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A History of Music in Western Culture

A History of Music in Western Culture
Combined Volume

by Mark Evan Bonds

  • Publisher : Pearson College Division
  • Release : 2010
  • Pages : 649
  • ISBN : 9780205661732
  • Language : En, Es, Fr & De
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A History of Music in Western Culture, Volume 2, 3/e is based on the premise that the best way to convey the history of Western music is to focus squarely on the music. Organized around a carefully selected repertory of works, this text integrates the requisite names, dates, and concepts around specific compositions. Once familiar with a representative body of music, students can better grasp the evolution of musical style and music's changing uses within the Western tradition. Even more importantly, they will have a sound basis from which to explore other musical works and repertories.

A History of Music in Western Culture

A History of Music in Western Culture

by Mark Evan Bonds

  • Publisher : Pearson College Division
  • Release : 2013
  • Pages : 676
  • ISBN : 9780205867226
  • Language : En, Es, Fr & De
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Learn the History of Music, through Music. A History of Music in Western Culture, 4/e is based on the premise that the best way to convey the history of Western music is to focus on specific works of music. The text is structured around a carefully selected repertory of music that reflects the development of the art form throughout time. Mark Evan Bonds helps readers gain a broad understanding of the nature of music, its role in society, and the ways in which these have changed over time. A History of Music in Western Culture challenges students to think critically about the nature of music and its past. Once familiar with a representative body of music, students can better grasp the evolution of musical style and music's changing uses within the Western tradition. Students will have a sound basis from which to explore other musical works. This text builds its narrative around the core repertory represented in the Anthology of Scores and the corresponding sets of compact discs. Learning Goals Upon completing this book, students will be able to: Grasp the evolution of musical style and music's changing uses within the Western tradition. Have a sound basis from which to explore other musical works. Gain a better understanding of the nature of music NOTE: MySearchLab does not come automatically packaged with this text. To purchase the text with MySearchLab, order the package ISBN: 0205940730 / 9780205940738 History of Music in Western Culture Plus MySearchLab with Pearson eText - Access Card Package Package consists of: 0205239927 / 9780205239924 MySearchLab with Pearson eText -- Valuepack Access Card 0205867227 / 9780205867226 History of Music in Western Culture

A Brief History of Music in Western Culture

A Brief History of Music in Western Culture

by Mark Evan Bonds

  • Publisher : Prentice Hall
  • Release : 2004
  • Pages : 497
  • ISBN :
  • Language : En, Es, Fr & De
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Suitable for all courses in music history. This brief and accessible text provides undergraduates with a conceptual framework for understanding stylistic and social developments in the history of music from classical antiquity to the present. This text allows the student to grasp the richness and importance of musical history in two important ways. It combines narrative with primary sources in a lively and engaging manner and it traces key concepts of musical style and the uses of music across time.

History of Music in Western Culture

History of Music in Western Culture

by Mark Evan Bonds PhD

  • Publisher : Pearson Higher Ed
  • Release : 2013-01-23
  • Pages : 696
  • ISBN : 0205954855
  • Language : En, Es, Fr & De
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Learn the History of Music, through Music. A History of Music in Western Culture, 4/e is based on the premise that the best way to convey the history of Western music is to focus on specific works of music. The text is structured around a carefully selected repertory of music that reflects the development of the art form throughout time. Mark Evan Bonds helps readers gain a broad understanding of the nature of music, its role in society, and the ways in which these have changed over time. A History of Music in Western Culture challenges students to think critically about the nature of music and its past. Once familiar with a representative body of music, students can better grasp the evolution of musical style and music's changing uses within the Western tradition. Students will have a sound basis from which to explore other musical works. This text builds its narrative around the core repertory represented in the Anthology of Scores and the corresponding sets of compact discs. Learning Goals Upon completing this book, students will be able to: Grasp the evolution of musical style and music's changing uses within the Western tradition. Have a sound basis from which to explore other musical works. Gain a better understanding of the nature of music NOTE: MySearchLab does not come automatically packaged with this text. To purchase the text with MySearchLab, order the package ISBN: 0205940730 / 9780205940738 History of Music in Western Culture Plus MySearchLab with Pearson eText - Access Card Package Package consists of: 0205239927 / 9780205239924 MySearchLab with Pearson eText -- Valuepack Access Card 0205867227 / 9780205867226 History of Music in Western Culture

Anthology of scores to A history of music in Western culture

Anthology of scores to A history of music in Western culture

by Mark Evan Bonds

  • Publisher :
  • Release : 2003
  • Pages : 329
  • ISBN :
  • Language : En, Es, Fr & De
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Music in Western Civilization

Music in Western Civilization

by Paul Henry Lang

  • Publisher : W. W. Norton & Company
  • Release : 1997
  • Pages : 1107
  • ISBN : 9780393040746
  • Language : En, Es, Fr & De
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A comprehensive history of occidental music focuses on the function of music as an expression of the spirit and artistic life of each age

Anthology of Scores Volume I for History of Music in Western Culture

Anthology of Scores Volume I for History of Music in Western Culture

by Evan Bonds

  • Publisher : Pearson College Division
  • Release : 2013-06-30
  • Pages : 336
  • ISBN : 9780205927975
  • Language : En, Es, Fr & De
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Anthology of Scores -- The text, A History of Music in Western Culture, 4th edition by Mark Evan Bonds, builds its narrative around the two-volume Anthology of Scores and a corresponding set of compact discs. Icons in the margin of the text cross-reference the scores and recordings of discussions in the Anthology. The works in the Anthology of Scores to A History of Music in Western Culture have been carefully selected to represent the developments in music history discussed in the text. Volume I covers antiquity through the Baroque era; Volume II covers music of the Classical era to the present. Key features of the Score Anthology include Integrated commentary - Excerpts from the text are integrated into the score anthology at the end of each selection, providing students with basic information and a brief discussion of every work. Cross-referencing to text and recordings - Each selection in the anthology opens with a clear cross-reference to the recorded version of the work (disc and track number) and to the discussion of the work within the text (page number). The score and recordings in the anthology correspond exactly within their chronological span (Volume One of each through the Baroque era; Volume Two of each since the Classical era).

A History of Music in Western Culture

A History of Music in Western Culture

by Mark Evan Bonds

  • Publisher :
  • Release : 2006
  • Pages : 701
  • ISBN :
  • Language : En, Es, Fr & De
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A book that will enable the reader to have a greater understanding of music's role in our lives, this is a comprehensive study of the history of music from antiquity to the modern era. This book makes its subject matter lively and engaging by including loads of information in a way that the reader can easily grasp with its clearly-written narrative, use of illustrations, information boxes, composer profiles, and generous quantities of interesting material, such as composers' letters and critic's reviews of music throughout the ages. A two-volume anthology and an eight CD set of carefully chosen musical scores are included with this book. This book maintains the traditional divisions of music history: Antiquity, Middle Ages, Renaissance, Baroque, Classical, Romantic, and Twentieth Century, all connected by themes such as texture, melody, harmony, rhythm, and composers, which allow the reader to compare and contrast the different elements of musical style throughout the ages.

Temperament

Temperament
How Music Became a Battleground for the Great Minds of Western Civilization

by Stuart Isacoff

  • Publisher : Vintage
  • Release : 2009-01-16
  • Pages : 288
  • ISBN : 0307560511
  • Language : En, Es, Fr & De
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Few music lovers realize that the arrangement of notes on today’s pianos was once regarded as a crime against God and nature, or that such legendary thinkers as Pythagoras, Plato, da Vinci, Galileo, Kepler, Descartes, Newton and Rousseau played a role in the controversy. Indeed, from the time of the Ancient Greeks through the eras of Renaissance scientists and Enlightenment philosophers, the relationship between the notes of the musical scale was seen as a key to the very nature of the universe. In this engaging and accessible account, Stuart Isacoff leads us through the battles over that scale, placing them in the context of quarrels in the worlds of art, philosophy, religion, politics and science. The contentious adoption of the modern tuning system known as equal temperament called into question beliefs that had lasted nearly two millenia–and also made possible the music of Beethoven, Schubert, Chopin, Debussy, and all who followed. Filled with original insights, fascinating anecdotes, and portraits of some of the greatest geniuses of all time, Temperament is that rare book that will delight the novice and expert alike.

Introduction to Western Culture

Introduction to Western Culture
Cultural History, Religion, Politics, Folklore and Tourism

by Guobin Xu,Yanhui Chen,Lianhua Xu

  • Publisher : Springer
  • Release : 2018-03-23
  • Pages : 187
  • ISBN : 9811081530
  • Language : En, Es, Fr & De
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Promoting cultural understanding in a globalized world, this collection provides a concise and unique introduction to Western culture, through the voices of Chinese scholars. Written by a team of experts in their fields, the book provides insights into Western history and culture, covering an interdisciplinary range of topics across literature, language, music, art and religion. It addresses such issues as tourism and etiquette, as well as the key differences of distinct cultures, providing readers with a succinct yet effective way to master a basic understanding of Western culture.

Anthology of Scores Volume II for History of Music in Western Culture

Anthology of Scores Volume II for History of Music in Western Culture

by Evan Bonds

  • Publisher : Pearson
  • Release : 2013-07-09
  • Pages : 648
  • ISBN : 9780205927968
  • Language : En, Es, Fr & De
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Anthology of Scores -- The text, A History of Music in Western Culture, 4th edition by Mark Evan Bonds, builds its narrative around the two-volume Anthology of Scores and a corresponding set of compact discs. Icons in the margin of the text cross-reference the scores and recordings of discussions in the Anthology. The works in the Anthology of Scores to A History of Music in Western Culture have been carefully selected to represent the developments in music history discussed in the text. Volume I covers antiquity through the Baroque era; Volume II covers music of the Classical era to the present. Key features of the Score Anthology include Integrated commentary - Excerpts from the text are integrated into the score anthology at the end of each selection, providing students with basic information and a brief discussion of every work. Cross-referencing to text and recordings - Each selection in the anthology opens with a clear cross-reference to the recorded version of the work (disc and track number) and to the discussion of the work within the text (page number). The score and recordings in the anthology correspond exactly within their chronological span (Volume One of each through the Baroque era; Volume Two of each since the Classical era).

The Book that Made Your World

The Book that Made Your World
How the Bible Created the Soul of Western Civilization

by Vishal Mangalwadi

  • Publisher : Thomas Nelson
  • Release : 2012-10-24
  • Pages : 464
  • ISBN : 1595554009
  • Language : En, Es, Fr & De
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Understand where we came from. Whether you're an avid student of the Bible or a skeptic of its relevance, The Book That Made Your World will transform your perception of its influence on virtually every facet of Western civilization. Indian philosopher Vishal Mangalwadi reveals the personal motivation that fueled his own study of the Bible and systematically illustrates how its precepts became the framework for societal structure throughout the last millennium. From politics and science, to academia and technology, the Bible's sacred copy became the key that unlocked the Western mind. Through Mangalwadi's wide-ranging and fascinating investigation, you'll discover: What triggered the West's passion for scientific, medical, and technological advancement How the biblical notion of human dignity informs the West's social structure and how it intersects with other worldviews How the Bible created a fertile ground for women to find social and economic empowerment How the Bible has uniquely equipped the West to cultivate compassion, human rights, prosperity, and strong families The role of the Bible in the transformation of education How the modern literary notion of a hero has been shaped by the Bible's archetypal protagonist Journey with Mangalwadi as he examines the origins of a civilization's greatness and the misguided beliefs that threaten to unravel its progress. Learn how the Bible transformed the social, political, and religious institutions that have sustained Western culture for the past millennium, and discover how secular corruption endangers the stability and longevity of Western civilization. Endorsements: “This is an extremely significant piece of work with huge global implications. Vishal brings a timely message.” (Ravi Zacharias, author, Walking from East to West and Beyond Opinion) “In polite society, the mere mention of the Bible often introduces a certain measure of anxiety. A serious discussion on the Bible can bring outright contempt. Therefore, it is most refreshing to encounter this engaging and informed assessment of the Bible’s profound impact on the modern world. Where Bloom laments the closing of the American mind, Mangalwadi brings a refreshing optimism.” (Stanley Mattson, founder and president, C. S. Lewis Foundation) “Vishal Mangalwadi recounts history in very broad strokes, always using his cross-cultural perspectives for highlighting the many benefits of biblical principles in shaping civilization.” (George Marsden, professor, University of Notre Dame; author, Fundamentalism and American Culture)

Tonality in Western Culture

Tonality in Western Culture
A Critical and Historical Perspective

by Richard Norton

  • Publisher : Penn State University Press
  • Release : 1984
  • Pages : 306
  • ISBN :
  • Language : En, Es, Fr & De
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This book initiates "the first critical appraisal of the whole of Western tonal consciousness, from the discoveries of Pythagoras to the latest popular song." While tonality has been unwittingly championed as the product of the bourgeois age in Europe and America from 1600 to 1900, Norton states, key-centered music is understood here merely to exhibit components of an encompassing sonic expressivity as durable as any language. The author analyzes fundamental components of Western tonal phenomena that have persisted in music from ancient Jewish cantillation to the so-called atonal procedures of the Schoenberg school and beyond. Norton isolates the role of traditional music theory in the creation of models that attempted to explain tonality solely in terms of the concretized and limited objectivity of the musical score. The author evaluates and discards those features of logical positivism, scientific empiricism, idealism, and vitalism that in his view have encumbered virtually all speculation on tonality. With this negation, his aim is to restore the composer as a creator subject to his own sonic object. The book's approach is particularly indebted to the thought of Theodor Adorno, the member of the Frankfurt School of critical theorists that Norton finds most capable of suggesting an authentic dialectic of tonality. The author interprets the activities of both theorists and composers from various periods within the context of their mutual and conflicting historical interests. Ranging through the fields of physics, acoustics, psychology, sociology, economics, and historical musicology and criticism, Norton demonstrates that the cognitive abilities and disabilities of humans as tonal hearers form a necessary ground for understanding the remarkable vitality of tonality as historical process. Current theories of human tonal activity are hopelessly limited, the book concludes, however self-preserving they have become through the sanction of academic respectability. In short, tonal science, as it is commonly practiced, is not tonal truth. In its place the author urges a thoroughgoing critique of the language and methodology of contemporary tonal speculation, an abandonment of its confining sphere of interest, and a new and liberating approach to tonal consciousness that incorporates all relevant data of human sonic cognition. This approach assumes that tonality is not merely the result of the physical unfolding of natural appearance--the overtone series that so enchanted Rameau, Schenker, Hindemith, and others--and the submission of composers to its assumed authority. Tonality is, rather, Norton contends, a decision made against the chaos of pitch and for the human potential to create works of music that speak with integrity and beauty, that as aesthetic creations neither lag behind nor rush ahead of human enjoyment and understanding.

Music

Music
A Subversive History

by Ted Gioia

  • Publisher : Basic Books
  • Release : 2019-10-15
  • Pages : 528
  • ISBN : 1541617975
  • Language : En, Es, Fr & De
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"A dauntingly ambitious, obsessively researched" (Los Angeles Times) global history of music that reveals how songs have shifted societies and sparked revolutions Histories of music overwhelmingly suppress stories of the outsiders and rebels who created musical revolutions and instead celebrate the mainstream assimilators who borrowed innovations, diluted their impact, and disguised their sources. In Music: A Subversive History, Ted Gioia reclaims the story of music for the riffraff, insurgents, and provocateurs. Gioia tells a four-thousand-year history of music as a global source of power, change, and upheaval. He shows how outcasts, immigrants, slaves, and others at the margins of society have repeatedly served as trailblazers of musical expression, reinventing our most cherished songs from ancient times all the way to the jazz, reggae, and hip-hop sounds of the current day. Music: A Subversive History is essential reading for anyone interested in the meaning of music, from Sappho to the Sex Pistols to Spotify.

Ballet in Western Culture

Ballet in Western Culture
A History of Its Origins and Evolution

by Carol Lee

  • Publisher : Psychology Press
  • Release : 2002
  • Pages : 368
  • ISBN : 9780415942577
  • Language : En, Es, Fr & De
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A history of the development of ballet from the origins of dance through the 20th century.

The Cowboy in Country Music

The Cowboy in Country Music
An Historical Survey with Artist Profiles

by Don Cusic

  • Publisher : McFarland
  • Release : 2011-07-29
  • Pages : 284
  • ISBN : 0786486058
  • Language : En, Es, Fr & De
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This series of biographical profiles shines a spotlight on that special place “Where the West meets the Guitar.” From Gene Autry and Roy Rogers to contemporary artists like Michael Murphy, Red Steagall, Don Edwards and Riders in the Sky, many entertainers have performed music of the West, a genre separate from mainstream country music and yet an important part of the country music heritage. Once called “Country and Western,” it is now described as “Country or Western.” Though much has been written about “Country,” very little has been written about “Western”—until now. Featured are a number of photos of the top stars in Western music, past and present. Also included is an extensive bibliography of works related to the Western music field.

China and the West

China and the West
Music, Representation, and Reception

by Hon-Lun Yang,Michael Saffle

  • Publisher : University of Michigan Press
  • Release : 2017-03
  • Pages : 328
  • ISBN : 0472130315
  • Language : En, Es, Fr & De
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'China and the West: Music, Representation, and Reception' is the first book to explore how Chinese and Western musical materials and traditions-those involving instruments, melodies, rhythms, staged diversions (including operas and musical comedies), concert works, film scores, and digital recordings of several kinds-have gradually moved closer together and become increasingly accepted, as well as exploited, in Asia as well as Europe and North America. Although aimed in large part at a scholarly audience, China and the West should appeal to general readers of many kinds: those interested in politics, cultural history and theory, gender studies, sociology, theater, and media studies as well as musical composition and performance of 'classical' as well as traditional and popular kinds

HISTORY OF MUSIC IN WESTERN CULTURE

HISTORY OF MUSIC IN WESTERN CULTURE

by ANONIMO

  • Publisher :
  • Release : 2005-02-28
  • Pages : 329
  • ISBN : 9780131931114
  • Language : En, Es, Fr & De
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Cheese and Culture

Cheese and Culture
A History of Cheese and Its Place in Western Civilization

by Paul Kindstedt

  • Publisher : Chelsea Green Publishing
  • Release : 2012-04-01
  • Pages : 253
  • ISBN : 1603584110
  • Language : En, Es, Fr & De
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"Behind every traditional type of cheese there is a fascinating story. By examining the role of the cheesemaker throughout world history and by understanding a few basic principles of cheese science and technology, we can see how different cheeses have been shaped by and tailored to their surrounding environment, as well as defined by their social and cultural context. Cheese and Culture endeavors to advance our appreciation of cheese origins by viewing human history through the eyes of a cheese scientist. There is also a larger story to be told, a grand narrative that binds all cheeses together into a single history that started with the discovery of cheese making and that is still unfolding to this day. This book reconstructs that 9000-year story basedon the often fragmentary information that we have available. Cheese and Culture embarks on a journey that begins in the Neolithic Age and winds its way through the ensuing centuries to the present. This tour through cheese history intersects with some ofthe pivotal periods in human prehistory and ancient, classical, medieval, renaissance, and modern history that have shaped western civilization, for these periods also shaped the lives of cheesemakers and the diverse cheeses that they developed. The bookoffers a useful lens through which to view our twenty-first century attitudes toward cheese that we have inherited from our past, and our attitudes about the food system more broadly. This refreshingly original book will appeal to anyone who loves history, food, and especially good cheese"--Provided by publisher.

Inhumanities

Inhumanities
Nazi Interpretations of Western Culture

by David B. Dennis

  • Publisher : Cambridge University Press
  • Release : 2012-09-20
  • Pages : 329
  • ISBN : 1139560859
  • Language : En, Es, Fr & De
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Inhumanities is an unprecedented account of the ways Nazi Germany manipulated and mobilized European literature, philosophy, painting, sculpture and music in support of its ideological ends. David B. Dennis shows how, based on belief that the Third Reich represented the culmination of Western civilization, culture became a key propaganda tool in the regime's program of national renewal and its campaign against political, national and racial enemies. Focusing on the daily output of the Völkischer Beobachter, the party's official organ and the most widely circulating German newspaper of the day, he reveals how activists twisted history, biography and aesthetics to fit Nazism's authoritarian, militaristic and anti-Semitic world views. Ranging from National Socialist coverage of Germans such as Luther, Dürer, Goethe, Beethoven, Wagner and Nietzsche to 'great men of the Nordic West' such as Socrates, Leonardo and Michelangelo, Dennis reveals the true extent of the regime's ambitious attempt to reshape the 'German mind'.