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Film as Art

Film as Art
50th Anniversary Printing

by Rudolf Arnheim

  • Publisher : Univ of California Press
  • Release : 1957
  • Pages : 230
  • ISBN : 9780520248373
  • Language : En, Es, Fr & De
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“More than half a century since its initial publication, this deceptively compact book remains among the most incisive analyses of the formal and perceptual dynamics of cinema. No one who cares about film can afford to remain ignorant of its insights and wisdom. As digital technology fundamentally alters motion pictures, the lessons of Film as Art commend themselves as excellent insurance against reinventing the wheel in the new media landscape and hailing it as progress.”—Edward Dimendberg author of Film Noir and the Spaces of Modernity “After more than eight decades, Rudolph Arnheim's small book of film theory remains one of the essential works in defining film art, understanding film less as reproducing the world than as opening up new possibilities for formal play and unexpected imagery. Anyone serious about film, whether scholar, filmmaker or simply a lover of cinema, must take Arnheim seriously.”—Tom Gunning, author of The Films of Fritz Lang and D.W. Griffith and the Origins of American Narrative Film “An aesthetic theory based on the formal ‘limitations’ of the medium, Arnheim’s Film as Art always provokes students in an age of few limits and less formality, and they argue and engage this classic text with unparalleled passion. Written in the wake of sound’s transformation of the cinema, Arnheim’s essays are not only central to understanding a major historical moment in theoretical debates about what constitutes the ‘essence’ of film, but also are a must read for anyone seeking a lucid, detailed, and rigorous argument about how works of art emerge from expressive constraint as much as expressive freedom.”—Vivian Sobchack, author of Carnal Thoughts

Film Art

Film Art
An Introduction

by David Bordwell,Kristin Thompson,Jeff Smith

  • Publisher :
  • Release : 2012-08-16
  • Pages : 526
  • ISBN : 9789814646338
  • Language : En, Es, Fr & De
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Film is an art form with a language and an aesthetic all its own. In this new edition, the authors provide an introduction to the fundamentals of serious film study, with images throughout the text collected from actual film frames, not from production stills or advertising photos.

Film Art

Film Art
An Introduction

by David Bordwell,Kristin Thompson

  • Publisher :
  • Release : 1997
  • Pages : 496
  • ISBN : 9780071140737
  • Language : En, Es, Fr & De
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This introduction to film art explains the techniques specific to film as a medium, discusses the principles by which entire films are constructed, and explores how these techniques and formal principles have changed over the history of moviemaking. Frame enlargements are used to illuminate concepts, and there is information on the latest film technology, such as the computer and special effects used in shooting Jurassic Park. This edition includes a new chapter dealing with types of films and the concept of genre; and there is also a new section on The New Hollywood and independent film-making. In addition, there is a new appendix on selected Internet reference sites in film from the World Wide Web.

The Japanese Film

The Japanese Film
Art and Industry

by Joseph I. Anderson,Joseph L. Anderson,Donald Richie

  • Publisher : Princeton University Press
  • Release : 1982
  • Pages : 526
  • ISBN : 9780691007922
  • Language : En, Es, Fr & De
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Tracing the development of the Japanese cinema from 1896 (when the first Kinetoscope was imported) through the golden ages of film in Japan up to today, this work reveals the once flourishing film industry and the continuing unique art of the Japanese film. Now back in print with updated sections, major revaluations, a comprehensive international bibliography, and an exceptional collection of 168 stills ranging over eight decades, this book remains the unchallenged reference for all who seek a broad understanding of the aesthetic, historical, and economic elements of motion pictures from Japan.

Film Art: An Introduction

Film Art: An Introduction

by David Bordwell,Kristin Thompson

  • Publisher : McGraw-Hill Humanities/Social Sciences/Languages
  • Release : 2009-11-25
  • Pages : 544
  • ISBN : 9780073386164
  • Language : En, Es, Fr & De
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Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell and Kristin Thompson's Film Art has been the best-selling and widely respected introduction to the analysis of cinema. Taking a skills-centered approach supported by a wide range of examples from various periods and countries, the authors strive to help students develop a core set of analytical skills that will deepen their understanding of any film, in any genre. Frame enlargements throughout the text enable students to view images taken directly from completed films, while an optional, text-specific tutorial CD-ROM helps clarify and reinforce specific concepts addressed in the text with the use of film clips. Building on these strengths, the ninth edition adds coverage of new technologies, updated examples, and references to the authors' acclaimed weblog to provide unparalleled currency and connect students with the world of cinema today.

Film as Art

Film as Art

by Rudolf Arnheim

  • Publisher : Univ of California Press
  • Release : 1957-09
  • Pages : 230
  • ISBN : 9780520000353
  • Language : En, Es, Fr & De
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A theory of film

How to Read a Film

How to Read a Film
The Art, Technology, Language, History, and Theory of Film and Media

by James Monaco

  • Publisher : New York : Oxford University Press
  • Release : 1981
  • Pages : 533
  • ISBN :
  • Language : En, Es, Fr & De
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Now thoroughly revised and updated, the book discusses recent breakthroughs in media technology, including such exciting advances as video discs and cassettes, two-way television, satellites, cable and much more.

Dictionary of Film Terms

Dictionary of Film Terms
The Aesthetic Companion to Film Art

by Frank Eugene Beaver,Frank Beaver

  • Publisher : Peter Lang
  • Release : 2006
  • Pages : 289
  • ISBN : 9780820472980
  • Language : En, Es, Fr & De
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Textbook

Cinema and Painting

Cinema and Painting
How Art Is Used in Film

by Angela Dalle Vacche

  • Publisher : University of Texas Press
  • Release : 1996
  • Pages : 303
  • ISBN : 9780292715837
  • Language : En, Es, Fr & De
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The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity. Specifically, Dalle Vacche explores Jean-Luc Godard's iconophobia (Pierrot Le Fou) and Andrei Tarkovsky's iconophilia (Andrei Rubleov), Kenji Mizoguchi's split allegiances between East and West (Five Women around Utamaro), Michelangelo Antonioni's melodramatic sensibility (Red Desert), Eric Rohmer's project to convey interiority through images (The Marquise of O), F. W. Murnau's debt to Romantic landscape painting (Nosferatu), Vincente Minnelli's affinities with American Abstract Expressionism (An American in Paris), and Alain Cavalier's use of still life and the close-up to explore the realms of mysticism and femininity (Thérèse). While addressing issues of influence and intentionality, Dalle Vacche concludes that intertextuality is central to an appreciation of the dialogical nature of the filmic medium, which, in appropriating or rejecting art history, defines itself in relation to national traditions and broadly shared visual cultures.

Film, Art, and the Third Culture

Film, Art, and the Third Culture
A Naturalized Aesthetics of Film

by Murray Smith

  • Publisher : Oxford University Press
  • Release : 2017
  • Pages : 294
  • ISBN : 0198790643
  • Language : En, Es, Fr & De
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In the mid-1950s C.P. Snow began his campaign against the 'two cultures' - the debilitating divide, as he saw it, between traditional 'literary intellectual' culture, and the culture of the sciences, urging in its place a 'third culture' which would draw upon and integrate the resources of disciplines spanning the natural and social sciences, the arts and the humanities. Murray Smith argues that, with the ever-increasing influence of evolutionary theory and neuroscience, and the pervasive presence of digital technologies, Snow's challenge is more relevant than ever. Working out how the 'scientific' and everyday images of the world 'hang' together is no simple matter. In Film, Art, and the Third Culture, Smith explores this question in relation to the art, technology, and science of film in particular, and to the world of the arts and aesthetic activity more generally. In the first part of his book, Smith explores the general strategies and principles necessary to build a 'third cultural' or naturalized approach to film and art - one that roots itself in an appreciation of scientific knowledge and method. Smith then goes on to focus on the role of emotion in film and the other arts, as an extended experiment in the 'third cultural' integration of ideas on emotion spanning the arts, humanities and sciences. While acknowledging that not all of the questions we ask are scientific in nature, Smith contends that we cannot disregard the insights wrought by taking a naturalized approach to the aesthetics of film and the other arts.

Global Art Cinema

Global Art Cinema
New Theories and Histories

by Rosalind Galt,Karl Schoonover

  • Publisher : Oxford University Press
  • Release : 2010-04-14
  • Pages : 408
  • ISBN : 9780199726295
  • Language : En, Es, Fr & De
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"Art cinema" has for over fifty years defined how audiences and critics imagine film outside Hollywood, but surprisingly little scholarly attention has been paid to the concept since the 1970s. And yet in the last thirty years art cinema has flourished worldwide. The emergence of East Asian and Latin American new waves, the reinvigoration of European film, the success of Iranian directors, and the rise of the film festival have transformed the landscape of world cinema. This book brings into focus art cinema's core internationalism, demonstrating its centrality to understanding film as a global phenomenon. The book reassesses the field of art cinema in light of recent scholarship on world film cultures. In addition to analysis of key regions and films, the essays cover topics including theories of the film image; industrial, aesthetic, and political histories; and art film's intersections with debates on genre, sexuality, new media forms, and postcolonial cultures. Global Art Cinema brings together a diverse group of scholars in a timely conversation that reaffirms the category of art cinema as relevant, provocative, and, in fact, fundamental to contemporary film studies.

The Art and Science of Cinema

The Art and Science of Cinema

by Anwar Huda

  • Publisher : Atlantic Publishers & Dist
  • Release : 2004
  • Pages : 270
  • ISBN : 9788126903481
  • Language : En, Es, Fr & De
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The Art And Science Of Cinema Provides A Clear And Concise Study Of The Film World. The Book Deals With The Film Technology, Movie History, Great Filmmakers, Actors, Pictures & Aesthetics, Narrative, Genres, Plays And Documentaries.The Reader Will Find Exciting, Informative And Entertaining Study Of Everything Related To Film. It Also Deals With Still Photography, Production Works And Oscar Facts.Whatever Your Interest In Film, This Book Will Give You The Vital Informations And Critical Skills To Understand Films Better Than Before, As It Has Been Lavishly-Illustrated. Fact Filled Pages Make It The Most Comprehensive, Detailed And Explicit Book On The Subject.This Book Is Useful For Film Students, Actors As Well As Lovers Of World Cinema.

Minding Movies

Minding Movies
Observations on the Art, Craft, and Business of Filmmaking

by David Bordwell,Kristin Thompson

  • Publisher : University of Chicago Press
  • Release : 2011-04-15
  • Pages : 292
  • ISBN : 0226066991
  • Language : En, Es, Fr & De
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David Bordwell and Kristin Thompson are two of America’s preeminent film scholars. You would be hard pressed to find a serious student of the cinema who hasn’t spent at least a few hours huddled with their seminal introduction to the field—Film Art, now in its ninth edition—or a cable television junkie unaware that the Independent Film Channel sagely christened them the “Critics of the Naughts.” Since launching their blog Observations on Film Art in 2006, the two have added web virtuosos to their growing list of accolades, pitching unconventional long-form pieces engaged with film artistry that have helped to redefine cinematic storytelling for a new age and audience. Minding Movies presents a selection from over three hundred essays on genre movies, art films, animation, and the business of Hollywood that have graced Bordwell and Thompson’s blog. Informal pieces, conversational in tone but grounded in three decades of authoritative research, the essays gathered here range from in-depth analyses of individual films such as Slumdog Millionaire and Inglourious Basterds to adjustments of Hollywood media claims and forays into cinematic humor. For Bordwell and Thompson, the most fruitful place to begin is how movies are made, how they work, and how they work on us. Written for film lovers, these essays—on topics ranging from Borat to blockbusters and back again—will delight current fans and gain new enthusiasts. Serious but not solemn, vibrantly informative without condescension, and above all illuminating reading, Minding Movies offers ideas sure to set film lovers thinking—and keep them returning to the silver screen.

Film Art

Film Art
An Introduction

by David Bordwell,Kristin Thompson

  • Publisher : Ingram
  • Release : 2009-11-15
  • Pages : 519
  • ISBN : 9780078007873
  • Language : En, Es, Fr & De
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Film Editing

Film Editing
The Art of the Expressive

by Valerie Orpen

  • Publisher : Wallflower Press
  • Release : 2003
  • Pages : 138
  • ISBN : 9781903364536
  • Language : En, Es, Fr & De
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Film Editing: The Art of the Expressive offers an analysis of editing in the sound film that considers editing as an expressive strategy rather than a mere technique. It reveals that editing can be approached and studied in a similar way to other aspects of film such as mise-en-scene. Studies on editing or montage tend to focus on silent cinema, yet this book claims that an examination of editing should also consider the role of the soundtrack. The aim is to examine the way in which editing can make meaning, and the book addresses editing as part of a wider context, and as a crucial element of the overarching design and vision of a film. The book includes detailed studies of Scorsese's Raging Bull, Hitchcock's Rear Window and Godard's A Boul de Souffle.

Film, a Modern Art

Film, a Modern Art

by Aaron Sultanik

  • Publisher : Associated University Presses
  • Release : 1986
  • Pages : 503
  • ISBN : 9780845347522
  • Language : En, Es, Fr & De
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Art in Cinema

Art in Cinema
Documents Toward a History of the Film Society

by Scott MacDonald,Frank Stauffacher

  • Publisher : Temple University Press
  • Release : 2006
  • Pages : 320
  • ISBN : 9781592134274
  • Language : En, Es, Fr & De
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Fascinating documentation of one of the most important film societies in American history.

Film Art: an Introduction with "Film, Form and Culture"

Film Art: an Introduction with 'Film, Form and Culture'

by David Bordwell,Kristin Thompson

  • Publisher :
  • Release : 2003-08
  • Pages : 329
  • ISBN : 9780077107567
  • Language : En, Es, Fr & De
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The Art Direction Handbook for Film

The Art Direction Handbook for Film

by Michael Rizzo

  • Publisher : Taylor & Francis
  • Release : 2005
  • Pages : 333
  • ISBN : 0240806808
  • Language : En, Es, Fr & De
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Practical, comprehensive on-the-job manual for art directors from an established Hollywood insider.

The Visual Turn

The Visual Turn
Classical Film Theory and Art History

by Angela Dalle Vacche

  • Publisher : Rutgers University Press
  • Release : 2003
  • Pages : 279
  • ISBN : 9780813531731
  • Language : En, Es, Fr & De
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This collection of essays demonstrates the usefulness of looking at cinema with the analytical methods provided by art theory. The Visual Turn is a dialogue between art historians and film theorists from the silent period to the aftermath of World War II. Its aim is to broaden the horizons of film studies, while making students of art history more comfortable when they approach the key texts of classical film theory.