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Translation of: Erinnerungen, Tr'aume, Gedanken.

An eye-opening biography of one of the most influential psychiatrists of the modern age, drawing from his lectures, conversations, and own writings. In the spring of 1957, when he was eighty-one years old, Carl Gustav Jung undertook the telling of his life story. Memories, Dreams, Reflections is that book, composed of conversations with his colleague and friend Aniela Jaffé, as well as chapters written in his own hand, and other materials. Jung continued to work on the final stages of the manuscript until shortly before his death on June 6, 1961, making this a uniquely comprehensive reflection on a remarkable life. Fully corrected, this edition also includes Jung's VII Sermones ad Mortuos.

‘I can understand myself only in the light of inner happenings. It is these that make up the singularity of my life, and with these my autobiography deals’ Carl Jung

In the spring of 1957, when he was eighty-one years old, C. G. Jung undertook the telling of his life story. At regular intervals he had conversations with his colleague and friend Aniela Jaffe, and collaborated with her in the preparation of the text based on these talks. On occasion, he was moved to write entire chapters of the book in his own hand, and he continued to work on the final stages of the manuscript until shortly before his death on June 6, 1961. This edition of Memories, Dreams, Reflections includes Jung's "VII Sermones ad Mortuos." It is a fully corrected edition.

The picture featured on the cover is entitled "The Bungalow in My Home Town with the Great House in the Back- Flowering Trees." Dr. Edinger's comment reads, "The great house behind the modest on is an allusion to the Greater Personality behind the ego. The theme continues of paradisial containment in good Mother Nature. This represents a numinous nature-experience, a healing encounter with the original source of one's being. It is reminiscent of Jung's earliest memory: I am lying in a pram, in the shadow of a tree. It is a fine warm summer day, the sky blue, and golden sunlight darting through the green leaves. The hood of the pram has been left up. I have just awakened to the glorious beauty of the day, and have a sense of indescribable we-being. I see the sun Glittering through the leaves and blossoms of the bushes. Everything is wholly wonderful, colorful and splendid." (Memories, Dreams, Reflections, p. 6) The paintings in this book provide a rare opportunity to experience the work of an artist and the reality of the living psyche. The patient/artist began analysis at the age of 36 with the chief complain that, in spite of a successful career in the arts, he had lost his sense of purpose in life and was on the verge of despair. The pictures were done over a period of five years during the course of Jungian analysis. They touch on all the major themes of the analysis and constitute a remarkable record of analytic experience that ranged from the heights to the depths, from the infernal to the sublime.

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The author explores and defends the bold thesis that the idea of the collective unconscious can be reconciled with a scientific world outlook as he sketches a big picture from Jung's psychological viewpoint. In his examination of Jung's archetypes, Shelburne considers the chief critical views of the scientific import of Jung's thesis as he discusses the issue of rationality posed by the theory. There is also a discussion of how the ideas of James Hillman contrast with those of Jung on the issue of the scientific nature of archetypes. Shelburne presents scientific evidence for the existence of archetypes and shows how the theory fits in with modern evolutionary biology.

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More than twenty thousand quotations from every era and location are combined in a comprehensive reference that also encompasses details of the earliest traceable source, birth and death dates, and career briefs for each entry, as well as a thematic and k

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A collection of essays about contemporary Canadian novels by Margaret Atwood, Robertson Davies, Margaret Laurence, Alice Munro, Mordechai Richler, Rudy Weibe, as edited by professor of English at the University of Ottawa John Moss.