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Directing Actors

Directing Actors

by Judith Weston

  • Publisher :
  • Release : 2014-04-01
  • Pages : 336
  • ISBN : 9781615932009
  • Language : En, Es, Fr & De
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Internationally-renowned directing coach Weston demonstrates what constitutes a good performance, what actors want from a director, what directors do wrong, script analysis and preparation, how actors work, and shares insights into the director/actor relationship.

Surviving Production

Surviving Production
The Art of Production Management for Film and Television

by Deborah S. Patz

  • Publisher :
  • Release : 1997
  • Pages : 263
  • ISBN : 9780941188241
  • Language : En, Es, Fr & De
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Becoming an Actor’s Director

Becoming an Actor’s Director
Directing Actors for Film and Television

by Regge Life

  • Publisher : Routledge
  • Release : 2019-10-21
  • Pages : 182
  • ISBN : 0429575181
  • Language : En, Es, Fr & De
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The collaboration of director and actor is the cornerstone of narrative filmmaking. This book provides the director with a concrete step-by-step guide to preparation that connects the fundamentals of film-script analysis with the actor’s process of preparation. This book starts with how to identify the overall scope of a project from the creative perspective of the director as it relates to guiding an actor, before providing a blueprint for preparation that includes script analysis, previsualization, and procedures for rehearsal and capture. This methodology allows the director to uncover the similarities and differences between actor and director in their preparation to facilitate the development of a collaborative dialogue. Featuring chapter-by-chapter exercises and assignments throughout, this book provides a method that enables the director to be present during every stage of production and seamlessly move from prep to filming, while guiding the actor to their best performances. Written in a clear and concise manner, it is ideal for students of directing, early career, and self-taught directors, as well as cinematographers, producers, or screenwriters looking to turn their hand to directing for the first time.

Directing Actors - 25th Anniversary Edition

Directing Actors - 25th Anniversary Edition
Memorable Performances for Film and Television

by Judith Weston Judith

  • Publisher :
  • Release : 2021-04-06
  • Pages : 320
  • ISBN : 9781615933211
  • Language : En, Es, Fr & De
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Directing film or television is a high-stakes occupation. It captures your full attention at every moment, calling on you to commit every resource and stretch yourself to the limit; it's the white-water rafting of entertainment jobs. But for many directors, the excitement they feel about a new project tightens into anxiety when it comes to working with actors.In the years since the original edition of Directing Actors was published, the technical side of filmmaking has become much more easily accessible. Directors tell me that dealing with actors is the last frontier--the scariest part and the part they long for--the human part, the place where connection happens.Weston's books help directors scale the heights of the actor-director dynamic, learn the joys of collaborating with actors--and become an "actor's director."

The Art of Directing Actors

The Art of Directing Actors

by Ernest Goodman

  • Publisher :
  • Release : 2015-06-23
  • Pages : 320
  • ISBN : 9780692477632
  • Language : En, Es, Fr & De
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This is second edition of The Art of Directing Actors book. The book may look like other books you have seen, but there are some important differences which will make it easier and more helpful:This handbook- concentrates on the most common mistakes made by film and theater directors and actors ("20 examples of the result-oriented and general directions"). We sought to keep the guide complete enough to answer all your questions without becoming thick enough to become a doorstop. The Art of Directing Actors has all the tools you need to effectively direct actors and to create memorable performances.- presents directing actors as a practical psychology: the art of managing human behavior.- explains modern and classic methods of directing actors (17 methods or tools of the director and actors). You will have a complete and versatile toolbox for use in any film or theater production. You need not look in other books to find these tools.- presents a comprehensive source-book for directors and actors. It contains a full list of action verbs with a thesaurus and a classification of action verbs, examples of a full script breakdown with spines, needs, objectives, actions and adjustments.- gives the practical application of the tools (The Bear, The importance of being earnest). You will have the script breakdown of the classic plays of Anton Chekhov and Oscar Wilde.- offers exercises in a useful format. In order to apply your understanding of various methods of directing actors, explore the relevant exercises.

Changing Direction: A Practical Approach to Directing Actors in Film and Theatre

Changing Direction: A Practical Approach to Directing Actors in Film and Theatre
Foreword by Ang Lee

by Lenore DeKoven

  • Publisher : CRC Press
  • Release : 2006-02-07
  • Pages : 216
  • ISBN : 1136068945
  • Language : En, Es, Fr & De
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This approach, honed after years of on-set experience and from teaching at UCLA, NYU, and Columbia, and endorsed by many in the industry, including director Ang Lee (Brokeback Mountain and Crouching Tiger, Hidden Dragon) and producer/actor Edward Asner, aims to provide a helpful reference and resource for directors and actors alike. It combines underlying theory with dozens of exercises designed to reveal the actor's craft. There is material on constructing the throughline; analyzing the script; character needs; the casting and rehearsal processes; film vs. theater procedures as well as the actor and the camera. Distilling difficult concepts and a complex task to their simplest form, the author explains how to accurately capture and portray human behavior. The author's discussion of creative problems she has encountered or anticipated after years of experience, and her suggested solutions and exercises, are immediately useful. Additionally, hear what the actors have to say in excerpts from interviews with such acclaimed actors as Meryl Streep, Denzel Washington, Glenn Close, Robert Redford, Christopher Walken, Julianne Moore, and Michael Douglas (to name a few) who discuss their work with directors, what inspires them, and what they really want from the director.

Directing

Directing
Film Techniques and Aesthetics

by Michael Rabiger

  • Publisher : Taylor & Francis
  • Release : 2013-04-02
  • Pages : 560
  • ISBN : 1136042490
  • Language : En, Es, Fr & De
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Directing: Film Techniques and Aesthetics is a comprehensive manual that teaches the essentials of filmmaking from the perspective of the director. Ideal for film production and directing classes, as well as for aspiring and current directors, Directing covers all phases of preproduction and production, from idea development to final cut. Thoroughly covering the basics, Directing guides the reader to professional standards of expression and control, and goes to the heart of what makes a director. The book outlines a great deal of practical work to meet this goal, with projects, exercises. The third edition emphasizes the connection between knowing and doing, with every principle realizable through projects and exercises. Much has been enhanced and expanded, notably: aspects of dramaturgy; beats and dramatic units; pitching stories and selling one's work; the role of the entrepreneurial producer; and the dangers of embedded moral values. Checklists are loaded with practical recommendations for action, and outcomes assessment tables help the reader honestly gauge his or her progress. Entirely new chapters present: preproduction procedures; production design; script breakdown; procedures and etiquette on the set; shooting location sound; continuity; and working with a composer. The entire book is revised to capitalize on the advantages offered by the revolutionary shift to digital filmmaking.

Film Directing Fundamentals

Film Directing Fundamentals
See Your Film Before Shooting

by Nicholas Proferes

  • Publisher : CRC Press
  • Release : 2012-08-06
  • Pages : 336
  • ISBN : 1136069429
  • Language : En, Es, Fr & De
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Film Directing Fundamentals gives the novice director an organic methodology for realizing on the screen the full dramatic possibility of a screenplay. Unique among directing books, this book provides clear-cut ways to translate a script to the screen. Using the script as a blueprint, the reader is led through specific techniques to analyze and translate its components into a visual story. A sample screenplay is included that explicates the techniques. The book assumes no knowledge and thus introduces basic concepts and terminology. Appropriate for screenwriters, aspiring directors and filmmakers, Film Directing Fundamentals helps filmmakers bring their story to life on screen.

Directing Plays

Directing Plays

by Don Taylor

  • Publisher : Taylor & Francis
  • Release : 1996
  • Pages : 201
  • ISBN : 9780878300655
  • Language : En, Es, Fr & De
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First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

Directing

Directing
Film Techniques and Aesthetics

by Michael Rabiger

  • Publisher : CRC Press
  • Release : 2014-06-20
  • Pages : 548
  • ISBN : 1136066853
  • Language : En, Es, Fr & De
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Directing: Film Techniques and Aesthetics is a comprehensive manual that has inspired tens of thousands of readers worldwide to realize their artistic vision and produce well-constructed films. Filled with practical advice on every stage of production, this is the book you will return to throughout your career. Directing covers the methods, technologies, thought processes, and judgments that a director must use throughout the fascinating process of making a film. It emphasizes low-cost digital technology, which allows cutting-edge creativity and professionalism on shoestring budgets. And, recognizing that you learn best by doing, the book includes dozens of practical hands-on projects and activities to help you master technical and conceptual skills. Just as important as surmounting technological hurdles is the conceptual and authorial side of filmmaking. This book provides an unusually clear view of the artistic process, particularly in working with actors. It offers eminently practical tools and exercises to help you develop credible and compelling stories with your cast, hone your narrative skills, and develop your artistic identity. This book shows you how to surpass mere technical proficiency and become a storyteller with a distinctive voice and style. This edition has been streamlined and thoroughly revised for greater ease of use. Other updates include: * current information on digital technology * an expanded section on directing actors that cross-references thirty exercises * new questionnaires to help you pinpoint a film's aesthetic needs and assess where your vocational strengths lie; and much more. The companion web site includes teaching notes, checklists, and useful forms and questionnaires: http://books.elsevier.com/companions/9780240808826

Film Directing Fundamentals

Film Directing Fundamentals
See Your Film Before Shooting

by Nicholas T Proferes

  • Publisher : Taylor & Francis
  • Release : 2017-07-06
  • Pages : 329
  • ISBN : 1351683128
  • Language : En, Es, Fr & De
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Film Directing Fundamentals gives the novice director an organic methodology for realizing on-screen the full dramatic possibility of a screenplay. Unique among directing books, Nicholas Proferes provides clear-cut ways to translate a script to the screen. Using the script as a blueprint, the reader is led through specific techniques to analyze and translate its components into a visual story. A sample screenplay is included that explicates the techniques discussed. Written for both students and entry-level professionals, the book assumes no knowledge and introduces basic concepts and terminology. Appropriate for screenwriters, aspiring directors and filmmakers, Film Directing Fundamentals helps filmmakers bring their story to life on screen. This fourth edition is updated with a new foreword by Student Academy Award-winner Jimmy Keyrouz, who studied with author Nicholas Proferes, as well as an enhanced companion website by Laura J. Medina, available at www.routledge.com/cw/proferes, which features new supplemental material for both instructors and students, including two new analyses of contemporary films-Wendy and Lucy (2008) and Moonlight (2016)-study questions, suggested assignments and exercises, as well as the instructor's manual written by Proferes in 2008.

Directing Feature Films

Directing Feature Films
The Creative Collaboration Between Directors, Writers, and Actors

by Mark W. Travis

  • Publisher :
  • Release : 2002
  • Pages : 402
  • ISBN : 9780941188432
  • Language : En, Es, Fr & De
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Learn how to read a script, find its core, determine your vision, communicate with writers, actors, designers, cinematographers, editors, composers, and all the members of your creative team in order to insure that your vision reaches the screen.

Theatre for Children

Theatre for Children
A Guide to Writing, Adapting, Directing, and Acting

by David Wood,Janet Grant

  • Publisher : Ivan R. Dee
  • Release : 1999-03-15
  • Pages : 288
  • ISBN : 1461664497
  • Language : En, Es, Fr & De
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One of the world's leading children's dramatists provides a practical handbook of the skills involved in entertaining and involving audiences of children. A marvelous contribution to the world of Youth Theater...a must. —Robyn Flatt, Dallas Children's Theater. He has often been called the National Playwright for Children and he deserves it. —Cameron Mackintosh

How Not to Make a Short Film

How Not to Make a Short Film
Secrets from a Sundance Programmer

by Roberta Marie Munroe

  • Publisher : Hachette Books
  • Release : 2009-01-20
  • Pages : 288
  • ISBN : 1401395457
  • Language : En, Es, Fr & De
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Anyone can make a short film, right? Just grab some friends and your handheld and you can do it in a weekend or two before being accepted to a slew of film festivals, right? Wrong. Roberta Munroe screened short film submissions at Sundance for five years, and is an award-winning short filmmaker in her own right. So she knows a thing or two about how not to make a short film. From the first draft of your script to casting, production, editing, and distribution, this is your one-stop primer for breaking into the business. Featuring interviews with many of today's most talented writers, producers, and directors, as well as revealing stories (e.g., what to do when the skinhead crack addict next door begins screaming obscenities as soon as you call "action") from the sets of her own short films, Roberta walks you through the minefield of mistakes that an aspiring filmmaker can make--so that you don't have to make them yourself.

Directing Screen Performances

Directing Screen Performances

by Robert Klenner

  • Publisher : Bloomsbury Publishing
  • Release : 2019-01-24
  • Pages : 360
  • ISBN : 1474249612
  • Language : En, Es, Fr & De
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The core goal of Directing Screen Performances is to teach aspiring directors how to prepare and work with actors. Through a practical exploration of the major approaches to contemporary screen acting, you will learn how to formulate your own effective modes of communication to craft compelling performances. Directing performances for the screen starts well before the actor is cast and finishes well after the last slate is shot. In this book you will learn how to analyze a script, brief the casting director, rehearse the actors, decide on the visual treatment that enriches their performances, direct effectively on set and finesse the character in the edit. The director's process is clearly defined and augmented with illustrations, photographs and graphics, and each chapter concludes with practical exercises to consolidate the new knowledge.

Making Movies

Making Movies

by Sidney Lumet

  • Publisher : Vintage
  • Release : 2010-09-01
  • Pages : 240
  • ISBN : 0307763668
  • Language : En, Es, Fr & De
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Why does a director choose a particular script? What must they do in order to keep actors fresh and truthful through take after take of a single scene? How do you stage a shootout—involving more than one hundred extras and three colliding taxis—in the heart of New York’s diamond district? What does it take to keep the studio honchos happy? From the first rehearsal to the final screening, Making Movies is a master’s take, delivered with clarity, candor, and a wealth of anecdote. For in this book, Sidney Lumet, one of our most consistently acclaimed directors, gives us both a professional memoir and a definitive guide to the art, craft, and business of the motion picture. Drawing on forty years of experience on movies that range from Long Day’s Journey into Night to Network and The Verdict—and with such stars as Katharine Hepburn, Paul Newman, Marlon Brando, and Al Pacino—Lumet explains how painstaking labor and inspired split-second decisions can result in two hours of screen magic.

On Directing Film

On Directing Film

by David Mamet

  • Publisher : Viking Adult
  • Release : 1991
  • Pages : 107
  • ISBN :
  • Language : En, Es, Fr & De
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Describes the basic principles of film making, argues that directing is an extension of screenwriting, and explains how films tell stories

Movement Training for Actors

Movement Training for Actors

by Jackie Snow

  • Publisher : A&C Black
  • Release : 2013-01-17
  • Pages : 224
  • ISBN : 1408157136
  • Language : En, Es, Fr & De
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"This book vividly captures vital and imaginative lessons from one of the most influential and joyous traditions of contemporary actor training. Any actor or teacher, who is devoted to the transformational power of the theatre, will want to return to these pages again and again, finding in them not only the work to be done, but also the inspiration to do it." James Bundy - Dean, Yale School of Drama; Artistic Director, Yale Repertory Theatre Movement training techniques allow actors to acquire the physical body language and non-verbal skills to clearly express the ideas and emotions of their characters. The techniques contained in this book help actors to develop awareness of their own natural posture, walk and rhythm, release the physical imagination and transform into the characters they are portraying, on stage, in film or on television. Movement Training for Actors provides a practical workbook approach to the core fundamentals of movement, fusing together the work of the key practitioners: Sigurd Leeder, Kurt Jooss, Rudolf Laban, Trish Arnold, Litz Pisk, F. M. Alexander, Moshé Feldenkrais, Jerzy Growtowski, Jacques Lecoq and Belinda Quirey. Chapters include Games, Pure Movement, Historical Dance, Acrobatics and Animal Study. The book is illustrated with photographs throughout and contains a DVD featuring over an hour of movement exercises further demonstrating the techniques. Movement Training for Actors is a masterclass on movement written by experienced coach, Jackie Snow and a culmination of her many years of teaching and coaching professionals. The highly practical approach will suit actors of all abilities as well as serving as an inspirational teaching guide.

Acting in Film

Acting in Film
An Actor's Take on Movie Making

by Michael Caine

  • Publisher : Hal Leonard Corporation
  • Release : 2000-02-01
  • Pages : 192
  • ISBN : 1476842752
  • Language : En, Es, Fr & De
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(Applause Books). A master actor who's appeared in an enormous number of films, starring with everyone from Nicholson to Kermit the Frog, Michael Caine is uniquely qualified to provide his view of making movies. This revised and expanded edition features great photos, with chapters on: Preparation, In Front of the Camera Before You Shoot, The Take, Characters, Directors, On Being a Star, and much more. "Remarkable material ... A treasure ... I'm not going to be looking at performances quite the same way ... FASCINATING!" Gene Siskel

A Sense of Direction

A Sense of Direction
Some Observations on the Art of Directing

by William Ball

  • Publisher : New York : Drama Book Publishers
  • Release : 1984
  • Pages : 182
  • ISBN :
  • Language : En, Es, Fr & De
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"William Ball, founder and general director of the acclaimed American Conservatory Theatre, engages his audience in a wide-ranging discussion of the director's process - from first reading through opening night. Mr. Ball offers a candid, personal account of his method of working - including the choice of a play's essential elements, preproduction homework, casting, and rehearsal techniques"--Cover.