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Script Analysis for Actors, Directors, and Designers

Script Analysis for Actors, Directors, and Designers
A Book

by James Michael Thomas

  • Publisher : Taylor & Francis
  • Release : 2009
  • Pages : 345
  • ISBN : 024081049X
  • Language : En, Es, Fr & De
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Script Analysis specifically for Actors, Directors, and Designers; the only book on this subject that covers the growing area of unconventional plays.

Script Analysis for Actors, Directors, and Designers

Script Analysis for Actors, Directors, and Designers
A Book

by James Thomas

  • Publisher : CRC Press
  • Release : 2013-10-08
  • Pages : 406
  • ISBN : 1136021523
  • Language : En, Es, Fr & De
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Script Analysis for Actors, Directors, and Designers teaches the skills of script analysis using a formalist approach that examines the written part of a play to gauge how the play should be performed and designed. Treatments of both classic and unconventional plays are combined with clear examples, end-of-chapter questions, and stimulating summaries that will allow actors, directors and designers to immediately incorporate the concepts and processes into their theatre production work. Now thoroughly revised, the fifth edition contains a new section on postmodernism and postdramatic methods of script analysis, along with additional material for designers.

Script Analysis for Actors, Directors, and Designers

Script Analysis for Actors, Directors, and Designers
5th Ed

by Anonim

  • Publisher : Unknown Publisher
  • Release : 2014
  • Pages : 329
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Script Analysis for Actors, Directors, and Designers

Script Analysis for Actors, Directors, and Designers
A Book

by James Thomas

  • Publisher : CRC Press
  • Release : 2009-02-17
  • Pages : 392
  • ISBN : 1136081909
  • Language : En, Es, Fr & De
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Script Analysis for Actors, Directors, and Designers applies directly to the experience of theatrical production. You will immediately be able to inforporate the concepts and processes you learn into both your practical and creative work. Whether you are an actor, a director, or a designer, you will benefit from clear and comprehensive examples, end-of-chapter questions, and summaries meant to stimulate their creative process as they engage in production work. Based on the premise that plays should be objects of study in and of themselves, Script Analysis for Actors, Directors, and Designers teaches an established system of classifications that examines the written part of a play. This fourth edition will include in-depth analysis of unconventional plays, which are more frequent on amateur and professional stages. These plays present unique analytical challenges that the author teaches you the unusual ways in which the subject matter operates in unconventional plays.

Script Analysis for Theatre

Script Analysis for Theatre
Tools for Interpretation, Collaboration and Production

by Robert Knopf

  • Publisher : Bloomsbury Publishing
  • Release : 2017-02-09
  • Pages : 200
  • ISBN : 1408185180
  • Language : En, Es, Fr & De
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Script Analysis for Theatre: Tools for Interpretation, Collaboration and Production provides theatre students and emerging theatre artists with the tools, skills and a shared language to analyze play scripts, communicate about them, and collaborate with others on stage productions. Based largely on concepts derived from Stanislavski's system of acting and method acting, the book focuses on action - what characters do to each other in specific circumstances, times, and places - as the engine of every play. From this foundation, readers will learn to distinguish the big picture of a script, dissect and 'score' smaller units and moment-to-moment action, and create individualized blueprints from which to collaborate on shaping the action in production from their perspectives as actors, directors, and designers. Script Analysis for Theatre offers a practical approach to script analysis for theatre production and is grounded in case studies of a range of the most studied plays, including Sophocles' Oedipus the King, Shakespeare's Twelfth Night, Henrik Ibsen's Hedda Gabler, Georg Büchner's Woyzeck, Oscar Wilde's The Importance of Being Earnest, Tennessee Williams's A Streetcar Named Desire, and Paula Vogel's How I Learned to Drive, among others. Readers will develop the real-life skills professional theatre artists use to design, rehearse, and produce plays.

A Director's Guide to Stanislavsky's Active Analysis

A Director's Guide to Stanislavsky's Active Analysis
Including the Formative Essay on Active Analysis by Maria Knebel

by James Thomas

  • Publisher : Bloomsbury Publishing
  • Release : 2016-09-08
  • Pages : 192
  • ISBN : 1474256600
  • Language : En, Es, Fr & De
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A Director's Guide to Stanislavsky's Active Analysis describes Active Analysis, the innovative rehearsal method Stanislavsky formulated in his final years. By uniting 'mental analysis' and 'études', Active Analysis puts an end to the problem of mind-body dualism and formalized text memorization that traditional rehearsal methods foster. The book describes Active Analysis both practically and conceptually; Part One guides the reader through the entire process of Active Analysis, using A Midsummer Night's Dream as a practical reference point. The inspiration here is the work of the Russian director Anatoly Efros, whose pioneering work led the way for a reawakening of theatre in post-Soviet Russia. Part Two is the first English translation of Maria Knebel's foundational article about Active Analysis. Knebel was hand-selected by Stanislavsky to carry his final work forward in unadulterated form for succeeding generations of directors and actors. A Director's Guide to Stanislavsky's Active Analysis provides the first detailed explanation of Active Analysis from the director's perspective, while also meeting the needs of actors who seek to enhance their creative involvement in the process of play production.

Play Directing

Play Directing
Analysis, Communication, and Style

by Francis Hodge

  • Publisher : Unknown Publisher
  • Release : 1994
  • Pages : 426
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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This authoritative and highly respected classic text and "workbook" explores all aspects of directing plays in live theatre, including working with actors, playwrights, and designers. Thoroughly revised and updated, Play Directing, Fourth Edition, outlines for readers a technical method for examining the structure of ALL playscripts in order to show how plays are made and how directors can prepare. Author Francis Hodge focuses on the various methods a director can use in communicating with actors and designers. In addition, Hodge illustrates how to bring out the actor through visual stimulations and through the development of oral-aural expertise.

Harold Pinter's Female Provocateurs In--A Night Out, The Homecoming, and Old Times

Harold Pinter's Female Provocateurs In--A Night Out, The Homecoming, and Old Times
A Book

by Jalain Catherine Onsgard

  • Publisher : Unknown Publisher
  • Release : 2007
  • Pages : 110
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Stage Directing

Stage Directing
The First Experiences

by Jim Aris Patterson

  • Publisher : Allyn & Bacon
  • Release : 2004
  • Pages : 194
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Written for the introductory directing course, "Stage Directing" is organized around the six basic steps in the process that all successful directors use: selecting the playscript, analyzing and researching the play, conceiving the production, casting, rehearsing, and finally giving and receiving criticism. One reviewer praised "the natural order of the material, the light and engaging style of the writing, the online reference material, and the generally accepted approach to directing re-examined in a fresh voice." (Don Sandley, Samford University) Features: Offers practical directing tips in sidebars throughout the text to help the new director understand the nuts and bolts of directing. Explains and illustrates actor-audience relationships so students can apply proscenium directing techniques to arena, alley, and thrust stagings. Includes two in-book original short plays allowing the instructor and students to apply concepts to an actual short playscript. Provides an original dramatic vignette as a short and manageable exercise in breaking down a play into units and beats. Features practical directing exercises throughout the text helping students apply theory to practice.

Mecanoo: Van Fragmentarisch Naar Monumentaal

Mecanoo: Van Fragmentarisch Naar Monumentaal
A Book

by Francine Houben,Aaron Betsky,Ruud Brouwers

  • Publisher : Images Publishing
  • Release : 2008
  • Pages : 275
  • ISBN : 9781864701425
  • Language : En, Es, Fr & De
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The quantity of designs and realised projects of the Dutch office Mecanoo architecten is impressive, especially for a 25-year period. The most astonishing aspect however is not only the length of this laundry list of work, but also its diversity; from a Catholic chapel in a cemetery, to a housing neighbourhood on a city's edge, to a city park in a postwar housing area, to a city square in a medieval town centre, to a stage set for an experimental opera, to an army barracks and living quarters, to a dwelling for Francine Houben's own family, to a residential tower with more than fifty different floor plans, to various theatres and the streetscaping of a historical city centre. Rather than imposing a prescribed book assembly, for example, going from small assignments to large works, this method of presenting is a reflection of Mecanoo's design philosophy. In this way, the architecture is expressed as an all-embracing concept that ranges from conditions for a fulfilling daily existence to architectural concepts. The book's composition also sheds light on Mecanoo's meticulous approach to a project assignment. The explanatory project texts support this by illustrating the core of the interpretation of the project's program.

The British National Bibliography

The British National Bibliography
A Book

by Arthur James Wells

  • Publisher : Unknown Publisher
  • Release : 2009
  • Pages : 329
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Dramaturgy in American Theater

Dramaturgy in American Theater
A Source Book

by Susan Jonas,Geoffrey S. Proehl,Michael Lupu

  • Publisher : Wadsworth Publishing Company
  • Release : 1997
  • Pages : 590
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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This comprehensive work is truly the first textbook in the field of dramaturgy. Most of the material-much of it by leaders in all areas of the theater-was commissioned for this collection, rather than being reprinted. Its currency and importance cannot be overestimated. A review of the history of dramaturgy as a profession, together with its European antecedents, gives students a sense of historical context. Selections from respected and recognized names in theater provoke student interest and communicate the benefits of those experts' experiences.

Alore

Alore
A Book

by Anonim

  • Publisher : Unknown Publisher
  • Release : 2005
  • Pages : 329
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Autopsy of a Living Subject

Autopsy of a Living Subject
Fundamentals of Analysis of Dramatic Literature for Actors, Directors, and Designers

by Lee Shackleford

  • Publisher : Unknown Publisher
  • Release : 2017-08-22
  • Pages : 52
  • ISBN : 9781549550546
  • Language : En, Es, Fr & De
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Gaining a thorough knowledge of a play script is the first step in the process of acting a role or directing a play. And yet this fundamental phase is often overlooked simply -- because it's easy to confuse reading with analysis. This slim volume lays out an overview of methods for thorough and methodical analysis of dramatic literature, crucial to a deep understanding of any script to be produced and performed. Shackleford presents the material in a jaunty, upbeat tone that inspires and encourages the reader for the work ahead.

The Enjoyment of Theatre

The Enjoyment of Theatre
A Book

by Kenneth M. Cameron,Patti P. Gillespie

  • Publisher : Pearson College Division
  • Release : 2004
  • Pages : 452
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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"The Enjoyment of Theatre's" balanced coverage of performance and history provides a comprehensive and accessible introduction to theatre for both majors and non-majors. This text covers the full span of theatre's 2,500-year history as well as performance/production topics such as playwriting, acting, directing, and the theatre industry. The 6th Edition features major revisions while continuing to bring students the expertise of a proven author team--one whose strong academic credentials combine with a wealth of theatre experience. Cameron and Gillespie make theatre come alive for all students by showing them how theatre is, and will continue to be, relevant to their everyday lives. New and Notable Features: " Offers a balance of history and performance to give students a context for understanding today's theatre and the social impact of the theatre since its inception. Features two 16-page color inserts with new color photographs of Broadway productions by New York's finest theatrical photographers bringing Broadway to life for students. New and unique "Explore Theatre: A Backstage Pass" is a peer-to-peer, interactive, DVD learning tool (available in a free package with the text) developed by students for students under the direction of an award winning teacher of theatre. Seventeen major content areas (director, actor, costume designer, etc.) are covered, with an eye towards introducing students to the people and processes that make theatre happen. Emphasizes theatre's cultural and economic context in extensively revised chapters throughout the book, to sugest how forces outside the theatre influence it. Integrates material on world theatre throughout the text rather than discussing it in a separate chapter. Includes new "Story of the Play"discussions that summarize some of the great plays that are used as examples in the book for students.

Collaboration in Theatre

Collaboration in Theatre
A Practical Guide for Designers and Directors

by Rob Roznowski,K. Domer

  • Publisher : Springer
  • Release : 2016-01-27
  • Pages : 185
  • ISBN : 0230620191
  • Language : En, Es, Fr & De
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Finally, a book that addresses one of the most important elements of theatrical production, the collaboration between director and designer. This accessible and helpful guide addresses the crucial relationship between theatrical production team members. Experienced director Rob Roznowski and designer Kirk Domer offer prescriptive and proactive tips to create the ideal production environment. This three part book combines theory, practice, and exercises and will help anyone involved in the theatre to develop appropriate and healthy collaborative skills. Topics Covered Include: * The Vocabulary of Collaboration * Script Analysis * Responses to Criticism * Research Methods

Theatre Design & Technology

Theatre Design & Technology
A Book

by Anonim

  • Publisher : Unknown Publisher
  • Release : 2000
  • Pages : 329
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Issues for 1965- include "Recent publications on theatre architecture," no. 13/14-

The Journal for Stage Directors & Choreographers

The Journal for Stage Directors & Choreographers
A Book

by Anonim

  • Publisher : Unknown Publisher
  • Release : 1992
  • Pages : 329
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Vocal Direction for the Theatre

Vocal Direction for the Theatre
From Script Analysis to Opening Night

by Nan Withers-Wilson

  • Publisher : Drama Publishers
  • Release : 1993
  • Pages : 115
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Creativity in Theatre

Creativity in Theatre
Theory and Action in Theatre/Drama Education

by Suzanne Burgoyne

  • Publisher : Springer
  • Release : 2018-09-14
  • Pages : 287
  • ISBN : 3319789287
  • Language : En, Es, Fr & De
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People who don’t know theatre may think the only creative artist in the field is the playwright--with actors, directors, and designers mere “interpreters” of the dramatist’s vision. Historically, however, creative mastery and power have passed through different hands. Sometimes, the playwright did the staging. In other periods, leading actors demanded plays be changed to fatten their roles. The late 19th and 20th centuries saw “the rise of the director,” in which director and playwright struggled for creative dominance. But no matter where the balance of power rested, good theatre artists of all kinds have created powerful experiences for their audience. The purpose of this volume is to bridge the interdisciplinary abyss between the study of creativity in theatre/drama and in other fields. Sharing theories, research findings, and pedagogical practices, the authors and I hope to stimulate discussion among creativity and theatre scholar/teachers, as well as multidisciplinary research. Theatre educators know from experience that performance classes enhance student creativity. This volume is the first to bring together perspectives from multiple disciplines on how drama pedagogy facilitates learning creativity. Drawing on current findings in cognitive science, as well as drama teachers’ lived experience, the contributors analyze how acting techniques train the imagination, allow students to explore alternate identities, and discover the confidence to take risks. The goal is to stimulate further multidisciplinary investigation of theatre education and creativity, with the intention of benefitting both fields.