The Athen��um

This book asks an important question often ignored by ancient historians and political scientists alike: Why did Athenian democracy work as well and for as long as it did? Josiah Ober seeks the answer by analyzing the sociology of Athenian politics and the nature of communication between elite and nonelite citizens. After a preliminary survey of the development of the Athenian "constitution," he focuses on the role of political and legal rhetoric. As jurymen and Assemblymen, the citizen masses of Athens retained important powers, and elite Athenian politicians and litigants needed to address these large bodies of ordinary citizens in terms understandable and acceptable to the audience. This book probes the social strategies behind the rhetorical tactics employed by elite speakers. A close reading of the speeches exposes both egalitarian and elitist elements in Athenian popular ideology. Ober demonstrates that the vocabulary of public speech constituted a democratic discourse that allowed the Athenians to resolve contradictions between the ideal of political equality and the reality of social inequality. His radical reevaluation of leadership and political power in classical Athens restores key elements of the social and ideological context of the first western democracy.

The essays compiled in this volume individually address the varied forms in which the revival of Platonism manifested itself in ancient philosophy. It pays special attention to the issues of unity and beauty, the mind and knowledge, the soul and the body, virtue and happiness, and additionally considers the political and religious dimensions of Platonic thought. Starting from Plato and Aristotle, the studies examine the multiple transformational forms of Platonism, including the Neo-Platonists – Plotinus, Porphyrios, Iamblichus, Themistius, Proclus, and Marinus – along with Christian thinkers such as St. Augustine, Boethius, and Dionysus the Areopagite. The authors who have contributed to this volume make multiple references to the scholarly work of Dominic J. O’Meara. Their further refinement of O’Meara’s approach particularly casts a new light on Late-Platonic ethics. The essays in this collection also contribute to scholarly research about the multiple inter-relationships among the Platonists themselves and between Platonists and philosophers from other schools. Taken as a whole, this book reveals the full breadth of potential in the revival and transformation of ancient Platonism.

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Seventeen-year-old Gertrude Morgan, the only child of one of the wealthiest couples in America, is shipped away from her home in New York City to the American school in Athens against her will. She would rather remain in the world of her books. After settling in with her poor and boisterous host family, she discovers that the vampires and Greek gods that people her favorite books actually exist! Yes. The city of Athens has secrets. Her host family calls them "tramps." In Greek, they are called vrykolakas, or "vryks," which sometimes gets translated to "freaks." They are the vampires of Athens, created centuries ago by the Maenads. They live in caves beneath the acropolis without economic resources and according to rules imposed on them by the Olympians. First and foremost, they are forbidden from turning humans into vampires. The human will not turn unless all of the blood is drained, so a vampire is allowed to drink up to one pint per month from a willing mortal. Some mortals are willing because a vampire bite will infect the body for six hours, and during that time, the mortal has the powers of the vampire: flight, invisibility, strength, speed, x-ray vision, and mind control. Such great power can become irresistible, though dangerous and addicting to mortals... As Gertie uncovers the unfathomable secrets of this ancient city, she is drawn to the beauty and deep thoughts of a boy she first met on the bus into Athens--Jeno. Her host family and another boy she later learns is a demigod warn her to stay away from him, but her curiosity gets the best of her and she unwittingly becomes a catalyst in an uprising led by Dionysus, the god of wine and lord of the vampires. "An epic take on vampires and Greek mythology"--Goodreads Reviewer ★★★★★ "Had me from the first sentence to the very last word! I’m so happy to know the author is keeping the series going! I was so bummed when I was done. I just wanted more! But this is seriously is my top 5 of favorite vampire series! I seriously couldn’t put this down! If you are looking for a great Vampire love story this is your series!"--Keke, Amazon Reviewer ★★★★★ "I loved this series. It kept me up late at night. I loved how she compiled mythology and fantasy together. My two favorite things. I was torn on who Gertie should be with. It mad me laugh, made me cry, made me mad. All the emotions. I love a book that can do that."--Debbie Shropshire ★★★★★ "A fantastic, take your breath away series!"--Michael J. Looney ★★★★★ "I've read a lot of books and this series ranks right up at the top."--Goodreads Reviewer ★★★★★ Grab your copy to begin the exciting adventure today!

This book is a monumental work on the late Romantic Irish poet, George Darley, with a scholarly edition of his complete poetry and a new biography. The text of each poem is meticulously edited from manuscript and printed sources. For the first time, Darley is established as a translator of the First Book of Virgil’s Æneid. A newly discovered manuscript of Darley’s 70 Lenimina Laborum poems enriches the edition, while the celebrated Nepenthe is authoritatively presented with Darley’s manuscript running headnotes. The book introduces over 40 new manuscript letters by Darley, and discusses contemporary reviews of his work and a century of critical commentary. Darley’s influence on Tennyson is evaluated and his vast periodical contributions are examined. In addition, the insightful interpretation of Nepenthe by Edward Hutchinson Synge is presented. This book will be of great interest to scholars of the Romantic period, readers of contemporary periodical journalism, and students of Irish literary history.