Cram101 Just the FACTS101 studyguides give all of the outlines, highlights, notes, and quizzes for your textbook with optional online comprehensive practice tests. Only Cram101 is Textbook Specific. Accompanys: 9780073386157 .

The City in American Cinema

The City in American Cinema
Film and Postindustrial Culture

by Johan Andersson,Lawrence Webb

  • Publisher : Bloomsbury Publishing
  • Release : 2019-06-27
  • Pages : 400
  • ISBN : 1350115622
  • Language : En, Es, Fr & De
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How has American cinema engaged with the rapid transformation of cities and urban culture since the 1960s? And what role have films and film industries played in shaping and mediating the “postindustrial” city? This collection argues that cinema and cities have become increasingly intertwined in the era of neoliberalism, urban branding, and accelerated gentrification. Examining a wide range of films from Hollywood blockbusters to indie cinema, it considers the complex, evolving relationship between moving image cultures and the spaces, policies, and politics of US cities from New York, Los Angeles, and Boston to Detroit, Oakland, and Baltimore. The contributors address questions of narrative, genre, and style alongside the urban contexts of production, exhibition, and reception, discussing films including The Friends of Eddie Coyle (1973), Cruising (1980), Desperately Seeking Susan (1985), King of New York (1990), Inception (2010), Frances Ha (2012), Fruitvale Station (2013), Only Lovers Left Alive (2013), and Doctor Strange (2016).

American Cinema of the 1920s

American Cinema of the 1920s
Themes and Variations

by Lucy Fischer

  • Publisher : Rutgers University Press
  • Release : 2009
  • Pages : 291
  • ISBN : 0813544858
  • Language : En, Es, Fr & De
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In ten original essays, American Cinema of the 1920s examines the film industry's continued growth and prosperity while focusing on important themes of the era that witnessed the birth of the star system that supported the meteoric rise and celebrity status of actors, including Charlie Chaplin, Mary Pickford, Joan Crawford, Greta Garbo, and Rudolph Valentino, while black performers (relegated to "race films") appeared infrequently in mainstream movies.

Looseleaf for American Cinema/American Culture

Looseleaf for American Cinema/American Culture

by John Belton

  • Publisher : McGraw-Hill Education
  • Release : 2015-07-27
  • Pages : 480
  • ISBN : 9781259683558
  • Language : En, Es, Fr & De
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American Cinema/American Culture looks at the interplay between American cinema and mass culture from the 1890s to 2011. It begins with an examination of the basic narrative and stylistic features of classical Hollywood cinema. It then studies the genres of silent melodrama, the musical, American comedy, the war/combat film, film noir, the western, and the horror and science fiction film, investigating the way in which movies shape and are shaped by the larger cultural concerns of the nation as a whole. The book concludes with a discussion of post World War II Hollywood, giving separate chapter coverage to the effects of the Cold War, 3D, television, the counterculture of the 1960s, directors from the film school generation, and the cultural concerns of Hollywood from the 1970s through 2011. Ideal for Introduction to American Cinema courses, American Film History courses, and Introductory Film Appreciation courses, this text provides a cultural overview of the phenomenon of the American movie-going experience. An updated study guide is also available for American Cinema/American Culture. Written by Ed Sikov, this guide introduces each topic with an explanatory overview written in more informal language, suggests screenings and readings, and offers self-tests. Instructors and students can now access their course content through the Connect digital learning platform by purchasing either standalone Connect access or a bundle of print and Connect access. McGraw-Hill Connect® is a subscription-based learning service accessible online through your personal computer or tablet. Choose this option if your instructor will require Connect to be used in the course. Your subscription to Connect includes the following: • SmartBook® - an adaptive digital version of the course textbook that personalizes your reading experience based on how well you are learning the content. • Access to your instructor’s homework assignments, quizzes, syllabus, notes, reminders, and other important files for the course. • Progress dashboards that quickly show how you are performing on your assignments and tips for improvement. • The option to purchase (for a small fee) a print version of the book. This binder-ready, loose-leaf version includes free shipping. Complete system requirements to use Connect can be found here: http://www.mheducation.com/highered/platforms/connect/training-support-students.html

American Cinema of the 1930s

American Cinema of the 1930s
Themes and Variations

by Ina Rae Hark

  • Publisher : Rutgers University Press
  • Release : 2007
  • Pages : 279
  • ISBN : 0813540828
  • Language : En, Es, Fr & De
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Abstract:. - http://www3.openu.ac.il/ouweb/owal/new_books1.book_desc?in_mis_cat=115074.

American Cinema and Cultural Diplomacy

American Cinema and Cultural Diplomacy
The Fragmented Kaleidoscope

by Thomas J. Cobb

  • Publisher : Springer Nature
  • Release : 2020-07-25
  • Pages : 264
  • ISBN : 3030426785
  • Language : En, Es, Fr & De
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This book contends that Hollywood films help illuminate the incongruities of various periods in American diplomacy. From the war film Bataan to the Revisionist Western The Wild Bunch, cinema has long reflected US foreign policy’s divisiveness both directly and allegorically. Beginning with the 1990s presidential drama The American President and concluding with Joker’s allegorical treatment of the Trump era, this book posits that the paradigms for political reflection are shifting in American film, from explicit subtexts surrounding US statecraft to covert representations of diplomatic disarray. It further argues that the International Relations theorist Walter Mead’s concept of a US polity dominated by contesting beliefs, or a ‘kaleidoscope’, permeates these changing paradigms. This synergy reveals a cultural milieu where foreign policy fissures are increasingly encoded by cinematic representation. The interdisciplinarity of this focus renders this book pertinent reading for scholars and students of American Studies, Film Studies and International Relations, along with those generally interested in Hollywood filmmakers and foreign policy.

American Cinema, 1890-1909

American Cinema, 1890-1909
Themes and Variations

by André Gaudreault

  • Publisher : Rutgers University Press
  • Release : 2009
  • Pages : 268
  • ISBN : 0813544432
  • Language : En, Es, Fr & De
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The essays in American Cinema 1890-1909 explore and define how the making of motion pictures flowered into an industry that would finally become the central entertainment institution of the world. Beginning with all the early types of pictures that moved, this volume tells the story of the invention and consolidation of the various processes that gave rise to what we now call "cinema."

American Cinema of the 1960s

American Cinema of the 1960s
Themes and Variations

by Barry Keith Grant

  • Publisher : Rutgers University Press
  • Release : 2008
  • Pages : 275
  • ISBN : 0813542197
  • Language : En, Es, Fr & De
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The profound cultural and political changes of the 1960s brought the United States closer to social revolution than at any other time in the twentieth century. The country fragmented as various challenges to state power were met with increasing and violent resistance. The Cold War heated up and the Vietnam War divided Americans. Civil rights, women's liberation, and gay rights further emerged as significant social issues. Free love was celebrated even as the decade was marked by assassinations, mass murders, and social unrest. At the same time, American cinema underwent radical change as well. The studio system crumbled, and the Production Code was replaced by a new ratings system. Among the challenges faced by the film industry was the dawning shift in theatrical exhibition from urban centers to surburban multiplexes, an increase in runaway productions, the rise of independent producers, and competition from both television and foreign art films. Hollywood movies became more cynical, violent, and sexually explicit, reflecting the changing values of the time. In ten original essays, American Cinema of the 1960s examines a range of films that characterized the decade, including Hollywood movies, documentaries, and independent and experimental films. Among the films discussed are Elmer Gantry, The Apartment, West Side Story, The Manchurian Candidate, To Kill a Mockingbird, Cape Fear, Bonnie and Clyde, 2001: A Space Odyssey, Midnight Cowboy, and Easy Rider.

American Cinema of the 1950s

American Cinema of the 1950s
Themes and Variations

by Murray Pomerance

  • Publisher : Rutgers University Press
  • Release : 2005
  • Pages : 287
  • ISBN : 9780813536736
  • Language : En, Es, Fr & De
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Bringing together original essays by ten respected scholars in the field, American Cinema of the 1950s explores the impact of the cultural environment of this decade on film, and the impact of film on the American cultural milieu. Contributors examine the signature films of the decade, including From Here to Eternity, Sunset Blvd., Singin' in the Rain, Shane, Rear Window, and Rebel Without a Cause, as well as lesser-known but equally compelling films, such as Dial 1119, Mystery Street, Suddenly, Summer Stock, The Last Hunt, and many others.

American Cinema of the 1940s

American Cinema of the 1940s
Themes and Variations

by Wheeler W. Dixon

  • Publisher : Rutgers University Press
  • Release : 2006
  • Pages : 283
  • ISBN : 0813537002
  • Language : En, Es, Fr & De
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The 1940s was a watershed decade for American cinema and the nation. Shaking off the grim legacy of the Depression, Hollywood launched an unprecedented wave of production, generating some of its most memorable classics. Featuring essays by a group of respected film scholars and historians, "American Cinema of the 1940s" brings this dynamic and turbulent decade to life with such films as "Citizen Kane," "Rebecca," "The Lady Eve," "Sergeant York," "How Green Was My Valley," "Casablanca," "Mrs. Miniver," "The Road to Morocco," "Yankee Doodle Dandy, ""Kiss of Death," "Force of Evil," "Caught," and" Apology for Murder." Illustrated with many rare stills and filled with provocative insights, the volume will appeal to students, teachers, and to all those interested in cultural history and American film of the twentieth century.

American Cinema in the Shadow of 9/11

American Cinema in the Shadow of 9/11

by Terence McSweeney

  • Publisher : Edinburgh University Press
  • Release : 2016-12-05
  • Pages : 352
  • ISBN : 1474413838
  • Language : En, Es, Fr & De
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American Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able to both reflect the defining fears and anxieties of the tumultuous era, but also shape them in compelling and resonant ways.

American Cinema of the 1990s

American Cinema of the 1990s
Themes and Variations

by Chris Holmlund

  • Publisher : Rutgers University Press
  • Release : 2008
  • Pages : 288
  • ISBN : 0813543665
  • Language : En, Es, Fr & De
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With the U.S. economy booming under President Bill Clinton and the cold war finally over, many Americans experienced peace and prosperity in the nineties. Digital technologies gained popularity, with nearly one billion people online by the end of the decade. The film industry wondered what the effect on cinema would be. The essays in American Cinema of the 1990s examine the big-budget blockbusters and critically acclaimed independent films that defined the decade. The 1990s' most popular genre, action, channeled anxieties about global threats such as AIDS and foreign terrorist attacks into escapist entertainment movies. Horror films and thrillers were on the rise, but family-friendly pictures and feel-good romances netted big audiences too. Meanwhile, independent films captured hearts, engaged minds, and invaded Hollywood: by decade's end every studio boasted its own "art film" affiliate.