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Rock Music Styles

Rock Music Styles
A History

by Katherine Charlton

  • Publisher : McGraw-Hill Humanities, Social Sciences & World Languages
  • Release : 1998
  • Pages : 292
  • ISBN :
  • Language : En, Es, Fr & De
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From rock's European precursors to its country, blues, and gospel sources, this complete guide unearths the musical and cultural roots of rock music, opening readers eyes, ears, and minds along the way. A highly readable blend of music commentary and history, this sweeping yet succinct narrative shows the links between rock's beginnings and today's beat. Full coverage of such related pop genres as Disco and Funk, Latin, Reggae, and Ragga are also included.

Rock Music Styles

Rock Music Styles
A History

by Katherine Charlton

  • Publisher : WCB/McGraw-Hill
  • Release : 1994
  • Pages : 324
  • ISBN :
  • Language : En, Es, Fr & De
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Rock Music Styles: A History

Rock Music Styles: A History

by Katherine Charlton

  • Publisher : McGraw-Hill Education
  • Release : 2014-04-03
  • Pages : 384
  • ISBN : 9780078025181
  • Language : En, Es, Fr & De
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In its seventh edition, Rock Music Styles: A History offers an updated perspective on the development of rock music from its origins to its most contemporary styles. Charlton takes students through genres by focusing on featured performers, exploring important songs in Listening Guides, and drawing connections between musical developments throughout the decades. Additionally, decade overviews and chronology charts detailing historical and rock-related events side by side provide a historical and social framework through which to understand rock music styles in the 20th century and beyond.

Looseleaf for Rock Music Styles

Looseleaf for Rock Music Styles

by Katherine Charlton

  • Publisher : McGraw-Hill Education
  • Release : 2019-01-23
  • Pages : 384
  • ISBN : 9781260690545
  • Language : En, Es, Fr & De
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Rock Music Styles: A History, takes students on a musical journey through the development of rock music from its origins to its most contemporary styles. Charlton uses in-depth summaries and descriptions paired with a historical background to help immerse students in different musical genres. Learning from featured performers throughout the text and exploring important songs in new and revised Listening guides, students will be able to draw connections between musical developments throughout the decades. The eighth edition of Rock Music Styles: A History provides students a deeper understanding and appreciation of rock music styles in the 20th century and beyond.

ISE Rock Music Styles: A History

ISE Rock Music Styles: A History

by Katherine Charlton

  • Publisher :
  • Release : 2019-03-13
  • Pages : 329
  • ISBN : 9781260566314
  • Language : En, Es, Fr & De
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A History of Rock Music

A History of Rock Music

by Stephen K. Valdez

  • Publisher : Kendall Hunt Publishing Company
  • Release : 2006
  • Pages : 483
  • ISBN :
  • Language : En, Es, Fr & De
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The Classic Rock and Roll Reader

The Classic Rock and Roll Reader
Rock Music from Its Beginnings to the Mid-1970s

by William Emmett Studwell,David F. Lonergan

  • Publisher : Psychology Press
  • Release : 1999
  • Pages : 278
  • ISBN : 9780789001511
  • Language : En, Es, Fr & De
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The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s is chock full of entertaining essays to inform and delight you about an era that shaped our culture and future musical trends. This unique book will surprise and enchant even the most zealous music buff with facts and information on the songs that reflected America's spirit and captured a nation's attention. The Classic Rock and Roll Reader is offbeat, somewhat irreverent, ironic, and ancedotal as it discusses hundreds of rock and non-rock compositions included in rock history era. The songs offer you information on: Rock's Not So Dull Predecessors (for example, “Bewitched, Bothered, and Bewildered” and “The Cry of the Wild Goose”) The Pioneering Rock Songs (such as “Rock Around the Clock” and “Shake, Rattle, and Roll” ) Older Style Songs Amidst the Rocks (for example, “I Could Have Danced All Night” and “Rocky Mountain High” ) The Megastars and Megagroups (such as “Blue Suede Shoes,” “Respect,” and “Surfin’USA” ) The Best Songs that Never Made No. 1 (for example,“ I Feel Good” and “ Tie a Yellow Ribbon Round the Ole Oak Tree” ) The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s also examines the music which preceded early rock, the music which followed early rock, and the numerous non-rock songs which flourished during the classic rock period. A wide spectrum of music is discussed in well over 100 essays on various songs. Musicians, librarians, and the general audience will be taken back to the birth of rock and roll and the various contributing influences. Analyzing each song's place in rock history and giving some background about the artists, The Classic Rock and Roll Reader offers even the most avid music enthusiast new and unique information in this thorough and interesting guide.

A History of Rock Music

A History of Rock Music
1951-2000

by Piero Scaruffi

  • Publisher : iUniverse
  • Release : 2003
  • Pages : 553
  • ISBN : 0595295657
  • Language : En, Es, Fr & De
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This history of rock music is not a history of the charts (which I consider an aberration), but a history of the great ideas introduced by rock musicians over 50 years of relentless innovation, and the history of their greatest albums (regardless of how many copies were sold). It ends up being more focused on alternative rock than on mainstream rock, simply because alternative musicians tend to be more innovative and sincere than mainstream musicians. In a sense, rediscovering alternative rock and giving it its dues is also a way to restore the reputation of rock music among the more sophisticated audiences. Today, rock music is a genre that employs sampling techniques, electronic instruments, digital/computer technology, cacophony, and ethnic sources. The roots of today's rock music lie in the technical innovations brought about in the first half of the 20th century. Therefore, my alternative history of rock music begins much earlier than most books on the origins of rock'n'roll, and covers much more territory than guitar-driven rock'n'roll.

Exam Prep Flash Cards for Rock Music Styles: A History

Exam Prep Flash Cards for Rock Music Styles: A History

by N.A

  • Publisher :
  • Release :
  • Pages : 329
  • ISBN :
  • Language : En, Es, Fr & De
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Form As Harmony in Rock Music

Form As Harmony in Rock Music

by Drew Nobile

  • Publisher : Oxford University Press, USA
  • Release : 2020-05-12
  • Pages : 296
  • ISBN : 0190948353
  • Language : En, Es, Fr & De
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Overturning the inherited belief that popular music is unrefined, Form as Harmony in Rock Music brings the process-based approach of classical theorists to popular music scholarship. Author Drew Nobile offers the first comprehensive theory of form for 1960s, 70s, and 80s classic rock repertoire, showing how songs in this genre are not simply a series of discrete elements, but rather exhibit cohesive formal-harmonic structures across their entire timespan. Though many elements contribute to the cohesion of a song, the rock music of these decades is built around a fundamentally harmonic backdrop, giving rise to distinct types of verses, choruses, and bridges. Nobile's rigorous but readable theoretical analysis demonstrates how artists from Bob Dylan to Stevie Wonder to Madonna consistently turn to the same compositional structures throughout rock's various genres and decades, unifying them under a single musical style. Using over 200 transcriptions, graphs, and form charts, Form as Harmony in Rock Music advocates a structural approach to rock analysis, revealing essential features of this style that would otherwise remain below our conscious awareness.

Understanding Rock

Understanding Rock
Essays in Musical Analysis

by John Covach,Graeme M. Boone

  • Publisher : Oxford University Press
  • Release : 1997-11-20
  • Pages : 240
  • ISBN : 9780195356625
  • Language : En, Es, Fr & De
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Amid the recent increase in scholarly attention to rock music, Understanding Rock stands out as one of the first books that subjects diverse aspects of the music itself to close and sophisticated analytical scrutiny. Written by some of the best young scholars in musicology and music theory, the essays in this volume use harmonic, melodic, rhythmic, formal, and textual approaches in order to show how and why rock music works as music. Topics of discussion include the adaptation of blues and other styles to rock; the craft of songwriting; techniques and strategies of improvisation; the reinterpretation of older songs; and the use of the recording studio as a compositional tool. A broad range of styles and groups is covered, including Yes, the Beach Boys, Cream, k.d. lang, Paul Simon, Jimi Hendrix, and the Grateful Dead.

Expression in Pop-rock Music

Expression in Pop-rock Music
Critical and Analytical Essays

by Walter Everett

  • Publisher : Taylor & Francis US
  • Release : 2008
  • Pages : 392
  • ISBN :
  • Language : En, Es, Fr & De
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This collection presents a wide range of scholarly approaches to understanding artistic expression in rock music and provides insights into the music.

American Popular Music: The age of rock

American Popular Music: The age of rock

by Timothy E. Scheurer

  • Publisher : Popular Press
  • Release : 1989
  • Pages : 267
  • ISBN : 9780879724689
  • Language : En, Es, Fr & De
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Beginning with the emergence of commercial American music in the nineteenth century, Volume 1 includes essays on the major performers, composers, media, and movements that shaped our musical culture before rock and roll. Articles explore the theoretical dimensions of popular music studies; the music of the nineteenth century; and the role of black Americans in the evolution of popular music. Also included—the music of Tin Pan Alley, ragtime, swing, the blues, the influences of W. S. Gilbert and Rodgers and Hammerstein, and changes in lyric writing styles from the nineteenth century to the rock era.

The Musical Language of Rock

The Musical Language of Rock

by David Temperley

  • Publisher : Oxford University Press
  • Release : 2018
  • Pages : 329
  • ISBN : 0190653779
  • Language : En, Es, Fr & De
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A History of Rock Music

A History of Rock Music
The Rock-And-Roll Era

by Glenn Gass

  • Publisher :
  • Release : 2017-02-21
  • Pages : 264
  • ISBN : 9780253031501
  • Language : En, Es, Fr & De
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A History of Rock Music: The Rock & Roll Era is a celebration of the roots of rock & roll and its emergence as the soundtrack to teenage rebellion and a liberatingly raucous, joyous and rebellious music for one especially fortunate generation. The book is a lovingly detailed examination of the pre-Beatles 1950's era of classic rock & roll, with special attention devoted to the music's varied musical influences, most notably the Blues, Country & Western, Gospel Music, Boogie-Woogie and Rhythm & Blues. It is both a detailed history and a musical appreciation of America's greatest artistic gift to the world.

Pop-Rock Music

Pop-Rock Music
Aesthetic Cosmopolitanism in Late Modernity

by Motti Regev

  • Publisher : John Wiley & Sons
  • Release : 2013-07-10
  • Pages : 224
  • ISBN : 0745670903
  • Language : En, Es, Fr & De
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Pop music and rock music are often treated as separate genres but the distinction has always been blurred. Motti Regev argues that pop-rock is best understood as a single musical form defined by the use of electric and electronic instruments, amplification and related techniques. The history of pop-rock extends from the emergence of rock'n'roll in the 1950s to a variety of contemporary fashions and trends – rock, punk, soul, funk, techno, hip hop, indie, metal, pop and many more. This book offers a highly original account of the emergence of pop-rock music as a global phenomenon in which Anglo-American and many other national and ethnic variants interact in complex ways. Pop-rock is analysed as a prime instance of 'aesthetic cosmopolitanism' – that is, the gradual formation, in late modernity, of world culture as a single interconnected entity in which different social groupings around the world increasingly share common ground in their aesthetic perceptions, expressive forms and cultural practices. Drawing on a wide array of examples, this path-breaking book will be of great interest to students and scholars in cultural sociology, media and cultural studies as well as the study of popular music.

Popular Music: The rock era

Popular Music: The rock era

by Simon Frith

  • Publisher : Psychology Press
  • Release : 2004
  • Pages : 430
  • ISBN : 9780415332682
  • Language : En, Es, Fr & De
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Popular music studies is a rapidly expanding field with changing emphases and agenda. This is a multi-volume resource for this area of study

Is Rock Dead?

Is Rock Dead?

by Kevin J. H. Dettmar

  • Publisher : Routledge
  • Release : 2006
  • Pages : 184
  • ISBN : 0415970342
  • Language : En, Es, Fr & De
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Rock and roll's death has been forecast nearly since its birth; the country song "The Death of Rock and Roll" appeared in September 1956, showing that the music had already outraged a more conservative listening audience. Is Rock Dead? sets out to explore the varied and sometimes conflicting ways in which the death of rock has been discussed both within the discourse of popular music and American culture. If rock is dead, when did it die? Who killed it? Why do rock journalists lament its passing? Has its academic acceptance stabbed it in the back or resuscitated an otherwise lifeless corpse? Why is rock music the music that conservatives love to hate? On the other side of the coin, how have rock's biggest fans helped nail shut the coffin? Does rock feed on its own death-and-rebirth? Finally, what signs of life are there showing that rock, in fact, is surviving? Is Rock Dead? will appeal to all those who take seriously the notion that rock is a serious musical form. It will appeal to students of popular music and culture, and all those who have ever spun a 45, cranked up the radio, or strummed an air guitar.

Expression in Pop-rock Music

Expression in Pop-rock Music
A Collection of Critical and Analytical Essays

by Lori Burns,Fast, Susan

  • Publisher : Taylor & Francis
  • Release : 2000
  • Pages : 372
  • ISBN : 9780815331605
  • Language : En, Es, Fr & De
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First published in 2000

Rock Music in American Popular Culture III

Rock Music in American Popular Culture III
More Rock 'n' Roll Resources

by B. Lee Cooper,Frank Hoffmann,Wayne S. Haney

  • Publisher : Psychology Press
  • Release : 1999
  • Pages : 337
  • ISBN : 9780789004895
  • Language : En, Es, Fr & De
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Rock Music in American Popular Culture III: More Rock 'n’Roll Resources explores the fascinating world of rock music and examines how this medium functions as an expression of cultural and social identity. This nostalgic guide explores the meanings and messages behind some of the most popular rock 'n’roll songs that captured the American spirit, mirrored society, and reflected events in our history. Arranged by themes, Rock Music in American Popular Culture III examines a variety of social and cultural topics with related songs, such as: sex and censorship--“Only the Good Die Young” by Billy Joel and “Night Moves” by Bob Seger and The Silver Bullet Band holiday songs--“Rockin’Around the Christmas Tree” by Brenda Lee and “The Christmas Song” by Nat King Cole death--“Leader of the Pack” by The Shangri-Las and “The Unknown Soldier” by The Doors foolish behavior--“When a Man Loves a Woman” by Percy Sledge and “What Kind of Fool” by Barbra Streisand and Barry Gibb jobs and the workplace--“Don't Stand So Close to Me” by The Police and “Dirty Laundry” by Don Henley military involvements--“Boogie Woogie Bugle Boy” by the Andrews Sisters and “War” by Edwin Starr novelty recordings--“The Purple People Eater” by Sheb Wooley and “Eat It” by Weird Al Yankovic letters and postal images--“P. S. I Love You” by The Beatles and “Return to Sender” by Elvis Presely In addition, a discography and a bibliography after each section give further examples of the themes and resources being discussed, as do extensive lists of print references at the end of the text.