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The Hollywood Propaganda of World War II

The Hollywood Propaganda of World War II

by Robert Fyne

  • Publisher : Scarecrow Press
  • Release : 1997
  • Pages : 245
  • ISBN : 9780810833104
  • Language : En, Es, Fr & De
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An in-depth study that examines WWII movies, analyzing many motifs, stereotypes, ficiton-as-fact, distortions, and prevarications that permeate this genre.

Hollywood Propaganda

Hollywood Propaganda
How TV, Movies, and Music Shape Our Culture

by Mark Dice

  • Publisher :
  • Release : 2020-10-04
  • Pages : 342
  • ISBN : 9781943591091
  • Language : En, Es, Fr & De
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The author, a media analyst, shares his perspectives and insights into how current entertainment products are intentionally crafted to shape our society's social and political trends.

Hollywood Propaganda: How TV, Movies, and Music Shape Our Culture

Hollywood Propaganda: How TV, Movies, and Music Shape Our Culture

by Mark Dice

  • Publisher : Mark Dice
  • Release : 2020-10-03
  • Pages : 336
  • ISBN : 1943591105
  • Language : En, Es, Fr & De
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Films and television shows aren’t just entertainment. They are powerful vehicles that influence social and political trends, ultimately shaping the very fabric of our culture. Because of this potential, there are various agencies which work behind the scenes in Hollywood to harness these forces for their own aims or those of their clients.

Few people outside the industry are aware that such agencies exist and are hired by advocacy groups to lobby studios, writers, and producers in order to get their ideas inserted into plots of popular works.

These Hollywood lobbyists have been instrumental in successfully paving the path for same-sex marriage to become legal, destigmatizing abortion, encouraging mass immigration, and sounding the alarm about climate change; all under the cloak of mere “entertainment.”

More recently we’ve seen these same powers levied against President Trump, his supporters, and used to demonize “white privilege” as an invisible enemy that’s supposedly around every corner.

Even sports and late-night comedy shows are employed for political causes, violating the once unwritten cardinal rules of their industries. In this groundbreaking work, media analyst Mark Dice details the true power of entertainment and proves how it is being used to wage a psychological war against the world.

Hollywood Goes to War

Hollywood Goes to War
How Politics, Profits and Propaganda Shaped World War II Movies

by Clayton R. Koppes,Gregory D. Black

  • Publisher : Univ of California Press
  • Release : 1990-08-16
  • Pages : 374
  • ISBN : 9780520071612
  • Language : En, Es, Fr & De
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The little-explored story of how politics, propaganda, and profits were combined to create the drama, imagery and fantasy that was American film during World War II. 32 black-and-white photographs.

Hollywood's Cold War

Hollywood's Cold War

by Tony Shaw

  • Publisher : Univ of Massachusetts Press
  • Release : 2007
  • Pages : 342
  • ISBN : 9781558496125
  • Language : En, Es, Fr & De
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Published at a time when American filmmakers are deeply involved in the War on Terror, this authoritative and timely book offers the first comprehensive account of Hollywood's propaganda role during the defining ideological conflict of the 20th century: the Cold War.

Primetime Propaganda

Primetime Propaganda
The True Hollywood Story of How the Left Took Over Your TV

by Ben Shapiro

  • Publisher : Harper Collins
  • Release : 2011-05-31
  • Pages : 416
  • ISBN : 0062092103
  • Language : En, Es, Fr & De
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“Vitally important, devastatingly thorough, and shockingly revealing…. After reading Primetime Propaganda, you’ll never watch TV the same way again.” —Mark Levin Movie critic Michael Medved calls Ben Shapiro, “One of our most refreshing and insightful voices on the popular culture, as well as a conscience for his much-maligned generation.” With Primetime Propaganda, the syndicated columnist and bestselling author of Brainwashed, Porn Generation, and Project President tells the shocking true story of how the most powerful medium of mass communication in human history became a vehicle for spreading the radical agenda of the left side of the political spectrum. Similar to what Bernard Goldberg’s Bias and A Slobbering Love Affair did for the liberal news machine, Shapiro’s Primetime Propaganda is an essential exposé of corrupting media bias, pulling back the curtain on widespread and unrepentant abuses of the Hollywood entertainment industry.

Hollywood Enlists!

Hollywood Enlists!
Propaganda Films of World War II

by Ralph Donald

  • Publisher : Rowman & Littlefield
  • Release : 2017-03-08
  • Pages : 274
  • ISBN : 1442277270
  • Language : En, Es, Fr & De
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Frequently referred to as “the Greatest Generation,” Americans of the World War II era were influenced by Hollywood’s depictions of their nation, its role in world affairs, and the virtue of its involvement in the war. Stories of the bravery and heroism of the American military—as well as the moral and political threat posed by the enemy—filled movie screens across the country to garner passionate support for wartime policies. In Hollywood Enlists! Propaganda Films of World War II, Ralph Donald explores how the studios supported the war effort and helped shape the attitudes of an entire generation. Through films the studios appealed to the public’s sense of nationalism, demonized the enemy, and stressed that wartime sacrifices would result in triumph. The author contends that American films of the period used sophisticated, but often overlooked, strategies of propaganda to ideologically unite the country. While these strategies have long been associated with political speeches and writings during the war, little in-depth consideration has been given to their use in the era’s cinema. By examining major motion pictures—including Casablanca, The Flying Tigers, Mrs. Miniver, Sergeant York, They Were Expendable, and many others—Donald illustrates how various propaganda techniques aligned the nation’s entertainment with government aims. Hollywood Enlists! will appeal to readers with interests in war films and motion picture history, as well as politics and social history.

Hearst Over Hollywood

Hearst Over Hollywood
Power, Passion, and Propaganda in the Movies

by Louis Pizzitola

  • Publisher : Columbia University Press
  • Release : 2002
  • Pages : 525
  • ISBN : 9780231116466
  • Language : En, Es, Fr & De
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As a feature film producer, Hearst was responsible for some of the most talked-about movies of the 1920s and the 1930s. Behind the scenes in Hollywood, Hearst had few equals - he was a much-feared power broker from the Silent Era to the Blacklisting Era.".

Hollywood and Anti-Semitism

Hollywood and Anti-Semitism
A Cultural History Up to World War II

by Steven Alan Carr

  • Publisher : Cambridge University Press
  • Release : 2001-04-30
  • Pages : 342
  • ISBN : 9780521798549
  • Language : En, Es, Fr & De
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Examines the role of American Jews in the entertainment industry.

Historical Dictionary of American Propaganda

Historical Dictionary of American Propaganda

by Martin J. Manning,Martin Manning,Herbert Romerstein

  • Publisher : Greenwood Publishing Group
  • Release : 2004
  • Pages : 394
  • ISBN : 9780313296055
  • Language : En, Es, Fr & De
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Covers the history of propaganda that was created by the United States government.

Film Study

Film Study
An Analytical Bibliography

by Frank Manchel

  • Publisher : Fairleigh Dickinson Univ Press
  • Release : 1990
  • Pages : 4
  • ISBN : 9780838631867
  • Language : En, Es, Fr & De
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The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.

Film Propaganda and American Politics

Film Propaganda and American Politics
An Analysis and Filmography

by James Combs,Sara T. Combs

  • Publisher : Routledge
  • Release : 2013-12-17
  • Pages : 224
  • ISBN : 1317929055
  • Language : En, Es, Fr & De
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Originally published in 1994, this important book traces the rise of film propaganda in the 20th Century, discussing specifically how film can be used to manipulate public perception and opinions. Two distinct areas are covered: war propaganda, including feature and documentary films regarding warfare; and civilian propaganda, including films that address a variety of political subjects. Although the focus is American film and American politics, this book offers insights for all those interested in the affect of film on the minds of citizens of any country or state.

Patterns of Bias in Hollywood Movies

Patterns of Bias in Hollywood Movies

by John W. Cones

  • Publisher : Algora Publishing
  • Release : 2012
  • Pages : 196
  • ISBN : 0875869572
  • Language : En, Es, Fr & De
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It's pretty broadly recognized that Hollywood movies contain patterns of bias, but it's not just people of color or women who are hurt by this. Many groups within America's multicultural society have complained over the years about negative and stereotypical portrayals of their own group members in motion pictures produced or released through the Hollywood-based studios. Yet, as an expert on the U.S. film industry points out, such complaints have had little impact on consistent patterns of bias in movies. This book takes a broader look at the nature of negative and stereotypical movie portrayals and tracks patterns of such one-sided depictions over a longer period time. As a result, the patterns of bias — and the source the problem — become more clear. The problem appears be that most of the people who have green-light authority in the U.S. film industry — for either the production and/or distribution of a motion picture — share a common ethnic/religious/cultural background. Thus, the stories of their cohort and those of all other ethnic, religious and/or cultural groups (whose members seldom achieve positions of power Hollywood) are being filtered through the cultural sensibilities of a single group. John Cones suggests that the solution could lie in increasing diversity at the highest levels in the U.S. film industry. This work grew out of the observed frustration of film industry critics who have pointed out examples of bias and stereotyping in specific movies over the years only to be rebuffed by the simplistic studio arguments that such films reflect the real world and that moviegoers vote with their pocket books. It can be shown that there is a consistent pattern to the choices Hollywood studio executives make with respect to the movies produced and released and the specific content of those movies, and it becomes obvious that Hollywood is selectively portraying reality. Movie goers only have limited options among all of the possibilities that could be portrayed on the silver screen. This book differs from other studies touching on bias in motion pictures. Most such books focus on the treatment of a single ethnic, religious, cultural, racial or other readily identifiable interest group, but this study attempts to provide an overview and to identify patterns over time. When the patterns of bias in motion picture content are sufficiently demonstrated and documented, it becomes easier to identify the source of the bias and to explain why such bias exists.

Hollywood v. Hard Core

Hollywood v. Hard Core
How the Struggle Over Censorship Created the Modern Film Industry

by Jon Lewis

  • Publisher : NYU Press
  • Release : 2002-09-01
  • Pages : 377
  • ISBN : 0814729339
  • Language : En, Es, Fr & De
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In 1972, The Godfather and Deep Throat were the two most popular films in the country. One, a major Hollywood studio production, the other an independently made "skin flick." At that moment, Jon Lewis asserts, the fate of the American film industry hung in the balance. Spanning the 20th century, Hollywood v. Hard Core weaves a gripping tale of censorship and regulation. Since the industry's infancy, film producers and distributors have publicly regarded ratings codes as a necessary evil. Hollywood regulates itself, we have been told, to prevent the government from doing it for them. But Lewis argues that the studios self-regulate because they are convinced it is good for business, and that censorship codes and regulations are a crucial part of what binds the various competing agencies in the film business together. Yet between 1968 and 1973 Hollywood films were faltering at the box office, and the major studios were in deep trouble. Hollywood's principal competition came from a body of independently produced and distributed films--from foreign art house film Last Tango in Paris to hard-core pornography like Behind the Green Door--that were at once disreputable and, for a moment at least, irresistible, even chic. In response, Hollywood imposed the industry-wide MPAA film rating system (the origins of the G, PG, and R designations we have today) that pushed sexually explicit films outside the mainstream, and a series of Supreme Court decisions all but outlawed the theatrical exhibition of hard core pornographic films. Together, these events allowed Hollywood to consolidate its iron grip over what films got made and where they were shown, thus saving it from financial ruin.

Controlling Hollywood

Controlling Hollywood
Censorship and Regulation in the Studio Era

by Matthew Bernstein

  • Publisher : A&C Black
  • Release : 2000-01-01
  • Pages : 292
  • ISBN : 9780485300925
  • Language : En, Es, Fr & De
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Explaining the major forces at play behind the making of Hollywood films, this text assesses how changing values have influenced censorship in Hollywood. The text also analyses the major cultural, social, legal and religious changes and their effect on Hollywood.

Hollywood and Hitler, 1933-1939

Hollywood and Hitler, 1933-1939

by Thomas Doherty

  • Publisher : Columbia University Press
  • Release : 2013-04-02
  • Pages : 432
  • ISBN : 0231535147
  • Language : En, Es, Fr & De
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Between 1933 and 1939, representations of the Nazis and the full meaning of Nazism came slowly to Hollywood, growing more ominous and distinct only as the decade wore on. Recapturing what ordinary Americans saw on the screen during the emerging Nazi threat, Thomas Doherty reclaims forgotten films, such as Hitler's Reign of Terror (1934), a pioneering anti-Nazi docudrama by Cornelius Vanderbilt Jr.; I Was a Captive of Nazi Germany (1936), a sensational true tale of "a Hollywood girl in Naziland!"; and Professor Mamlock (1938), an anti-Nazi film made by German refugees living in the Soviet Union. Doherty also recounts how the disproportionately Jewish backgrounds of the executives of the studios and the workers on the payroll shaded reactions to what was never simply a business decision. As Europe hurtled toward war, a proxy battle waged in Hollywood over how to conduct business with the Nazis, how to cover Hitler and his victims in the newsreels, and whether to address or ignore Nazism in Hollywood feature films. Should Hollywood lie low, or stand tall and sound the alarm? Doherty's history features a cast of charismatic personalities: Carl Laemmle, the German Jewish founder of Universal Pictures, whose production of All Quiet on the Western Front (1930) enraged the nascent Nazi movement; Georg Gyssling, the Nazi consul in Los Angeles, who read the Hollywood trade press as avidly as any studio mogul; Vittorio Mussolini, son of the fascist dictator and aspiring motion picture impresario; Leni Riefenstahl, the Valkyrie goddess of the Third Reich who came to America to peddle distribution rights for Olympia (1938); screenwriters Donald Ogden Stewart and Dorothy Parker, founders of the Hollywood Anti-Nazi League; and Harry and Jack Warner of Warner Bros., who yoked anti-Nazism to patriotic Americanism and finally broke the embargo against anti-Nazi cinema with Confessions of a Nazi Spy (1939).

The Use of Arthurian Legend in Hollywood Film

The Use of Arthurian Legend in Hollywood Film
From Connecticut Yankees to Fisher Kings

by Rebecca A. Umland,Rebecca A.. Umland,Samuel J. Umland

  • Publisher : Greenwood Publishing Group
  • Release : 1996
  • Pages : 205
  • ISBN : 9780313297984
  • Language : En, Es, Fr & De
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This is the first book to examine the various uses of the Arthurian legend in Hollywood film, covering films from the 1920s to the present. The authors use five representational categories: intertextual collage (or cult film); melodrama, which focuses on the love triangle; conservative propaganda, pervasive during the Cold War; the Hollywood epic; and the postmodern quest, which commonly employs the grail portion of the legend. Arguing that filmmakers rely on the audience's rudimentary familiarity with the legend, the authors show that only certain features of the legend are activated at any particular time. This fascinating study shows us how the legend has been adapted and how through the popular medium of Hollywood films, the Arthurian legend has survived and flourished.

Why We Fought

Why We Fought
America's Wars in Film and History

by Peter C. Rollins,John E. O'Connor

  • Publisher : University Press of Kentucky
  • Release : 2008-07-25
  • Pages : 624
  • ISBN : 0813138744
  • Language : En, Es, Fr & De
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This book makes a powerful case that film can be as valuable a tool as primary documents for improving our understanding of the causes and consequences of war. Why We Fought: America's Wars in Film and History is a comprehensive look at war films, from depictions of the American Revolution to portrayals of September 11 and its aftermath. The volume contrasts recognized history and historical fiction with the versions appearing on the big screen. The text considers a selection of the pivotal war films of all time, including All Quiet on the Western Front (1930), Sands of Iwo Jima (1949), Apocalypse Now (1979), Platoon (1986), and Saving Private Ryan (1998). Why We Fought reveals how film depictions of the country's wars have shaped our values, politics, and culture, and it offers a unique understanding of American history.

Literature and Propaganda

Literature and Propaganda

by A. P. Foulkes

  • Publisher : Routledge
  • Release : 2013-10-08
  • Pages : 136
  • ISBN : 1136495576
  • Language : En, Es, Fr & De
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First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Hollywood's Censor

Hollywood's Censor
Joseph I. Breen and the Production Code Administration

by Thomas Doherty

  • Publisher : Columbia University Press
  • Release : 2009-03-31
  • Pages : 440
  • ISBN : 0231512848
  • Language : En, Es, Fr & De
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From 1934 to 1954 Joseph I. Breen, a media-savvy Victorian Irishman, reigned over the Production Code Administration, the Hollywood office tasked with censoring the American screen. Though little known outside the ranks of the studio system, this former journalist and public relations agent was one of the most powerful men in the motion picture industry. As enforcer of the puritanical Production Code, Breen dictated "final cut" over more movies than anyone in the history of American cinema. His editorial decisions profoundly influenced the images and values projected by Hollywood during the Great Depression, World War II, and the Cold War. Cultural historian Thomas Doherty tells the absorbing story of Breen's ascent to power and the widespread effects of his reign. Breen vetted story lines, blue-penciled dialogue, and excised footage (a process that came to be known as "Breening") to fit the demands of his strict moral framework. Empowered by industry insiders and millions of like-minded Catholics who supported his missionary zeal, Breen strove to protect innocent souls from the temptations beckoning from the motion picture screen. There were few elements of cinematic production beyond Breen's reach he oversaw the editing of A-list feature films, low-budget B movies, short subjects, previews of coming attractions, and even cartoons. Populated by a colorful cast of characters, including Catholic priests, Jewish moguls, visionary auteurs, hardnosed journalists, and bluenose agitators, Doherty's insightful, behind-the-scenes portrait brings a tumultuous era and an individual both feared and admired to vivid life.