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Film

Film
A Critical Introduction

by Maria Pramaggiore,Tom Wallis

  • Publisher : Laurence King Publishing
  • Release : 2005
  • Pages : 432
  • ISBN : 9781856694421
  • Language : En, Es, Fr & De
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"This book is aimed at students of film studies and general readers interested in a comprehensive introduction to the field. It addresses techniques and terminology used in film production and film criticism, emphasizing thinking and writing critically and effectively about film. Organized in three parts, the text focuses on the fundamentals of film analysis before moving on to more complex topics." "Part III introduces readers to interpretive frameworks that treat cinema as a cultural institution. This section encourages readers to move beyond textual analysis and consider the relationship between film and culture. Readers learn to form sophisticated arguments about film in cultural, historical, and economic contexts."--BOOK JACKET.

Film

Film
A Critical Introduction

by Maria Pramaggiore,Tom Wallis

  • Publisher : Allyn & Bacon
  • Release : 2008
  • Pages : 448
  • ISBN :
  • Language : En, Es, Fr & De
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Film: A Critical Introduction, 2e, provides a comprehensive framework for studying films, with an emphasis on writing as a means of exploring film's aesthetic and cultural significance. This book's consistent and comprehensive focus on writing allows the reader to master film vocabulary and concepts while learning to formulate rich interpretations. Part I introduces the reader to the importance of film analysis, offering helpful strategies for discerning the way films produce meaning. Part II examines the fundamental elements of film, including narrative form, mise en scène, cinematography, editing, and sound, and shows how these concepts can be used to interpret films. Part III moves beyond textual analysis to explore film as a cultural institution and introduce the reader to essential areas of film studies research.

Film

Film
A Critical Introduction

by Maria Pramaggiore,Tom Wallis

  • Publisher : Pearson College Division
  • Release : 2011
  • Pages : 468
  • ISBN : 9780205770779
  • Language : En, Es, Fr & De
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Film: A Critical Introduction provides readers with the skills needed to successfully critique and analyze film and teaches strategies for translating ideas about film into written criticism and analysis. Intricate discussions of the current issues in film theory, from sound production to documentaries, keep readers' perspectives on film fresh and informed. Part I introduces readers to the importance of film analysis, offering helpful strategies for discerning the way films produce meaning. Part II examines the fundamental elements of film, including narrative form, mise en scène, cinematography, editing, and sound, and shows how these concepts can be used to interpret films. Part III frames the debates around ideological criticism, national and transnational cinema, and genre and auteur theory that animate contemporary film scholarship.

Film

Film
A Critical Introduction

by Maria Pramaggiore,Tom Wallis

  • Publisher : Pearson A & B
  • Release : 2008
  • Pages : 448
  • ISBN :
  • Language : En, Es, Fr & De
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Suitable for students of film studies, this book illustrates basic film concepts in context and in depth. It addresses techniques and terminology used in film production and criticism, emphasising thinking and writing critically.

Film Fourth Edition

Film Fourth Edition
A Critical Introduction

by Maria Pramaggiore,Tom Wallis

  • Publisher : Laurence King Publishing
  • Release : 2020-01-14
  • Pages : 472
  • ISBN : 9781786275776
  • Language : En, Es, Fr & De
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Updated and expanded, this new edition is the perfect starter text for students of film studies. The book illustrates basic film concepts in context and in depth. It addresses techniques and terminology used in film production and criticism, emphasizing thinking and writing critically and effectively. With reference to 460 new and existing images, the authors discuss contemporary films and film studies scholarship, as well as recent developments in film production and exhibition, such as digital technologies and new modes of screen media.

Teen Film

Teen Film
A Critical Introduction

by Catherine Driscoll

  • Publisher : Berg
  • Release : 2011-06-01
  • Pages : 192
  • ISBN : 1847888445
  • Language : En, Es, Fr & De
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What makes a film a teen film? And why, when it represents such powerful and enduring ideas about youth and adolescence, is teen film usually viewed as culturally insignificant? Teen film is usually discussed as a representation of the changing American teenager, highlighting the institutions of high school and the nuclear family, and experiments in sexual development and identity formation. But not every film featuring these components is a teen film and not every teen film is American. Arguing that teen film is always a story about becoming a citizen and a subject, Teen Film presents a new history of the genre, surveys the existing body of scholarship, and introduces key critical tools for discussing teen film. Surveying a wide range of films including The Wild One, Heathers, Akira and Donnie Darko, the book's central focus is on what kind of adolescence teen film represents, and on teen film's capacity to produce new and influential images of adolescence.

European Film Theory and Cinema

European Film Theory and Cinema
A Critical Introduction

by Ian Aitken

  • Publisher : Indiana University Press
  • Release : 2001
  • Pages : 275
  • ISBN : 9780253340436
  • Language : En, Es, Fr & De
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European Film Theory and Cinema explores the major film theories and movements within European cinema since the early 1900s. An original and critically astute study, it considers film theory within the context of the intellectual climate of the last two centuries. Ian Aitkin focuses particularly on the two major traditions that dominate European film theory and cinema: the "intuitionist modernist and realist" tradition and the "post-Saussurian" tradition. The first originates in a philosophical lineage that encompasses German idealist philosophy, romanticism, phenomenology, and the Frankfurt School. Early intuitionist modernist film culture and later theories and practices of cinematic realism are shown to be part of one continuous tradition. The post-Saussurian tradition includes semiotics, structuralism, and post-structuralism.

Horror Film

Horror Film
A Critical Introduction

by Murray Leeder

  • Publisher : Bloomsbury Publishing USA
  • Release : 2018-01-25
  • Pages : 288
  • ISBN : 1501314440
  • Language : En, Es, Fr & De
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Throughout the history of cinema, horror has proven to be a genre of consistent popularity, which adapts to different cultural contexts while retaining a recognizable core. Horror Film: A Critical Introduction, the newest in Bloomsbury's Film Genre series, balances the discussions of horror's history, theory, and aesthetics as no introductory book ever has. Featuring studies of films both obscure and famous, Horror Film is international in its scope and chronicles horror from its silent roots until today. As a straightforward and convenient critical introduction to the history and key academic approaches, this book is accessible to the beginner but still of interest to the expert.

World Cinema

World Cinema
A Critical Introduction

by Shekhar Deshpande,Meta Mazaj

  • Publisher : Routledge
  • Release : 2018-01-17
  • Pages : 448
  • ISBN : 1136473181
  • Language : En, Es, Fr & De
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World Cinema: A Critical Introduction is a comprehensive yet accessible guide to film industries across the globe. From the 1980s onwards, new technologies and increased globalization have radically altered the landscape in which films are distributed and exhibited. Films are made from the large-scale industries of India, Hollywood, and Asia, to the small productions in Bhutan and Morocco. They are seen in multiplexes, palatial art cinemas in Cannes, traveling theatres in rural India, and on millions of hand-held mobile screens. Authors Deshpande and Mazaj have developed a method of charting this new world cinema that makes room for divergent perspectives, traditions, and positions, while also revealing their interconnectedness and relationships of meaning. In doing so, they bring together a broad range of issues and examples—theoretical concepts, viewing and production practices, film festivals, large industries such as Nollywood and Bollywood, and smaller and emerging film cultures—into a systemic yet flexible map of world cinema. The multi-layered approach of this book aims to do justice to the depth, dynamism, and complexity of the phenomenon of world cinema. For students looking to films outside of their immediate context, this book offers a blueprint that will enable them to transform a casual encounter with a film into a systematic inquiry into world cinema.

Historical Film

Historical Film
A Critical Introduction

by Jonathan Stubbs

  • Publisher : Bloomsbury Publishing
  • Release : 2013-03-28
  • Pages : 224
  • ISBN : 1472520017
  • Language : En, Es, Fr & De
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Although precise definitions have not been agreed on, historical cinema tends to cut across existing genre categories and establishes an intimidatingly large group of films. In recent years, a lively body of work has developed around historical cinema, much of it proposing valuable new ways to consider the relationship between cinematic and historical representation. However, only a small proportion of this writing has paid attention to the issue of genre. In order to counter this omission, this book combines a critical analysis of the Hollywood historical film with an examination of its generic dimensions and a history of its development since the silent period. Historical Film: A Critical Introduction is concerned not simply with the formal properties of the films at hand, but also the ways in which they have been promoted, interpreted and discussed in relation to their engagement with the past.

Science Fiction Film

Science Fiction Film
A Critical Introduction

by Keith M. Johnston

  • Publisher : Berg
  • Release : 2013-05-09
  • Pages : 192
  • ISBN : 1847884784
  • Language : En, Es, Fr & De
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Science Fiction Film develops a historical and cultural approach to the genre that moves beyond close readings of iconography and formal conventions. It explores how this increasingly influential genre has been constructed from disparate elements into a hybrid genre. Science Fiction Film goes beyond a textual exploration of these films to place them within a larger network of influences that includes studio politics and promotional discourses. The book also challenges the perceived limits of the genre - it includes a wide range of films, from canonical SF, such as Le voyage dans la lune, Star Wars and Blade Runner, to films that stretch and reshape the definition of the genre. This expansion of generic focus offers an innovative approach for students and fans of science fiction alike.

Fantasy Film

Fantasy Film
A Critical Introduction

by James Walters

  • Publisher : Berg
  • Release : 2011-06-01
  • Pages : 160
  • ISBN : 1847888429
  • Language : En, Es, Fr & De
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Fantasy Film proposes an innovative approach to the study of this most popular cinematic genre. Engaging with the diversity of tones, forms and styles that fantasy can take in the cinema, the book examines the value and significance of fantasy across a wide range of key films. This volume extends critical understanding beyond the often narrowly defined boundaries of what is seen as "fantasy".Fantasy Film uses key concepts in film studies - such as authorship, representation, history,genre, coherence and point of view - to interrogate the fantasy genre and establish its parameters. A wide range of films are held up to close scrutiny to illustrate the discussion. Moving from Alfred Hitchcock's dark thrillers to Vincente Minnelli's vibrant musicals, from George Méliès' 1904 Voyage Á travers l'impossible to the X-Men series, the creative dexterity and excitement of film fantasy is evoked and explored. The book will be invaluable to students and fans of the fantasy genre.

Steampunk Film

Steampunk Film
A Critical Introduction

by Robbie McAllister

  • Publisher :
  • Release : 2019
  • Pages : 329
  • ISBN : 9781501331244
  • Language : En, Es, Fr & De
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European Film Theory and Cinema

European Film Theory and Cinema
A Critical Introduction

by Ian Aitken

  • Publisher : Edinburgh University Press
  • Release : 2001
  • Pages : 275
  • ISBN : 9780748611683
  • Language : En, Es, Fr & De
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European Film Theory and Cinema: A Critical Introductionexplores the major film theories and cinema movements within European cinema from the 1900s onwards. The content of the book is organised around two major traditions which dominate European film theory and cinema: the 'intuitionist modernist and realist' tradition and the 'post-Saussurian' tradition. The first of these is located within a philosophical lineage which encompasses German idealist philosophy, romanticism, phenomenology, and the Frankfurt School. Early intuitionist modernist film culture and later theories and practices of cinematic realism are shown to be part of one continuous tradition. The post-Saussurian tradition includes semiotics, structuralism and post-structuralism.The first three chapters explore the interaction between intuitionist and rationalist tendencies within Russian formalism, Soviet montage cinema, Weimar cinematic modernism and the work of Eisenstein, whilst chapter four focuses on French impressionism. Chapters five and six provide an overview of the post-Saussurian tradition, and the structuralist, post-structuralist, political modernist and postmodern cinema which the tradition has fostered. Chapter seven traces the continuities which exist between early modernism and realism, focusing on the theories of realism developed by Grierson, Kracauer, Bazin and Lukacs. The last two chapters explore post-war European realist cinema. Throughout, the book focuses on films which can be identified with the two traditions.This original and critically astute introduction is intended for students and scholars of film studies, cultural studies, philosophy of film and modern languages and literatures.Key features:* Case studies of important theorists and film movements* Chapters which provide comparative overviews of periods of European modernist and realist cinema* Extensive bibliographical information* Establishes the central thematic concerns and styl

Partition Literature and Cinema

Partition Literature and Cinema
A Critical Introduction

by Jaydip Sarkar,Rupayan Mukherjee

  • Publisher : Taylor & Francis
  • Release : 2020-04-30
  • Pages : 180
  • ISBN : 1000067548
  • Language : En, Es, Fr & De
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This book studies literary and cinematic representations of the Partition of India. It discusses Partition as not just an immediate historical catastrophe but as a lingering cultural presence and consequently a potent trope in literary and visual representations. The volume features essays on key texts – written and visual – including Train to Pakistan, "Toba Tek Singh", Basti, Garm Hava, Pinjar, among others. Partition Literature and Cinema will be indispensable introductory reading for students and researchers of modern Indian history, Partition studies, literature, film studies, media and cultural studies, popular culture and performance, postcolonial studies, and South Asian studies. It will also be of interest to enthusiasts of Indian cinematic history.

Film Noir

Film Noir
A Critical Introduction

by Ian Brookes

  • Publisher : Bloomsbury Publishing USA
  • Release : 2017-03-09
  • Pages : 288
  • ISBN : 1780933177
  • Language : En, Es, Fr & De
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What is film noir? With its archetypal femme fatale and private eye, its darkly-lit scenes and even darker narratives, the answer can seem obvious enough. But as Ian Brookes shows in this new study, the answer is a lot more complex than that. This book is designed to tackle those complexities in a critical introduction that takes into account the problems of straightforward definition and classification. Students will benefit from an accessible introductory text that is not just an account of what film noir is, but also an interrogation of the ways in which the term came to be applied to a disparate group of American films of the 1940s and 1950s.

Close-Up

Close-Up
A Critical Introduction to Film

by Craig Padawer

  • Publisher :
  • Release : 2012-08-09
  • Pages : 186
  • ISBN : 9781465207562
  • Language : En, Es, Fr & De
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New Documentary

New Documentary
A Critical Introduction

by Stella Bruzzi

  • Publisher : Routledge
  • Release : 2002-01-04
  • Pages : 208
  • ISBN : 1134739443
  • Language : En, Es, Fr & De
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New Documentary: A Critical Introduction provides a comprehensive account of the last two decades of documentary filmmaking in Britain, the US and Europe. Stella Bruzzi's engaging textbook discusses key genres, filmmakers, and issues for the study of non-fiction film and television, including: * key texts such as the Zapruder film of Kennedy's assassination, Shoah, Hoop Dreams and Michael Apted's 7 Up series * documentary genres, from current affairs programming to 'fly on the wall' documentaries to 'reality tv' series * the work of documentary filmmakers such as Emile de Antonio, Fred Wiseman, Nick Broomfield, Molly Dineen and Paul Watson * the work of avant-garde filmmakers such as Chris Marker, Patrick Keiller, Peter Greenaway and Wim Wenders, whose films challenge conventions of documentary filmmaking * movies based on historical events, such as 'JFK' and 'Nixon' * faux documentaries such as This is Spinal Tap, Bob Roberts and Man Bites Dog * gender identity, queer theory, performance, 'race' and spectatorship. Bruzzi shows how theories of documentary filmmaking can be applied to contemporary texts and genres, and discusses the relationship between recent, innovative examples of the genre and the more established canon of documentary.

Anime

Anime
A Critical Introduction

by Rayna Denison

  • Publisher : Bloomsbury Publishing
  • Release : 2015-10-22
  • Pages : 192
  • ISBN : 1472576764
  • Language : En, Es, Fr & De
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Anime: A Critical Introduction maps the genres that have thrived within Japanese animation culture, and shows how a wide range of commentators have made sense of anime through discussions of its generic landscape. From the battling robots that define the mecha genre through to Studio Ghibli's dominant genre-brand of plucky shojo (young girl) characters, this book charts the rise of anime as a globally significant category of animation. It further thinks through the differences between anime's local and global genres: from the less-considered niches like nichijo-kei (everyday style anime) through to the global popularity of science fiction anime, this book tackles the tensions between the markets and audiences for anime texts. Anime is consequently understood in this book as a complex cultural phenomenon: not simply a “genre,” but as an always shifting and changing set of texts. Its inherent changeability makes anime an ideal contender for global dissemination, as it can be easily re-edited, translated and then newly understood as it moves through the world's animation markets. As such, Anime: A Critical Introduction explores anime through a range of debates that have emerged around its key film texts, through discussions of animation and violence, through debates about the cyborg and through the differences between local and global understandings of anime products. Anime: A Critical Introduction uses these debates to frame a different kind of understanding of anime, one rooted in contexts, rather than just texts. In this way, Anime: A Critical Introduction works to create a space in which we can rethink the meanings of anime as it travels around the world.

Introduction To Film Criticism: Major Critical Approaches To Narrative Film

Introduction To Film Criticism: Major Critical Approaches To Narrative Film

by Tim Bywater

  • Publisher : Pearson Education India
  • Release : 2009-09
  • Pages : 238
  • ISBN : 9788131727485
  • Language : En, Es, Fr & De
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