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Graduate Review of Tonal Theory

Graduate Review of Tonal Theory
A Recasting of Common-practice Harmony, Form, and Counterpoint

by Steven Geoffrey Laitz,Christopher A. Bartlette

  • Publisher : Oxford University Press, USA
  • Release : 2010
  • Pages : 270
  • ISBN : 9780195376999
  • Language : En, Es, Fr & De
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This student workbook accompanies Graduate Review of Tonal Theory: A Recasting of Common-Practice Harmony, Form, and Counterpoint. The exercises are organized by chapter into 61 discrete assignments, each progressing from short, introductory analytical and writing exercises to more-involved tasks. This volume also features additional keyboard exercises for 12 chapters. The student workbook is enhanced by a DVD of recordings by the Eastman students and faculty of musical examples from the text and analytical exercises within.

Graduate Review of Tonal Theory

Graduate Review of Tonal Theory
A Recasting of Common-practice Harmony, Form, and Counterpoint

by Steven Geoffrey Laitz,Christopher A. Bartlette

  • Publisher : Oxford University Press, USA
  • Release : 2010
  • Pages : 270
  • ISBN : 9780195376982
  • Language : En, Es, Fr & De
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Building on the same pedagogy that informed The Complete Musician, this Graduate Review of Tonal Theory is the first book to review music theory at a level that is sophisticated enough for beginning graduate students. Steven G. Laitz and Christopher Bartlette address students as colleagues, and thoroughly explore appealing and practical analytical applications. The text also provides a means to discuss the perception and cognition, the analysis and performance, and the composition and reception of common-practice tonal music. Marked by clarity and brevity, Graduate Review of Tonal Theory presents crucial concepts and procedures found in the majority of tonal pieces. A workbook for students (978-0-19-537699-9) that can be packaged with the text at a significant savings! (Package ISBN: 978-0-19-538628-8) This invaluable resource is organized by chapter into discrete assignments (3-5 per chapter), each progressing from short, introductory analytical and writing exercises tomore involved tasks. The workbook also includes an appendix of keyboard exercises.

Introduction to Post-tonal Theory

Introduction to Post-tonal Theory

by Joseph Nathan Straus

  • Publisher : Pearson College Division
  • Release : 2005
  • Pages : 273
  • ISBN :
  • Language : En, Es, Fr & De
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Emphasizing hands-on contact with the music—through playing, singing, listening, and analyzing—this book provides six chapters on theory, each illustrated with musical examples and fully worked-out analyses, all drawn largely from the “classical” pre-war repertoire by Schoenberg, Stravinsky, Bartok, Berg, and Webern. This book offers exceptionally clear, simple explanations of basic theoretical concepts for the post-tonal music of the twentieth century. Chapter topics include basic concepts and definitions; pitch-class sets; centricity, referential collections, and triadic post-tonality; basic twelve-tone operations; and more twelve-tone topics. Musicians and enthusiasts looking to explore advanced topics in music theory and analysis.

The Complete Musician

The Complete Musician
An Integrated Approach to Tonal Theory, Analysis, and Listening

by Steven Geoffrey Laitz

  • Publisher : Oxford University Press, USA
  • Release : 2008
  • Pages : 888
  • ISBN :
  • Language : En, Es, Fr & De
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Bringing together the analytical, aural, and tactile activities that comprise a tonal theory curriculum, The Complete Musician, Second Edition, relies on a diverse repertoire and innovative exercises to explicitly connect theory (writing and analysis), skills (singing, playing, and dictation), and music-making outside the theory class. It provides students with a strong foundation in the principles of writing, analyzing, hearing, singing, and playing tonal harmony and enables them to understand the most important musical forms. Features of the Second Edition * Enhanced and supplemented by five music DVDs--two packaged with the text, two with Student Workbook I, and one with Student Workbook II. These DVDs contain a total of more than sixteen hours of high-quality recorded examples--from solo piano to full orchestra--of the examples and exercises in the text and workbooks, performed by soloists and ensembles from the Eastman School of Music and the Rochester Philharmonic Orchestra. In addition, examples and exercises are included on the DVDs in downloadable MP3 format. * Significantly revised in order to improve general ordering between large topics (for example, the pre-dominant function is introduced earlier) and organization within chapters (particularly in Parts 1-4) * Offers new topics and expansions: a new chapter (16) devoted exclusively to the motive; new sections on analytical decision-making through Gestalt techniques (Chapters 2 and 7); lead sheet notation (Chapter 6); harmonizing florid melodies (beginning in Chapter 9); and an expanded section on musical texture and harmonic analysis (Chapter 6) * Introduces numerous analyses throughout the book, including thirteen "Model Analysis" sections, that provide extended analyses of canonical pieces * Includes more than 200 new examples, many from wind and brass literature * Explanations and definitions have been carefully revised for clarity, with added summary charts and step-by-step procedures * Offers new types of exercises--in both the text and in the workbooks--including exercises for single-line instrumentalists, listening exercises, and more graduated exercises * Workbook exercises are now structured in a consistent format of discrete assignments (four to eight assignments per chapter) that usually fit on one or two sheets of paper for ease in handing in to the instructor. Each assignment contains a variety of exercises, crafted for students with a wide range of abilities. Supplementary exercises are also included for further practice. * Expanded Instructor's Manual adds model solutions for more than 200 analysis and part writing exercises; each chapter includes teaching guidelines and supplementary analytical, dictation, playing, and writing exercises

Basic Post-Tonal Theory and Analysis

Basic Post-Tonal Theory and Analysis

by Philip Lambert

  • Publisher : Oxford University Press, USA
  • Release : 2018-06-26
  • Pages : 356
  • ISBN : 9780190629649
  • Language : En, Es, Fr & De
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Basic Post-Tonal Theory and Analysis gives students a thorough, clear, and methodical introduction to post-tonal music theory and its application to music composed since 1900. An all-in-one textbook and workbook, this resource provides basic theoretical tools and offers multiple opportunitiesfor application in the form of theoretical and analytical drills and composition exercises.

Analysis of Tonal Music

Analysis of Tonal Music
A Schenkerian Approach

by Allen Clayton Cadwallader,David Gagné

  • Publisher : Oxford University Press, USA
  • Release : 2007
  • Pages : 399
  • ISBN :
  • Language : En, Es, Fr & De
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Introduces the fundamental principles of Schenkerian analysis within the context of the music itself.

Understanding Post-Tonal Music

Understanding Post-Tonal Music

by Miguel A. Roig-Francolí

  • Publisher : McGraw-Hill Humanities Social
  • Release : 2008
  • Pages : 387
  • ISBN :
  • Language : En, Es, Fr & De
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Understanding Post-Tonal Music explores the compositional and musical processes of twentieth-century post-tonal music. The book is intended for undergraduate or general graduate courses on the theory and analysis of twentieth-century music. The aim of the book is to increase the accessibility of post-tonal music by providing students with tools for understanding issues like pitch organization, rhythm and meter, form, texture, and aesthetics. By presenting the music first and then deriving the theory, Understanding Post-Tonal Music leads students to greater understanding and appreciation of this challenging and important repertoire.

Revisiting Music Theory

Revisiting Music Theory
Basic Principles

by Alfred Blatter

  • Publisher : Routledge
  • Release : 2016-12-20
  • Pages : 414
  • ISBN : 131742574X
  • Language : En, Es, Fr & De
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Revisiting Music Theory: Basic Principles, Second Edition, surveys the basics of music theory and explains the terms used in harmonic and formal analysis in a clear and concise manner. Students will find Revisiting Music Theory to be an essential resource for review or reference, while instructors of introductory theory courses will find in these pages a solid foundation for cultivating musical thinking. Musicians of all kinds—amateur and professional alike—will find great value in augmenting and informing their knowledge of the art of music theory. The text covers the basic principles of music theory, including: • Musical notation • Key signatures and scales • Intervals, chords, and progressions • Melodic and harmonic analysis • Counterpoint and voice leading techniques • Musical forms and structures This second edition has been revised and reorganized to promote learning. Each section now includes an all-new selection of exercises, allowing readers to practice key skills and improve understanding. For students, instructors, and practicing musicians, Revisiting Music Theory offers an indispensable guide to the foundations of musical analysis.

What to Listen For in Music

What to Listen For in Music

by Aaron Copland

  • Publisher : Penguin
  • Release : 2011-02-01
  • Pages : 304
  • ISBN : 1101513144
  • Language : En, Es, Fr & De
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Now in trade paperback: “The definitive guide to musical enjoyment” (Forum). In this fascinating analysis of how to listen to both contemporary and classical music analytically, eminent American composer Aaron Copland offers provocative suggestions that will bring readers a deeper appreciation of the most viscerally rewarding of all art forms.

The Art of Tonal Analysis

The Art of Tonal Analysis
Twelve Lessons in Schenkerian Theory

by Carl Schachter

  • Publisher : Oxford University Press
  • Release : 2015-12-02
  • Pages : 288
  • ISBN : 0190227400
  • Language : En, Es, Fr & De
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Carl Schachter is the world's leading practitioner of Schenkerian theory and analysis. His articles and books have been broadly influential, and are seen by many as models of musical insight and lucid prose. Yet, perhaps his greatest impact has been felt in the classroom. At the Mannes College of Music, the Juilliard School of Music, Queens College and the Graduate Center of the City University of New York, and at special pedagogical events around the world, he has taught generations of musical performers, composers, historians, and theorists over the course of his long career. In Fall 2012, Schachter taught a doctoral seminar at the CUNY Graduate Center in which he talked about the music and the musical issues that have concerned him most deeply; the course was in essence a summation of his extensive and renowned teaching. In The Art of Tonal Analysis, music theorist Joseph Straus presents edited transcripts of those lectures. Accompanied by abundant music examples, including analytical examples transcribed from the classroom blackboard, Straus's own visualizations of material that Schachter presented aurally at the piano, and Schachter's own extended Schenkerian graphs and sketches, this book offers a vivid account of Schachter's masterful pedagogy and his deep insight into the central works of the tonal canon. In making the lectures of one of the world's most extraordinary musicians and musical thinkers available to a wide audience, The Art of Tonal Analysis is an invaluable resource for students and scholars of music.

Concise Introduction to Tonal Harmony

Concise Introduction to Tonal Harmony

by L. Poundie Burstein,Joseph Nathan Straus

  • Publisher :
  • Release : 2019
  • Pages : 329
  • ISBN : 9780393679601
  • Language : En, Es, Fr & De
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Analyzing Classical Form

Analyzing Classical Form
An Approach for the Classroom

by William E. Caplin

  • Publisher : Oxford University Press
  • Release : 2013-07
  • Pages : 736
  • ISBN : 0199987297
  • Language : En, Es, Fr & De
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Analyzing Classical Form offers an approach to the analysis of musical form that is especially suited for classroom use at both undergraduate and graduate levels. Students will learn how to make complete harmonic and formal analyses of music drawn from the instrumental works of Haydn, Mozart, and Beethoven.

Music Theory Resource Book

Music Theory Resource Book

by Harold Owen

  • Publisher : Oxford University Press, USA
  • Release : 2000
  • Pages : 260
  • ISBN : 9780195115390
  • Language : En, Es, Fr & De
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"Music Theory Resource Book covers topics not usually found in standard theory texts including basic acoustics, contrapuntal techniques, jazz harmony, musics from non-Western cultures, and music since 1950."--BOOK JACKET.

Hearing Harmony

Hearing Harmony
Toward a Tonal Theory for the Rock Era

by Christopher Doll

  • Publisher : University of Michigan Press
  • Release : 2017-05-30
  • Pages : 330
  • ISBN : 0472053523
  • Language : En, Es, Fr & De
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An original, listener-based approach to harmony for popular music from the rock era of the 1950s to the present

The Musician's Guide to Theory and Analysis

The Musician's Guide to Theory and Analysis
Third Edition

by Jane Piper Clendinning,Elizabeth West Marvin

  • Publisher : W. W. Norton & Company
  • Release : 2016-06-01
  • Pages : 1008
  • ISBN : 0393600483
  • Language : En, Es, Fr & De
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The Musician’s Guide to Theory and Analysis is a complete package of theory and aural skills resources that covers every topic commonly taught in the undergraduate sequence. The package can be mixed and matched for every classroom, and with Norton’s new Know It? Show It! online pedagogy, students can watch video tutorials as they read the text, access formative online quizzes, and tackle workbook assignments in print or online. In its third edition, The Musician’s Guide retains the same student-friendly prose and emphasis on real music that has made it popular with professors and students alike.

Music of the twentieth century

Music of the twentieth century
an anthology

by Bryan R. Simms,Professor of Musicology Bryan R Simms

  • Publisher : Cengage Learning
  • Release : 1986
  • Pages : 264
  • ISBN :
  • Language : En, Es, Fr & De
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Twentieth-century music is explored from both a historical and a theoretical perspective in this enlightening text. Bryan R. Simms addresses style and structure with equal care as he chronicles the evolution of music from the time of Schoenberg to the work of such current composers as Schnittke and Gorecki. Throughout the book, Simms focuses on a number of influential compositions, examining 107 major works in depth as vivid representatives of music in our time.

Exploring the Musical Mind

Exploring the Musical Mind
Cognition, Emotion, Ability, Function

by John Sloboda,Professor of Psychology John Sloboda

  • Publisher : Oxford University Press
  • Release : 2005
  • Pages : 437
  • ISBN : 9780198530138
  • Language : En, Es, Fr & De
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Brings together in one volume important material from various hard-to-locate sources, giving the reader access to a body of work from one of the founders of music psychology Complements and updates Sloboda's 'The musical mind'

Harmony and Voice Leading

Harmony and Voice Leading

by Edward Aldwell,Carl Schachter

  • Publisher : Schirmer Books
  • Release : 2002-08-01
  • Pages : 204
  • ISBN : 9780155062344
  • Language : En, Es, Fr & De
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Is a comprehensive volume that spans the entire harmony component of the music theory course. Starting with the basics of harmony and taking students through progressively more difficult material, this text helps readers make connections between the details and the broad, inclusive plan of a musical composition. Emphasizing the linear aspects of music as much as the harmonic, this text introduces large-scale progressions (both linear and harmonic) at an early stage.

Organized Time

Organized Time
Rhythm, Tonality, and Form

by Jason Yust

  • Publisher : Oxford University Press
  • Release : 2018-05-15
  • Pages : 464
  • ISBN : 0190696508
  • Language : En, Es, Fr & De
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Organized Time is the first attempt to unite theories of harmony, rhythm and meter, and form under a common idea of structured time. Building off of recent advances in music theory in essential subfields-rhythmic theory, tonal structure, and the theory of musical form--author Jason Yust demonstrates that tonal music exhibits similar hierarchical organization in each of these dimensions. Yust develops a network model for temporal structure with an application of mathematical graph theory, which leads ultimately to musical applications of a multi-dimensional polytope called the associahedron. A wealth of analytical examples includes not only the familiar tonal canon-J.S. Bach, Mozart, Schumann--but also lesser known masters of the musical Enlightenment such as C.P.E. and J.C. Bach, Boccherini, and Johann Gottlieb Graun. Yust's approach has wide-ranging ramifications across music theory, enabling new approaches to musical closure, hypermeter, formal function, syncopation, and rhythmic dissonance, as well as historical observations about the development of sonata form and the innovations of Haydn and Beethoven. Making a forceful argument for the independence of musical modalities and for a multivalent approach to music analysis, Organized Time establishes the aesthetic importance of structural disjunction, the conflict of structure in different modalities, in numerous analytical contexts.

Classical Form

Classical Form
A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven

by William E. Caplin

  • Publisher : Oxford University Press
  • Release : 2000-12-28
  • Pages : 320
  • ISBN : 019514399X
  • Language : En, Es, Fr & De
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Introducing a new theory of musical form for the analysis of instrumental music of the classical style. The book provides a broad set of principles and a comprehensive methodology for analysing phrases and themes to complete movements. Illustrated with over 250 annotated musical examples by Haydn, Mozart and Beethoven.