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Sanford Meisner on Acting

Sanford Meisner on Acting

by Sanford Meisner,Dennis Longwell

  • Publisher : Vintage
  • Release : 2012-11-07
  • Pages : 272
  • ISBN : 0307830632
  • Language : En, Es, Fr & De
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Sanford Meisner was one of the best known and beloved teachers of acting in the country. This book follows one of his acting classes for fifteen months, beginning with the most rudimentary exercises and ending with affecting and polished scenes from contemporary American plays. Written in collaboration with Dennis Longwell, it is essential reading for beginning and professional actors alike. Throughout these pages Meisner is a delight—always empathizing with his students and urging them onward, provoking emotion, laughter, and growing technical mastery from his charges. With an introduction by Sydney Pollack, director of Out of Africa and Tootsie, who worked with Meisner for five years. "This book should be read by anyone who wants to act or even appreciate what acting involves. Like Meisner's way of teaching, it is the straight goods."—Arthur Miller "If there is a key to good acting, this one is it, above all others. Actors, young and not so young, will find inspiration and excitement in this book."—Gregory Peck

Sanford Meisner on Acting

Sanford Meisner on Acting

by Sanford Meisner

  • Publisher : Vintage
  • Release : 1987
  • Pages : 252
  • ISBN : 0394750594
  • Language : En, Es, Fr & De
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Taking readers step-by-step through the most basic acting exercises to critiques of performances in scenes from contemporary American plays, this volume follows a class of eight at the Neighborhood Playhouse, where Meisner has taught for fifty years

Sanford Meisner on Acting

Sanford Meisner on Acting

by Sanford Meisner,Dennis Longwell

  • Publisher :
  • Release : 2017
  • Pages : 329
  • ISBN :
  • Language : En, Es, Fr & De
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Michael Chekhov and Sanford Meisner

Michael Chekhov and Sanford Meisner
Collisions and Convergence in Actor Training

by Anjalee Deshpande Hutchinson

  • Publisher : Routledge
  • Release : 2020-07-17
  • Pages : 258
  • ISBN : 1000077527
  • Language : En, Es, Fr & De
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Michael Chekhov and Sanford Meisner: Collisions and Convergence in Actor Training offers a comprehensive analysis of the Sanford Meisner Acting Technique in comparison to the Michael Chekhov Acting Technique. This compilation reveals the connections as well as the contradictions between these two very different approaches, while highlighting meaningful bridges and offering in-depth essays from a variety of sources, including master teachers with years of experience and new and rising stars in the field. The authors provide philosophical arguments on actor training, innovative approaches to methodology, and explorations into integration, as well as practical methods of application for the classroom or rehearsal room, or scaffolded into a curriculum. Michael Chekhov and Sanford Meisner: Collisions and Convergence in Actor Training is an excellent resource for professors teaching Introductory, Intermediate or Advanced Acting Technique as well as acting program directors and department chairs seeking new, impactful research on actor training.

The Actor's Art and Craft

The Actor's Art and Craft
William Esper Teaches the Meisner Technique

by William Esper,Damon DiMarco

  • Publisher : Anchor
  • Release : 2008
  • Pages : 286
  • ISBN : 030727926X
  • Language : En, Es, Fr & De
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A masterful introduction to the actor's craft presents a series of rigorous but flexible exercises, based on the Meisner Technique of acting, designed to help actors deal with a wide variety of performance challenges. Original. 15,000 first printing.

The Sanford Meisner Approach

The Sanford Meisner Approach
Workbook Two, Emotional Freedom

by Larry Silverberg

  • Publisher : Smith & Kraus Pub Incorporated
  • Release : 1997
  • Pages : 116
  • ISBN : 9781575250748
  • Language : En, Es, Fr & De
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Product DescriptionShortly before his death, Sanford Meisner arranged for Larry Silverberg to create a written legacy of his teaching techniques. This book is the second of four books in the Sanford Meisner series. In this extraordinary new book, Silverberg demystifies the emotional demands of acting and leads the actor through a process aimed at tapping into and deepening his own emotional instrument. Not only will actors gain insight into the whole realm of the emotions, they will see very clearly the traps most actors fall into when it comes to "being emotional" on stage. A healthier and more effective way of working will be taught -- a way of working which brings the actor powerful and unique creativity to every part. About the AuthorLarry Silverberg is founder and Artistic Director of the Belltown Theatre Center in Seattle, WA. He is also on staff at the University of Washington where he teaches Master Classes in the Meisner Work, while continuing his own acting career. Larry is a past winner of the Warner Bros. Filmmaker of the Year Award for his film, Flight in Masquerade, and has also been busy directing for the stage. Larry is a graduate of the Neighborhood Playhouse School of Theater in New York City where he studied with master acting teacher, Sanford Meisner.

Meisner in Practice

Meisner in Practice
A Guide for Actors, Directors and Teachers

by Nick Moseley

  • Publisher :
  • Release : 2012
  • Pages : 222
  • ISBN : 9781848420878
  • Language : En, Es, Fr & De
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This book offers actors a step-by-step introduction to the salient features of the Meisner Technique and puts these to the test through a succession of practical exercises. The aim is to take the reader through the various stages of Meisner training, including addressing certain pitfalls and problems which the author has encountered in his own teaching.

Analyzing and Applying the Sanford Meisner Approach to Acting

Analyzing and Applying the Sanford Meisner Approach to Acting

by Aaron Lucas Adair,University of Texas at Dallas. Graduate Program in the Humanities

  • Publisher :
  • Release : 2005
  • Pages : 504
  • ISBN :
  • Language : En, Es, Fr & De
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Meisner For Teens

Meisner For Teens
A Life of True Acting

by Larry Silverberg

  • Publisher : Smith & Kraus Pub Incorporated
  • Release : 2010-07-01
  • Pages : 99
  • ISBN : 9781575256160
  • Language : En, Es, Fr & De
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The long-anticipated teen guide to the Meisner technique by Larry Silverberg, leading Meisner Technique author and teacherSELLING POINTSMeisner for Teens, the first book devoted to exploring the Meisner Approach with teens, includes:- Individual and group exercises- Journal prompts- Writing, listening, and observing assignments- Thoughtful, inspiring quotes throughout- Perfect material to incorporate into High School Drama classes- Excellent text for Introduction to Acting college-level courses- Relates the craft of acting to the truths of lifeBOOK SYNOPSISLarry Silverberg, the author who introduced the Meisner Technique to actors through his acclaimed four-volumeworkbook series, has now written a Meisner guidebook for young actors. A perfect text for high school drama teachers,Silverberg provides clear and easy to understand instruction to guide young actors toward simple, meaningful, authenticand passionately alive ways of working. He speaks directly to the teenage actors, guiding them step-by-step through thedemanding and thrilling exercises of the Meisner Approach.In this workbook and acting journal wrapped in one, students keep a journal in which they define their desires and refine their skills of observation: learning to listen carefully to other people and pay keener attention to their own responses. Through dialogue work in pairs, young actors learn to engage immediately and directly with their partners.True acting develops through this increased sensitivity and fearless response to others.Meisner for Teens: A Life of True Acting, based on Silverberg¿s highly praised workshops for teens, will help teenactors to free themselves from self-consciousness and the pressures of performance to achieve truth on the stage¿andin life.LARRY SILVERBERG, director of the True Acting Institute, is an actor, acting teacher, and author of many books on acting. He is a graduate of the Neighborhood Playhouse, where he studied with legendary acting teacher Sanford Meisner, and is considered one of the foremost authorities on the Meisner Technique. He has written an internationally acclaimed four-volume series on the Meisner Technique called The Sanford Meisner Approach: An Actors Workbook. Silverberg teaches acting in his world-renowned professional actors training program, The Meisner Intensive Training Program, which he holds at universities, colleges, and acting studios around the world. He is also the founder of the True Acting Institute Association and is on the teaching faculties of The International Institute of the Performing Arts in Paris and European Act.

Audition

Audition
Everything an Actor Needs to Know to Get the Part

by Michael Shurtleff

  • Publisher : Bloomsbury Publishing USA
  • Release : 2009-05-26
  • Pages : 208
  • ISBN : 9780802719027
  • Language : En, Es, Fr & De
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The casting director for Chicago, Pippin, Becket, Gypsy, The Graduate, the Sound of Music and Jesus Christ Superstar tells you how you can find your dream role! Absolutely everything an actor needs to know to get the part is here: What to do that moment before, how to use humour; create mystery; how to develop a distinct style; and how to evaluate the place, the relationships and the competition. In fact, Audition is a necessary guide to dealing with all the "auditions" we face in life. This is the bible on the subject.

Acting as a Business

Acting as a Business
Strategies for Success

by Brian O'Neil

  • Publisher : Vintage
  • Release : 2014
  • Pages : 154
  • ISBN : 0345807073
  • Language : En, Es, Fr & De
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Updated with new information about major industry changes, a latest edition of a successful guide counsels actors on the business side of the profession while sharing practical advice on such topics as crafting an effective résumé, joining unions and getting an agent. Original.

The Sanford Meisner Approach: An actor's workbook

The Sanford Meisner Approach: An actor's workbook

by Larry Silverberg

  • Publisher :
  • Release : 1994
  • Pages : 329
  • ISBN :
  • Language : En, Es, Fr & De
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How to Stop Acting

How to Stop Acting
A Renown Acting Coach Shares His Revolutionary Approach to Landing Roles, Developing Them and Keeping them Alive

by Harold Guskin

  • Publisher : Farrar, Straus and Giroux
  • Release : 2003-06-25
  • Pages : 208
  • ISBN : 1466801662
  • Language : En, Es, Fr & De
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"The Great Guskin" (John Lahr, The New Yorker) shares the approach he uses to help actors land roles, develop them, and keep them alive Harold Guskin is an "acting doctor" whose clients include Kevin Kline, Glenn Close, James Gandolfini, Bridget Fonda, and dozens more. In How to Stop Acting, Guskin reveals the insights and techniques that have worked wonders for beginners as well as stars. Instead of yet another "method," Guskin offers a strategy based on a radically simple and refreshing idea: that the actor's work is not to "create a character" but rather to be continually, personally responsive to the text, wherever his impulse takes him, from first read-through to final performance. From this credo derives an entirely new perspective on auditioning and the challenge of developing a role and keeping it fresh, even over hundreds of performances. Drawing on examples from his clients' work and his own, Guskin presents acting as a constantly evolving exploration rather than as a progression toward a fixed goal. He also offers sound and original advice on adapting to the particular demands of television and film, playing difficult emotional scenes, tackling the Shakespearean and other great roles, and more. His book will find an eager and appreciative audience among novices and established actors alike.

The Actor's Guide to Creating a Character

The Actor's Guide to Creating a Character
William Esper Teaches the Meisner Technique

by William Esper,Damon Dimarco

  • Publisher : Anchor
  • Release : 2014-04-08
  • Pages : 288
  • ISBN : 0345805690
  • Language : En, Es, Fr & De
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William Esper, one of the most celebrated acting teachers of our time, takes us through his step-by-step approach to the central challenge of advanced acting work: creating and playing a character. Esper’s first book, The Actor’s Art and Craft, earned praise for describing the basics taught in his famous first-year acting class. The Actor’s Guide to Creating a Character continues the journey. In these pages, co-author Damon DiMarco vividly re-creates Esper’s second-year course, again through the experiences of a fictional class. Esper’s training builds on Sanford Meisner’s legendary exercises, a world-renowned technique that Esper further developed through his long association with Meisner and the decades he has spent training a host of distinguished actors. His approach is flexible enough to apply to any role, helping actors to create characters with truthful and compelling inner lives.

The Technique of Acting

The Technique of Acting

by Stella Adler

  • Publisher : Bantam
  • Release : 1990
  • Pages : 132
  • ISBN :
  • Language : En, Es, Fr & De
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A disciple of Konstantin Stanislavski and a member of the Group Theatre in the 1930s, the noted actress and teacher offers advice on acting preparations, the demands of characterization, and dramatic exercises, as well as personal memories

Book on Acting

Book on Acting
Improvisation Technique for the Professional Actor in Film, Theater & Television

by Stephen Book

  • Publisher :
  • Release : 2002
  • Pages : 629
  • ISBN :
  • Language : En, Es, Fr & De
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"The Improvisation Technique is then applied to exercises with scripted lines, developing sophisticated improvisation skills for enhancing character, emotions, conflict, and agreement as well as improving the actor's audition process. Also included is a unique process for breaking down scripted scenes into improvisation choices."--BOOK JACKET.

Training of the American Actor (Large Print 16pt)

Training of the American Actor (Large Print 16pt)

by Arthur Bartow

  • Publisher : ReadHowYouWant.com
  • Release : 2010-07-09
  • Pages : 528
  • ISBN : 1458781267
  • Language : En, Es, Fr & De
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The first comprehensive survey and study of the major techniques developed by and for the American actor over the past 60 years. Presented side-by-side, each of the 10 disciplines included is described in detail by one of today's foremost practitioners. An invaluable resource both for the young actor embarking on a career and for the theatre professional polishing his or her craft. ''Successful acting must reflect a society's current beliefs. The men and women who developed each new technique were convinced that previous methods were not equal to the full challenges of their time and place, and the techniques in this book have been adapted to current needs in order to continue to be successful methods for training actors. The actor's journey is an individual one, and the actor seeks a form, or a variety of forms, of training that will assist in unlocking his own creative gifts of expression.'' - From the introduction

Handbook of Acting Techniques

Handbook of Acting Techniques

by Arthur Bartow

  • Publisher : Nick Hern Books
  • Release : 2008
  • Pages : 281
  • ISBN : 9781854595423
  • Language : En, Es, Fr & De
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A unique survey of the twentieth century’s most influential acting methods, offering invaluable practical insights for actors and drama teachers. Each of the ten famous techniques included in this handbook is described in detail by one of today’s foremost practitioners. Each chapter outlines the development of the respective technique and offers practical guidance for actors wishing to explore it for themselves. • Lee Strasberg Technique by Anna Strasberg • Stella Adler Technique by Tom Oppenheim • Sanford Meisner Technique by Victoria Hart • Michael Chekhov Technique and The Mask by Per Brahe • Uta Hagen’s Technique by Carol Rosenfeld • Physical Acting Inspired by Grotowski by Stephen Wangh • The Viewpoints by Mary Overlie • Practical Aesthetics by Robert Bella • Interdisciplinary Training by Fritz Ertl • Neo-classical Training by Louis Scheeder 'a remarkable and significant book... The thing that makes it so special is that editor Arthur Bartow brings together chapters on all the major practitioners written by other highly respected teachers and practitioners' ReviewsGate.com

Shakespeare's Face

Shakespeare's Face

by Stephanie Nolen

  • Publisher : Vintage Canada
  • Release : 2011-04-13
  • Pages : 384
  • ISBN : 0307366510
  • Language : En, Es, Fr & De
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On May 11, 2001, Globe and Mail reporter Stephanie Nolen announced a stunning discovery to the world: an attractive portrait held by an Ontario family for twelve generations, which may well be the only known portrait of Shakespeare painted during his lifetime. Shakespeare’s Face is the biography of a portrait — a literary mystery story — and the furious debate that has ensued since its discovery. A slip of paper affixed to the back proclaims “Shakespere. This likeness taken 1603, Age at that time 39 ys.” But is it really Shakespeare who peers at us from the small oil on wood painting? The twinkling eyes, reddish hair, and green jacket are not in keeping with the duller, traditional images of the bard. But they are more suggestive of the humorous and humane man who wrote the greatest plays in the English language. Shakespeare’s Face tells the riveting story of how the painting came to reside in the home of a retired engineer in a mid-sized Ontario town. The painting is reputed to be by John Sanders of Worcester, England. As a retirement project, the engineer, whose grandmother kept the family treasure under her bed, embarked on authenticating the portrait: the forensic analyses that followed have proven it without doubt to the period. In a remarkable publishing coup, Knopf Canada has gathered around Stephanie Nolen’s story a group of the world’s leading Shakespeare scholars and art and cultural historians to delve into one of the most fascinating literary mysteries of our times: “Is this the face of genius?” Excerpt from Chapter 1 of Shakespeare’s Face by Stephanie Nolen By the late afternoon I was beginning to go a little cross-eyed. I had examined countless documents and read the test results from the painting’s painstaking forensic analysis. I now had everything I needed to write my story — except for one crucial item. “Is he here?” I asked, almost in a whisper.... The owner laid the package carefully on the cluttered table. He gently pulled back the kraft paper wrapping, underneath which was a layer of bubble wrap. Then he peeled back this second layer to reveal his treasure. I was caught off-guard by how small the portrait was — and how vivid. The colours in the paint seemed too rich to be 400 years old. Except for the hairline cracks in the varnish, the face could have been painted yesterday. And there was nothing austere or haughty about it, nothing of the great man being painted for posterity. It was a rogue’s face, a charmer’s face that looked back at me with a tolerant, mischievous slightly world-weary air.... It was painted on two pieces of solid board so expertly joined that the seam was barely visible. A date, “Ano 1603”, was painted in small red letters in the top right hand corner. The right side had been nibbled by woodworms.... I stood and gazed, quelling an instinctive urge to pick the portrait up and hold it in my hands. And as my professional skepticism crumpled for a moment, I found myself wanting desperately to believe that this was indeed Shakespeare’s face.

Acting One

Acting One

by Robert Cohen

  • Publisher : McGraw-Hill Education
  • Release : 2007-01-18
  • Pages : 288
  • ISBN : 9780073514161
  • Language : En, Es, Fr & De
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Used to teach beginning acting on more campuses than any other text, Acting One covers the basic elements of realistic acting in twenty-eight lessons – all based on experiential exercises. The text covers basic skills such as talking, listening, tactical interplay, physicalizing, building scenes, and making good choices.