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Film History: An Introduction

Film History: An Introduction
A Book

by Kristin Thompson,David Bordwell

  • Publisher : McGraw-Hill Humanities Social
  • Release : 2010
  • Pages : 780
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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This book introduce the history of film as it is presently conceived, written, and taught by its most accomplished scholars. However, this book is not a distillation of everything that is known about film history.

The Historical Film

The Historical Film
History and Memory in Media

by Marcia Landy

  • Publisher : A&C Black
  • Release : 2001-01-01
  • Pages : 350
  • ISBN : 9780485300963
  • Language : En, Es, Fr & De
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This aims to show how media critics and historians have written about history as portrayed in cinema and television by historical films and documentaries, focusing on what it means to "read" films historically and the colonial experience as shown in post-colonial film.

The Routledge Companion to Film History

The Routledge Companion to Film History
A Book

by William Guynn

  • Publisher : Routledge
  • Release : 2010-09-13
  • Pages : 296
  • ISBN : 1136899391
  • Language : En, Es, Fr & De
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The Routledge Companion to Film History is an indispensable guide for anyone studying film history for the first time. The approach taken presents a substantial and readable overview of the field and provides students with a tool of reference that will be valuable throughout their studies. The volume is divided into two parts. The first is a set of eleven essays that approaches film history around the following themes: History of the moving image Film as art and popular culture Production process Evolution of sound Alternative modes: experimental, documentary, animation Cultural difference Film’s relationship to history The second is a critical dictionary that explains concepts, summarizes debates in film studies, defines technical terms, describes major periods and movements, and discusses historical situations and the film industry. The volume as a whole is designed as an active system of cross-references: readers of the essays are referred to dictionary entries (and vice versa) and both provide short bibliographies that encourage readers to investigate topics.

The New Film History

The New Film History
Sources, Methods, Approaches

by J. Chapman,M. Glancy,S. Harper

  • Publisher : Springer
  • Release : 2007-04-25
  • Pages : 256
  • ISBN : 0230206220
  • Language : En, Es, Fr & De
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The first major overview of the field of film history in twenty years, this book offers a wide-ranging account of the methods, sources and approaches used by modern film historians. The key areas of research are analysed, alongside detailed case studies centred on well-known American, Australian, British and European films.

Korean Film

Korean Film
History, Resistance, and Democratic Imagination

by Ŭng-jun Min,Chin-suk Chu,Jinsook Joo,Han Ju Kwak

  • Publisher : Greenwood Publishing Group
  • Release : 2003
  • Pages : 197
  • ISBN : 9780275958114
  • Language : En, Es, Fr & De
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Establishes contextual and theoretical bases to help the reader understand cultural, political, and socioeconomic aspects of Korean film.

American Film History

American Film History
Selected Readings, 1960 to the Present

by Cynthia Lucia,Roy Grundmann,Art Simon

  • Publisher : John Wiley & Sons
  • Release : 2015-06-25
  • Pages : 520
  • ISBN : 1118475003
  • Language : En, Es, Fr & De
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From the American underground film to the blockbuster superhero, this authoritative collection of introductory and specialized readings explores the core issues and developments in American cinematic history during the second half of the twentieth-century through the present day. Considers essential subjects that have shaped the American film industry—from the impact of television and CGI to the rise of independent and underground film; from the impact of the civil rights, feminist and LGBT movements to that of 9/11. Features a student-friendly structure dividing coverage into the periods 1960-1975, 1976-1990, and 1991 to the present day, each of which opens with an historical overview Brings together a rich and varied selection of contributions by established film scholars, combining broad historical, social, and political contexts with detailed analysis of individual films, including Midnight Cowboy, Nashville, Cat Ballou, Chicago, Back to the Future, Killer of Sheep, Daughters of the Dust, Nothing But a Man, Ali, Easy Rider, The Conversation, The Texas Chain Saw Massacre, Longtime Companion, The Matrix, The War Tapes, the Batman films, and selected avant-garde and documentary films, among many others. Additional online resources, such as sample syllabi, which include suggested readings and filmographies, for both general and specialized courses, will be available online. May be used alongside American Film History: Selected Readings, Origins to 1960 to provide an authoritative study of American cinema from its earliest days through the new millennium

East German Cinema

East German Cinema
DEFA and Film History

by S. Heiduschke

  • Publisher : Springer
  • Release : 2013-10-10
  • Pages : 196
  • ISBN : 1137322322
  • Language : En, Es, Fr & De
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East Germany's film monopoly, Deutsche Film-Aktiengesellschaft, produced a films ranging beyond simple propaganda to westerns, musicals, and children's films, among others. This book equips scholars with the historical background to understand East German cinema and guides the readers through the DEFA archive via examinations of twelve films.

Gladiator

Gladiator
Film and History

by Martin M. Winkler

  • Publisher : Wiley-Blackwell
  • Release : 2004-05-21
  • Pages : 248
  • ISBN : 9781405110433
  • Language : En, Es, Fr & De
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This is the first book to analyze Ridley Scott’s film Gladiator from historical, cultural, and cinematic perspectives. The first systematic analysis of Ridley Scott’s film, Gladiator. Examines the film’s presentation of Roman history and culture. Considers its cinematic origins and traditions. Draws out the film’s modern social and political overtones. Includes relevant ancient sources in translation.

The Film Industry in Argentina

The Film Industry in Argentina
An Illustrated Cultural History

by Jorge Finkielman

  • Publisher : McFarland
  • Release : 2003-12-24
  • Pages : 278
  • ISBN : 0786416289
  • Language : En, Es, Fr & De
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Argentina fell in love with movies as soon as they were first exhibited in 1896. Even before World War I, Argentina was one of the biggest film markets in the world and continues to be a major film market today. This history of the Argentine film industry--starting with the earliest film exhibitions in 1897--covers film music, broadcasting, the introduction of film with sound, the impact of the American film industry on the Argentine, the industrialization of Argentine film, Hollywood films in Spanish, the tango in film and local stars. Reference material includes filmographic information and reviews from numerous publications. Photographs offer a look at film stills, promotions, and the people involved in the industry, and an index provides quick access to names and titles.

Documentary

Documentary
A History of the Non-fiction Film

by Erik (Professor Emeritus of Dramatic Arts Barnouw, Professor Emeritus of Dramatic Arts Columbia University),Erik Barnouw,Formerly Dean of the School of Arts and Founder of the Film Division Erik Barnouw

  • Publisher : Oxford University Press, USA
  • Release : 1993
  • Pages : 400
  • ISBN : 9780195078985
  • Language : En, Es, Fr & De
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Presents a history of the documentary film

Engaging Film Criticism

Engaging Film Criticism
Film History and Contemporary American Cinema

by Walter Metz

  • Publisher : Peter Lang
  • Release : 2004
  • Pages : 226
  • ISBN : 9780820474038
  • Language : En, Es, Fr & De
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Engaging Film Criticism examines recent American cinema in relationship to its «imaginative intertexts», films from earlier decades that engage similar political and cultural themes. This historical encounter provides an unexpected and exciting way of reading popular contemporary films. Eclectic pairings include the Schwarzenegger action film True Lies with the Hitchcock classic North by Northwest, as well as the lampooned Will Smith comedy Wild, Wild West with Buster Keaton's silent feature The General. Using a theoretically and historically informed brand of criticism, Engaging Film Criticism suggests that today's Hollywood cinema is every bit as worthy of study as the classics.

Postcolonial Film

Postcolonial Film
History, Empire, Resistance

by Rebecca Weaver-Hightower,Peter Hulme

  • Publisher : Routledge Advances in Film Studies
  • Release : 2018-02-05
  • Pages : 338
  • ISBN : 9781138548497
  • Language : En, Es, Fr & De
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Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century¿s end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation¿s unique postcolonial situation. This analysis of one nation¿s struggle with its coloniality allows each essay to investigate just what it means to be postcolonial.

The Old West in Fact and Film

The Old West in Fact and Film
History Versus Hollywood

by Jeremy Agnew

  • Publisher : McFarland
  • Release : 2012-11-08
  • Pages : 266
  • ISBN : 0786493119
  • Language : En, Es, Fr & De
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For many years, movie audiences have carried on a love affair with the American West, believing Westerns are escapist entertainment of the best kind, harkening back to the days of the frontier. This work compares the reality of the Old West to its portrayal in movies, taking an historical approach to its consideration of the cowboys, Indians, gunmen, lawmen and others who populated the Old West in real life and on the silver screen. Starting with the Westerns of the early 1900s, it follows the evolution in look, style, and content as the films matured from short vignettes of good-versus-bad into modern plots.

Flashbacks in Film

Flashbacks in Film
Memory & History

by Maureen Turim

  • Publisher : Routledge
  • Release : 2013-12-17
  • Pages : 312
  • ISBN : 1317916662
  • Language : En, Es, Fr & De
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The flashback is a crucial moment in a film narrative, one that captures the cinematic expression of memory, and history. This author’s wide-ranging account of this single device reveals it to be an important way of creating cinematic meaning. Taking as her subject all of film history, the author traces out the history of the flashback, illuminating that history through structuralist narrative theory, psychoanalytic theories of subjectivity, and theories of ideology. From the American silent film era and the European and Japanese avant-garde of the twenties, from film noir and the psychological melodrama of the forties and fifties to 1980s art and Third World cinema, the flashback has interrogated time and memory, making it a nexus for ideology, representations of the psyche, and shifting cultural attitudes.

Pretty Pictures

Pretty Pictures
Production Design and the History Film

by C. S. Tashiro

  • Publisher : University of Texas Press
  • Release : 1998
  • Pages : 234
  • ISBN : 0292781504
  • Language : En, Es, Fr & De
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Theories of film have traditionally dealt with either narrative or industrial issues, with the consequence that the physical content of the graphic frame has often been ignored or relegated to the sidelines. By contrast, C. S. Tashiro foregrounds the visual aspect of cinema in this book, drawing on his experiences as a designer and filmmaker, as well as on contemporary theory, to show how production design can support or contradict narrative structure, or exist in an entirely parallel realm of meaning. Tashiro looks at cinematic production design from a broadly interdisciplinary perspective, encompassing art and architecture theory, audience reception, narrative theory, and phenomenology, to arrive at a more encompassing definition of the process. He builds his argument around studies of several prominent history films, since design is central to historical representation, and explores the most pertinent issues raised by the topic, particularly commodity consumption. In his conclusion, he also offers possible solutions to some of the social problems raised by design.

"Bold! Daring! Shocking! True!"

'Bold! Daring! Shocking! True!'
A History of Exploitation Films, 1919-1959

by Eric Schaefer

  • Publisher : Duke University Press
  • Release : 1999
  • Pages : 474
  • ISBN : 9780822323747
  • Language : En, Es, Fr & De
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A social and cultural history of exploitation films, which were produced on the fringes of Hollywood and often dealt with subjects forbidden by the Production Code.

Movies in American History

Movies in American History
An Encyclopedia

by Philip C. DiMare

  • Publisher : ABC-CLIO
  • Release : 2011
  • Pages : 1232
  • ISBN : 159884296X
  • Language : En, Es, Fr & De
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This provocative three-volume encyclopedia is a valuable resource for readers seeking an understanding of how movies have both reflected and helped engender America's political, economic, and social history. * Provides 450 A–Z entries that comprehensively cover the historical significance of subjects, people, and films of the American cinema * Contains contributions from 150 distinguished interdisciplinary scholars offering their analysis on the role of movies in American history * Includes reference materials and suggestions for further reading with every entry

Film History

Film History
A Book

by Anonim

  • Publisher : Unknown Publisher
  • Release : 1997
  • Pages : 329
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Finnish Cinema

Finnish Cinema
A Transnational Enterprise

by Henry Bacon

  • Publisher : Springer
  • Release : 2016-10-01
  • Pages : 285
  • ISBN : 1137576510
  • Language : En, Es, Fr & De
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This book presents an expert analysis of the transnational aspects of Finnish cinema throughout its history. As a small nation cinema, Finnish film culture has, even at its most nationalistic, always been attached to developments in other film producing nations in terms of production and distribution as well as genres and aesthetics. Recent developments in film theory offer exciting new approaches and methodologies for the study of transnational phenomena in the field of film culture, both past and present. The authors employ a wide range of cutting edge methodologies in order to address the major issues involved in transnational approaches to film culture. Until recently, much of this research has focused on globalization and questions related to diasporic cinema, while transnational issues related to small nation film cultures have been marginalized. This study focuses on how small nation cinemas have faced the dilemma of contributing to the construction and maintenance of national culture and identity, while responding to audience tastes largely shaped by foreign cinemas. With Finland’s intriguing political placement between East and West, along with the high portion of film history preserved in Finnish archives, this thoroughly contextualized multidisciplinary analysis of Finnish film history serves as an illuminating case study of the transnational aspects of small nation cinemas.

Moviegoing in America

Moviegoing in America
A Sourcebook in the History of Film Exhibition

by Gregory A.. Waller

  • Publisher : Wiley-Blackwell
  • Release : 2001-12-05
  • Pages : 368
  • ISBN : 9780631225928
  • Language : En, Es, Fr & De
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Pairing significant research with primary documents, Moviegoing in America charts the evolution of film exhibition and reception as a function of changing patterns of American community, identity, consumption, and the fabric of everyday life. "Moviegoing in America is an important, groundbreaking book." -- The Moving Image "Waller assembles an impressive collection that should become a key resource in the teaching of film exhibition history." -- Screen