The Black Book Of English Canada

Normand Lester, a journalist with Radio-Canada (the French-language equivalent of the CBC) stirred up a hornet’s nest when he revealed that the federal government had secretly funded television’s Heritage Minutes which, in his view, provided a sanitized version of our shared history. He was subsequently, controversially, let go. The Black Book of Canada is his impassioned defence of his native province and an implicit repudiation of the anglophone media’s unfair, yet all-too-common attacks on Quebec and Quebecers. While English Canada may think itself a “just society,” in this highly controversial book – which sold 50,000 copies in French – Normand Lester chronicles English-Canadian intolerance: the expulsion of the Acadians; Lord Durham’s anti-French policies; the hanging of Louis Riel; R. B. Bennett’s funding of anti-Semitic publications; and the internment of Japanese Canadians in the Second World War. Lester argues that the myth of two equal, amicable co-founders of the nation, a myth actively promoted by the federal government over recent decades, ignores the fact that there will always be two incompatible national histories.

Programming Reality: Perspectives on English-Canadian Television, the first anthology dedicated to analyses of Canadian television content, is a collection of original, interdisciplinary articles, combining textual analysis and political economy of communications. It explores the television that has thrived in the Canadian regulatory and cultural context: namely, programs that straddle the border between reality and fiction or even blur it. The conceptual basis of this collection is the hybrid nature of television fare: the widely theorized notion that all mediations of reality involve fiction in the form of narrative or symbolic shaping. Each of the contributions here is a reminder, too, of the significant relationship of television to nation building in Canada—to the imaginative work involved in thinking through the relations that constitute nations, citizens, and communities. The collection focuses on English-language Canadian television because the imperatives guiding its texts are markedly different from those pertaining to their French-lanugage counterparts. The collection, therefore, develops a nuance of perspective on the cultural and political economic specificities that inform the imaginative work of television production for English Canada.

This new edition of Debts to Pay, a book dealing with Quebec/Canada relations, offers a fresh perspective on the recent changes in Quebec.

Australia and Canada may have different security strategies, reflecting contrasting domestic circumstances, but John Blaxland shows that common interests have led their forces to work together for over a century. Strategic Cousins examines the role of the professional armed forces of these geographically distant nations through a comparison of their historical experiences with expeditionary land forces.

'Book Review Index' provides quick access to reviews of books, periodicals, books on tape and electronic media representing a wide range of popular, academic and professional interests. More than 600 publications are indexed, including journals and national general interest publications and newspapers. 'Book Review Index' is available in a three-issue subscription covering the current year or as an annual cumulation covering the past year.

Impressive in its scope and depth of scholarship, this first volume of the History of the Book in Canada is a landmark in the chronicle of writing, publishing, bookselling, and reading in Canada.

In choosing stories for this companion volume to The Oxford Book of Canadian Verse, Margaret Atwood and Robert 4Weaver have combined their different but complementary experiences of the Canadian short story and their extensive knowledge of the genre. Margaret Atwood is one of Canada's leadingshort-story writers. Besides her famous novels, she has published two collections, Dancing Girls and Bluebeard's Egg, that contain some of the most widely anthologized modern Canadian stories. Robert Weaver has edited ten anthologies, and has encouraged many young writers who are now wellknown.

**** A sweeping historical survey covering all aspects of the Black experience in Canada, from 1628 through the 1960s. Investigates the French and English periods of slavery, the abolitionist movement in Canada, and the role played by Canadians in the broader antislavery crusade, as well as Canadian adaptations to 19th- and 20th-century racial mores. First published in 1971 by Yale University Press. This second edition includes a new introduction outlining changes that have occurred since the book's first appearance and discussing the state of African-Canadian studies today. Cited in BCL3. Annotation copyrighted by Book News, Inc., Portland, OR

The essays in North of Everything examine the state of Canadian film during a period of critical change. Their focus ranges from the conventional cinema to the avant garde, NFB documentaries to DIY videotapes. This comprehensive volume presents essays on established and emerging filmmakers and includes discussions of Canadian film institutions, history, and policy.

The English Language in Canada examines the current status, history and principal features of Canadian English, focusing on the 'standard' variety heard across the country today. The discussion of the status of Canadian English considers the number and distribution of its speakers, its relation to French and other Canadian languages and to American English, its status as the expressive medium of English Canadian culture and its treatment in previous research. The review of its history concentrates on the historical roots and patterns of English-speaking settlement that established Canadian English and influenced its character in each region of Canada. The analysis of its principal features compares the vocabulary, pronunciation and grammar of Canadian English to standard British and American English. Subsequent chapters examine variation and change in the vocabulary and pronunciation of Canadian English, while a final chapter briefly considers the future of Canadian English.