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But Is It Art?: An Introduction to Art Theory

But Is It Art?: An Introduction to Art Theory

by Cynthia Freeland

  • Publisher : OUP Oxford
  • Release : 2001-02-22
  • Pages : 254
  • ISBN : 0191504254
  • Language : En, Es, Fr & De
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In today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art.

But is it Art?

But is it Art?
An Introduction to Art Theory

by Cynthia A. Freeland

  • Publisher : Oxford University Press, USA
  • Release : 2001
  • Pages : 231
  • ISBN : 0192853678
  • Language : En, Es, Fr & De
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In today's art world many strange, even shocking, things qualify as art. In this critically acclaimed study, Cynthia Freeland offers a provocative and clear explanation of why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. Providing an accessible introduction to a wide range of theories, artists, and works, Freeland explains why challenging our perceptions is, and always has been, central to the whole endeavour of art. The result is an invaluable introduction to the key debates surrounding our response to art.

But is it Art?

But is it Art?
An Introduction to Art Theory

by Cynthia A. Freeland

  • Publisher : Oxford University Press, USA
  • Release : 2001
  • Pages : 231
  • ISBN : 9780192853677
  • Language : En, Es, Fr & De
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But is it art? discusses the relationship of art with beauty, culture, money, sex, and new technology, and explains why innovation and controversy in art are constantly in the headlines, and why it matters.

But is it Art?

But is it Art?
The Spirit of Art as Activism

by Nina Felshin

  • Publisher :
  • Release : 1995
  • Pages : 412
  • ISBN :
  • Language : En, Es, Fr & De
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Nonfiction. Art. Activisim. Criticism and Theory. An anthology that explores the rise of activist public art that agitates for social change. Included are discussions of such leading and controversial artists as: the Guerrilla Girls, Gran Fury, Group Material, Women's Action Coalition, and the Artist and Homeless Collaborative.

But is it Art ?

But is it Art ?
The Value of Art and the Temptation Theory

by B. R. Tilghman

  • Publisher : Ashgate Publishing
  • Release : 1994
  • Pages : 193
  • ISBN : 9780751202939
  • Language : En, Es, Fr & De
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A work using Wittgenstein's concept of philosophy to argue against the possibility of theories that seek to define art. It claims that the problems about identification and evaluation of works of art is that these problems are not theoretical, but grow out of our artistic traditions and practice.

The Naked And The Undead

The Naked And The Undead
Evil And The Appeal Of Horror

by Cynthia Freeland

  • Publisher : Routledge
  • Release : 2018-03-05
  • Pages : 336
  • ISBN : 0429964781
  • Language : En, Es, Fr & De
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Horror is often dismissed as mass art or lowbrow entertainment that produces only short-term thrills. Horror films can be bloody, gory, and disturbing, so some people argue that they have bad moral effects, inciting viewers to imitate cinematic violence or desensitizing them to atrocities. In The Naked and the Undead: Evil and the Appeal of Horror, Cynthia A. Freeland seeks to counter both aesthetic disdain and moral condemnation by focusing on a select body of important and revealing films, demonstrating how the genre is capable of deep philosophical reflection about the existence and nature of evil?both human and cosmic. In exploring these films, the author argues against a purely psychoanalytic approach and opts for both feminist and philosophical understandings. She looks at what it is in these movies that serves to elicit specific reactions in viewers and why such responses as fear and disgust are ultimately pleasurable. The author is particularly interested in showing how gender figures into screen presentations of evil.The book is divided into three sections: Mad Scientists and Monstrous Mothers, which looks into the implications of male, rationalistic, scientific technology gone awry; The Vampire's Seduction, which explores the attraction of evil and the human ability (or inability) to distinguish active from passive, subject from object, and virtue from vice; and Sublime Spectacles of Disaster, which examines the human fascination with horror spectacle. This section concludes with a chapter on graphic horror films like The Texas Chainsaw Massacre. Written for both students and film enthusiasts, the book examines a wide array of films including: The Silence of the Lambs, Repulsion, Frankenstein, The Fly, Dead Ringers, Alien, Bram Stoker's Dracula, Interview with the Vampire, Frenzy, The Shining, Eraserhead, Hellraiser, and many others.

Robert Crumb

Robert Crumb
Yeah, But is it Art? : Museum Ludwig, Köln

by R. Crumb,Alfred M. Fischer

  • Publisher : Walther Konig
  • Release : 2004
  • Pages : 278
  • ISBN :
  • Language : En, Es, Fr & De
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Essay by Alfred M. Fischer.

Art Theory: A Very Short Introduction

Art Theory: A Very Short Introduction

by Cynthia Freeland

  • Publisher : OUP Oxford
  • Release : 2003-02-13
  • Pages : 184
  • ISBN : 0191579327
  • Language : En, Es, Fr & De
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In today's art world many strange, even shocking, things qualify as art. In this Very Short Introduction Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, alongside the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Butt Is It Art?

Butt Is It Art?

by Multiverse Books

  • Publisher :
  • Release : 2020-02-14
  • Pages : 329
  • ISBN : 9780578613963
  • Language : En, Es, Fr & De
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An artistic anthology of butt, bottoms, and booties.

What Are You Looking At?

What Are You Looking At?
The Surprising, Shocking, and Sometimes Strange Story of 150 Years of Modern Art

by Will Gompertz

  • Publisher : Penguin
  • Release : 2012-10-25
  • Pages : 464
  • ISBN : 1101561130
  • Language : En, Es, Fr & De
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For skeptics, art lovers, and the millions of us who visit art galleries every year—and are confused—What Are You Looking At? by former director of London’s Tate Gallery Will Gompertz is a wonderfully lively, accessible narrative history of Modern Art, from Impressionism to the present day. What is modern art? Who started it? Why do we either love it or loathe it? And why is it such big money? Join BBC Arts Editor Will Gompertz on a dazzling tour that will change the way you look at modern art forever. From Monet's water lilies to Van Gogh's sunflowers, from Warhol's soup cans to Hirst's pickled shark, hear the stories behind the masterpieces, meet the artists as they really were, and discover the real point of modern art. You will learn: not all conceptual art is bollocks; Picasso is king (but Cézanne is better); Pollock is no drip; Dali painted with his moustache; a urinal changed the course of art; why your 5-year-old really couldn't do it. Refreshing, irreverent and always straightforward, What Are You Looking At? cuts through the pretentious art speak and asks all the basic questions that you were too afraid to ask. Your next trip to the art gallery is going to be a little less intimidating and a lot more interesting. With his offbeat humor, down-to-earth storytelling, and flair for odd details that spark insights, Will Gompertz is the perfect tour guide for modern art. His book doesn’t tell us if a work of art is good; it gives us the knowledge to decide for ourselves.

What Art Is

What Art Is

by Arthur C. Danto

  • Publisher : Yale University Press
  • Release : 2013-03-19
  • Pages : 174
  • ISBN : 030017487X
  • Language : En, Es, Fr & De
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One of America's most celebrated art critics offers a lively meditation on the nature of art.

Why is that Art?

Why is that Art?
Aesthetics and Criticism of Contemporary Art

by Terry Barrett

  • Publisher : Oxford University Press, USA
  • Release : 2008
  • Pages : 231
  • ISBN :
  • Language : En, Es, Fr & De
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Why Is That Art? addresses common questions that viewers raise about contemporary art: Why is that art? Why is it in an art museum? Who says it's art? If I did this, would it be art? Why is it good? Covering a broad, diverse, and engaging sampling of works--abstract and representational painting, monumental sculpture, performance art, video installations, films, and photographs--author Terry Barrett responds to these questions using three sources: the artists who created the works, philosophers of art, and art critics. Introducing students to a variety of established theories of art, he presents the traditional sets of criteria of Realism, Expressionism, and Formalism, which are in turn updated by recent sources of Poststructuralism. Barrett applies each of these theories to challenging works of contemporary art, pointing out the strengths and weaknesses of each mode of interpretation. He encourages students to consider many criteria when evaluating an artwork, to critically examine judgments made by others, and to make informed judgments of their own. Ideal for courses in aesthetics, art theory, art criticism, and the philosophy of art, Why Is That Art? is organized chronologically according to the history of aesthetics. It features sixty-seven illustrations (twenty-six in a full-color insert), discusses a wide range of American and European artists, and includes an exceptional overview of postmodern pluralism. This unique book will provide students with a newfound appreciation for contemporary art, scholarship, and reasoned argumentation, giving them the confidence to join the fascinating discourse on contemporary art.

It's a Sensation! But is it Art?

It's a Sensation! But is it Art?
Everything You Need to Know about the London Art Scene, But Were Afraid to Ask...

by N.A

  • Publisher :
  • Release : 1997
  • Pages : 34
  • ISBN :
  • Language : En, Es, Fr & De
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Supplement published in Time Out on "Sensation", exhibition at the Royal Academy of Arts, 18 September - 28 Decemeber 1997.

Philosophy and Film

Philosophy and Film

by Cynthia A. Freeland,Thomas E. Wartenberg

  • Publisher : Routledge
  • Release : 2016-01-08
  • Pages : 270
  • ISBN : 1134714149
  • Language : En, Es, Fr & De
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Philosophy and Film moves from broad theoretical reflections on film as a medium to concrete examinations of individual films.

The Art of the Funnies

The Art of the Funnies
An Aesthetic History

by Robert C. Harvey

  • Publisher : Univ. Press of Mississippi
  • Release : 1994
  • Pages : 252
  • ISBN : 9780878056743
  • Language : En, Es, Fr & De
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The comic strip was created by rival newspapers of the Hearst and the Pulitzer organizations as a device for increasing circulation. In the United States it quickly became an institution that soon spread worldwide as a favorite form of popular culture. What made the comic strip so enduring? This fascinating study by one of the few comics critics to develop sound critical principles by which to evaluate the comics as works of art and literature unfolds the history of the funnies and reveals the subtle art of how the comic strip blends words and pictures to make its impact. Together, these create meaning that neither conveys by itself. The Art of The Funnies offers a critical vocabulary for the appreciation of the newspaper comic strip as an art form and shows that full awareness of the artistry comes from considering both the verbal and the visual elements of the medium. The techniques of creating a comic strip - breaking down the narrative, composition of the panel, planning the layout - have remained constant since comic strips were originated. Since 1900 with Winsor McCay's Little Nemo in Slumberland key cartoonists have relied on the union of words and pictures to give the funnies their continuing appeal. This art has persisted in such milestone achievements as Bud Fisher's Mutt and Jeff, George McManus's Bringing Up Father, Sidney Smith's The Gumps, Roy Crane's Wash Tubbs and Captain Easy, Harold Gray's Little Orphan Annie, Chester Gould's Dick Tracy, Zack Mosley's Smilin' Jack, Harold Foster's Tarzan, Alex Raymond's Secret Agent X-9, Jungle Jim, and Flash Gordon, Milton Caniff's Terry and the Pirates, E. C. Segar's Popeye, George Herriman's Krazy Kat, and Walt Kelly's Pogo. In more recent times with Mort Walker's Beetle Bailey, Charles Schulz's Peanuts. Johnny Hart's B.C., T.K. Ryan's Tumbleweeds, Garry Trudeau's Doonesbury, and Bill Watterson's Calvin and Hobbes, the artform has evolved with new developments, yet the aesthetics of the funnies remain basic. The Art of The Funnies unearths new information and weighs the influence of syndication upon the medium. Though the funnies go in ever new directions, perceiving the interdependency of words and pictures, as this book shows, remains the key to understanding the art.

Six Names of Beauty

Six Names of Beauty

by Crispin Sartwell

  • Publisher : Routledge
  • Release : 2020-07-24
  • Pages : 160
  • ISBN : 1000159108
  • Language : En, Es, Fr & De
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Beauty may be in the eye of the beholder, but it's also in the language we use and everywhere in the world around us. In this elegant, witty, and ultimately profound meditation on what is beautiful, Crispin Sartwell begins with six words from six different cultures - ancient Greek's 'to kalon', the Japanese idea of 'wabi-sabi', Hebrew's 'yapha', the Navajo concept 'hozho', Sanskrit 'sundara', and our own English-language 'beauty'. Each word becomes a door onto another way of thinking about, and looking at, what is beautiful in the world, and in our lives. In Sartwell's hands these six names of beauty - and there could be thousands more - are revealed as simple and profound ideas about our world and our selves.

Understanding Audience Engagement in the Contemporary Arts

Understanding Audience Engagement in the Contemporary Arts

by Stephanie E. Pitts,Sarah M. Price

  • Publisher : Routledge
  • Release : 2020-09-23
  • Pages : 234
  • ISBN : 1000167356
  • Language : En, Es, Fr & De
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Drawing on unique multi-arts, multi-city scholarly research, Understanding Audiences for the Contemporary Arts makes a timely and urgent contribution to debates about the place of arts and culture in contemporary society. The authors critically interrogate the challenges of access, diversity, privilege and responsibility in contemporary art. Asking who benefits from, pays for and consumes the arts, the book highlights fresh, forward-thinking audience and organisational attitudes that show the potential of live arts engagement to contribute to engaged citizenship. Complemented by comparative global analysis, the cutting-edge insights in this book are relevant for interdisciplinary researchers across audience studies and beyond. Enhanced by a new framework for the understanding audience engagement, the book is relevant to scholars, policymakers and reflective practitioners across the spectrum of arts and cultural industries management. Chapter 7 of this book is freely available as a downloadable Open Access PDF under a CC BY-NC-ND 4.0 license here.

What Is It All But Luminous

What Is It All But Luminous
Notes from an Underground Man

by Art Garfunkel

  • Publisher : Vintage
  • Release : 2019-02-26
  • Pages : 256
  • ISBN : 052556439X
  • Language : En, Es, Fr & De
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"Poetic musings on a life well-lived--one that is still moving forward, always creating, always luminous. This isn't your typical autobiography. Garfunkel's history is told in flowing prose, bounding from present to past, far from a linear rags-to-riches story." --Bookreporter "It's hard to imagine any single word that would accurately describe this book . . . an entertaining volume that's more fun to read than a conventional memoir might have been." --The Wall Street Journal "A charming book of prose and poetry printed in a digitalized version of his handwriting . . . witty, candid, and wildly imaginative . . . A highly intelligent man trying to make sense of his extraordinary life." --Associated Press From the golden-haired, curly-headed half of Simon & Garfunkel, a memoir (of sorts)--moving, lyrical impressions, interspersed throughout a narrative, punctuated by poetry, musings, lists of resonant books loved and admired, revealing a life and the making of a musician, that show us, as well, the evolution of a man, a portrait of a life-long friendship and of a collaboration that became the most successful singing duo in the roiling age that embraced, and was defined by, their pathfinding folk-rock music. In What Is It All but Luminous, Art Garfunkel writes about growing up in the 1940s and '50s (son of a traveling salesman, listening as his father played Enrico Caruso records), a middle-class Jewish boy, living in a redbrick semi-attached house on Jewel Avenue in Kew Gardens, Queens. He writes of meeting Paul Simon, the kid who made Art laugh (they met at their graduation play, Alice in Wonderland; Paul was the White Rabbit; Art, the Cheshire Cat). Of their being twelve at the birth of rock'n'roll ("it was rhythm and blues. It was black. I was captured and so was Paul"), of a demo of their song, Hey Schoolgirl for seven dollars and the actual record (with Paul's father on bass) going to #40 on the charts. He writes about their becoming Simon & Garfunkel, ruling the pop charts from the age of sixteen, about not being a natural performer but more a thinker, an underground man. He writes of the hit songs; touring; about being an actor working with directors Mike Nichols ("the greatest of them all"), about choosing music over a PhD in mathematics. And he writes about his long-unfolding split with Paul, and how and why it evolved, and after; learning to perform on his own . . . and about being a husband, a father and much more.

The Artist in the Machine

The Artist in the Machine
The World of AI-Powered Creativity

by Arthur I. Miller

  • Publisher : Mit Press
  • Release : 2020-11-10
  • Pages : 432
  • ISBN : 0262539624
  • Language : En, Es, Fr & De
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An authority on creativity introduces us to AI-powered computers that are creating art, literature, and music that may well surpass the creations of humans. Today's computers are composing music that sounds "more Bach than Bach," turning photographs into paintings in the style of Van Gogh's Starry Night, and even writing screenplays. But are computers truly creative--or are they merely tools to be used by musicians, artists, and writers? In this book, Arthur I. Miller takes us on a tour of creativity in the age of machines. Miller, an authority on creativity, identifies the key factors essential to the creative process, from "the need for introspection" to "the ability to discover the key problem." He talks to people on the cutting edge of artificial intelligence, encountering computers that mimic the brain and machines that have defeated champions in chess, Jeopardy!, and Go. In the central part of the book, Miller explores the riches of computer-created art, introducing us to artists and computer scientists who have, among much else, unleashed an artificial neural network to create a nightmarish, multi-eyed dog-cat; taught AI to imagine; developed a robot that paints; created algorithms for poetry; and produced the world's first computer-composed musical, Beyond the Fence, staged by Android Lloyd Webber and friends. But, Miller writes, in order to be truly creative, machines will need to step into the world. He probes the nature of consciousness and speaks to researchers trying to develop emotions and consciousness in computers. Miller argues that computers can already be as creative as humans--and someday will surpass us. But this is not a dystopian account; Miller celebrates the creative possibilities of artificial intelligence in art, music, and literature.

Survival of the Beautiful

Survival of the Beautiful
Art, Science, and Evolution

by David Rothenberg

  • Publisher : A&C Black
  • Release : 2013-01-01
  • Pages : 311
  • ISBN : 1408830566
  • Language : En, Es, Fr & De
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'The peacock's tail makes me sick!' said Charles Darwin. That's because the theory of evolution as adaptation can't explain why nature is so beautiful. It took the concept of sexual selection for Darwin to explain that, a process that has more to do with aesthetic taste than adaptive fitness. Survival of the Beautiful is a revolutionary new examination of the interplay of beauty, art, and culture in evolution. Taking inspiration from Darwin's observation that animals have a natural aesthetic sense, philosopher and musician David Rothenberg probes why animals, humans included, have an innate appreciation for beauty - and why nature is, indeed, beautiful.