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Music Research

Music Research
A Handbook

by Laurie J. Sampsel

  • Publisher : Oxford University Press, USA
  • Release : 2009
  • Pages : 323
  • ISBN :
  • Language : En, Es, Fr & De
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This text is designed to help music students become familiar with and use the many research tools available to them. The content is arranged by type of research tool (e.g., encyclopedias, periodical indexes, discographies) and includes a general statement about the uses of each tool and anannotated bibliography that points out their purpose, scope, strengths, and weaknesses. Covering both print and electronic resources, the text does not attempt to be exhaustive but rather guides students to the major research tools in music. A companion Web site maintained by the author helps keepthe material up to date.Intended primarily for music bibliography classes taken by almost all students entering graduate music programs, the text is also a useful supplement for any undergraduate or graduate class in music that requires students to do library research or write a research paper.

Pascal Programming for Music Research

Pascal Programming for Music Research

by Alexander R. Brinkman

  • Publisher : University of Chicago Press
  • Release : 1990-06-26
  • Pages : 963
  • ISBN : 9780226075075
  • Language : En, Es, Fr & De
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Pascal Programming for Music Research addresses those who wish to develop the programming skills necessary for doing computer-assisted music research, particularly in the fields of music theory and musicology. Many of the programming techniques are also applicable to computer assisted instruction (CAI), composition, and music synthesis. The programs and techniques can be implemented on personal computers or larger computer systems using standard Pascal compilers and will be valuable to anyone in the humanities creating data bases. Among its useful features are: -complete programs, from simple illustrations to substantial applications; -beginning programming through such advanced topics as linked data structures, recursive algorithms, DARMS translation, score processing; -bibliographic references at the end of each chapter to pertinent sources in music theory, computer science, and computer applications in music; -exercises which explore and extend topics discussed in the text; -appendices which include a DARMS translator and a library of procedures for building and manipulating a linked representation of scores; -most algorithms and techniques that are given in Pascal programming translate easily to other computer languages. Beginning, as well as advanced, programmers and anyone interested in programming music applications will find this book to be an invaluable resource.

Music Research

Music Research
New Directions for a New Century

by Michael Ewans,Rosalind Halton

  • Publisher : Cambridge Scholars Press
  • Release : 2004
  • Pages : 453
  • ISBN : 1904303358
  • Language : En, Es, Fr & De
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This book compiles revised versions of a number of the papers originally delivered at the Twenty-Fifth National Conference of the Musicological Society of Australia, held in Newcastle, New South Wales, between 3 and 6 October 2002. Aside from the three keynote addresses, all the papers published here have been refereed and peer reviewed. Like this publication, the conference was entitled Music Research: new directions for a new century. Papers were invited under four main themes: Research through Performance, Music and Society, Music and Technology, and Structure and Context. The three keynote speakers addressed the first three of these, Roy Howat and Suzanne Cusick approaching from different perspectives, respectively, the relationship between performance and research, and the relationship of both to music in society, while Rolf Gehlhaar discussed the many ways in which music can now interface with technology. List of Contributors Roy Howat, Marie-Louise CAtsalis, Rosalind Halton, Prudence Dunstone, Jacqueline Ogeil, Daniela Kaleva, Alan Maddox, Ikuno Sako, Johanna Selleck, Patricia Duke, Frank Murphy, John Napier, Suzan Cusick, Katelyn Barney, Elizabeth Mackinlay, Steven Knopoff, Brydie-Leigh Bartleet, Tim Humphrey, Roland Bannister, Antonio Tony Colla, Antonio Comin, Gabriela Vardanega, Linda Kouvaras, Jason Geary, David Irving, Anne-Marie Forbes, Peter Freeman, Julia Lu, Deborah Priest, Patricia Shaw, Jennifer Shaw, Rolf Gelhaar, Cathy Cox, Eddy Chong, Ruth Lee Martin, Dennis Collins, Nicholas Routley, Andrew Robbie, Jason Stoessel, John Phillips.

Knowledge-based Programming for Music Research

Knowledge-based Programming for Music Research

by John W. Schaffer,Deron McGee

  • Publisher : A-R Editions, Inc.
  • Release : 1997-01-01
  • Pages : 396
  • ISBN : 0895793784
  • Language : En, Es, Fr & De
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In Knowledge-Based Programming for Music Research, Schaffer and McGee explore expert systems for applications in artificial intelligence (AI). The text concerns (1) basic principles for knowledge-based programming, (2) concepts and strategies for programming these systems, (3) a "universal data" model for music analysis, and (4) examples that concern specific aspects of design and application. The authors also investigate Prolog (programming in logic), one of the most widely used computer languages for AI, and base some of their applications on the recent implication-based theories of Eugene Narmour. Of the applications for programming a knowledge-based system, music analysis has the most potential. Beyond identifying isolated elements, it is possible to create programs that extend to chord structures and other, more complex structures. This kind of programming allows the authors to embed the rules of composition in the application and then extend the analysis throughout the musical work. It also allows them to arrive at the underlying principles for a given composition. As a tool for music analysis, such programming has profound implications for further growth. The text is designed for musicians at various levels and could also be used in courses on computer-music programming. Parts of the book have been successfully used in courses on computer programming for music research, with which the authors have direct experience. The text includes extensive examples of code for use in individual Prolog applications and a comprehensive bibliography.

Sourcebook for Research in Music

Sourcebook for Research in Music

by Phillip Crabtree,Donald H. Foster,Allen Scott

  • Publisher : Indiana University Press
  • Release : 2005
  • Pages : 382
  • ISBN : 9780253217806
  • Language : En, Es, Fr & De
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The Sourcebook for Research in Music, in this revised and greatly expanded second edition, is an invaluable guide to the researcher in navigating the vast proliferation of materials in music research. The editors emphasize English-language and recent sources, and also include essential materials in other languages. An opening chapter of introductory materials, including a list of common bibliographical terms with definitions, German and French bibliographical terms, and the plan of the Library of Congress and the Dewey Decimal music classification systems, is followed by seven bibliographical chapters, covering lists of sources as well as collective annotations that introduce and identify specific items. A reference tool containing varied information relating to research in music, the Sourcebook will serve as a classroom text and as a resource for individual music researchers, librarians, faculty members, students, performing and teaching musicians, and musical amateurs.

A Study of Computer Techniques for Music Research

A Study of Computer Techniques for Music Research

by Harry B. Lincoln

  • Publisher :
  • Release : 1970
  • Pages : 20
  • ISBN :
  • Language : En, Es, Fr & De
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The Bloomsbury Handbook of Rock Music Research

The Bloomsbury Handbook of Rock Music Research

by Allan Moore,Paul Carr

  • Publisher : Bloomsbury Publishing USA
  • Release : 2020-07-09
  • Pages : 640
  • ISBN : 1501330462
  • Language : En, Es, Fr & De
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The Bloomsbury Handbook of Rock Music Research is the first comprehensive academic survey of the field of rock music as it stands today. More than 50 years into its life and we still ask - what is rock music, why is it studied, and how does it work, both as music and as cultural activity? This volume draws together 37 of the leading academics working on rock to provide answers to these questions and many more. The text is divided into four major sections: practice of rock (analysis, performance, and recording); theories; business of rock; and social and culture issues. Each chapter combines two approaches, providing a summary of current knowledge of the area concerned as well as the consequences of that research and suggesting profitable subsequent directions to take. This text investigates and presents the field at a level of depth worthy of something which has had such a pervasive influence on the lives of millions.

Computers in Music Research

Computers in Music Research

by N.A

  • Publisher :
  • Release : 1999
  • Pages : 329
  • ISBN :
  • Language : En, Es, Fr & De
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A Guide to Library Research in Music

A Guide to Library Research in Music

by Pauline Shaw Bayne

  • Publisher : Scarecrow Press
  • Release : 2008
  • Pages : 274
  • ISBN : 9780810862111
  • Language : En, Es, Fr & De
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A Guide to Library Research in Music introduces the process and techniques for researching and writing about music. This informative textbook provides concrete examples of different types of writing, offering a thorough introduction to music literature. It clearly describes various information-searching techniques and library-based organizational systems and introduces the array of music resources available. Each chapter concludes with learning exercises to aid the students' concept application and skill development. Appendixes provide short cuts to specific topics in library organizational systems, including Library of Congress Subject Headings and Classification. The concluding bibliography provides a quick overview of music literature and resources, emphasizing electronic and print publications since 2000, but including standard references that all music researchers should know.

Music Research Forum

Music Research Forum

by N.A

  • Publisher :
  • Release : 2007
  • Pages : 329
  • ISBN :
  • Language : En, Es, Fr & De
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Research and Research Education in Music Performance and Pedagogy

Research and Research Education in Music Performance and Pedagogy

by Scott D. Harrison

  • Publisher : Springer Science & Business Media
  • Release : 2013-10-07
  • Pages : 202
  • ISBN : 9400774354
  • Language : En, Es, Fr & De
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This volume is an innovative collection that transcends national boundaries and provides new knowledge about approaches to research and research education in music. The collection brings together leading thinkers and practitioners in music research from Europe, Asia, North America and Australia. The book is designed to serve as a resource for university music departments and conservatoires, and offers insights into the development of research programs in this context.

Approaches to Music Research

Approaches to Music Research
Between Practice and Epistemology

by Leon Stefanija,Niclaus Schüler

  • Publisher : Peter Lang Pub Incorporated
  • Release : 2011
  • Pages : 248
  • ISBN : 9783631592007
  • Language : En, Es, Fr & De
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This book consists primarily of papers presented at the international symposium <I>Approaches to Music Research: Between Practice and Epistemology, held in Ljubljana (Slovenia) in May 2008. Scholars from various music research areas offered heterogeneous views of one central issue: the relations between music-research ideals and practices. The intention was to offer a reflection concerning disciplinary intersections as ideal-typical formations in which different contemporary musicological practices meet each other, either positively or in more negative terms. The topoi of the symposium discussed elemental, difficult-to-answer questions about the position that musicology holds within the humanities and sciences. The symposium especially encouraged case studies of basic epistemological reflections with an emphasis on the practice of music research from any field.

Performing Music Research

Performing Music Research
Methods in Music Education, Psychology, and Performance Science

by Aaron Williamon,Jane Ginsborg,Rosie Perkins,George Waddell

  • Publisher :
  • Release : 2021-01-07
  • Pages : 464
  • ISBN : 9780198714545
  • Language : En, Es, Fr & De
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Performing Music Research is a comprehensive guide to planning, conducting, analyzing, and communicating research in music performance. The book examines the approaches and strategies that underpin research in music education, psychology, and performance science.

An Introduction to Library Resources for Music Research

An Introduction to Library Resources for Music Research

by Keith Eugene Mixter

  • Publisher :
  • Release : 1963
  • Pages : 61
  • ISBN :
  • Language : En, Es, Fr & De
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African Music Research

African Music Research
Transcription Library of Gramophone Records : Handbook for Librarians

by Hugh Tracey

  • Publisher :
  • Release : 1969
  • Pages : 80
  • ISBN :
  • Language : En, Es, Fr & De
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Electronic Apparatus for Music Research

Electronic Apparatus for Music Research

by Aubrey Thomas Hickman

  • Publisher :
  • Release : 1968
  • Pages : 15
  • ISBN :
  • Language : En, Es, Fr & De
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Musical Creativity: Insights from Music Education Research

Musical Creativity: Insights from Music Education Research

by Dr Oscar Odena

  • Publisher : Ashgate Publishing, Ltd.
  • Release : 2013-01-28
  • Pages : 246
  • ISBN : 1409495086
  • Language : En, Es, Fr & De
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How do we develop musical creativity? How is musical creativity nurtured in collaborative improvisation? How is it used as a communicative tool in music therapy? This comprehensive volume offers new research on these questions by an international team of experts from the fields of music education, music psychology and music therapy. The book celebrates the rich diversity of ways in which learners of all ages develop and use musical creativity. Contributions focus broadly on the composition/improvisation process, considering its conceptualization and practices in a number of contexts. The authors examine how musical creativity can be fostered in formal settings, drawing examples from primary and secondary schools, studio, conservatoire and university settings, as well as specialist music schools and music therapy sessions. These essays will inspire readers to think deeply about musical creativity and its development. The book will be of crucial interest to music educators, policy makers, researchers and students, as it draws on applied research from across the globe, promoting coherent and symbiotic links between education, music and psychology research.

Advances in Social-psychology and Music Education Research

Advances in Social-psychology and Music Education Research

by Patrice Madura Ward-Steinman,Charles P. Schmidt

  • Publisher : Ashgate Publishing, Ltd.
  • Release : 2011
  • Pages : 261
  • ISBN : 1409422771
  • Language : En, Es, Fr & De
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A festschrift that honors the career of Charles P. Schmidt on the occasion of his retirement from the Indiana University Jacobs School of Music. It includes chapters that recognize the influence of Schmidt as a researcher, a research reviewer, and a research mentor, and contributes to the advancement of the social-psychological model.

General Bibliography for Music Research

General Bibliography for Music Research

by Keith Eugene Mixter

  • Publisher : Warren, Mich. : Harmonie Park Press
  • Release : 1996
  • Pages : 200
  • ISBN :
  • Language : En, Es, Fr & De
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Presents references to general bibliographical resources of aid to music researchers, with sections on resources such as national and trade bibliographies, dictionaries, indexes and directories, and union lists and library catalogs. This third edition reflects changes since the publication of the second edition in 1975, and includes citation of later editions and newer titles and the presentation of databases and library networks. Other changes include the creation of a bibliography section at the end of each chapter, and the transfer of publication data from prose text to the bibliography section. Annotation copyright by Book News, Inc., Portland, OR

A Research Guide to Film and Television Music in the United States

A Research Guide to Film and Television Music in the United States

by Jeannie G. Pool,H. Stephen Wright

  • Publisher : Rowman & Littlefield
  • Release : 2011
  • Pages : 174
  • ISBN : 0810876884
  • Language : En, Es, Fr & De
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This volume addresses the difficulties scholars encounter when conducting research on film and television music, providing a detailed taxonomy of film music primary sources and explaining how to find and interpret them. The authors tackle the problems of determining film score authorship and working with recordings of film music. A bibliographic essay summarizes the major works and trends in film music research and provides clear pointers to the most important resources in the field.