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Hard-Boiled Wonderland and the End of the World

Hard-Boiled Wonderland and the End of the World
A Book

by Haruki Murakami

  • Publisher : Random House
  • Release : 2011-10-10
  • Pages : 416
  • ISBN : 1448103681
  • Language : En, Es, Fr & De
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A narrative particle accelerator that zooms between Wild Turkey Whiskey and Bob Dylan, unicorn skulls and voracious librarians, John Coltrane and Lord Jim. Science fiction, detective story and post-modern manifesto all rolled into one rip-roaring novel, Hard-boiled Wonderland and the End of the World is the tour de force that expanded Haruki Murakami's international following. Tracking one man's descent into the Kafkaesque underworld of contemporary Tokyo, Murakami unites East and West, tragedy and farce, compassion and detachment, slang and philosophy.

The Hard-boiled Wonderland and the End of the World

The Hard-boiled Wonderland and the End of the World
A Book

by Haruki Murakami

  • Publisher : Unknown Publisher
  • Release : 1991
  • Pages : 400
  • ISBN : 9780140154351
  • Language : En, Es, Fr & De
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Hard-boiled Wonderland and the End of the World

Hard-boiled Wonderland and the End of the World
A Novel

by Haruki Murakami

  • Publisher : Unknown Publisher
  • Release : 1991
  • Pages : 400
  • ISBN : 9784770018939
  • Language : En, Es, Fr & De
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Murakami’s Experimentation with the Sublime in Hard-boiled Wonderland and the End of the World and Kafka on the Shore

Murakami’s Experimentation with the Sublime in Hard-boiled Wonderland and the End of the World and Kafka on the Shore
A Book

by 曹晟

  • Publisher : Unknown Publisher
  • Release : 2017
  • Pages : 48
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Who We're Reading When We're Reading Murakami

Who We're Reading When We're Reading Murakami
A Book

by David Karashima

  • Publisher : Catapult
  • Release : 2020-09-01
  • Pages : 304
  • ISBN : 1593765908
  • Language : En, Es, Fr & De
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How did a loner destined for a niche domestic audience become one of the most famous writers alive? A "fascinating" look at the "business of bringing a best-selling novelist to a global audience" (The Atlantic)―and a “rigorous” exploration of the role of translators and editors in the creation of literary culture (The Paris Review). Thirty years ago, when Haruki Murakami’s works were first being translated, they were part of a series of pocket-size English-learning guides released only in Japan. Today his books can be read in fifty languages and have won prizes and sold millions of copies globally. How did a loner destined for a niche domestic audience become one of the most famous writers alive? This book tells one key part of the story. Its cast includes an expat trained in art history who never intended to become a translator; a Chinese American ex-academic who never planned to work as an editor; and other publishing professionals in New York, London, and Tokyo who together introduced a pop-inflected, unexpected Japanese voice to the wider literary world. David Karashima synthesizes research, correspondence, and interviews with dozens of individuals—including Murakami himself—to examine how countless behind-the-scenes choices over the course of many years worked to build an internationally celebrated author’s persona and oeuvre. His careful look inside the making of the “Murakami Industry" uncovers larger questions: What role do translators and editors play in framing their writers’ texts? What does it mean to translate and edit “for a market”? How does Japanese culture get packaged and exported for the West?

Ōe and Beyond

Ōe and Beyond
Fiction in Contemporary Japan

by Stephen Snyder,Philip Gabriel

  • Publisher : University of Hawaii Press
  • Release : 1999-04-01
  • Pages : 328
  • ISBN : 9780824821364
  • Language : En, Es, Fr & De
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Are the works of contemporary Japanese novelists, as Nobel Prize winner Oe Kenzaburo has observed, "mere reflections of the vast consumer culture of Tokyo and the subcultures of the world at large"? Or do they contain their own critical components, albeit in altered form? Oe and Beyond surveys the accomplishments of Oe and other writers of the postwar generation while looking further to examine the literary parameters of the "Post-Oe" generation. Despite the unprecedented availability today of the work of many of these writers in excellent English translations, some twenty years have passed since a collection of critical essays has appeared to guide the interested reader through the fascinating world of contemporary Japanese fiction. Oe and Beyond is a sampling of the best research and thinking on the current generation of Japanese writers being done in English. The essays in this volume explore such subjects as the continuing resonances of the atomic bombings; the notion of "transnational subjects"; the question of the "de-canonization" (as well as the "re-canonization") of writers; the construction (and deconstruction) of gender models; the quest for spirituality amid contemporary Japanese consumer affluence; post-modernity and Japanese "infantilism"; the intertwining connections between history, myth-making, and discrimination; and apocalyptic visions of fin de siecle Japan. Contributors pursue various methodological and theoretical approaches to reveal the breadth of scholarship on modern Japanese literature. The essays reflect some of the latest thinking, both Western and Japanese, on such topics as subjectivity, gender, history, modernity, and the postmodern. Oe and Beyond includes essays on Endo Shusaku, Hayashi Kyoko, Kanai Mieko, Kurahashi Yumiko, Murakami Haruki, Murakami Ryu, Nakagami Kenji, Oe Kenzaburo, Ohba Minako, Shimada Masahiko, Takahashi Takako, and Yoshimoto Banana. Contributors: Davinder L. Bhowmik, Philip Gabriel, Van C. Gessel, Adrienne Hurley, Susan J. Napier, Sharalyn Orbaugh, Jay Rubin, Atsuko Sakaki, Ann Sherif, Stephen Snyder, Mark Williams, Eve Zimmerman.

The Paris Review Interviews, IV

The Paris Review Interviews, IV
A Book

by The Paris Review

  • Publisher : Picador
  • Release : 2009-10-27
  • Pages : 496
  • ISBN : 9781429980227
  • Language : En, Es, Fr & De
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For more than fifty years, The Paris Review has brought us revelatory and revealing interviews with the literary lights of our age. This critically acclaimed series continues with another eclectic lineup, including Philip Roth, Ezra Pound, Haruki Murakami, Marilynne Robinson, Stephen Sondheim, E. B. White, Maya Angelou, William Styron and more. In each of these remarkable extended conversations, the authors touch every corner of the writing life, sharing their ambitions, obsessions, inspirations, disappointments, and the most idiosyncratic details of their writing habits. The collected interviews of The Paris Reviews are, as Gary Shteyngart put it, "a colossal literary event."

Spirit Matters

Spirit Matters
The Transcendent in Modern Japanese Literature

by Philip Gabriel

  • Publisher : University of Hawaii Press
  • Release : 2006-01-01
  • Pages : 207
  • ISBN : 9780824829742
  • Language : En, Es, Fr & De
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Spirit Matters is a ground-breaking work, the first to explore a broad range of writings on spirituality in contemporary Japanese literature. It draws on a variety of literary works, from enormously popular fiction (Miura Ayako's HyEten and Shirokari Pass and the novels of Murakami Haruki) to more problematic "serious" fiction (Ee KenzaburE's Somersault) to nonfiction meditations on martyrdom and miracles (Sono Ayako's Kiseki) and the dynamics of religious cults (Murakami's interviews with members of Aum ShinrikyE in Underground). The first half of the volume focuses on the work of two women Christian writers, Miura Ayako and Sono Ayako. Combining a decidedly evangelistic bent with the formulas of the popular novel, Miura; s 1964 novel HyEten (Freezing Point) and its sequel are entertaining perennial bestsellers but also treat spiritual issues--"like original sin--"that are largely unexplored in modern Japanese literature. Sono's Kiseki (Miracles) and Miura's Shiokari Pass focus on the meaning of self-sacrifice and the miraculous and survey both the paths by which people come to faith and the spiritual doubts that assail them. Perhaps most striking for Western readers, Gabriel reveals how Miura's novel shows the lingering resistance to Christianity and its oppositional nature in Japan, and how in Kiseki Sono considers the kind of spiritual struggles many Japanese Christians experience as they try to reconcile their belief in a minority faith.

Apocalypse in Contemporary Japanese Science Fiction

Apocalypse in Contemporary Japanese Science Fiction
A Book

by M. Tanaka

  • Publisher : Springer
  • Release : 2014-01-29
  • Pages : 189
  • ISBN : 1137373555
  • Language : En, Es, Fr & De
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Starting with the history of apocalyptic tradition in the West and focusing on modern Japanese apocalyptic science fiction in manga, anime, and novels, Motoko Tanaka shows how science fiction reflected and coped with the devastation in Japanese national identity after 1945.

Writing Journeys Across Cultural Borders

Writing Journeys Across Cultural Borders
A Book

by Elena V. Shabliy,Kimarie Engerman

  • Publisher : Rowman & Littlefield
  • Release : 2021
  • Pages : 272
  • ISBN : 1666900354
  • Language : En, Es, Fr & De
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This book identifies, through an interdisciplinary lens, literary works that treat the theme of the journey from multiple angles: religious, psychological, psychoanalytical, philosophical, educational, and historical.

Postmodern, Feminist and Postcolonial Currents in Contemporary Japanese Culture

Postmodern, Feminist and Postcolonial Currents in Contemporary Japanese Culture
A Reading of Murakami Haruki, Yoshimoto Banana, Yoshimoto Takaaki and Karatani Kojin

by Fuminobu Murakami

  • Publisher : Routledge
  • Release : 2006-02-01
  • Pages : 208
  • ISBN : 1134246226
  • Language : En, Es, Fr & De
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Using the Euro-American theoretical framework of postmodernism, feminism and post-colonialism, this book analyses the fictional and critical work of four contemporary Japanese writers; Murakami Haruki, Yoshimoto Banana, Yoshimoto Takaaki and Karatani Kojin. In addition the author reconsiders this Euro-American theory by looking back on it from the perspective of Japanese literary work. Presenting outstanding analysis of Japanese intellectuals and writers who have received little attention in the West, the book also includes an extensive and comprehensive bibliography making it essential reading for those studying Japanese literature, Japanese studies and Japanese thinkers.

Dystopian Literature

Dystopian Literature
A Theory and Research Guide

by M. Keith Booker

  • Publisher : Greenwood
  • Release : 1994
  • Pages : 408
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Dystopian literature is a potent vehicle for criticizing existing social conditions or political systems, and for warning against the potential negative consequences of utopian thought. This reference is a guide to dystopian theory and literature. It discusses the work of key theorists and summarizes several important utopian works to provide a background. The rest of the book summarizes and analyzes numerous dystopian novels, plays, and films.

Dances with Sheep

Dances with Sheep
The Quest for Identity in the Fiction of Murakami Haruki

by Matthew Strecher

  • Publisher : U of M Center for Japanese Studies
  • Release : 2020-08
  • Pages : 254
  • ISBN : 0472038338
  • Language : En, Es, Fr & De
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As a spokesman for disaffected youth of the post-1960s, Murakami Haruki has become one of the most important voices in contemporary Japanese literature, and he has gained a following in the United States through translations of his works. In Dances with Sheep, Matthew Strecher examines Murakami's fiction--and, to a lesser extent, his nonfiction--for its most prevalent structures and themes. Strecher also delves into the paradoxes in Murakami's writings that confront critics and casual readers alike. Murakami writes of "serious" themes yet expresses them in a relatively uncomplicated style that appeals to high school students as well as scholars; and his fictional work appears to celebrate the pastiche of postmodern expression, yet he rejects the effects of the postmodern on contemporary culture as dangerous.Strecher's methodology is both historical and cultural as he utilizes four distinct yet interwoven approaches to analyze Murakami's major works: the writer's "formulaic" structure with serious themes; his play with magical realism; the intense psychological underpinnings of his literary landscape; and his critique of language and its capacity to represent realities, past and present. Dances with Sheep links each of these approaches with Murakami's critical focus on the fate of individual identity in contemporary Japan. The result is that the simplicity of the Murakami hero, marked by lethargy and nostalgia, emerges as emblematic of contemporary humankind, bereft of identity, direction, and meaning. Murakami's fiction is reconstructed in Dances with Sheep as a warning against the dehumanizing effects of late-model capitalism, the homogenization of the marketplace, and the elimination of effective counterculture in Japan.

The Fantastic in Modern Japanese Literature

The Fantastic in Modern Japanese Literature
The Subversion of Modernity

by Susan Napier

  • Publisher : Routledge
  • Release : 2005-07-22
  • Pages : 272
  • ISBN : 1134803354
  • Language : En, Es, Fr & De
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Modern Japan's repressed anxieties, fears and hopes come to the surface in the fantastic. A close analysis of fantasy fiction, film and comics reveals the ambivalence felt by many Japanese towards the success story of the nation in the twentieth century. The Fantastic in Modern Japanese Literature explores the dark side to Japanese literature and Japanese society. It takes in the nightmarish future depicted in the animated film masterpiece, Akira, and the pastoral dream worlds created by Japan's Nobel Prize winning author Oe Kenzaburo. A wide range of fantasists, many discussed here in English for the first time, form the basis for a ground-breaking analysis of utopias, dystopias, the disturbing relationship between women, sexuality and modernity, and the role of the alien in the fantastic.

Evanescence and Form

Evanescence and Form
An Introduction to Japanese Culture

by C. Inouye

  • Publisher : Springer
  • Release : 2008-09-29
  • Pages : 260
  • ISBN : 0230615481
  • Language : En, Es, Fr & De
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This book explores the Japanese notion of hakanasa - the evanescence of all things. Responses to this idea have been various and even contradictory: asceticism, fatalism, conformism, hedonism, materialism, and careerism. This book examines the ties between an epistemology of constant change and Japan's formal emphasis on etiquette and visuality.

"Different Qualities of Light, Different Songs"

'Different Qualities of Light, Different Songs'
The Mystery of Individuality in Murakami's Hard-boiled Wonderland and the End of the World

by Christopher Robin Takashi Caldwell

  • Publisher : Unknown Publisher
  • Release : 2009
  • Pages : 92
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Novels by Haruki Murakami

Novels by Haruki Murakami
1Q84, After Dark (Novel), a Wild Sheep Chase, Dance Dance Dance (Novel), Hard-Boiled Wonderland and the End Of

by Source Wikipedia

  • Publisher : University-Press.org
  • Release : 2013-09
  • Pages : 20
  • ISBN : 9781230485188
  • Language : En, Es, Fr & De
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Commentary (novels not included). Pages: 18. Chapters: 1Q84, After Dark (novel), A Wild Sheep Chase, Dance Dance Dance (novel), Hard-Boiled Wonderland and the End of the World, Hear the Wind Sing, Kafka on the Shore, Norwegian Wood (novel), Pinball, 1973, South of the Border, West of the Sun, Sputnik Sweetheart, The Wind-Up Bird Chronicle. Excerpt: 1Q84 (One Q Eighty-Four or ichi-kew-hachi-yon Ichi-Ky -Hachi-Yon)) is a novel by Haruki Murakami, first published in three volumes in Japan in 2009-10. The novel quickly became a sensation, with its first printing selling out the day it was released, and reaching sales of one million within a month. The English language edition of all three volumes, with the first two volumes translated by Jay Rubin and the third by Philip Gabriel, was released in North America and the United Kingdom on October 25, 2011. An excerpt from the novel, "Town of Cats," appeared in the September 5, 2011 issue of The New Yorker magazine. The first chapter of 1Q84 has also been read as an excerpt at Selected Shorts. The novel was originally published in Japan in three hardcover volumes by Shinchosha. Book 1 and Book 2 were both published on May 29, 2009; Book 3 was published on April 16, 2010. In English translation, Knopf published the novel in the United States in a single volume on October 25, 2011. In the United Kingdom the novel was published by Harvill Secker in two volumes. The first volume, containing Books 1 and 2, was published on October 18, 2011, followed by the second volume, containing Book 3, published on October 25, 2011. The cover for the Knopf edition, featuring a transparent dust jacket, was created by Chip Kidd. Murakami spent four years writing the novel after coming up with the opening sequence and title. The title is a play on the Japanese pronunciation of the year 1984, a reference to George...

History and Repetition

History and Repetition
A Book

by Kōjin Karatani

  • Publisher : Columbia University Press
  • Release : 2012
  • Pages : 239
  • ISBN : 0231157290
  • Language : En, Es, Fr & De
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Kojin Karatani wrote the essays in History and Repetition during a time of radical historical change, triggered by the collapse of the Cold War and the death of the Showa emperor in 1989. Reading Karl Marx in an original way, Karatani developed a theory of history based on the repetitive cycle of crises attending the expansion and transformation of capital. His work led to a rigorous analysis of political, economic, and literary forms of representation that recast historical events as a series of repeated forms forged in the transitional moments of global capitalism. History and Repetition cemented Karatani's reputation as one of Japan's premier thinkers, capable of traversing the fields of philosophy, political economy, history, and literature in his work. The first complete translation of History and Repetition into English, undertaken with the cooperation of Karatani himself, this volume opens with his innovative reading of The Eighteenth Brumaire of Louis Bonaparte, tracing Marx's early theoretical formulation of the state. Karatani follows with a study of violent crises as they recur after major transitions of power, developing his theory of historical repetition and introducing a groundbreaking interpretation of fascism (in both Europe and Japan) as the spectral return of the absolutist monarch in the midst of a crisis of representative democracy. For Karatani, fascism represents the most violent materialization of the repetitive mechanism of history. Yet he also seeks out singularities that operate outside the brutal inevitability of historical repetition, whether represented in literature or, more precisely, in the process of literature's demise. Closely reading the works of Oe Kenzaburo, Mishima Yukio, Nakagami Kenji, and Murakami Haruki, Karatani compares the recurrent and universal with the singular and unrepeatable, while advancing a compelling theory of the decline of modern literature. Merging theoretical arguments with a concrete analysis of cultural and intellectual history, Karatani's essays encapsulate a brilliant, multidisciplinary perspective on world history.

The Search for the Jungian Stranger in the Novels of Haruki Murakami

The Search for the Jungian Stranger in the Novels of Haruki Murakami
A Wild Sheep Chase, Hard-boiled Wonderland and the End of the World, and the Wind-up Bird Chronicle

by Jason B. Barone

  • Publisher : Unknown Publisher
  • Release : 2008
  • Pages : 104
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Haruki Murakami

Haruki Murakami
Challenging Authors

by Matthew C. Strecher,Paul L. Thomas

  • Publisher : Springer
  • Release : 2016-03-22
  • Pages : 160
  • ISBN : 9463004629
  • Language : En, Es, Fr & De
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Japanese writer Haruki Murakami has achieved incredible popularity in his native country and world-wide as well as rising critical acclaim. Murakami, in addition to receiving most of the major literary awards in Japan, has been nominated several times for the Nobel Prize. Yet, his relationship with the Japanese literary community proper (known as the Bundan) has not been a particularly friendly one. One of Murakami’s central and enduring themes is a persistent warning not to suppress our fundamental desires in favor of the demands of society at large. Murakami’s writing over his career reveals numerous recurring motifs, but his message has also evolved, creating a catalogue of works that reveals Murakami to be a challenging author. Many of those challenges lie in Murakami’s blurring of genre as well as his rich blending of Japanese and Western mythologies and styles—all while continuing to offer narratives that attract and captivate a wide range of readers. Murakami is, as Ōe Kenzaburō once contended, not a “Japanese writer” so much as a global one, and as such, he merits a central place in the classroom in order to confront readers and students, but to be challenged as well. Reading, teaching, and studying Murakami serves well the goal of rethinking this world. It will open new lines of inquiry into what constitutes national literatures, and how some authors, in the era of blurred national and cultural boundaries, seek now to transcend those boundaries and pursue a truly global mode of expression.