Download Hitchcock Ebook PDF

Hitchcock

Hitchcock

by Francois Truffaut

  • Publisher : Simon and Schuster
  • Release : 2015-12-04
  • Pages : 368
  • ISBN : 1501143220
  • Language : En, Es, Fr & De
GET BOOK

Iconic, groundbreaking interviews of Alfred Hitchcock by film critic François Truffaut—providing insight into the cinematic method, the history of film, and one of the greatest directors of all time. In Hitchcock, film critic François Truffaut presents fifty hours of interviews with Alfred Hitchcock about the whole of his vast directorial career, from his silent movies in Great Britain to his color films in Hollywood. The result is a portrait of one of the greatest directors the world has ever known, an all-round specialist who masterminded everything, from the screenplay and the photography to the editing and the soundtrack. Hitchcock discusses the inspiration behind his films and the art of creating fear and suspense, as well as giving strikingly honest assessments of his achievements and failures, his doubts and hopes. This peek into the brain of one of cinema’s greats is a must-read for all film aficionados.

Hitchcock

Hitchcock
Past and Future

by Richard Allen,S. Ishii-Gonzalès

  • Publisher : Psychology Press
  • Release : 2004
  • Pages : 284
  • ISBN : 9780415275255
  • Language : En, Es, Fr & De
GET BOOK

Alfred Hitchcock's films have had an impact on scholars of all critical persuasions to the extent that the study of his works is synonymous with the study of 20th century cinema itself. These essays reflect the length and breadth of this scholarship.

Hitchcock

Hitchcock
The Making of a Reputation

by Robert E. Kapsis

  • Publisher : University of Chicago Press
  • Release : 1992
  • Pages : 313
  • ISBN : 9780226424897
  • Language : En, Es, Fr & De
GET BOOK

From the beginning of his career, Alfred Hitchcock wanted to be considered an artist. Although his thrillers were immensely popular, and Hitchcock himself courted reviewers, he was, for many years, regarded as no more than a master craftsman. By the 1960s, though, critics began calling him an artist of unique vision and gifts. What happened to make Hitchcock's reputation as a true innovator and singular talent? Through a close examination of Hitchcock's personal papers, scripts, production notes, publicity files, correspondence, and hundreds of British and American reviews, Robert Kapsis here traces Hitchcock's changing critical fortunes. Vertigo, for instance, was considered a flawed film when first released; today it is viewed by many as the signal achievement of a great director. According to Kapsis, this dramatic change occurred because the making of the Hitchcock legend was not solely dependent on the quality of his films. Rather, his elevation to artist was caused by a successful blending of self-promotion, sponsorship by prominent members of the film community, and, most important, changes in critical theory which for the first time allowed for the idea of director as auteur. Kapsis also examines the careers of several other filmmakers who, like Hitchcock, have managed to cross the line that separates craftsman from artist, and shows how Hitchcock's legacy and reputation shed light on the way contemporary reputations are made. In a chapter about Brian De Palma, the most reknowned thriller director since Hitchcock, Kapsis explores how Hitchcock's legacy has affected contemporary work in—and criticism of—the thriller genre. Filled with fascinating anecdotes and intriguing excerpts, and augmented by interviews with Hitchcock's associates, this thoroughly documented and engagingly written book will appeal to scholars and film enthusiasts alike. "Required reading for Hitchcock scholars...scrupulously researched, invaluable material for those who continue to ask: what made the master tick?"—Anthony Perkins

Alfred Hitchcock

Alfred Hitchcock

by Paul Duncan

  • Publisher : Oldcastle Books
  • Release : 2011-10-19
  • Pages : 160
  • ISBN : 1842435418
  • Language : En, Es, Fr & De
GET BOOK

Who was Hitchcock? A fat man who played practical jokes on people? A control freak who humiliated others to make himself look better? A little boy afraid of the dark? One of the greatest storytellers of the century? He was all of these and more - twenty years after his death, he is still a household name; most people in the Western world have seen his film, and he popularised the action movie format we see every week on the cinema screen.

Hitchcock's Films Revisited

Hitchcock's Films Revisited

by Robin Wood

  • Publisher : Columbia University Press
  • Release : 2002
  • Pages : 413
  • ISBN : 9780231126953
  • Language : En, Es, Fr & De
GET BOOK

When Hitchcock's Films was first published, it quickly became known as a new kind of book on film and as a necessary text in the growing body of Hitchcock criticism. This revised edition of Hitchcock's Films Revisited includes a substantial new preface in which Wood reveals his personal history as a critic -- including his coming out as a gay man, his views on his previous critical work, and how his writings, his love of film, and his personal life and have remained deeply intertwined through the years. This revised edition also includes a new chapter on Marnie.

A Companion to Alfred Hitchcock

A Companion to Alfred Hitchcock

by Thomas Leitch,Leland Poague

  • Publisher : John Wiley & Sons
  • Release : 2011-03-01
  • Pages : 624
  • ISBN : 1444397311
  • Language : En, Es, Fr & De
GET BOOK

The most comprehensive volume ever published on Alfred Hitchcock, covering his career and legacy as well as the broader cultural and intellectual contexts of his work. Contains thirty chapters by the leading Hitchcock scholars Covers his long career, from his earliest contributions to other directors’ silent films to his last uncompleted last film Details the enduring legacy he left to filmmakers and audiences alike

An Eye for Hitchcock

An Eye for Hitchcock

by Murray Pomerance

  • Publisher : Rutgers University Press
  • Release : 2004
  • Pages : 306
  • ISBN : 9780813533957
  • Language : En, Es, Fr & De
GET BOOK

Film scholar Murray Pomerance presents a series of fascinating meditations on six films directed by the legendary Alfred Hitchcock, a master of the cinema. Two of the films are extraordinarily famous and have been seen--and misunderstood--countless times: North by Northwest and Vertigo. Two others, Marnie and Torn Curtain, have been mostly disregarded by viewers and critics or considered to be colossal mistakes, while two others, Spellbound and I Confess, have received almost no critical attention at all. In An Eye for Hitchcock, these movies are seen in a striking new way. Pomerance takes us deep into the structure of Hitchcock's vision and his screen architecture, revealing key elements that have never been written about before. Pomerance also clearly reveals the link between Hitchcock's work and a wide range of thinkers and artists in other fields, thereby offering viewers of Hitchcock's films the rare opportunity to see them in an entirely new light.

Hitchcock

Hitchcock
Suspense, Humour and Tone

by Susan Smith

  • Publisher : Bloomsbury Publishing
  • Release : 2019-07-25
  • Pages : 224
  • ISBN : 1838716130
  • Language : En, Es, Fr & De
GET BOOK

Susan Smith's treatment of the works of the most subtle of all film-makers analyses the key elements of suspense, humour and tone across the whole of the director's career. Arguing that all three are central to our viewing experience, the book demonstrates how Hitchcock's masterly integration of those elements is the key to his success as a film-maker. Examining in detail such films as Sabotage, Notorious, Rear Window, Psycho, Shadow of a Doubt, Rope and The Birds, amongst many others, the book discusses the idea of the director as saboteur and the importance of 'the avoidance of cliché' in Hitchcock's narrative.

The Films of Alfred Hitchcock

The Films of Alfred Hitchcock

by Patrick Humphries

  • Publisher : Crescent Books
  • Release : 1994-09
  • Pages : 194
  • ISBN : 9780517102923
  • Language : En, Es, Fr & De
GET BOOK

Examines Hitchcock's career, shows how his films reflect his own anxieties and neuroses, and reveals a master storyteller and technical wizard

Alfred Hitchcock's Psycho

Alfred Hitchcock's Psycho
A Casebook

by Robert Phillip Kolker

  • Publisher : Oxford University Press on Demand
  • Release : 2004
  • Pages : 261
  • ISBN : 9780195169195
  • Language : En, Es, Fr & De
GET BOOK

Alfred Hitchcock's Psycho: A Casebook collects some of the finest essays on this groundbreaking film--a film that is ideal for teaching the language of cinema and the ways in which strong filmmakers can break Hollywood conventions. Psycho is a film that can be used to present the structures of composition and cutting, narrative and genre building, and point of view. The film is also a highpoint of the horror genre and an instigator of all the slasher films to come in its wake. The essays in the casebook cover all of these elements and more. They also serve another purpose: presented chronologically, they represent the changes in the methodologies of film criticism, from the first journalist reviews and early auteurist approaches, through current psychoanalytic and gender criticism. Other selections include an analysis of Bernard Hermann's score and its close relationship to Hitchcock's visual construction; the famous Hitchcock interview by François Truffaut; and an essay by Robert Kolker that, through the use of stills taken directly from the film, closely reads its extraordinary cinematic structure. Contributors include Robert Kolker, Stephen Rebello, Bosley Crowther, Jean Douchet, Robin Wood, Raymond Durgnat, Royal S. Brown, George Toles, Robert Samuels, and Linda Williams.

Alfred Hitchcock

Alfred Hitchcock

by Gene D. Phillips

  • Publisher : Boston : Twayne Publishers
  • Release : 1984
  • Pages : 211
  • ISBN :
  • Language : En, Es, Fr & De
GET BOOK

Focuses on the career and achievements of the director who envisioned a new kind of thriller.

A Hitchcock Reader

A Hitchcock Reader

by Marshall Deutelbaum,Leland Poague

  • Publisher : John Wiley & Sons
  • Release : 2009-02-24
  • Pages : 394
  • ISBN : 1405155566
  • Language : En, Es, Fr & De
GET BOOK

This new edition of A Hitchcock Reader aims to preserve what has been so satisfying and successful in the first edition: a comprehensive anthology that may be used as a critical text in introductory or advanced film courses, while also satisfying Hitchcock scholars by representing the rich variety of critical responses to the director's films over the years. a total of 20 of Hitchcock?s films are discussed in depth - many others are considered in passing section introductions by the editors that contextualize the essays and the films they discuss well-researched bibliographic references, which will allow readers to broaden the scope of their study of Alfred Hitchcock

Alfred Hitchcock

Alfred Hitchcock
The Legacy of Victorianism

by Paula Marantz Cohen

  • Publisher : University Press of Kentucky
  • Release : 2015-01-13
  • Pages : 208
  • ISBN : 081315779X
  • Language : En, Es, Fr & De
GET BOOK

This provocative study traces Alfred Hitchcock's long directorial career from Victorianism to postmodernism. Paula Cohen considers a sampling of Hitchcock's best films -- Shadow of a Doubt, Rear Window, Vertigo, Psycho -- as well as some of his more uneven ones -- Rope, The Wrong Man, Topaz -- and makes connections between his evolution as a filmmaker and trends in the larger society. Drawing on a number of methodologies including feminism, psychoanalysis, and family systems, the author provides an insightful look at the paradox of a Victorian-style gentleman who evolved into one of the leading masters of the modern medium of film. Cohen sees Hitchcock's films as developing, in part, as a masculine response to the domestic, psychological novels that had appealed primarily to women during the Victorian era. His career, she argues, can be seen as an attempt to balance "the two faces of Victorianism": the masculine legacy of law and hierarchy and the feminine legacy of feeling and imagination. Also central to her thesis is the Victorian model of the nuclear family and its permutations, especially the father-daughter dyad. She postulates a fundamental dynamic in Hitchcock's films, what she calls a "daughter's effect," and relates it to the social role of the family as an institution and to Hitchcock's own relationship with his daughter, Patricia, who appeared in three of his films. Cohen argues that Hitchcock's films reflect his Victorian legacy and serve as a map for ideological trends. She charts his development from his British period through his classic Hollywood years into his later phase, tracing a conceptual evolution that corresponds to an evolution in cultural identity -- one that builds on a Victorian inheritance and ultimately discards it.

Scripted Words of Alfred Hitchcock

Scripted Words of Alfred Hitchcock
Concepts from the Master of Suspense

by Sreechinth C

  • Publisher : UB Tech
  • Release :
  • Pages : 44
  • ISBN :
  • Language : En, Es, Fr & De
GET BOOK

‘The Master of Suspense’, Sir Alfred Joseph Hitchcock was one of the greatest directors in the in the history of film industry. In a career that crossed six decades, there are more than fifty films in his accord making him the most influential film maker ever. This skilled artist is famous for making suspense and thriller films. He revolutionized the film industry with taut, twist-filled classics like “Psycho”, “Rear Window” and “Vertigo”. Check out the best collection of quotations from Alfred Hitchcock, one of Hollywood’s most beloved behind the camera celebrities.

Framing Hitchcock

Framing Hitchcock
Selected Essays from the Hitchcock Annual

by Christopher Brookhouse,Richard Allen,John A. Bertolini,Sabrina Barton,Christopher Morris,Lesley Brill,Joseph Garncarz,Joan Hawkins,Frank M. Meola,Charles L. P. Silet,Thomas Hemmeter,David Sterritt,Thomas Leitch,Leland Poague,James Naremore,James M. Vest,Sarah Street

  • Publisher : Wayne State University Press
  • Release : 2002
  • Pages : 418
  • ISBN : 9780814330616
  • Language : En, Es, Fr & De
GET BOOK

An engaging look at Alfred Hitchcock's work from all angles, culled from an authoritative source of Hitchcock film commentary.

Hitchcock and the Making of Marnie

Hitchcock and the Making of Marnie

by Tony Lee Moral

  • Publisher : Manchester University Press
  • Release : 2002
  • Pages : 215
  • ISBN : 9780719064821
  • Language : En, Es, Fr & De
GET BOOK

After a decade of successful films that included Rear Window, Vertigo, North by Northwest, and Psycho, Alfred Hitchcock produced Marnie, an apparent artistic failure and an unquestionable commercial disappointment. Over the decades, however, the film s reputation has undergone a reevaluation, and both critics and fans alike have come to appreciate Marnie s many qualities. In Hitchcock and the Making of Marnie, Tony Lee Moral investigates the cultural and political factors governing the 1964 film s production, the causes of its critical and commercial failure, and Marnie s relevance for today s artists and filmmakers. Hitchcock s style, motivation, and fears regarding the film are well-documented in this examination of one of his most undervalued efforts. Moral uses extensive research, including personal interviews with Tippi Hedren and Psycho screenwriter Joseph Stefano as well as unpublished excerpts from interviews with Hitchcock himself to delve into the issues surrounding the film s production and release. This revised edition features four new chapters that provide even more fascinating insights into the film s production and Hitchcock s working methods. Biographies of Winston Graham the author of the novel on which the film is based and screenwriter Jay Presson Allen provide clues into how they brought a feminist viewpoint to Marnie. Additional material addresses Hitchcock s unrealized project Mary Rose and his efforts to bring it to the screen, the director s visual style and subjective approach to Marnie, and an exploration of the real Alfred Hitchcock. The book also addresses criticisms of the director following the HBO television movie The Girl, which depicted the filming of Marnie. With newly obtained access to the Hitchcock Collection Production Archives at the Margaret Herrick Library, the files of Jay and Lewis Allen, and the memoirs of Winston Graham as well as interviews in 2012 with the Hitchcock crew this new edition of Hitchcock and the Making of Marnie provides an invaluable look behind the scenes of a film that has finally been recognized for its influence and vision. It contains more than thirty photos, including a storyboard sequence for the film."

Hitchcock and Twentieth-century Cinema

Hitchcock and Twentieth-century Cinema

by John Orr

  • Publisher : Wallflower Press
  • Release : 2005
  • Pages : 207
  • ISBN : 9781904764557
  • Language : En, Es, Fr & De
GET BOOK

John Orr looks at the work, influences, legacy and style of perhaps cinema's most famous director, Alfred Hitchcock.

The Wrong House

The Wrong House
The Architecture of Alfred Hitchcock

by Steven Jacobs

  • Publisher : 010 Publishers
  • Release : 2007
  • Pages : 342
  • ISBN : 906450637X
  • Language : En, Es, Fr & De
GET BOOK

Hitchcock's America

Hitchcock's America

by Jonathan Freedman,Richard Millington

  • Publisher : Oxford University Press
  • Release : 1999-02-25
  • Pages : 208
  • ISBN : 9780195353310
  • Language : En, Es, Fr & De
GET BOOK

Alfred Hitchcock's American films are not only among the most admired works in world cinema, they also offer some of our most acute responses to the changing shape of American society in the 1940s, 50s, and 60s. The authors of this anthology show how famous films such as Strangers on a Train, Vertigo, North by Northwest, and Rear Window, along with more obscure ones such as Rope, The Wrong Man, and Family Plot, register the ideologies and insurgencies, the normative assumptions and the cultural alternatives, that shaped these tumultuous decades. They argue that, just as these films occupy a visual landscape defined by the grand monuments of American civic life--Mt. Rushmore, the Statue of Liberty, the United Nations--they are also marked by their preoccupation with the social mores and private practices of mid-century America. Not only are big-city and suburban life the explicit subjects of films like Rear Window and Shadow of a Doubt, so are the forms of experience that emerge within these social spaces, whether the urban voyeurism examined by the former or the intertwining of banality and violence depicted in the latter. Indeed, just about every form of American life that was achieving social power at this time--the national security state; the science and art of psychoanalysis; the privileging of the free-wheeling, improvisatory self; the postwar codification and fissuring of gender roles; road-culture and its ancillary creation, the motel--is given detailed, critical, and mordant examination in Hitchcocks films. The Hitchcock who emerges is not merely the inspired technician and psychological excavator that critics of the past two generations have justly hailed; he is also a cultural critic of remarkable insight and undeniable prescience.

Hitchcock's Rear Window

Hitchcock's Rear Window
The Well-Made Film

by John Fawell

  • Publisher : SIU Press
  • Release : 2004-11-22
  • Pages : 200
  • ISBN : 9780809389704
  • Language : En, Es, Fr & De
GET BOOK

In the process of providing the most extensive analysis of Alfred Hitchcock’s Rear Window to date, John Fawell also dismantles many myths and clichés about Hitchcock, particularly in regard to his attitude toward women. Although Rear Window masquerades quite successfully as a piece of light entertainment, Fawell demonstrates just how complex the film really is. It is a film in which Hitchcock, the consummate virtuoso, was in full command of his technique. One of Hitchcock’s favorite films, Rear Window offered the ideal venue for the great director to fully use the tricks and ideas he acquired over his previous three decades of filmmaking. Yet technique alone did not make this classic film great; one of Hitchcock’s most personal films, Rear Window is characterized by great depth of feeling. It offers glimpses of a sensibility at odds with the image Hitchcock created for himself—that of the grand ghoul of cinema who mocks his audience with a slick and sadistic style. Though Hitchcock is often labeled a misanthrope and misogynist, Fawell finds evidence in Rear Window of a sympathy for the loneliness that leads to voyeurism and crime, as well as an empathy for the film’s women. Fawell emphasizesa more feeling, humane spirit than either Hitchcock’s critics have granted him or Hitchcock himself admitted to, and does so in a manner of interest to film scholars and general readers alike.