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Experience Music Experiment

Experience Music Experiment
Pragmatism and Artistic Research

by William Brooks

  • Publisher : Leuven University Press
  • Release : 2021-08-19
  • Pages : 288
  • ISBN : 9462702799
  • Language : En, Es, Fr & De
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“Truth happens to an idea.” So wrote William James in 1907; and twenty-four years later John Dewey argued that artistic experience entailed a process of “doing and undergoing.” But what do these ideas have to do with music, or with research conducted in and through music—that is, with “artistic research”? In this collection of essays, fourteen very different authors respond with distinct and challenging perspectives. Some report on their own experiments and experiences; some offer probing analyses of noteworthy practices; some view historical continuities through the lens of pragmatism and artistic experiment. The resulting collection yields new insights into what musicians do, how they experiment, and what they experience—insights that arise not from doctrine, but from diverse voices seeking common ground in and through experimental discourse: artistic research in and of itself.

Music in American Religious Experience

Music in American Religious Experience
A Book

by Philip V. Bohlman,Edith Waldvogel Blumhofer,Edith Blumhofer,Maria M. Chow

  • Publisher : Oxford University Press on Demand
  • Release : 2006
  • Pages : 350
  • ISBN : 9780195173048
  • Language : En, Es, Fr & De
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Musical experience intersects with religious experience, posing challenging questions about the ways in which Americans, historical communities and new immigrants, and racial and ethnic groups, construct their sense of self. This book is the study the ways in which music shapes the distinctive presence of religion in the United States.

Musical Experience in Our Lives

Musical Experience in Our Lives
Things We Learn and Meanings We Make

by Jody L. Kerchner,Carlos R. Abril

  • Publisher : Rowman & Littlefield
  • Release : 2009
  • Pages : 349
  • ISBN : 1578869455
  • Language : En, Es, Fr & De
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This book explores the various ways music affects people and how they create meaning from everyday musical experiences, from infancy through old age. These experiences help us construct meaning and understanding of ourselves, our cultures, and our world. The contributors examine the nature of musical experience and how it changes throughout our lifespan.

Understanding the Musical Experience

Understanding the Musical Experience
A Book

by F. Joseph Smith

  • Publisher : Taylor & Francis
  • Release : 1989
  • Pages : 230
  • ISBN : 9782881242045
  • Language : En, Es, Fr & De
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The Musical Experience

The Musical Experience
Rethinking Music Teaching and Learning

by Janet R. Barrett,Peter R. Webster

  • Publisher : Oxford University Press
  • Release : 2014-07-15
  • Pages : 328
  • ISBN : 0199363056
  • Language : En, Es, Fr & De
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The Musical Experience proposes a new concept - musical experience - as the most effective framework for navigating the shifting terrain of educational policy as it is applied to music education. The editors and contributors define musical experience as being characterized by the depth of affective and emotional responses that music generates. The chapters map out the primary forms of musical engagement - performing, listening, improvising, and composing - as activities which play a key role in classroom teaching. They also address the cultural scope of musical experience, which calls for the consideration of time, place, beliefs, and values to be placed upon musical activities. The Musical Experience discusses how music teachers can most effectively rely on means of musical communication to lead students toward the development and refinement of musical skills, understandings, and expression in educational settings. This book serves to expand upon the dimensions of musical experience and provides, from the forefront of the field, an integrated yet panoramic view of the educational processes involved in music teaching and learning.

Music, Analysis, Experience

Music, Analysis, Experience
New Perspectives in Musical Semiotics

by Costantino Maeder,Mark Reybrouck

  • Publisher : Unknown Publisher
  • Release : 2015-12-07
  • Pages : 356
  • ISBN : 9462700443
  • Language : En, Es, Fr & De
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Transdisciplinary and intermedial analysis of the experience of music Nowadays musical semiotics no longer ignores the fundamental challenges raised by cognitive sciences, ethology, or linguistics. Creation, action and experience play an increasing role in how we understand music, a sounding structure impinging upon our body, our mind, and the world we live in. Not discarding music as a closed system, an integral experience of music demands a transdisciplinary dialogue with other domains as well. Music, Analysis, Experience brings together contributions by semioticians, performers, and scholars from cognitive sciences, philosophy, and cultural studies, and deals with these fundamental questionings. Transdisciplinary and intermedial approaches to music meet musicologically oriented contributions to classical music, pop music, South American song, opera, narratology, and philosophy. ContributorsPaulo Chagas (University of California, Riverside), Isaac and Zelia Chueke (Universidade Federal do Paraná, OMF/Paris-Sorbonne), Maurizio Corbella (Università degli Studi di Milano), Ian Cross (University of Cambridge), Paulo F. de Castro (CESEM/Departamento de Ciências Musicais; FCSH Universidade Nova de Lisboa), Robert S. Hatten (University of Texas at Austin), David Huron (School of Music, Ohio State University), Jamie Liddle (The Open University), Gabriele Marino (University of Turin), Dario Martinelli (Kaunas University of Technology; International Semiotics Institute), Nicolas Marty (Université Paris-Sorbonne), Maarten Nellestijn (Utrecht University), Małgorzata Pawłowska (Academy of Music in Krakow), Mônica Pedrosa de Pádua (Federal University of Minas Gerais, UFMG), Piotr Podlipniak (Adam Mickiewicz University, Poznan), Rebecca Thumpston (Keele University), Mieczysław Tomaszewski (Academy of Music in Krakow), Lea Maria Lucas Wierød (Aarhus University), Lawrence M. Zbikowski (University of Chicago)

Music Business and the Experience Economy

Music Business and the Experience Economy
The Australasian Case

by Peter Tschmuck,Philip L. Pearce,Steven Campbell

  • Publisher : Springer Science & Business Media
  • Release : 2013-04-16
  • Pages : 229
  • ISBN : 3642278981
  • Language : En, Es, Fr & De
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Music Business and the Experience Economy is the first book on the music business in Australasia from an academic perspective. In a cross-disciplinary approach, the contributions deal with a wide-range of topics concerning the production, distribution and consumption of music in the digital age. The interrelationship of legal, aesthetic and economic aspects in the production of music in Australasia is also highlighted as well as the emergence of new business models, the role of P2P file sharing, and the live music sector. In addition, the impact of the digital revolution on music experience and valuation, the role of music for tourism and for branding, and last but not least the developments of higher music education, are discussed from different perspectives.

Music: A Social Experience

Music: A Social Experience
A Social Experience

by Steven Cornelius,Mary Natvig

  • Publisher : Routledge
  • Release : 2016-06-03
  • Pages : 266
  • ISBN : 1315404281
  • Language : En, Es, Fr & De
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Music: A Social Experience offers a topical approach for a music appreciation course. Through a series of subjects–from Music and Worship to Music and War and Music and Gender–the authors present active listening experiences for students to experience music's social and cultural impact. The book offers an introduction to the standard concert repertoire, but also gives equal treatment to world music, rock and popular music, and jazz, to give students a thorough introduction to today's rich musical world. Through lively narratives and innovative activities, the student is given the tools to form a personal appreciation and understanding of the power of music. The book is paired with an audio compilation featuring listening guides with streaming audio, short texts on special topics, and sample recordings and notation to illustrate basic concepts in music. There is not a CD-set, but the companion website with streaming audio is provided at no additional charge.

Coherence in New Music: Experience, Aesthetics, Analysis

Coherence in New Music: Experience, Aesthetics, Analysis
A Book

by Mark Hutchinson

  • Publisher : Routledge
  • Release : 2016-06-10
  • Pages : 214
  • ISBN : 1317164644
  • Language : En, Es, Fr & De
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What does it mean to talk about musical coherence at the end of a century characterised by fragmentation and discontinuity? How can the diverse influences which stand behind the works of many late twentieth-century composers be reconciled with the singular immediacy of the experiences that they can create? How might an awareness of the distinctive ways in which these experiences are generated and controlled affect the way we listen to, reflect upon and write about this music? Mark Hutchinson outlines a novel concept of coherence within Western art music from the 1980s to the turn of the millennium as a means of understanding the work of a number of contemporary composers, including Thomas Adès, Kaija Saariaho, Tō ru Takemitsu and György Kurtág, whose music cannot be fitted easily into a particular compositional school or analytical framework. Coherence is understood as a multi-layered phenomenon experienced, above all, in the act of listening, but reliant upon a variety of other aspects of musical experience, including compositional statements, analysis, and connections of aesthetic, as well as listeners' own, imaginative conceptualisations. Accordingly, the approach taken here is similarly multi-faceted: close analytical readings of a number of specific works are combined with insights drawn from philosophy and aesthetics, music perception, and critical theory, with a particular openness to novel metaphorical presentations of basic musical ideas about form, language and time.

Music and the Broadcast Experience

Music and the Broadcast Experience
Performance, Production, and Audiences

by Christina Baade,James A. Deaville

  • Publisher : Oxford University Press
  • Release : 2016-08-02
  • Pages : 304
  • ISBN : 0190619538
  • Language : En, Es, Fr & De
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Music and the Broadcast Experience explores the complex ways in which music and broadcasting have developed together throughout the twentieth and into the twenty-first centuries. It brings into dialogue researchers working in media and music studies; explores and develops crucial points of contact between studies of music in radio and music in television; and investigates the limits, persistence, and extensions of music broadcasting in the Internet era. The book presents a series of case studies that address key moments and concerns in music broadcasting, past and present, written by leading scholars in the field, who hail from both media and music studies. Unified by attentiveness both to musical sound and meaning and to broadcasting structures, practices, audiences, and discourses, the chapters in this collection address the following topics: the role of live orchestral concerts and opera in the early development of radio and their relation to ideologies of musical uplift; the relation between production culture, music, and television genre; the function of music in sponsored radio during the 1930s; the fortunes of musical celebrity and artistic ambition on television; questions of music format and political economy in the development of online radio; and the negotiation of space, community, and participation among audiences, online and offline, in the early twenty-first century. The collection's ultimate aim is to explore the usefulness and limitations of broadcasting as a concept for understanding music and its cultural role, both historically and today.

Music, Culture, and Experience

Music, Culture, and Experience
Selected Papers of John Blacking

by John Blacking,Reginald Byron,Bruno Nettl

  • Publisher : University of Chicago Press
  • Release : 1995-03-15
  • Pages : 269
  • ISBN : 0226088308
  • Language : En, Es, Fr & De
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One of the most important ethnomusicologists of the century, John Blacking achieved international recognition for his book, How Musical Is Man? Known for his interest in the relationship of music to biology, psychology, dance, and politics, Blacking was deeply committed to the idea that music-making is a fundamental and universal attribute of the human species. He attempted to document the ways in which music-making expresses the human condition, how it transcends social divisions, and how it can be used to improve the quality of human life. This volume brings together in one convenient source eight of Blacking's most important theoretical papers along with an extensive introduction by the editor. Drawing heavily on his fieldwork among the Venda people of South Africa, these essays reveal his most important theoretical themes such as the innateness of musical ability, the properties of music as a symbolic or quasi-linguistic system, the complex relation between music and social institutions, and the relation between scientific musical analysis and cultural understanding.

Strong Experiences with Music

Strong Experiences with Music
Music is much more than just music

by Alf Gabrielsson

  • Publisher : OUP Oxford
  • Release : 2011-09-29
  • Pages : 512
  • ISBN : 0191625469
  • Language : En, Es, Fr & De
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Nowadays we listen to music whenever and wherever we like. Never before has the scope of what is available been so great and varied. The mass media and Internet have given us unlimited paths into the world of music. Just like music is varied and endless, so are our reactions to music. The very same piece of music can generate completely different reactions in different people, and a person can react quite differently to the same piece of music on different occasions. Sometimes the reactions become more intense and profound than usual and leave powerful impressions in our memories. In this book several hundred people - women and men, young and old, musicians and non-musicians - talk about such strong experiences with music and what they have come to mean for them. The experiences extend across almost all of the twentieth century and have occurred in highly varying and often unexpected situations. The music absorbs the listeners and shuts out everything else. It evokes strong emotions and a lot of other reactions, from purely physical responses to experiences of existential and spiritual character. Every account is unique, moving, and bears witness to strong commitment. The experience may lead to the release of pent-up feelings, liberation and inner cleansing, and work as therapy. One can feel confirmed and understood, gain increased self-confidence, and acquire another view of oneself and of life in general. There is also the possibility of a new view of music and what it can mean for well-being, health, and quality of life. There are many similarities with strong experiences in other areas, such as nature, love, religion, literature, art, and dance. Strong Experiences with Music is a ground-breaking new book. It draws on over two decades of research and accounts from almost 1,000 participants. It addresses itself to all who have an interest in music and what music can mean. It should be possible to read without special previous knowledge, the technical language of music and psychology is kept at a minimum. Experts in the fields of music psychology music education, and musicology may find supplementary information in special analyses and notes to be consulted at will.

Peak Music Experiences

Peak Music Experiences
A New Perspective on Popular music, Identity and Scenes

by Ben Green

  • Publisher : Routledge
  • Release : 2021-10-31
  • Pages : 190
  • ISBN : 1000474062
  • Language : En, Es, Fr & De
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Peak music experiences are a recurring feature of popular music journalism, biography and fan culture, where they are often credited as pivotal in people’s relationships with music and in their lives more generally. Ben Green investigates the phenomenon from a social and cultural perspective, including discussions of peak music experiences as sources of inspiration and influence; as a core motivation for ongoing musical and social activity; the significance of live music experiences; and the key role of peak music experiences in defining and perpetuating music scenes. The book draws from both global media analysis and situated ethnographic research in the dance, hip hop, indie and rock ‘n’ roll music scenes of Brisbane, Australia, including participant observation and in-depth interviews. These case studies demonstrate the methodological value of peak music experiences as a lens through which to understand individual and collective musical life. The theoretical analysis is interwoven with selected interview data, illuminating the profound and everyday ways that music informs people’s lives. The book will therefore be of interest to the interdisciplinary field of popular music studies as well as sociology and cultural studies beyond the study of music.

Music and Soulmaking

Music and Soulmaking
Toward a New Theory of Music Therapy

by Barbara J. Crowe

  • Publisher : Scarecrow Press
  • Release : 2004
  • Pages : 436
  • ISBN : 9780810851436
  • Language : En, Es, Fr & De
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Explores new avenues in music therapy. The author discusses connections between music therapy and theorizes that every little nuance found in nature is part of a dynamic system in motion.

American Sabor

American Sabor
Latinos and Latinas in US Popular Music / Latinos y latinas en la musica popular estadounidense

by Marisol Berros-Miranda,Shannon Dudley,Michelle Habell-Palln

  • Publisher : University of Washington Press
  • Release : 2017-12-19
  • Pages : 352
  • ISBN : 0295742631
  • Language : En, Es, Fr & De
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Evoking the pleasures of music as well as food, the word sabor signifies a rich essence that makes our mouths water or makes our bodies want to move. American Sabor traces the substantial musical contributions of Latinas and Latinos in American popular music between World War II and the present in five vibrant centers of Latin@ musical production: New York, Los Angeles, San Antonio, San Francisco, and Miami. From Tito Puente�s mambo dance rhythms to the Spanglish rap of Mellow Man Ace, American Sabor focuses on musical styles that have developed largely in the United States�including jazz, rhythm and blues, rock, punk, hip hop, country, Tejano, and salsa�but also shows the many ways in which Latin@ musicians and styles connect US culture to the culture of the broader Americas. With side-by-side Spanish and English text, authors Marisol Berr�os-Miranda, Shannon Dudley, and Michelle Habell-Pall�n challenge the white and black racial framework that structures most narratives of popular music in the United States. They present the regional histories of Latin@ communities�including Chicanos, Tejanos, and Puerto Ricans�in distinctive detail, and highlight the shared experiences of immigration/migration, racial boundary crossing, contesting gender roles, youth innovation, and articulating an American experience through music. In celebrating the musical contributions of Latinos and Latinas, American Sabor illuminates a cultural legacy that enriches us all.

A Way of Music Education

A Way of Music Education
Classic Chinese Wisdoms

by C. Victor Fung

  • Publisher : Oxford University Press
  • Release : 2018
  • Pages : 329
  • ISBN : 0190234466
  • Language : En, Es, Fr & De
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How Music Helps in Music Therapy and Everyday Life

How Music Helps in Music Therapy and Everyday Life
A Book

by Gary Ansdell

  • Publisher : Routledge
  • Release : 2016-04-29
  • Pages : 376
  • ISBN : 1317120825
  • Language : En, Es, Fr & De
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Why is music so important to most of us? How does music help us both in our everyday lives, and in the more specialist context of music therapy? This book suggests a new way of approaching these topical questions, drawing from Ansdell's long experience as a music therapist, and from the latest thinking on music in everyday life. Vibrant and moving examples from music therapy situations are twinned with the stories of 'ordinary' people who describe how music helps them within their everyday lives. Together this complementary material leads Ansdell to present a new interdisciplinary framework showing how musical experiences can help all of us build and negotiate identities, make intimate non-verbal relationships, belong together in community, and find moments of transcendence and meaning. How Music Helps is not just a book about music therapy. It has the more ambitious aim to promote (from a music therapist's perspective) a better understanding of 'music and change' in our personal and social life. Ansdell's theoretical synthesis links the tradition of Nordoff-Robbins music therapy and its recent developments in Community Music Therapy to contemporary music sociology and music studies. This book will be relevant to practitioners, academics, and researchers looking for a broad-based theoretical perspective to guide further study and policy in music, well-being, and health.

Experiences in Movement and Music

Experiences in Movement and Music
A Book

by Rae Pica

  • Publisher : Cengage Learning
  • Release : 2012-03-13
  • Pages : 272
  • ISBN : 1285401344
  • Language : En, Es, Fr & De
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This complete movement education resource for early childhood and physical education professionals teaches students the importance of movement in the physical, emotional, and educational growth of children. The text is the only one of its kind to teach movement's role in traditional child development areas--physical, affective, and cognitive--as well as to detail musical and creative development. EXPERIENCES IN MUSIC AND MOVEMENT, Fifth Edition, presents an entire movement program, including lesson planning, guidelines for music selection and usage, developmentally appropriate teaching methods, and tried-and-true tips for creating and maintaining a positive learning environment with children on the move. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

Music and the Emotions

Music and the Emotions
The Philosophical Theories

by Malcolm Budd,Professor of Philosophy Emeritus Malcolm Budd

  • Publisher : Routledge
  • Release : 2002-11-01
  • Pages : 208
  • ISBN : 1134882114
  • Language : En, Es, Fr & De
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It has often been claimed, and frequently denied, that music derives some or all of its artistic value from the relation in which it stands to the emotions. This book presents and subjects to critical examination the chief theories about the relationship between the art of music and the emotions.

The Popular Music Studies Reader

The Popular Music Studies Reader
A Book

by Mark Harris

  • Publisher : Psychology Press
  • Release : 2006
  • Pages : 408
  • ISBN : 9780415307093
  • Language : En, Es, Fr & De
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Maps the changing nature of popular music and considers how popular music studies has expanded and developed to deal with these changes. The book discusses the participation of women in the industry, the changing role of gender and sexuality in popular music, and the role of technologies in production and distribution.