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An Introduction to America's Music

An Introduction to America's Music

by Richard Crawford,Larry Hamberlin

  • Publisher : W. W. Norton
  • Release : 2013
  • Pages : 557
  • ISBN : 9780393935318
  • Language : En, Es, Fr & De
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An ear-opening exploration of music s New World, from Puritan psalmody to mash-ups."

An Introduction to America's Music

An Introduction to America's Music

by Richard Crawford,Larry Hamberlin

  • Publisher : W. W. Norton
  • Release : 2018-10
  • Pages : 329
  • ISBN : 9780393668285
  • Language : En, Es, Fr & De
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An ear-opening exploration of music's New World, from Puritan psalmody to Hamilton

Music Cultures in the United States

Music Cultures in the United States
An Introduction

by Ellen Koskoff

  • Publisher : Psychology Press
  • Release : 2005
  • Pages : 428
  • ISBN : 9780415965880
  • Language : En, Es, Fr & De
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'Music in the United States' is a basic textbook for any introduction to American music course. Each American music culture is covered with an introductory article and case studies of the featured culture.

African American Music

African American Music
An Introduction

by Mellonee V. Burnim,Portia K. Maultsby

  • Publisher : Routledge
  • Release : 2014-11-13
  • Pages : 466
  • ISBN : 1317934423
  • Language : En, Es, Fr & De
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American Music: An Introduction, Second Edition is a collection of seventeen essays surveying major African American musical genres, both sacred and secular, from slavery to the present. With contributions by leading scholars in the field, the work brings together analyses of African American music based on ethnographic fieldwork, which privileges the voices of the music-makers themselves, woven into a richly textured mosaic of history and culture. At the same time, it incorporates musical treatments that bring clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify African American music. The second edition has been substantially revised and updated, and includes new essays on African and African American musical continuities, African-derived instrument construction and performance practice, techno, and quartet traditions. Musical transcriptions, photographs, illustrations, and a new audio CD bring the music to life.

Jazz

Jazz
An Introduction to the History and Legends Behind America's Music

by Bob Blumenthal

  • Publisher : Harper Collins
  • Release : 2007-12-18
  • Pages : 192
  • ISBN : 0061241792
  • Language : En, Es, Fr & De
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Explore the essence of jazz from its early roots, to the years of swing and Satchmo, to ragtime and beyond. In Jazz: An Introduction to the History and Legends Behind America's Music, renowned jazz writer Bob Blumenthal offers a perfect introduction to understanding jazz, whether you are approaching the music for the first time or seeking to deepen your knowledge. Inside you will find the people who made the music, history, listening suggestions, jazz trivia, and more. Can you dig it?

A Historian's Introduction to Early American Music

A Historian's Introduction to Early American Music

by Richard Crawford

  • Publisher :
  • Release : 1980
  • Pages : 298
  • ISBN :
  • Language : En, Es, Fr & De
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To Stretch Our Ears

To Stretch Our Ears
A Documentary History of America's Music

by J. Heywood Alexander

  • Publisher : W. W. Norton
  • Release : 2002
  • Pages : 508
  • ISBN : 9780393974119
  • Language : En, Es, Fr & De
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Following the same chapter organization as An Introduction to America s Music, To Stretch Our Ears is the first gathering of significant and far-reaching readings that illuminate many aspects of American music."

The Queer Composition of America's Sound

The Queer Composition of America's Sound
Gay Modernists, American Music, and National Identity

by Nadine Hubbs

  • Publisher : Univ of California Press
  • Release : 2004-10-18
  • Pages : 293
  • ISBN : 9780520937956
  • Language : En, Es, Fr & De
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In this vibrant and pioneering book, Nadine Hubbs shows how a gifted group of Manhattan-based gay composers were pivotal in creating a distinctive "American sound" and in the process served as architects of modern American identity. Focusing on a talented circle that included Aaron Copland, Virgil Thomson, Leonard Bernstein, Marc Blitzstein, Paul Bowles, David Diamond, and Ned Rorem, The Queer Composition of America's Sound homes in on the role of these artists' self-identification—especially with tonal music, French culture, and homosexuality—in the creation of a musical idiom that even today signifies "America" in commercials, movies, radio and television, and the concert hall.

Encyclopedia of Native American Music of North America

Encyclopedia of Native American Music of North America

by Elaine Keillor,Timothy Archambault,John M. H. Kelly

  • Publisher : ABC-CLIO
  • Release : 2013-03-27
  • Pages : 449
  • ISBN : 0313055068
  • Language : En, Es, Fr & De
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This book is a one-stop reference resource for the vast variety of musical expressions of the First Peoples' cultures of North America, both past and present. • Provides print and Internet resources with each entry • Presents exclusive information derived from the personal research and fieldwork of the editors • Includes a timeline that highlights important developments in First Peoples' musical expressions • Supplies an index that allows users to easily look up all of the relevant information on a topic

Singing Out

Singing Out
An Oral History of America's Folk Music Revivals

by David King Dunaway,Molly Beer

  • Publisher : Oxford University Press
  • Release : 2010-04-14
  • Pages : 272
  • ISBN : 9780199702947
  • Language : En, Es, Fr & De
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Intimate, anecdotal, and spell-binding, Singing Out offers a fascinating oral history of the North American folk music revivals and folk music. Culled from more than 150 interviews recorded from 1976 to 2006, this captivating story spans seven decades and cuts across a wide swath of generations and perspectives, shedding light on the musical, political, and social aspects of this movement. The narrators highlight many of the major folk revival figures, including Pete Seeger, Bernice Reagon, Phil Ochs, Mary Travers, Don McLean, Judy Collins, Arlo Guthrie, Ry Cooder, and Holly Near. Together they tell the stories of such musical groups as the Composers' Collective, the Almanac Singers, People's Songs, the Weavers, the New Lost City Ramblers, and the Freedom Singers. Folklorists, musicians, musicologists, writers, activists, and aficionados reveal not only what happened during the folk revivals, but what it meant to those personally and passionately involved. For everyone who ever picked up a guitar, fiddle, or banjo, this will be a book to give and cherish. Extensive notes, bibliography, and discography, plus a photo section.

America's Musical Landscape

America's Musical Landscape

by Jean Ferris

  • Publisher : WCB/McGraw-Hill
  • Release : 1993
  • Pages : 324
  • ISBN :
  • Language : En, Es, Fr & De
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This text addresses the broad range of music in the United States from early periods to today, presenting this rich tapestry of sound in its historical and cultural context. Its reasonable length, readability, and logical organization make the text a useful and attractive means of furthering appreciation of the musical heritage of the United States. Frequent connections to other arts, particularly the visual arts, add to the book's appeal and enhance understanding of core musical concepts. The text also offers an elegant and readable introduction to the fundamentals of music. To order the text packaged with a set of three CDs of recorded examples, at a discounted price, use ISBN 0-07-304387-7.

Audiotopia

Audiotopia
Music, Race, and America

by Josh Kun

  • Publisher : Univ of California Press
  • Release : 2005-11
  • Pages : 302
  • ISBN : 0520244249
  • Language : En, Es, Fr & De
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“With Audiotopia, Kun emerges as a pre-eminent analyst, interpreter, and theorist of inter-ethnic dialogue in US music, literature, and visual art. This book is a guide to how scholarship will look in the future—the first fully realized product of a new generation of scholars thrown forth by tumultuous social ferment and eager to talk about the world that they see emerging around them.”—George Lipsitz, author of Time Passages: Collective Memory and American Popular Culture "The range and depth of Audiotopia is thrilling. It's not only that Josh Kun knows so much-it's that he knows what to make of what he knows."—Greil Marcus, author of Lipstick Traces: A Secret History of the 20th Century "The way Josh Kun writes about what he hears, the way he unravels word, sound, and power is breathtaking, provocative, and original. A bold, expansive, and lyrical book, Audiotopia is a record of crossings, textures, tangents, and ideas you will want to play again and again."—Jeff Chang, author of Can't Stop Won't Stop: A History of the Hip-Hop Generation

The Accordion in the Americas

The Accordion in the Americas
Klezmer, Polka, Tango, Zydeco, and More!

by Helena Simonett

  • Publisher : University of Illinois Press
  • Release : 2012
  • Pages : 330
  • ISBN : 0252037200
  • Language : En, Es, Fr & De
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An invention of the Industrial Revolution, the accordion provided the less affluent with an inexpensive, loud, portable, and durable "one-man-orchestra" capable of producing melody, harmony, and bass all at once. This rich collection considers the accordion and its myriad forms, from the concertina, button accordion, and piano accordion familiar in European and North American music to the more exotic-sounding South American bandoneón and the sanfoninha. Capturing the instrument's spread and adaptation to many different cultures in North and South America, contributors illuminate how the accordion factored into power struggles over aesthetic values between elites and working-class people who often were members of immigrant and/or marginalized ethnic communities. Specific histories and cultural contexts discussed include the accordion in Brazil, Argentine tango, accordion traditions in Colombia and the Dominican Republic, cross-border accordion culture between Mexico and Texas, Cajun and Creole identity, working-class culture near Lake Superior, the virtuoso Italian-American and Klezmer accordions, Native American dance music, and American avant-garde. Contributors are María Susana Azzi, Egberto Bermúdez, Mark DeWitt, Joshua Horowitz, Sydney Hutchinson, Marion Jacobson, James P. Leary, Megwen Loveless, Richard March, Cathy Ragland, Helena Simonett, Jared Snyder, Janet L. Sturman, and Christine F. Zinni. An invention of the Industrial Revolution, the accordion provided the less affluent with an inexpensive, loud, portable, and durable "one-man-orchestra" capable of producing melody, harmony, and bass all at once. Imported from Europe into the Americas, the accordion with its distinctive sound became a part of the aural landscape for millions of people but proved to be divisive: while the accordion formed an integral part of working-class musical expression, bourgeois commentators often derided it as vulgar and tasteless. This rich collection considers the accordion and its myriad forms, from the concertina, button accordion, and piano accordion familiar in European and North American music to the exotic-sounding South American bandoneón and the sanfoninha. Capturing the instrument's spread and adaptation to many different cultures in North and South America, contributors illuminate how the accordion factored into power struggles over aesthetic values between elites and working-class people who often were members of immigrant and/or marginalized ethnic communities. Specific histories and cultural contexts discussed include the accordion in Brazil, Argentine tango, accordion traditions in Colombia, cross-border accordion culture between Mexico and Texas, Cajun and Creole identity, working-class culture near Lake Superior, the virtuoso Italian-American and Klezmer accordions, Native American dance music, and American avant-garde. Contributors are María Susana Azzi, Egberto Bermúdez, Mark DeWitt, Joshua Horowitz, Sydney Hutchinson, Marion Jacobson, James P. Leary, Megwen Loveless, Richard March, Cathy Ragland, Helena Simonett, Jared Snyder, Janet L. Sturman, and Christine F. Zinni.

American Music Since 1910

American Music Since 1910

by Virgil Thomson

  • Publisher :
  • Release : 1971
  • Pages : 204
  • ISBN : 9780030914843
  • Language : En, Es, Fr & De
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Indigenous Pop

Indigenous Pop
Native American Music from Jazz to Hip Hop

by Jeff Berglund,Jan Johnson,Kimberli Lee

  • Publisher : University of Arizona Press
  • Release : 2016-03-10
  • Pages : 260
  • ISBN : 0816509441
  • Language : En, Es, Fr & De
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"This book is an interdisciplinary discussion of popular music performed and created by American Indian musicians, providing an important window into history, politics, and tribal communities as it simultaneously complements literary, historiographic, anthropological, and sociological discussions of Native culture"--Provided by publisher.

America's Musical Life

America's Musical Life
A History

by Richard Crawford

  • Publisher : W W Norton & Company Incorporated
  • Release : 2005
  • Pages : 976
  • ISBN : 9780393327267
  • Language : En, Es, Fr & De
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An illustrated history of America's musical heritage ranges from the earliest examples of Native American traditional song to the innovative sound of contemporary rock and jazz.

Irving Berlin

Irving Berlin
New York Genius

by James Kaplan

  • Publisher :
  • Release : 2019-11-05
  • Pages : 424
  • ISBN : 0300180489
  • Language : En, Es, Fr & De
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From the prizewinning Jewish Lives series, a fast‑moving, musically astute portrait of arguably the greatest composer of American popular music Irving Berlin (1888-1989) has been called--by George Gershwin, among others--the greatest songwriter of the golden age of the American popular song. "Berlin has no place in American music," legendary composer Jerome Kern wrote; "he is American music." In a career that spanned an astonishing nine decades, Berlin wrote some fifteen hundred tunes, including "Alexander's Ragtime Band," "God Bless America," and "White Christmas." From ragtime to the rock era, Berlin's work has endured in the very fiber of American national identity. Exploring the interplay of Berlin's life with the life of New York City, noted biographer James Kaplan offers a visceral narrative of Berlin as self‑made man and witty, wily, tough Jewish immigrant. This fast‑paced, musically opinionated biography uncovers Berlin's unique brilliance as a composer of music and lyrics. Masterfully written and psychologically penetrating, Kaplan's book underscores Berlin's continued relevance in American popular culture. About Jewish Lives: Jewish Lives is a prizewinning series of interpretative biography designed to explore the many facets of Jewish identity. Individual volumes illuminate the imprint of Jewish figures upon literature, religion, philosophy, politics, cultural and economic life, and the arts and sciences. Subjects are paired with authors to elicit lively, deeply informed books that explore the range and depth of the Jewish experience from antiquity to the present. In 2014, the Jewish Book Council named Jewish Lives the winner of its Jewish Book of the Year Award, the first series ever to receive this award. More praise for Jewish Lives: "Excellent." - New York times "Exemplary." - Wall St. Journal "Distinguished." - New Yorker "Superb." - The Guardian

Rethinking American Music

Rethinking American Music

by Tara Browner,Thomas Riis

  • Publisher : University of Illinois Press
  • Release : 2019-03-16
  • Pages : 384
  • ISBN : 0252051157
  • Language : En, Es, Fr & De
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In Rethinking American Music, Tara Browner and Thomas L. Riis curate essays that offer an eclectic survey of current music scholarship. Ranging from Tin Pan Alley to Thelonious Monk to hip hop, the contributors go beyond repertory and biography to explore four critical yet overlooked areas: the impact of performance; patronage's role in creating music and finding a place to play it; personal identity; and the ways cultural and ethnographic circumstances determine the music that emerges from the creative process. Many of the articles also look at how a piece of music becomes initially popular and then exerts a lasting influence in the larger global culture. The result is an insightful state-of-the-field examination that doubles as an engaging short course on our complex, multifaceted musical heritage. Contributors: Karen Ahlquist, Amy C. Beal, Mark Clagu,. Esther R. Crookshank, Todd Decker, Jennifer DeLapp-Birkett, Joshua S. Duchan, Mark Katz, Jeffrey Magee, Sterling E. Murray, Guthrie P. Ramsey Jr., David Warren Steel, Jeffrey Taylor, and Mark Tucker

The Routledge Handbook to the Culture and Media of the Americas

The Routledge Handbook to the Culture and Media of the Americas

by Wilfried Raussert,Giselle Liza Anatol,Sebastian Thies,Sarah Corona Berkin,José Carlos Lozano

  • Publisher : Routledge
  • Release : 2020-03-02
  • Pages : 494
  • ISBN : 1351064681
  • Language : En, Es, Fr & De
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Exploring the culture and media of the Americas, this handbook places particular emphasis on collective and intertwined experiences and focuses on the transnational or hemispheric dimensions of cultural flows and geocultural imaginaries that shape the literature, arts, media and other cultural expressions in the Americas. The Routledge Handbook to the Culture and Media of the Americas charts the pervasive, asymmetrical flows of cultural products and capital and their importance in the development of the Americas. The volume offers a comprehensive understanding of how inter-American communication is constituted, framed and structured, and covers the artistic and political dimensions that have shaped literature, art and popular culture in the region. Forty-six chapters cover a range of inter-American key concepts and dynamics, divided into two parts: Literature and Music deals with inter-American entanglements of artistic expressions in the Western Hemisphere, including music, dance, literary genres and developments. Media and Visual Cultures explores the inter-American dimension of media production in the hemisphere, including cinema and television, photography and art, journalism, radio, digital culture and issues such as freedom of expression and intellectual property. This multidisciplinary approach will be of interest to a broad array of academic scholars and students in history, sociology, political science; and cultural, postcolonial, gender, literary, globalization and media studies.

America, the Band

America, the Band
An Authorized Biography

by Jude Warne

  • Publisher : Rowman & Littlefield
  • Release : 2020-05-15
  • Pages : 232
  • ISBN : 1538120968
  • Language : En, Es, Fr & De
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As if recovering from a raucous dream of the 1960s, Gerry Beckley, Dewey Bunnell, and Dan Peek arrived on 1970s American radio with a sound that echoed disenchanted hearts of young people everywhere. The three American boys had named their band after a country they’d watched and dreamt of from their London childhood Air Force base homes. What was this country? This new band? Classic and timeless, America embodied the dreams of a nation desperate to emerge from the desert and finally give their horse a name. Celebrating the band’s fiftieth anniversary, Gerry Beckley and Dewey Bunnell share stories of growing up, growing together, and growing older. Journalist Jude Warne weaves original interviews with Beckley, Bunnell, and many others into a dynamic cultural history of America, the band, and America, the nation. Reliving hits like “Ventura Highway,” “Tin Man,” and of course, “A Horse with No Name” from their 19 studio albums and incomparable live recordings, this book offers readers a new appreciation of what makes some music unforgettable and timeless. As America’s music stays in rhythm with the heartbeats of its millions of fans, new fans feel the draw of a familiar emotion. They’ve felt it before in their hearts and thanks to America, they can now hear it, share it, and sing along.