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Film History: An Introduction

Film History: An Introduction
A Book

by Kristin Thompson,David Bordwell

  • Publisher : McGraw-Hill Humanities Social
  • Release : 2010
  • Pages : 780
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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This book introduce the history of film as it is presently conceived, written, and taught by its most accomplished scholars. However, this book is not a distillation of everything that is known about film history.

The Historical Film

The Historical Film
History and Memory in Media

by Marcia Landy

  • Publisher : A&C Black
  • Release : 2001-01-01
  • Pages : 350
  • ISBN : 9780485300963
  • Language : En, Es, Fr & De
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This aims to show how media critics and historians have written about history as portrayed in cinema and television by historical films and documentaries, focusing on what it means to "read" films historically and the colonial experience as shown in post-colonial film.

The New Film History

The New Film History
Sources, Methods, Approaches

by J. Chapman,M. Glancy,S. Harper

  • Publisher : Springer
  • Release : 2007-04-25
  • Pages : 256
  • ISBN : 0230206220
  • Language : En, Es, Fr & De
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The first major overview of the field of film history in twenty years, this book offers a wide-ranging account of the methods, sources and approaches used by modern film historians. The key areas of research are analysed, alongside detailed case studies centred on well-known American, Australian, British and European films.

The Routledge Companion to Film History

The Routledge Companion to Film History
A Book

by William Guynn

  • Publisher : Routledge
  • Release : 2010-09-13
  • Pages : 296
  • ISBN : 1136899391
  • Language : En, Es, Fr & De
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The Routledge Companion to Film History is an indispensable guide for anyone studying film history for the first time. The approach taken presents a substantial and readable overview of the field and provides students with a tool of reference that will be valuable throughout their studies. The volume is divided into two parts. The first is a set of eleven essays that approaches film history around the following themes: History of the moving image Film as art and popular culture Production process Evolution of sound Alternative modes: experimental, documentary, animation Cultural difference Film’s relationship to history The second is a critical dictionary that explains concepts, summarizes debates in film studies, defines technical terms, describes major periods and movements, and discusses historical situations and the film industry. The volume as a whole is designed as an active system of cross-references: readers of the essays are referred to dictionary entries (and vice versa) and both provide short bibliographies that encourage readers to investigate topics.

American Film History

American Film History
Selected Readings, 1960 to the Present

by Cynthia Lucia,Roy Grundmann,Art Simon

  • Publisher : John Wiley & Sons
  • Release : 2015-06-25
  • Pages : 520
  • ISBN : 1118475003
  • Language : En, Es, Fr & De
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From the American underground film to the blockbuster superhero, this authoritative collection of introductory and specialized readings explores the core issues and developments in American cinematic history during the second half of the twentieth-century through the present day. Considers essential subjects that have shaped the American film industry—from the impact of television and CGI to the rise of independent and underground film; from the impact of the civil rights, feminist and LGBT movements to that of 9/11. Features a student-friendly structure dividing coverage into the periods 1960-1975, 1976-1990, and 1991 to the present day, each of which opens with an historical overview Brings together a rich and varied selection of contributions by established film scholars, combining broad historical, social, and political contexts with detailed analysis of individual films, including Midnight Cowboy, Nashville, Cat Ballou, Chicago, Back to the Future, Killer of Sheep, Daughters of the Dust, Nothing But a Man, Ali, Easy Rider, The Conversation, The Texas Chain Saw Massacre, Longtime Companion, The Matrix, The War Tapes, the Batman films, and selected avant-garde and documentary films, among many others. Additional online resources, such as sample syllabi, which include suggested readings and filmographies, for both general and specialized courses, will be available online. May be used alongside American Film History: Selected Readings, Origins to 1960 to provide an authoritative study of American cinema from its earliest days through the new millennium

Korean Film

Korean Film
History, Resistance, and Democratic Imagination

by Ŭng-jun Min,Chin-suk Chu,Jinsook Joo,Han Ju Kwak

  • Publisher : Greenwood Publishing Group
  • Release : 2003
  • Pages : 197
  • ISBN : 9780275958114
  • Language : En, Es, Fr & De
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Establishes contextual and theoretical bases to help the reader understand cultural, political, and socioeconomic aspects of Korean film.

East German Cinema

East German Cinema
DEFA and Film History

by S. Heiduschke

  • Publisher : Springer
  • Release : 2013-10-10
  • Pages : 196
  • ISBN : 1137322322
  • Language : En, Es, Fr & De
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East Germany's film monopoly, Deutsche Film-Aktiengesellschaft, produced a films ranging beyond simple propaganda to westerns, musicals, and children's films, among others. This book equips scholars with the historical background to understand East German cinema and guides the readers through the DEFA archive via examinations of twelve films.

Film History

Film History
An Introduction

by Kristin Thompson,David Bordwell

  • Publisher : McGraw-Hill Humanities, Social Sciences & World Languages
  • Release : 2003
  • Pages : 788
  • ISBN : 9780070384293
  • Language : En, Es, Fr & De
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This comprehensive survey not only acknowledges the contributions of Hollywood and films from other US sources, but broadens its scope to examine film-making internationally.

Film History

Film History
A Book

by Anonim

  • Publisher : Unknown Publisher
  • Release : 1996
  • Pages : 329
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Engaging Film Criticism

Engaging Film Criticism
Film History and Contemporary American Cinema

by Walter Metz

  • Publisher : Peter Lang
  • Release : 2004
  • Pages : 226
  • ISBN : 9780820474038
  • Language : En, Es, Fr & De
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Engaging Film Criticism examines recent American cinema in relationship to its «imaginative intertexts», films from earlier decades that engage similar political and cultural themes. This historical encounter provides an unexpected and exciting way of reading popular contemporary films. Eclectic pairings include the Schwarzenegger action film True Lies with the Hitchcock classic North by Northwest, as well as the lampooned Will Smith comedy Wild, Wild West with Buster Keaton's silent feature The General. Using a theoretically and historically informed brand of criticism, Engaging Film Criticism suggests that today's Hollywood cinema is every bit as worthy of study as the classics.

Research Guide to Film History

Research Guide to Film History
A Book

by Arthur F. McClure

  • Publisher : Unknown Publisher
  • Release : 1983
  • Pages : 90
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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The Old West in Fact and Film

The Old West in Fact and Film
History Versus Hollywood

by Jeremy Agnew

  • Publisher : McFarland
  • Release : 2012-11-08
  • Pages : 266
  • ISBN : 0786493119
  • Language : En, Es, Fr & De
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For many years, movie audiences have carried on a love affair with the American West, believing Westerns are escapist entertainment of the best kind, harkening back to the days of the frontier. This work compares the reality of the Old West to its portrayal in movies, taking an historical approach to its consideration of the cowboys, Indians, gunmen, lawmen and others who populated the Old West in real life and on the silver screen. Starting with the Westerns of the early 1900s, it follows the evolution in look, style, and content as the films matured from short vignettes of good-versus-bad into modern plots.

History on Film/Film on History

History on Film/Film on History
A Book

by Robert A. Rosenstone

  • Publisher : Routledge
  • Release : 2014-01-14
  • Pages : 240
  • ISBN : 1317860594
  • Language : En, Es, Fr & De
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History on Film/Film on History demonstrates how films can be analyzed as historical sources. It offers undergraduates an introduction to some of the first issues involved with studying historical films. Rosenstone argues that to leave history films out of the discussion of the meaning of the past is to ignore a major factor in our understanding of past events. He examines what history films convey about the past and how they convey it, demonstrating the need to learn how to read and understand this new visual world. This new edition places this 'classic' text in the context of work done elsewhere in the field over the ten years since this book first published, and help to renew the title for a new generation of undergraduates.

The Film Industry in Argentina

The Film Industry in Argentina
An Illustrated Cultural History

by Jorge Finkielman

  • Publisher : McFarland
  • Release : 2003-12-24
  • Pages : 278
  • ISBN : 0786416289
  • Language : En, Es, Fr & De
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Argentina fell in love with movies as soon as they were first exhibited in 1896. Even before World War I, Argentina was one of the biggest film markets in the world and continues to be a major film market today. This history of the Argentine film industry--starting with the earliest film exhibitions in 1897--covers film music, broadcasting, the introduction of film with sound, the impact of the American film industry on the Argentine, the industrialization of Argentine film, Hollywood films in Spanish, the tango in film and local stars. Reference material includes filmographic information and reviews from numerous publications. Photographs offer a look at film stills, promotions, and the people involved in the industry, and an index provides quick access to names and titles.

The History of Cinema

The History of Cinema
A Book

by Geoffrey Nowell-Smith

  • Publisher : Oxford University Press
  • Release : 2017-11-07
  • Pages : 144
  • ISBN : 0198701772
  • Language : En, Es, Fr & De
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Cinema was the first, and is arguably still the greatest, of the industrialized art forms that came to dominate the cultural life of the twentieth century. Today, it continues to adapt and grow as new technologies and viewing platforms become available, and remains an integral cultural and aesthetic entertainment experience for people the world over. Cinema developed against the backdrop of the two world wars, and over the years has seen smaller wars, revolutions, and profound social changes. Its history reflects this changing landscape, and, more than any other art form, developments in technology. In this Very Short Introduction, Nowell-Smith looks at the defining moments of the industry, from silent to sound, black and white to color, and considers its genres from intellectual art house to mass market entertainment. ABOUT THE SERIES: The Very Short Introduction series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Film, History and Cultural Citizenship

Film, History and Cultural Citizenship
Sites of Production

by Chen

  • Publisher : Unknown Publisher
  • Release : 2007
  • Pages : 241
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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About social, historical and cultural aspects of cinema.

American Film

American Film
A History

by Jon Lewis

  • Publisher : W. W. Norton & Company
  • Release : 2007-11-07
  • Pages : 484
  • ISBN : 0393979229
  • Language : En, Es, Fr & De
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A beautiful book and a brisk read, American Film is the most enjoyable and interesting overview of the history of American filmmaking available. Focused on aspects of the film business that are of perennial interest to undergraduates, this book will engage students from beginning to end.

Cinema by Design

Cinema by Design
Art Nouveau, Modernism, and Film History

by Lucy Fischer

  • Publisher : Columbia University Press
  • Release : 2017-03-14
  • Pages : 256
  • ISBN : 0231544227
  • Language : En, Es, Fr & De
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Art Nouveau thrived from the late 1890s through the First World War. The international design movement reveled in curvilinear forms and both playful and macabre visions and had a deep impact on cinematic art direction, costuming, gender representation, genre, and theme. Though historians have long dismissed Art Nouveau as a decadent cultural mode, its tremendous afterlife in cinema proves otherwise. In Cinema by Design, Lucy Fischer traces Art Nouveau's long history in films from various decades and global locales, appreciating the movement's enduring avant-garde aesthetics and dynamic ideology. Fischer begins with the portrayal of women and nature in the magical "trick films" of the Spanish director Segundo de Chomón; the elite dress and décor design choices in Cecil B. DeMille's The Affairs of Anatol (1921); and the mise-en-scène of fantasy in Raoul Walsh's The Thief of Bagdad (1924). Reading Salome (1923), Fischer shows how the cinema offered an engaging frame for adapting the risqué works of Oscar Wilde and Aubrey Beardsley. Moving to the modern era, Fischer focuses on a series of dramatic films, including Michelangelo Antonioni's The Passenger (1975), that make creative use of the architecture of Antoni Gaudí; and several European works of horror—The Abominable Dr. Phibes (1971), Deep Red (1975), and The Strange Color of Your Body's Tears (2013)—in which Art Nouveau architecture and narrative supply unique resonances in scenes of terror. In later chapters, she examines films like Klimt (2006) that portray the style in relation to the art world and ends by discussing the Art Nouveau revival in 1960s cinema. Fischer's analysis brings into focus the partnership between Art Nouveau's fascination with the illogical and the unconventional and filmmakers' desire to upend viewers' perception of the world. Her work explains why an art movement embedded in modernist sensibilities can flourish in contemporary film through its visions of nature, gender, sexuality, and the exotic.

Flashbacks in Film

Flashbacks in Film
Memory & History

by Maureen Turim

  • Publisher : Routledge
  • Release : 2013-12-17
  • Pages : 312
  • ISBN : 1317916662
  • Language : En, Es, Fr & De
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The flashback is a crucial moment in a film narrative, one that captures the cinematic expression of memory, and history. This author’s wide-ranging account of this single device reveals it to be an important way of creating cinematic meaning. Taking as her subject all of film history, the author traces out the history of the flashback, illuminating that history through structuralist narrative theory, psychoanalytic theories of subjectivity, and theories of ideology. From the American silent film era and the European and Japanese avant-garde of the twenties, from film noir and the psychological melodrama of the forties and fifties to 1980s art and Third World cinema, the flashback has interrogated time and memory, making it a nexus for ideology, representations of the psyche, and shifting cultural attitudes.

A History of Film

A History of Film
A Book

by Virginia Wright Wexman

  • Publisher : Allyn & Bacon
  • Release : 2006
  • Pages : 494
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Substantially revised for this edition, "A History of Film" is a comprehensive international survey of film from its beginnings to the present. This text highlights the contributions of major film-producing countries, significant filmmakers, and their films within social, artistic, economic, and technological contexts. This Sixth Edition incorporates major revisions designed to improve the book's focus and provide more balanced coverage. New to the Sixth Edition Includes new chapters on Indian and Chinese cinemas, emphasizing the exploding film industry in these two countries. Adds a chapter on "The Digital Future" in American film, bringing the text up-to-date with latest technological and industrial developments. Discusses more women filmmakers throughout the text and adds a section on Asian-American filmmakers, expanding the diversity and inclusiveness of the text. Replaces many illustrations with new examples, most of them frame enlargements, and, specifically, keys all illustrations to discussions in the text, ensuring that the images will be valuable learning tools for students. Adds more extended analyses of individual films, helping students grasp large historical questions by presenting them within specific cases rather than in abstract generalities. Provides a new glossary, helping students understand the technical, foreign-language, and industry terms used in the text. Praise for "A History of Film" "The reason why I selected "A History of Film" over all of the other textbooks has to do with the basic approach of the subject of film as a developing art form while paying careful attention to film genres and history; the organizational structure of the chapters; a clear and authoritative writing style that explains the interconnectivity of film as a global phenomenon; and the use of judiciously selected stills in support of the text. . . . The structure, organization and content of "A History of Film" is so good that it is, to me, still the standard by which all other film textbooks must be measured." -"Stephen Ambra, New Hampshire Technical Institute" "The text concisely covers all of film history, and its size makes it particularly useful for film history courses taught in a single term. . . . It is typically quite insightful, yet not too dense for motivated introductory students." -"Mark Gallagher, University of Missouri"