Download Seeing Is Forgetting the Name of the Thing One Sees Ebook PDF

Seeing Is Forgetting the Name of the Thing One Sees

Seeing Is Forgetting the Name of the Thing One Sees
Expanded Edition

by Lawrence Weschler

  • Publisher : Univ of California Press
  • Release : 2008
  • Pages : 310
  • ISBN : 0520256093
  • Language : En, Es, Fr & De
GET BOOK

"Robert Irwin, perhaps the most influential of the California artists, moved from his beginnings in abstract expressionism through successive shifts in style and sensibility, into a new aesthetic territory altogether, one where philosophical concepts of perception and the world interact. Weschler has charted the journey with exceptional clarity and cogency. He has also, in the process, provided what seems to me the best running history of postwar West Coast art that I have yet seen."—Calvin Tomkins

Seeing is Forgetting the Name of the Thing One Sees

Seeing is Forgetting the Name of the Thing One Sees
A Life of Contemporary Artist Robert Irwin

by Lawrence Weschler,Robert Irwin

  • Publisher : Univ of California Press
  • Release : 1982
  • Pages : 212
  • ISBN : 9780520049208
  • Language : En, Es, Fr & De
GET BOOK

'On its more radical fringes, modern art merges with modern philosophy, and this excellent, provocative profile...points up the extent to which the act of percepton, rather than any specific objects, has become the subject of the avant-garde California artist's work....Weschler has a knack for clarifying avstruse artistic and philosophical concepts.

Robert Irwin Getty Garden

Robert Irwin Getty Garden
A Book

by Lawrence Weschler

  • Publisher : Getty Publications
  • Release : 2020-06-18
  • Pages : 144
  • ISBN : 1606066579
  • Language : En, Es, Fr & De
GET BOOK

A beautifully illustrated, accessible volume about one of the Getty Center’s best-loved sites. Among the most beloved sites at the Getty Center, the Central Garden has aroused intense interest from the moment artist Robert Irwin was awarded the commission. First published in 2002, Robert Irwin Getty Garden is comprised of a series of discussions between noted author Lawrence Weschler and Irwin, providing a lively account of what Irwin has playfully termed “a sculpture in the form of a garden aspiring to be art.” The text revolves around four garden walks: extended conversations in which the artist explains the critical choices he made—from plant materials to steel—in the creation of a living work of art that has helped to redefine what a modern garden can and should be. This updated edition features new photography of the Central Garden in a smaller, more accessible format.

Flowers for Lisa

Flowers for Lisa
A Delirium of Photographic Invention

by Abelardo Morell

  • Publisher : Abrams
  • Release : 2018-10-16
  • Pages : 144
  • ISBN : 1683353218
  • Language : En, Es, Fr & De
GET BOOK

Best known for his surreal camera obscura pictures and luminous black-and-white photographs of books, photographer Abelardo Morell now turns his transformative lens to one of the most common of artistic subjects, the flower. The concept for Flowers for Lisa emerged when Morell gave his wife, Lisa, a photograph of flowers on her birthday. “Flowers are part of a long tradition of still life in art,” writes Morell. “Precisely because flowers are such a conventional subject, I felt a strong desire to describe them in new, inventive ways.” With nods to the work of Jan Brueghel, Édouard Manet, Georgia O’Keeffe, René Magritte, and others, Morell does just that; the images are as innovative as they are arresting.

And How Are You, Dr. Sacks?

And How Are You, Dr. Sacks?
A Biographical Memoir of Oliver Sacks

by Lawrence Weschler

  • Publisher : Farrar, Straus and Giroux
  • Release : 2019-08-13
  • Pages : 400
  • ISBN : 0374714940
  • Language : En, Es, Fr & De
GET BOOK

The untold story of Dr. Oliver Sacks, his own most singular patient "[An] engrossing biographical memoir. This is Sacks at full blast: on endless ward rounds, observing his post-encephalitic patients . . . exulting over horseshoe crabs and chunks of Iceland spar." —Barbara Kiser, Nature The author Lawrence Weschler began spending time with Oliver Sacks in the early 1980s, when he set out to profile the neurologist for his own new employer, The New Yorker. Almost a decade earlier, Dr. Sacks had published his masterpiece Awakenings—the account of his long-dormant patients’ miraculous but troubling return to life in a Bronx hospital ward. But the book had hardly been an immediate success, and the rumpled clinician was still largely unknown. Over the ensuing four years, the two men worked closely together until, for wracking personal reasons, Sacks asked Weschler to abandon the profile, a request to which Weschler acceded. The two remained close friends, however, across the next thirty years and then, just as Sacks was dying, he urged Weschler to take up the project once again. This book is the result of that entreaty. Weschler sets Sacks’s brilliant table talk and extravagant personality in vivid relief, casting himself as a beanpole Sancho to Sacks’s capacious Quixote. We see Sacks rowing and ranting and caring deeply; composing the essays that would form The Man Who Mistook His Wife for a Hat; recalling his turbulent drug-fueled younger days; helping his patients and exhausting his friends; and waging intellectual war against a medical and scientific establishment that failed to address his greatest concern: the spontaneous specificity of the individual human soul. And all the while he is pouring out a stream of glorious, ribald, hilarious, and often profound conversation that establishes him as one of the great talkers of the age. Here is the definitive portrait of Sacks as our preeminent romantic scientist, a self-described “clinical ontologist” whose entire practice revolved around the single fundamental question he effectively asked each of his patients: How are you? Which is to say, How do you be? A question which Weschler, with this book, turns back on the good doctor himself.

Domestic Scenes: The Art of Ramiro Gomez

Domestic Scenes: The Art of Ramiro Gomez
A Book

by Lawrence Weschler

  • Publisher : ABRAMS
  • Release : 2016-04-19
  • Pages : 128
  • ISBN : 9781419720697
  • Language : En, Es, Fr & De
GET BOOK

Award-winning author Lawrence Weschler's book on the young Mexican American artist Ramiro Gomez explores questions of social equity and the chasms between cultures and classes in America. Gomez, born in 1986 in San Bernardino, California, to undocumented Mexican immigrant parents, bridges the divide between the affluent wealthy and their usually invisible domestic help--the nannies, gardeners, housecleaners, and others who make their lifestyles possible--by inserting images of these workers into sly pastiches of iconic David Hockney paintings, subtly doctoring glossy magazine ads, and subversively slotting life-size painted cardboard cutouts into real-life situations. Domestic Scenes engages with Gomez and his work, offering an inspiring vision of the purposes and possibilities of art.

Practical Form

Practical Form
Abstraction, Technique, and Beauty in Eighteenth-Century Aesthetics

by Abigail Zitin

  • Publisher : Yale University Press
  • Release : 2020-10-27
  • Pages : 224
  • ISBN : 0300244568
  • Language : En, Es, Fr & De
GET BOOK

A groundbreaking study of the development of form in eighteenth-century aesthetics In this original work, Abigail Zitin proposes a new history of the development of form as a concept in and for aesthetics. Her account substitutes women and artisans for the proverbial man of taste, asserting them as central figures in the rise of aesthetics as a field of philosophical inquiry in eighteenth-century Europe. She shows how the idea of formal abstraction so central to conceptions of beauty in this period emerges from the way practitioners think about craft and skill across the domestic, industrial, and so-called high arts. Zitin elegantly maps the complex connections among aesthetics, form, and formalism, drawing out the understated presence of practice in the writings of major eighteenth-century thinkers including Locke, Addison, Burke, and Kant. This new take on an old story ultimately challenges readers to reconsider form and why it matters.

True to Life

True to Life
Twenty-Five Years of Conversations with David Hockney

by Lawrence Weschler

  • Publisher : University of California Press
  • Release : 2009-01-26
  • Pages : 272
  • ISBN : 0520258797
  • Language : En, Es, Fr & De
GET BOOK

Soon after the book's publication in 1982, artist David Hockney read Lawrence Weschler's Seeing Is Forgetting the Name of the Thing One Sees: A Life of Contemporary Artist Robert Irwin and invited Weschler to his studio to discuss it, initiating a series of engrossing dialogues, gathered here for the first time. Weschler chronicles Hockney's protean production and speculations, including his scenic designs for opera, his homemade xerographic prints, his exploration of physics in relation to Chinese landscape painting, his investigations into optical devices, his taking up of watercolor—and then his spectacular return to oil painting, around 2005, with a series of landscapes of the East Yorkshire countryside of his youth. These conversations provide an astonishing record of what has been Hockney's grand endeavor, nothing less than an exploration of "the structure of seeing" itself.

Courting Dissolution

Courting Dissolution
Adumbration, Alterity, and the Dislocation of Sacrifice from Space to Image

by Michael Lent

  • Publisher : transcript Verlag
  • Release : 2016-12-31
  • Pages : 190
  • ISBN : 3839435749
  • Language : En, Es, Fr & De
GET BOOK

Michael Lent asks what role art has in colonisation and subsequent dissolution. He proposes a practice informed by the fatal strategies and 'raw' phenomenology of Jean Baudrillard as a challenge to a system of disappearance. Focusing on the otherness of space to prevent its ultimate dissolution, Lent promotes a spatial practice of radical alterity. Examining ideas of disappearance put forth by Baudrillard and Paul Virilio, he utilises art as a means for investigating loss of potentiality and experience through the representation of space, shifting their ideas - originally ascribed to objects - into a new emphasis. This book ultimately attempts to break a cyclical system that causes everything to disappear into representation and equivalency.

Everything Is Spiritual

Everything Is Spiritual
Finding Your Way in a Turbulent World

by Rob Bell

  • Publisher : St. Martin's Essentials
  • Release : 2020-09-15
  • Pages : 320
  • ISBN : 1250620570
  • Language : En, Es, Fr & De
GET BOOK

"An exciting vision of the future" --Michael Eric Dyson Everything Is Spiritual is an unexpected and compelling invitation to see your life in a whole new way. We have the great moments of our lives, the highs, those times when we soar, when it all makes sense, when it feels like it all has purpose and meaning. And then there are all those other moments—the lows and aches and failures and struggles and experiences that leave us wondering what the point of it all is. Are our lives ultimately bits and pieces and fragments—you try to find a little peace and hope and then it’s over? Or is there more going on here? In our increasingly polarized and disoriented world, Everything Is Spiritual gives us a radical new take on how it all fits together, how it works, how it’s all connected. Part memoir, part extended riff on the quantum nature of reality, part history of the universe, Rob Bell takes us back through the twists and turns and struggles of his story in order to help us see the larger story so that we can reconnect with our story.

Be, Awake, Create

Be, Awake, Create
Mindful Practices to Spark Creativity

by Rebekah Younger

  • Publisher : New Harbinger Publications
  • Release : 2019-07-01
  • Pages : 264
  • ISBN : 1684032407
  • Language : En, Es, Fr & De
GET BOOK

“The Artist’s Way for the twenty-first century.” —Nancy Coleman, PhD, clinical psychologist, writer, facilitator, and teacher Settle your mind, connect with the moment, and unleash your creativity with this unique and mindful art journal. In our demanding, fast-paced culture, it’s increasingly important to find ways to decompress and recuperate from the busyness and stress of life. More and more, mindfulness and creativity are being recognized as antidotes to the speed and overstimulation of modern society. This beautiful book combines the two, offering both creative and meditative practices to provide a guided journey into contemplative art for healing, relaxation, deeper connection, and greater well-being. Rather than focusing on any one medium or art form, this unique guide offers basic meditation instructions, and a variety of creative prompts and activities—from collage and coloring to meditative mark making and sketching to photography and perceptual exercises—making it perfect for anyone who wants to deepen and cultivate their mindfulness and creativity. With these artistic and introspective practices, you’ll put meditation into action, and learn to view yourself and your own creative process without judgment or aggression. Using Be, Awake, Create, you’ll see beyond habitual patterns, discover the richness of your world, and recognize the ordinary magic of your own creativity, with greater freshness of expression and spontaneity. By cultivating awareness and allowing yourself to play in the open space of artistic creation, you’ll come to discover all of the positive impacts mindfulness and creativity can have on every area of your life.

Women, Fire, and Dangerous Things

Women, Fire, and Dangerous Things
A Book

by George Lakoff

  • Publisher : University of Chicago Press
  • Release : 2008-08-08
  • Pages : 632
  • ISBN : 0226471012
  • Language : En, Es, Fr & De
GET BOOK

"Its publication should be a major event for cognitive linguistics and should pose a major challenge for cognitive science. In addition, it should have repercussions in a variety of disciplines, ranging from anthropology and psychology to epistemology and the philosophy of science. . . . Lakoff asks: What do categories of language and thought reveal about the human mind? Offering both general theory and minute details, Lakoff shows that categories reveal a great deal."—David E. Leary, American Scientist

Other Things

Other Things
A Book

by Bill Brown

  • Publisher : University of Chicago Press
  • Release : 2016-01-08
  • Pages : 448
  • ISBN : 022628316X
  • Language : En, Es, Fr & De
GET BOOK

From the pencil to the puppet to the drone—the humanities and the social sciences continue to ride a wave of interest in material culture and the world of things. How should we understand the force and figure of that wave as it shapes different disciplines? Other Things explores this question by considering a wide assortment of objects—from beach glass to cell phones, sneakers to skyscrapers—that have fascinated a range of writers and artists, including Virginia Woolf, Man Ray, Spike Lee, and Don DeLillo. The book ranges across the literary, visual, and plastic arts to depict the curious lives of things. Beginning with Achilles’s Shield, then tracking the object/thing distinction as it appears in the work of Martin Heidegger and Jacques Lacan, Bill Brown ultimately focuses on the thingness disclosed by specific literary and artistic works. Combining history and literature, criticism and theory, Other Things provides a new way of understanding the inanimate object world and the place of the human within it, encouraging us to think anew about what we mean by materiality itself.

In the Mind's Eye

In the Mind's Eye
The Visual Impulse in Diderot, Baudelaire and Ruskin

by Alexandra Wettlaufer

  • Publisher : Rodopi
  • Release : 2003
  • Pages : 310
  • ISBN : 9789042010352
  • Language : En, Es, Fr & De
GET BOOK

This comparative, interdisciplinary study investigates the relationship between literature and the visual arts in France and Britain from 1750-1900. Through a close examination of the prose writings of Diderot, Baudelaire and Ruskin, read against the background of contemporary philosophy, aesthetics and theories of language, In the Mind's Eye proposes a new interpretation of the influence and rivalries underlying the development of art criticism as a genre during this period. The visual impulse - the desire to transcend the limitations of language and make the reader see - is located within the historical traditions of ekphrasis, enargeia and the paragone, while in each chapter, the individual author's theories of the mind, memory and imagination provide a critical framework for his stylistic experiments. In the Mind's Eye presents an in-depth analysis of the cultural, theoretical and aesthetic implications of artistic border crossings, and by contextualizing the movement toward visual/verbal hybridity in the fiction and criticism of Diderot, Baudelaire and Ruskin, brings new perspectives to nineteenth-century studies in art and literature.

Dig

Dig
Sound and Music in Hip Culture

by Phil Ford

  • Publisher : Oxford University Press
  • Release : 2013-07-16
  • Pages : 336
  • ISBN : 0199331022
  • Language : En, Es, Fr & De
GET BOOK

Hipness has been an indelible part of America's intellectual and cultural landscape since the 1940s. But the question What is hip? remains a kind of cultural koan, equally intriguing and elusive. In Dig, Phil Ford argues that while hipsters have always used clothing, hairstyle, gesture, and slang to mark their distance from consensus culture, music has consistently been the primary means of resistance, the royal road to hip. Hipness suggests a particular kind of alienation from society--alienation due not to any specific political wrong but to something more radical, a clash of perception and consciousness. From the vantage of hipness, the dominant culture constitutes a system bent on excluding creativity, self-awareness, and self-expression. The hipster's project is thus to define himself against this system, to resist being stamped in its uniform, squarish mold. Ford explores radio shows, films, novels, poems, essays, jokes, and political manifestos, but argues that music more than any other form of expression has shaped the alienated hipster's identity. Indeed, for many avant-garde subcultures music is their raison d'être. Hip intellectuals conceived of sound itself as a way of challenging meaning--that which is cognitive and abstract, timeless and placeless--with experience--that which is embodied, concrete and anchored in place and time. Through Charlie Parker's "Ornithology," Ken Nordine's "Sound Museum," Bob Dylan's "Ballad of a Thin Man," and a range of other illuminating examples, Ford shows why and how music came to be at the center of hipness. Shedding new light on an enigmatic concept, Dig is essential reading for students and scholars of popular music and culture, as well as anyone fascinated by the counterculture movement of the mid-twentieth-century. Publication of this book was supported by the AMS 75 PAYS Endowment of the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.

The Films of Bill Morrison

The Films of Bill Morrison
Aesthetics of the Archive

by Bernd Herzogenrath

  • Publisher : Amsterdam University Press
  • Release : 2018-01-23
  • Pages : 129
  • ISBN : 9048529093
  • Language : En, Es, Fr & De
GET BOOK

Avant-garde filmmaker Bill Morrison has been making films that combine archival footage and contemporary music for decades, and he has recently begun to receive substantial recognition: he was the subject of a retrospective at the Museum of Modern Art, and his 2002 film Decasia was selected for the National Film Registry by the Library of Congress. This is the first book-length study of Morrison's work, covering the whole of his career. It gathers specialists throughout film studies to explore Morrison's "aesthetics of the archive"-his creative play with archival footage and his focus on the materiality of the medium of film.

Waves Passing in the Night

Waves Passing in the Night
Walter Murch in the Land of the Astrophysicists

by Lawrence Weschler

  • Publisher : Bloomsbury Publishing USA
  • Release : 2017-01-31
  • Pages : 176
  • ISBN : 1632867206
  • Language : En, Es, Fr & De
GET BOOK

From Pulitzer Prize nominee Lawrence Weschler, a fascinating profile of Walter Murch, a film legend and amateur astrophysicist whose investigations could reshape our understanding of the universe. For film aficionados, Walter Murch is legendary--a three-time Academy Award winner, arguably the most admired sound and film editor in the world for his work on Apocalypse Now, The Godfather trilogy, The English Patient, and many others. Outside of the studio, his mind is wide-ranging; his passion, pursued for several decades, has been astrophysics, in particular the rehabilitation of Titius-Bode, a long-discredited 18th century theory regarding the patterns by which planets and moons array themselves in gravitational systems across the universe. Though as a consummate outsider he's had a hard time attracting any sort of comprehensive hearing from professional astrophysicists, Murch has made advances that even some of them find intriguing, including a connection between Titius Bode and earlier notions--going back past Kepler and Pythagorus--of musical harmony in the heavens. Unfazed by rejection, ever probing, Murch perseveres in the highest traditions of outsider science. Lawrence Weschler brings Murch's quest alive in all its seemingly quixotic, yet still plausible, splendor, probing the basis for how we know what we know, and who gets to say. "The wholesale rejection of alternative theories has repeatedly held back the progress of vital science," Weschler observes, citing early twentieth-century German amateur Alfred Wegener, whose speculations about continental drift were ridiculed at first, only to be accepted as fact decades later. Theoretical physicist Lee Smolin says "It is controversy that brings science alive"--and Murch's quest does that in spades. His fascination with the way the planets and their moons are arranged opens up the field of celestial mechanics for general readers, sparking an awareness of the vast and (to us) invisible forces constantly at play in the universe.

Stranger in the Mirror

Stranger in the Mirror
The Scientific Search for the Self

by Robert Levine

  • Publisher : Hachette UK
  • Release : 2019-02-07
  • Pages : 304
  • ISBN : 1472142640
  • Language : En, Es, Fr & De
GET BOOK

Who are we? Where is the boundary between us and everything else? Are we all multiple personalities? And how can we control who we become? From distinguished psychologist Robert Levine comes this provocative and entertaining scientific exploration of the most personal and important of all landscapes: the physical and psychological entity we call our self. Using a combination of case studies and cutting-edge research in psychology, biology, neuroscience, virtual reality and many other fields, Levine challenges cherished beliefs about the unity and stability of the self - but also suggests that we are more capable of change than we know. Transformation, Levine shows, is the human condition at virtually every level. Physically, our cells are unrecognizable from one moment to the next. Cognitively, our self-perceptions are equally changeable: A single glitch can make us lose track of a body part or our entire body, or to confuse our very self with that of another person. Psychologically, we switch back and forth like quicksilver between incongruent, sometimes adversarial sub-selves. Socially, we appear to be little more than an ever-changing troupe of actors. And, culturally, the boundaries of the self vary wildly around the world - from the confines of one's body to an entire village. The self, in short, is a fiction: vague, arbitrary, and utterly intangible. But it is also interminably fluid. And this unleashes a world of potential. Engaging, informative, and ultimately liberating, Stranger in the Mirror will change forever how you think about your self - and what you might become.

Feeling is the Thing that Happens in 1000th of a Second

Feeling is the Thing that Happens in 1000th of a Second
the first cricket World Cup and an Ashes Series: LONGLISTED FOR THE WILLIAM HILL SPORTS BOOK OF THE YEAR 2017

by Christian Ryan

  • Publisher : Hachette UK
  • Release : 2017-09-07
  • Pages : 208
  • ISBN : 1786486814
  • Language : En, Es, Fr & De
GET BOOK

LONGLISTED FOR THE WILLIAM HILL SPORTS BOOK OF THE YEAR 2017 'Exquisite' Gideon Haigh 'Magical, a head rush, a marvel' Rahul Bhattacharya 'Startlingly original' Matthew Engel In 1975 Patrick Eagar took some photographs which were unlike any cricket photographs anyone had seen before. It was the summer of an Ashes and a World Cup (cricket's first), a near last-gasp summer before revolution when cricket was still a sport of helmetless faces and green fields with no advertising paint on them. A clamour of rare glamour descended on England: Thommo and D.K., baby-cheeked Viv Richards, careworn David Steele, lithe supercat Clive Lloyd, the Chappell brothers, Andy Roberts, Tony Greig, Doug Walters, trails of cigarette smoke gusting in his wake. From this raw material, a thirty-one-year-old with an expired Sports Illustrated subscription and a love of long lenses found something almost magical. Eagar's pictures reveal that "feeling is the thing that happens in 1000th of a second". So this is a cricket book about photography and what it can do - tell the future and show human beings in ways not available to our eyes. It is part detective story, (and reconstruction of one of cricket's greatest summers), part biography, part wild-roaming conversation, part essay on the power of the image, myth and reality. It shows Christian Ryan as one of the most elegant and perceptive writers on sport today. With seventy black-and-white and colour photographs by Patrick Eagar and other seminal photographers, it is is essential reading (and looking) for ardent fans and will exhilarate those who know nothing about cricket.

Psychoanalytic Studies of Creativity, Greed, and Fine Art

Psychoanalytic Studies of Creativity, Greed, and Fine Art
Making Contact with the Self

by David P Levine

  • Publisher : Routledge
  • Release : 2015-11-19
  • Pages : 134
  • ISBN : 1317505336
  • Language : En, Es, Fr & De
GET BOOK

Throughout the history of psychoanalysis, the study of creativity and fine art has been a special concern. Psychoanalytic Studies of Creativity, Greed and Fine Art: Making Contact with the Self makes a distinct contribution to the psychoanalytic study of art by focusing attention on the relationship between creativity and greed. This book also focuses attention on factors in the personality that block creativity, and examines the matter of the self and its ability to be present and exist as the essential element in creativity. Using examples primarily from visual art David Levine explores the subjects of creativity, empathy, interpretation and thinking through a series of case studies of artists, including Robert Irwin, Ad Reinhardt, Susan Burnstine, and Mark Rothko. Psychoanalytic Studies of Creativity, Greed and Fine Art explores the highly ambivalent attitude of artists toward making their presence known, an ambivalence that is evident in their hostility toward interpretation as a way of knowing. This is discussed with special reference to Susan Sontag’s essay on the subject of interpretation. Psychoanalytic Studies of Creativity, Greed and Fine Art contributes to a long tradition of psychoanalytically influenced writing on creativity including the work of Deri, Kohut, Meltzer, Miller and Winnicott among others. It will be of interest to psychoanalysts, psychoanalytic psychotherapists, historians and theorists of art.