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The China Collectors

The China Collectors
America's Century-Long Hunt for Asian Art Treasures

by Karl E. Meyer,Shareen Blair Brysac

  • Publisher : St. Martin's Press
  • Release : 2015-03-10
  • Pages : 432
  • ISBN : 1466879297
  • Language : En, Es, Fr & De
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Thanks to Salem sea captains, Gilded Age millionaires, curators on horseback and missionaries gone native, North American museums now possess the greatest collections of Chinese art outside of East Asia itself. How did it happen? The China Collectors is the first full account of a century-long treasure hunt in China from the Opium Wars and the Boxer Rebellion to Mao Zedong's 1949 ascent. The principal gatherers are mostly little known and defy invention. They included "foreign devils" who braved desert sandstorms, bandits and local warlords in acquiring significant works. Adventurous curators like Langdon Warner, a forebear of Indiana Jones, argued that the caves of Dunhuang were already threatened by vandals, thereby justifying the removal of frescoes and sculptures. Other Americans include George Kates, an alumnus of Harvard, Oxford and Hollywood, who fell in love with Ming furniture. The Chinese were divided between dealers who profited from the artworks' removal, and scholars who sought to protect their country's patrimony. Duanfang, the greatest Chinese collector of his era, was beheaded in a coup and his splendid bronzes now adorn major museums. Others in this rich tapestry include Charles Lang Freer, an enlightened Detroit entrepreneur, two generations of Rockefellers, and Avery Brundage, the imperious Olympian, and Arthur Sackler, the grand acquisitor. No less important are two museum directors, Cleveland's Sherman Lee and Kansas City's Laurence Sickman, who challenged the East Coast's hegemony. Shareen Blair Brysac and Karl E. Meyer even-handedly consider whether ancient treasures were looted or salvaged, and whether it was morally acceptable to spirit hitherto inaccessible objects westward, where they could be studied and preserved by trained museum personnel. And how should the US and Canada and their museums respond now that China has the means and will to reclaim its missing patrimony?

Asian Art

Asian Art

by Dorinda Neave,Lara C. W. Blanchard,Marika Sardar,Miranda Bruce-Mitford

  • Publisher : Pearson College Division
  • Release : 2014-01-07
  • Pages : 432
  • ISBN : 9780205837632
  • Language : En, Es, Fr & De
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Illuminates the rich history of Asian Art from ancient times to the present Asian Art provides students with an accessible introduction to the history of Asian Art. Students will gain an understanding of the emergence and evolution of Asian art in all its diversity. Using a range of analytical skills, readers will learn to recognize patterns of continuity and change between the arts and cultures of various regions comprising Asia. Images set within their broader cultural and religious backgrounds provides students with important contextual information to understand and decode artworks. MySearchLab is a part of the Neave / Blanchard / Sardar program. Research and writing tools, including access to academic journals, help students explore Asian Art in even greater depth. To provide students with flexibility, students can download the eText to a tablet using the free Pearson eText app. Note: This is the standalone book if you want the book/access card order the ISBN below: 020599685X / 9780205996858 History of Asian Art Plus MySearchLab with Pearson eText -- Access Card Package Package consists of: 0205239927 / 9780205239924 MySearchLab with Pearson eText -- Valuepack Access Card 0205837638 / 9780205837632 History of Asian Art

Asian Art News

Asian Art News

by N.A

  • Publisher :
  • Release : 2004
  • Pages : 329
  • ISBN :
  • Language : En, Es, Fr & De
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"Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris "

'Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris '

by Ting Chang

  • Publisher : Routledge
  • Release : 2017-07-05
  • Pages : 210
  • ISBN : 1351538454
  • Language : En, Es, Fr & De
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Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris examines a history of contact between modern Europe and East Asia through three collectors: Henri Cernuschi, Emile Guimet, and Edmond de Goncourt. Drawing on a wealth of material including European travelogues of the East and Asian reports of the West, Ting Chang explores the politics of mobility and cross-cultural encounter in the nineteenth century. This book takes a new approach to museum studies and institutional critique by highlighting what is missing from the existing scholarship -- the foreign labors, social relations, and somatic experiences of travel that are constitutive of museums yet left out of their histories. The author explores how global trade and monetary theory shaped Cernuschi's collection of archaic Chinese bronze. Exchange systems, both material and immaterial, determined Guimet's museum of religious objects and Goncourt's private collection of Asian art. Bronze, porcelain, and prints articulated the shifting relations and frameworks of understanding between France, Japan, and China in a time of profound transformation. Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris thus looks at what Asian art was imagined to do for Europe. This book will be of interest to scholars and students interested in art history, travel imagery, museum studies, cross-cultural encounters, and modern transnational histories.

Along the Ancient Silk Routes

Along the Ancient Silk Routes
Central Asian Art from the West Berlin State Museums : an Exhibition Lent by the Museum Für Indische Kunst, Staatliche Museen Preussischer Kulturbesitz, Berlin, Federal Republic of Germany

by Herbert Härtel,Marianne Yaldiz,Metropolitan Museum of Art (New York, N.Y.)

  • Publisher : Metropolitan Museum of Art
  • Release : 1982-01-01
  • Pages : 223
  • ISBN : 0870993003
  • Language : En, Es, Fr & De
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A Companion to Chinese Art

A Companion to Chinese Art

by Martin J. Powers,Katherine R. Tsiang

  • Publisher : John Wiley & Sons
  • Release : 2015-12-21
  • Pages : 562
  • ISBN : 1444339133
  • Language : En, Es, Fr & De
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A Companion to Chinese Art provides a contemporary survey of one of the world’s greatest and richest artistic traditions. Including over two dozen newly-commissioned essays, it examines this region’s art and theory in all of its multifaceted complexity—spanning the theories, genres, and media central to Chinese art throughout its history. The volume offers a rich insight into China’s social and political institutions, religious practices, and intellectual traditions alongside Chinese art history, theory, and criticism. It brings together an international team of scholars from East and West, whose contributions range from an overview of premodern theory, to those exploring calligraphy, fine painting, sculpture, personal accessories, and more. In addition, the Companion reflects on social and cultural issues, such as the challenges of comparative history, the role of the artist in society, the contested role of gender in art production, different theories of nature that have evolved over time, and articulates the direction in which the field of Chinese art history is moving. In promoting a comparative understanding of China’s long record of cultural production, this volume provides students and scholars of both Asian and non-Asian art history with an exceptional guide to the history of art in China, from its earliest incarnations to the present day.

Modern Asian Art

Modern Asian Art

by John Clark

  • Publisher : University of Hawaii Press
  • Release : 1998-01-01
  • Pages : 344
  • ISBN : 9780824821425
  • Language : En, Es, Fr & De
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A seminal publication focusing on the modern art of Japan, China, India, Thailand, and Indonesia. A significant and challenging contribution to the discussion of the advent of modernism in Asia.

Reading Asian Art and Artifacts

Reading Asian Art and Artifacts
Windows to Asia on American College Campuses

by Paul Kocot Nietupski,Joan O'Mara

  • Publisher : Rowman & Littlefield
  • Release : 2011
  • Pages : 200
  • ISBN : 1611460700
  • Language : En, Es, Fr & De
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Asian art and material artifacts are expressive of cultural realities and constitute a "visible language" with messages that can be read, interpreted, and analyzed. These essays by scholars of Asian art, philosophy, anthropology, and religion focus on objects held in ASIANetwork schools. The chapters' authors tell the stories of the collections, and the collections themselves tell stories of the collectors.

The Asian Art Museum of San Francisco

The Asian Art Museum of San Francisco
Selected Works

by Curatorial Staff of the Asian Art Museum,Allen,Asian art museum (San Francisco, Calif.).,Tuttle Publishing,Asian Art Museum of San Francisco

  • Publisher : Asian Art Museum of San
  • Release : 1994-06-06
  • Pages : 207
  • ISBN :
  • Language : En, Es, Fr & De
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The basic guide to the Asian Art Museum's collections, now in its seventh printing

Contemporary Asian Art and Exhibitions

Contemporary Asian Art and Exhibitions
Connectivities and World-making

by Caroline Turner,Michelle Antoinette

  • Publisher : ANU Press
  • Release : 2014-10-03
  • Pages : 278
  • ISBN : 1925022005
  • Language : En, Es, Fr & De
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“… a diverse and stimulating group of essays that together represents a significant contribution to thinking about the nascent field of contemporary Asian art studies … Contemporary Asian Art and Exhibitions: Connectivities and World-making … brings together essays by significant academics, curators and artist working in Australia, Asia and the United Kingdom that reflect on contemporary art in the Asia-Pacific region, and Australia’s cultural interconnections with Asia. It will be a welcome addition to the body of literature related to these emergent areas of art historical study. ” — Dr Claire Roberts, Senior Lecturer in Art History, University of Adelaide This volume draws together essays by leading art experts observing the dramatic developments in Asian art and exhibitions in the last two decades. The authors explore new regional and global connections and new ways of understanding contemporary Asian art in the twenty-first century. The essays coalesce around four key themes: world-making; intra-Asian regional connections; art’s affective capacity in cross-cultural engagement; and Australia’s cultural connections with Asia. In exploring these themes, the essays adopt a diversity of approaches and encompass art history, art theory, visual culture and museum studies, as well as curatorial and artistic practice. With introductory and concluding essays by editors Michelle Antoinette and Caroline Turner this volume features contributions from key writers on the region and on contemporary art: Patrick D Flores, John Clark, Chaitanya Sambrani, Pat Hoffie, Charles Merewether, Marsha Meskimmon, Francis Maravillas, Oscar Ho, Alison Carroll and Jacqueline Lo. Richly illustrated with artworks by leading contemporary Asian artists, Contemporary Asian Art and Exhibitions: Connectivities and World-making will be essential reading for those interested in recent developments in contemporary Asian art, including students and scholars of art history, Asian studies, museum studies, visual and cultural studies.

Asian Art

Asian Art

by Jill Tilden

  • Publisher : Laurence King Pub
  • Release : 1995
  • Pages : 224
  • ISBN :
  • Language : En, Es, Fr & De
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"THE SECOND HALI ANNUAL, focusing on Asian Art, draws together and explores key themes across a range of media in an accessible and strongly visual style. Varied, lively and original, this fascinating collection of studies combines serious research by respected authorities in each field with high quality colour images."--BOOK JACKET.

Dictionary of South & Southeast Asian Art

Dictionary of South & Southeast Asian Art

by Gwyneth Chaturachinda,Sunanda Krishnamurty,Pauline W. Tabtiang

  • Publisher : Silkworm Books
  • Release : 2004-04-01
  • Pages : 240
  • ISBN : 1943932158
  • Language : En, Es, Fr & De
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This basic dictionary of South and Southeast Asian art offers clear and concise explanations of hundreds of useful terms. With over 1,300 entries and 112 line illustrations, this volume makes a handy reference for anyone interested and engaged in South and Southeast Asia Entries range from terms encountered in South and Southeast Asian history, religion, mythology, literature, to those specific to art and architecture, and are drawn from the diverse religious traditions of the region.

Studies in Southeast Asian Art

Studies in Southeast Asian Art
Essays in Honor of Stanley J. O'Connor

by Nora A. Taylor

  • Publisher : Cornell University Press
  • Release : 2018-08-06
  • Pages : 244
  • ISBN : 1501732587
  • Language : En, Es, Fr & De
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This wide-ranging collection of essays examines the arts of Southeast Asia in context. Contributors study the creation, use, and local significance of works of art, illuminating the many complex links between an object's aesthetic qualities and its origins in a community.

The Lotus Transcendent

The Lotus Transcendent
Indian and Southeast Asian Art from the Samuel Eilenberg Collection

by Martin Lerner,Steven Kossak

  • Publisher : Metropolitan Museum of Art
  • Release : 1991
  • Pages : 245
  • ISBN : 0870996134
  • Language : En, Es, Fr & De
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Archives of Asian Art

Archives of Asian Art

by Asia Society

  • Publisher :
  • Release : 2003
  • Pages : 329
  • ISBN :
  • Language : En, Es, Fr & De
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Newsletter, East Asian Art and Archaeology

Newsletter, East Asian Art and Archaeology

by N.A

  • Publisher : UM Libraries
  • Release : 1977
  • Pages : 329
  • ISBN :
  • Language : En, Es, Fr & De
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Central Asian Art

Central Asian Art

by Vladimir Lukonin,Anatoly Ivanov

  • Publisher : Parkstone International
  • Release : 2015-09-15
  • Pages : 249
  • ISBN : 1783107979
  • Language : En, Es, Fr & De
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The strict prohibition on the representation of the human form has channeled artistic creation into architecture and architectural decoration. This book is a magical tour through Central Asia - Khirgizia, Tadjikistan, Turkmenia, and Uzbekistan - a cradle of Ancient civilisations and are pository of the Oriental arts inspired by Buddhism and Islam. There are magnificent, full-colour photographs of the abandoned cities of Mervand Urgench, Khiva, the capital of the Kharezm, with its mausoleum of Sheikh Seid Allahuddin,and, the Golden Road to Samarkand, the Blue City, a center of civilisation for 2,500 years. form has channeled artistic creation into architecture and architectural decoration. This book is a magical tour through Central Asia - Khirgizia, Tadjikistan, Turkmenia, and Uzbekistan - a cradle of Ancient civilisations and a repository of the Oriental arts inspired by Buddhism and Islam. There are magnificent, full-colour photographs of the abandoned cities of Mervand Urgench, Khiva, the capital of the Kharezm, with its mausoleum of Sheikh Seid Allahuddin, and, the Golden Road to Samarkand, the Blue City, a center of civilisation for 2,500 years.

Asian Art Therapists

Asian Art Therapists
Navigating Art, Diversity, and Culture

by Megu Kitazawa

  • Publisher : Routledge
  • Release : 2020-11-30
  • Pages : 158
  • ISBN : 100026212X
  • Language : En, Es, Fr & De
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This book explores Asian art therapist experiences in a predominantly white professional field, challenging readers with visceral, racial, and personalized stories that may push them far beyond their comfort zone. Drawing from the expertise and practices of Asian art therapists from around the world, this unique text navigates how minority status can affect training and clinical practice in relation to clients, co-workers, and peers. It describes how Asian pioneers have broken therapeutic and racial rules to accommodate patient needs and improve clinical skills and illustrates how the reader can examine and disseminate their own biases. Authors share how they make their own path—by becoming aware of the connection between their lives and circumstances—and how they liberate themselves and those who seek their services. This informative resource for art therapy students and professionals offers non-Asian readers a glimpse at personal and clinical experiences in the White-dominant profession while detailing how Asian art therapists can lead race-based discussions with empathy to become more competent therapists and educators in an increasingly diversifying world.

Harmony & Contrast

Harmony & Contrast
A Journey Through East Asian Art

by Jane Wilkinson

  • Publisher : Psychology Press
  • Release : 1996
  • Pages : 128
  • ISBN : 9780700704613
  • Language : En, Es, Fr & De
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Harmony and Contrast provides a cross-cultural perspective on the art of Japan, China and Korea, focusing on the use of materials in art.

Reframing Japonisme

Reframing Japonisme
Women and the Asian Art Market in Nineteenth-Century France, 1853–1914

by Elizabeth Emery

  • Publisher : Bloomsbury Publishing USA
  • Release : 2020-09-17
  • Pages : 272
  • ISBN : 1501344668
  • Language : En, Es, Fr & De
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Japonisme, the nineteenth-century fascination for Japanese art, has generated an enormous body of scholarship since the beginning of the twenty-first century, but most of it neglects the women who acquired objects from the Far East and sold them to clients or displayed them in their homes before bequeathing them to museums. The stories of women shopkeepers, collectors, and artists rarely appear in memoirs left by those associated with the japoniste movement. This volume brings to light the culturally important, yet largely forgotten activities of women such as Clémence d'Ennery (1823–1898), who began collecting Japanese and Chinese chimeras in the 1840s, built and decorated a house for them in the 1870s, and bequeathed the “Musée d'Ennery” to the state as a free public museum in 1893. A friend of the Goncourt brothers and a fifty-year patron of Parisian dealers of Asian art, d'Ennery's struggles to gain recognition as a collector and curator serve as a lens through which to examine the collecting and display practices of other women of her day. Travelers to Japan such as the Duchesse de Persigny, Isabella Stewart Gardner, and Laure Durand- Fardel returned with souvenirs that they shared with friends and family. Salon hostesses including Juliette Adam, Louise Cahen d'Anvers, Princesse Mathilde, and Marguerite Charpentier provided venues for the discussion and examination of Japanese art objects, as did well-known art dealers Madame Desoye, Madame Malinet, Madame Hatty, and Madame Langweil. Writers, actresses, and artists-Judith Gautier, Thérèse Bentzon, Sarah Bernhardt, and Mary Cassatt, to name just a few- took inspiration from the Japanese material in circulation to create their own unique works of art. Largely absent from the history of Japonisme, these women-and many others-actively collected Japanese art, interacted with auction houses and art dealers, and formed collections now at the heart of museums such as the Louvre, the Musée Guimet, the Musée Cernuschi, the Musée Unterlinden, and the Metropolitan Museum of Art.