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In the #1 New York Times bestselling Mercy Thompson novels, the coyote shapeshifter has found her voice in the werewolf pack. But when Mercy’s bond with the pack—and her mate—is broken, she’ll learn what it truly means to be alone... Attacked and abducted in her home territory, Mercy finds herself in the clutches of the most powerful vampire in the world, taken as a weapon to use against alpha werewolf Adam and the ruler of the Tri-Cities vampires. In coyote form, Mercy escapes—only to find herself without money, without clothing, and alone in the heart of Europe... Unable to contact Adam and the rest of the pack, Mercy has allies to find and enemies to fight, and she needs to figure out which is which. Ancient powers stir, and Mercy must be her agile best to avoid causing a war between vampires and werewolves, and between werewolves and werewolves. And in the heart of the ancient city of Prague, old ghosts rise...

The tenth novel in the international No. 1 bestselling Mercy Thompson series - the major urban fantasy hit of the decade 'I love these books!' Charlaine Harris 'The best new fantasy series I've read in years' Kelley Armstrong MERCY THOMPSON: MECHANIC, SHAPESHIFTER, FIGHTER Coyote shapeshifter Mercy Thompson is attacked and abducted in her home territory. Fighting off a crazed werewolf, she manages to escape, only to find herself alone in the heart of Europe, without money, without clothing and on the run from the clutches of the most powerful vampire in the world. Unable to contact her pack, Mercy has allies to find and enemies to fight, but first she needs to figure out which is which. Ancient powers stir, and Mercy needs to be at her agile best to avoid causing a war between vampires and werewolves - and between werewolves and werewolves. And in the heart of the ancient city of Prague, old ghosts rise . . . 'Patricia Briggs is an incredible writer and Silence Fallen is simply fantastic. I love hanging out with the amazing characters in this series!' Nalini Singh, New York Times bestselling author of the Psy-Changeling series 'Patricia Briggs never fails to deliver an exciting, magic and fable filled suspense story. Silence Fallen is one of her best' Erin Watt, #1 New York Times bestselling author of The Royals series 'It is always a joy to pick up a new Briggs novel, and she certainly doesn't disappoint with this latest Mercy Thompson book . . . Briggs hits another one out of the park!' RT Book Reviews Books by Patricia Briggs: The Mercy Thompson books Moon Called Blood Bound Iron Kissed Bone Crossed Silver Marked Frost Burned Night Broken Fire Touched Silence Fallen The Alpha and Omega Novels (A Mercy Thompson spin-off series) Cry Wolf Hunting Ground Fair Game Dead Heat Burn Bright

THE #1 NEW YORK TIMES BESTSELLER In her bestselling Alpha and Omega series, Patricia Briggs "spins tales of werewolves, coyote shifters, and magic and, my, does she do it well" (USA Today Online). Now mated werewolves Charles Cornick and Anna Latham face a threat like no other--one that lurks too close to home... They are the wild and the broken. The werewolves too damaged to live safely among their own kind. For their own good, they have been exiled to the outskirts of Aspen Creek, Montana. Close enough to the Marrok's pack to have its support; far enough away to not cause any harm. With their Alpha out of the country, Charles and Anna are on call when an SOS comes in from the fae mate of one such wildling. Heading into the mountainous wilderness, they interrupt the abduction of the wolf--but can't stop blood from being shed. Now Charles and Anna must use their skills--his as enforcer, hers as peacemaker--to track down the attackers, reopening a painful chapter in the past that springs from the darkest magic of the witchborn...

This study examines the relation of image and language as well as the relation of ethics and aesthetics through a discussion of the positions of Kierkegaard and Wittgenstein. In the Tractatus Wittgenstein pursues the idea that the image can show what language cannot express and defends an aesthetic unity of ethics and aesthetics. Is he right? Is there not much to be said in favour of the opposite position, represented by Kierkegaard's pseudonymous author Judge William (in Either/Or)? William criticizes the image and argues in favour of language and of an ethical unity of aesthetics and ethics. William shows that the word has a decisive surplus when compared to the image. However, this position has its shortcomings too: language is not the only place of authentic communication. Looking for an alternative to 'logoclasm' (the early Wittgenstein) and 'iconoclasm' (William), Zijlstra explores Wittgenstein's later work and Kierkegaard's oeuvre as a whole and presents a new way of thinking about the relation of ethics and aesthetics.

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