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History of Italian Renaissance Art

History of Italian Renaissance Art
Painting, Sculpture, Architecture

by Frederick Hartt,David G. Wilkins

  • Publisher : Pearson College Division
  • Release : 2011
  • Pages : 736
  • ISBN :
  • Language : En, Es, Fr & De
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For survey courses in Italian Renaissance art. A broad survey of art and architecture in Italy between c. 1250 and 1600, this book approaches the works from the point of view of the artist as individual creator and as an expression of the city within which the artist was working. History of Italian Renaissance Art, Seventh Edition, brings you an updated understanding of this pivotal period as it incorporates new research and current art historical thinking, while also maintaining the integrity of the story that Frederick Hartt first told so enthusiastically many years ago. Choosing to retain Frederick Hartt's traditional framework, David Wilkins' incisive revisions keep the book fresh and up-to-date.

A History of Italian Renaissance Art

A History of Italian Renaissance Art
Painting, Sculpture, Architecture

by Frederick Hartt

  • Publisher :
  • Release : 1970
  • Pages : 636
  • ISBN : 9780500231364
  • Language : En, Es, Fr & De
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A New History of Italian Renaissance Art

A New History of Italian Renaissance Art

by Stephen Campbell,Michael Wayne Cole

  • Publisher :
  • Release : 2017-11
  • Pages : 712
  • ISBN : 9780500239759
  • Language : En, Es, Fr & De
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Campbell and Cole, respected teachers and active researchers, draw on traditional and current scholarship to present complex interpretations in this new edition of their engaging account of Italian Renaissance art. The book's unique decade-by-decade structure is easy to follow, and permits the authors to tell the story of art not only in the great centres of Rome, Florence and Venice, but also in a range of other cities and sites throughout Italy, including more in this edition from Naples, Padua and Palermo. This approach allows the artworks to take centre-stage, in contrast to the book's competitors, which are organized by location or by artist. Other updates for this edition include an expanded first chapter on the Trecento, and a new 'Techniques and Materials' appendix that explains and illustrates all of the major art-making processes of the period. Richly illustrated with high-quality reproductions and new photography of recent restorations, it presents the classic canon of Renaissance painting and sculpture in full, while expanding the scope of conventional surveys by offering a more thorough coverage of architecture, decorative and domestic arts, and print media.

History of Italian Renaissance Art

History of Italian Renaissance Art
Painting, Sculpture, Architecture

by Frederick Hartt,David G. Wilkins

  • Publisher : Prentice Hall
  • Release : 2006
  • Pages : 736
  • ISBN : 9780131882478
  • Language : En, Es, Fr & De
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These include views of architecture and of large fresco cycles and sculptures that remain in situ. There is also an updated bibliography that provides a guide for further reading about artists and key topics. David Wilkins brings a strong, contemporary sensibility to Italian Renaissance art, yet he continues to maintain and emulate the eloquence that was a basic aspect of Frederick Hartt's approach. Book jacket."--BOOK JACKET.

History of Italian Renaissance Art

History of Italian Renaissance Art
Painting, Sculpture, Architecture

by Frederick Hartt,David G. Wilkins

  • Publisher : Prentice Hall
  • Release : 1994
  • Pages : 696
  • ISBN : 9780131197145
  • Language : En, Es, Fr & De
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Italian Renaissance Art

Italian Renaissance Art

by Stephen J. Campbell,Michael Wayne Cole

  • Publisher :
  • Release : 2017
  • Pages : 722
  • ISBN : 9780500293348
  • Language : En, Es, Fr & De
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A new edition--now in two volumes--of the largest and most comprehensive textbook about Italian Renaissance art. Now in its second edition, Italian Renaissance Art presents an updated and even more accessible history. The book has been split into two volumes: the first, covering the period 1300 to 1510; the second, 1490 to 1600. The volumes retain the same innovative decade-by-decade structure as the first edition, and a number of chapters have been revised by the authors to reflect the latest scholarship. The coverage of the Trecento has been expanded, and a new appendix section explains all the key Renaissance art-making techniques, with illustrations and step-by-steps for such processes as lost-wax casting. This book tells the story of art in the great cities of Rome, Florence, and Venice while profiling a range of other centers throughout Italy--including in this edition art from Naples, Padua, and Palermo.

Italian Renaissance Art

Italian Renaissance Art
Understanding its Meaning

by Christiane L. Joost-Gaugier

  • Publisher : John Wiley & Sons
  • Release : 2013-03-04
  • Pages : 288
  • ISBN : 1118306074
  • Language : En, Es, Fr & De
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Richly illustrated, and featuring detailed descriptions of works by pivotal figures in the Italian Renaissance, this enlightening volume traces the development of art and architecture throughout the Italian peninsula in the fifteenth and sixteenth centuries. A smart, elegant, and jargon-free analysis of the Italian Renaissance – what it was, what it means, and why we should study it Provides a sustained discussion of many great works of Renaissance art that will significantly enhance readers’ understanding of the period Focuses on Renaissance art and architecture as it developed throughout the Italian peninsula, from Venice to Sicily Situates the Italian Renaissance in the wider context of the history of art Includes detailed interpretation of works by a host of pivotal Renaissance artists, both well and lesser known

Italian Renaissance Art

Italian Renaissance Art

by Laurie Schneider Adams

  • Publisher : Routledge
  • Release : 2018-05-04
  • Pages : 420
  • ISBN : 0429974744
  • Language : En, Es, Fr & De
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Now thoroughly revised and updated throughout, featuring extended discussions of Mannerism and the expanding role of women in the visual arts and significant illustration program enhancements, Italian Renaissance Art is a readable, student-friendly, lavishly-illustrated introduction to one of the greatest periods of artistic genius in western history. Art historian Laurie Schneider Adams opens the text with the late Byzantine work of Cimabue and concludes with the transition to Mannerism. The author presents the most important and innovative artists and their principal works, with a clear emphasis on selectivity and understanding. Italian Renaissance Art also focuses on style and iconography, and on art and artists, incorporating different methodological approaches to create a wider understanding and appreciation of the art. Distinguishing features of the second edition include: More than 400 images throughout the work, with over 300 in full-color. Over 50 images were changed from black and white to full-color for this edition. Illustration program now includes works by Correggio, Bronzino, and Pontormo.Large format illustrations retained for readability and visual access by students. Design changes make the text more attractive and readable. 'Connections', with thumbnail images of earlier works, show the historical continuity of the images. 'Comparison' thumbnails have also been added for the purpose of comparing and contrasting later works with earlier ones. New treatment of Mannerism and the expanding role of women in the visual arts. Coverage includes Lavinia Fontana, Sofonisba Anguissola, and Properzia de' Rossi, and a new feature box discusses the role of Isabella d'Este as an influential art patron and humanist. Maps, plans, and diagrams included throughout. Also features a historical chronology, a full glossary of art-historical terms, and a select bibliography.

Women in Italian Renaissance Art

Women in Italian Renaissance Art
Gender, Representation and Identity

by Paola Tinagli,Paola Tinagli Baxter,Mary Rogers,Paulo Tinagli

  • Publisher : Manchester University Press
  • Release : 1997-06-15
  • Pages : 206
  • ISBN : 9780719040542
  • Language : En, Es, Fr & De
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This is the first book which gives a general overview of women as subject-matter in Italian Renaissance painting. It presents a view of the interaction between artist and patron, and also of the function of these paintings in Italian society of the fifteenth and sixteenth centuries. Using letters, poems, and treatises, it examines through the eyes of the contemporary viewer the way women were represented in paintings.

The Sensory World of Italian Renaissance Art

The Sensory World of Italian Renaissance Art

by François Quiviger

  • Publisher : Reaktion Books
  • Release : 2010-06-15
  • Pages : 248
  • ISBN : 1861897405
  • Language : En, Es, Fr & De
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During the Renaissance, new ideas progressed alongside new ways of communicating them, and nowhere is this more visible than in the art of this period. In The Sensory World of Italian Renaissance Art, François Quiviger explores the ways in which the senses began to take on a new significance in the art of the sixteenth century. The book discusses the presence and function of sensation in Renaissance ideas and practices, investigating their link to mental imagery—namely, how Renaissance artists made touch, sound, and scent palpable to the minds of their audience. Quiviger points to the shifts in ideas and theories of representation, which were evolving throughout the sixteenth century, and explains how this shaped early modern notions of art, spectatorship, and artistic creation. Featuring many beautiful images by artists such as Dürer, Leonardo da Vinci, Titian, Pontormo, Michelangelo, and Brueghel, The Sensory World of Renaissance Art presents a comprehensive study of Renaissance theories of art in the context of the actual works they influenced. Beautifully illustrated and extensively researched, it will appeal to students and scholars of art history.

The Beauty and the Terror

The Beauty and the Terror
An Alternative History of the Italian Renaissance

by Catherine Fletcher

  • Publisher : Random House
  • Release : 2020-03-05
  • Pages : 432
  • ISBN : 1473553156
  • Language : En, Es, Fr & De
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'Brilliant and gripping, here is the full true Renaissance in a history of compelling originality and freshness' SIMON SEBAG MONTEFIORE The Italian Renaissance shaped western culture – but it was far stranger and darker than many of us realise. We revere Leonardo da Vinci for his art but few now appreciate his ingenious designs for weaponry. We know the Mona Lisa for her smile but not that she was married to a slave-trader. We visit Florence to see Michelangelo's David but hear nothing of the massacre that forced the republic’s surrender. In focusing on the Medici in Florence and the Borgias in Rome, we miss the vital importance of the Genoese and Neapolitans, the courts of Urbino and Mantua. Rarely do we hear of the women writers, Jewish merchants, the mercenaries, engineers, prostitutes, farmers and citizens who lived the Renaissance every day. In fact, many of the most celebrated artists and thinkers that have come to define the Renaissance – Leonardo and Michelangelo, Raphael and Titian, Machiavelli and Castiglione – emerged not during the celebrated ‘rebirth’ of the fifteenth century but amidst the death and destruction of the sixteenth century. For decades, a series of savage wars dominated Italy’s political, economic and daily life, generating fortunes and new technologies, but also ravaging populations with famine, disease and slaughter. In this same short time, the birth of Protestantism, Spain’s colonisation of the Americas and the rise of the Ottoman Empire all posed grave threats to Italian power, while sparking debates about the ethics of government and enslavement, religious belief and sexual morality. In The Beauty and the Terror, Catherine Fletcher provides an enrapturing narrative history that brings all of this and more into view. Brimming with life, it takes us closer than ever before to the lived reality of this astonishing era and its meaning for today.

Italian Renaissance Art

Italian Renaissance Art
A Sourcebook

by Marilyn Bradshaw

  • Publisher : Prentice Hall
  • Release : 2009
  • Pages : 360
  • ISBN :
  • Language : En, Es, Fr & De
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Focusing on select examples of Italian art spanning roughly four hundred years, Italian Renaissance Art: A Sourcebook explores contextual, explanatory information that is rarely part of general surveys of the period. Artists' chronologies are at the core of this text providing overviews of artists' careers with timelines of their activities and commentary on significant works. The book also uniquely incorporates numerous drawings, diagrams, and line arts as a means of allowing the reader to develop a fuller idea of the art of the period, Supporting the artists' chronologies are chapters devoted to historical notes and a glossary of terms, and concluding chapters offer in--depth information on select examples of Renaissance patrons and cities. Easy-to-find information and a highly accessible format encourage the cross--reading of sections, emphasizing the many interconnections among artists and patrons within a historical context. Such a layered presentation of information allows readers to construct a dynamic picture of the period and inspires an active role in looking at and thinking about Italian Renaissance art.

The Traveling Artist in the Italian Renaissance

The Traveling Artist in the Italian Renaissance
Geography, Mobility, and Style

by David Young Kim

  • Publisher : Yale University Press
  • Release : 2014-12-23
  • Pages : 304
  • ISBN : 0300212240
  • Language : En, Es, Fr & De
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In this important and revelatory book, David Young Kim examines how mobility and travel affected the identities and artistic styles of artists such as Giotto, Brunelleschi, Donatello, Lotto, Michelangelo, Raphael, and Titian. It is well known that Italian Renaissance artists traveled; this book considers the cultural and historical contexts of their voyages. Kim establishes connections between artists’ travel and responses to their work in early modern literature, with critical analysis of 16th-century written culture. Relevant themes in Giorgio Vasari’s monumental Lives of the Artists are explored in depth. Through new readings of critical ideas, prejudices, and entire biographies in Renaissance art literature, Kim makes a groundbreaking case for the circuitous development of the artists’ individual styles, offering a complex understanding of how the concepts of mobility and identity were changing in a shifting and widening world.

Art in Renaissance Italy, 1350-1500

Art in Renaissance Italy, 1350-1500

by Evelyn S. Welch

  • Publisher : Oxford University Press, USA
  • Release : 2000
  • Pages : 351
  • ISBN : 9780192842794
  • Language : En, Es, Fr & De
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"Focuses primarliy on the social and historical context in which art was made and used"--Bibliographic essay (p. 326).

Art

Art
A History of Painting, Sculpture, Architecture

by Frederick Hartt

  • Publisher :
  • Release : 1993
  • Pages : 1127
  • ISBN :
  • Language : En, Es, Fr & De
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History of Renaissance Art

History of Renaissance Art
Painting, Sculpture, Architecture Throughout Europe

by Creighton Gilbert

  • Publisher : Prentice Hall
  • Release : 1973
  • Pages : 460
  • ISBN :
  • Language : En, Es, Fr & De
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This volume brings together the architecture, sculpture, and painting of three centuries -- 1300 to 1600 -- throughout Europe. Here is the whole of Renaissance art, set in the context of the religion, society, and economics of the time. The author has devised a system that sidesteps the usual broad chapters filled with sweeping developments. Instead he gives us shorter sections that provide close looks at the talents, schools, and generations of artists form whose scintillating creativity came what we now call Renaissance art. This presentation keeps continuous the history and local traditions of each area, yet follows the path of artists and patrons back and forth across the map of Europe. Sixty colorplates and 527 gauvre illustrations enrich the text. Other unusual features include supplementary notes identifying all works mentioned by not illustrated and a four-page foldout chronological chart in two colors bringing together all the artists in the book. -- From publisher's description.

Exam Prep for: History of Italian Renaissance Art, 7th Edition

Exam Prep for: History of Italian Renaissance Art, 7th Edition

by N.A

  • Publisher :
  • Release :
  • Pages : 329
  • ISBN :
  • Language : En, Es, Fr & De
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Exam Prep Flash Cards for History of Italian Renaissance ...

Exam Prep Flash Cards for History of Italian Renaissance ...

by N.A

  • Publisher :
  • Release :
  • Pages : 329
  • ISBN :
  • Language : En, Es, Fr & De
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Italian Renaissance Painting According to Genres

Italian Renaissance Painting According to Genres

by Jacob Burckhardt

  • Publisher : Getty Publications
  • Release : 2005
  • Pages : 235
  • ISBN : 9780892367368
  • Language : En, Es, Fr & De
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Jacob Burckhardt (1818-1897) was one of the first great historians of culture and art. In his manuscript on the genres of Italian Renaissance painting-still unpublished in the original German and published here in English for the first time-Burckhardt assayed a transformative approach to the study of art history. Rather than undertaking a biographical or a chronological reading of artistic development, Burckhardt chose to read the source materials and extant works of the Italian Renaissance synchronically, by genre. Probably written between 1885 and 1893, this manuscript takes up twelve different categories of paintings, ranging from the allegorical to the historical, from the biblical to the mythological, from the glorification of saints to the denunciation of sinners. Maurizio Ghelardi's introductory essay analyzes Burckhardt's innovative treatment of his subject, establishing the importance of this text not only within Burckhardt's oeuvre but also within the continuum of art historical research.

Low and High Style in Italian Renaissance Art

Low and High Style in Italian Renaissance Art

by Patricia Emison

  • Publisher : Routledge
  • Release : 2013-10-28
  • Pages : 284
  • ISBN : 113652343X
  • Language : En, Es, Fr & De
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First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.