Download The Dramatic Imagination Ebook PDF

The Dramatic Imagination

The Dramatic Imagination
Reflections and Speculations on the Art of the Theatre

by Robert Edmond Jones

  • Publisher : Taylor & Francis
  • Release : 2004
  • Pages : 162
  • ISBN : 0878301844
  • Language : En, Es, Fr & De
GET BOOK

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

The Dramatic Imagination of Robert Browning

The Dramatic Imagination of Robert Browning
A Literary Life

by Richard S. Kennedy,Donald S. Hair

  • Publisher : University of Missouri Press
  • Release : 2007
  • Pages : 492
  • ISBN : 0826265529
  • Language : En, Es, Fr & De
GET BOOK

Theatre of Sound

Theatre of Sound
Radio and the Dramatic Imagination

by Dermot Rattigan

  • Publisher :
  • Release : 2002
  • Pages : 383
  • ISBN :
  • Language : En, Es, Fr & De
GET BOOK

A study of radio drama

The Dramatic Imagination

The Dramatic Imagination

by Robert Edmond Jones

  • Publisher :
  • Release : 1941
  • Pages : 157
  • ISBN :
  • Language : En, Es, Fr & De
GET BOOK

The Dramatic Imagination of W. B. Yeats

The Dramatic Imagination of W. B. Yeats

by Andrew Parkin

  • Publisher : Dublin : Gill and Macmillan ; New York : Barnes & Noble Books
  • Release : 1978
  • Pages : 208
  • ISBN :
  • Language : En, Es, Fr & De
GET BOOK

The Dramatic Imagination

The Dramatic Imagination
Reflections and Speculations on the Art of the Theatre, Reissue

by Robert Edmond Jones

  • Publisher : Routledge
  • Release : 2004-09-08
  • Pages : 172
  • ISBN : 1135470138
  • Language : En, Es, Fr & De
GET BOOK

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

The Dramatic Imagination

The Dramatic Imagination

by Robert Edmond Jones

  • Publisher :
  • Release : 1941
  • Pages : 329
  • ISBN :
  • Language : En, Es, Fr & De
GET BOOK

The Playwright's Workout

The Playwright's Workout
Exercises for the Dramatic Imagination

by Michael Bigelow Dixon,Liz Engelman

  • Publisher : Smith & Kraus Pub Incorporated
  • Release : 2009
  • Pages : 166
  • ISBN : 9781575256177
  • Language : En, Es, Fr & De
GET BOOK

This collection of exercises is designed to build creative muscle in students of playwriting and will prove useful as well to working dramatists who want to build their skills while stretching their imaginative powers. Contributed by some of America?s foremost playwrights and playwriting teachers, these varied and inventive exercises offer new sources for dramatic inspiration, provide ways to embolden dramatic action, and encourage experimentation with the basic elements of playwriting.The thirty contributors include:Sarah Ruhl,Craig Lucas,Emily Mann,Ellen McLaughlin,Jon Jory,Kia CorthronSteven Dietz.While most playwriting guides introduce students to basic concepts and practices, The Playwright?s Workout offers a range of imaginative prompts to the creative act of playwriting.MICHAEL BIGELOW DIXON, as literary manager and dramaturg, has worked with hundreds of playwrights at Actors Theatre of Louisville, South Coast Repertory, and the Guthrie Theater. As a director, he?s staged world premieres at the Florida Stage, the Magic Theatre, Commonwealth Theatre Company, Actors Theatre and the Guthrie. He?s edited 31 volumes of plays and criticism and currently works as resident director at The Playwright?s Center in Minneapolis.LIZ ENGELMAN is a freelance dramaturg living in Minneapolis. She?s worked on new plays and projects across the country and internationally. This is her sixth editorial collaboration with Michael Bigelow Dixon and has edited two volumes of monologues for women with Tori Haring-Smith. She?s past-President and current Board Chair of Literary Managers and Dramaturgs of the Americas, and is co-founder and director of Tofte Lake Center at Norm?s Fish Camp, a creative artists retreat in the Boundary Waters of northern Minnesota.

Women, the First World War and the Dramatic Imagination

Women, the First World War and the Dramatic Imagination
International Essays (1914-1999)

by Claire M. Tylee

  • Publisher :
  • Release : 2000
  • Pages : 283
  • ISBN : 9780889461185
  • Language : En, Es, Fr & De
GET BOOK

Women, the First World War and the Dramatic Imagination

Women, the First World War and the Dramatic Imagination
International Essays (1914-1999)

by Beverly J Rowe

  • Publisher :
  • Release : 2000
  • Pages : 283
  • ISBN : 9780889461185
  • Language : En, Es, Fr & De
GET BOOK

Tylee (English literature, Brunel U.) presents 15 contributions that discuss women's drama that arose from World War I. Each section presents viewpoints from various countries, particularly Britain and Germany. The essays cover various periods and types of drama (from traditional stage plays to modernist, avant-garde drama) and also look at responses after the Second World War, 40 years later. Discussion includes the political positions the plays embody, and the ways in which the formal aspects of the plays enable different kinds of feminist politics to become manifest. c. Book News Inc.

Theater of the Mind

Theater of the Mind
Imagination, Aesthetics, and American Radio Drama

by Neil Verma

  • Publisher : University of Chicago Press
  • Release : 2012-06-29
  • Pages : 296
  • ISBN : 0226853527
  • Language : En, Es, Fr & De
GET BOOK

For generations, fans and critics have characterized classic American radio drama as a “theater of the mind.” This book unpacks that characterization by recasting the radio play as an aesthetic object within its unique historical context. In Theater of the Mind, Neil Verma applies an array of critical methods to more than six thousand recordings to produce a vivid new account of radio drama from the Depression to the Cold War. In this sweeping exploration of dramatic conventions, Verma investigates legendary dramas by the likes of Norman Corwin, Lucille Fletcher, and Wyllis Cooper on key programs ranging from The Columbia Workshop, The Mercury Theater on the Air, and Cavalcade of America to Lights Out!, Suspense, and Dragnet to reveal how these programs promoted and evolved a series of models of the imagination. With close readings of individual sound effects and charts of broad trends among formats, Verma not only gives us a new account of the most flourishing form of genre fiction in the mid-twentieth century but also presents a powerful case for the central place of the aesthetics of sound in the history of modern experience.

This Book Is Not about Drama...

This Book Is Not about Drama...
It's about New Ways to Inspire Students

by Myra Barrs,Bob Barton,David Booth

  • Publisher : Pembroke Publishers Limited
  • Release : 2012
  • Pages : 160
  • ISBN : 1551382695
  • Language : En, Es, Fr & De
GET BOOK

" Part food for thought, part instruction manual, part stories and scripts to explore, and part encouragement to recharge, this practical book offers a comprehensive approach to using role play and discussion to build meaningful language experiences. It explores issues around storytelling, silent speech, writing, and imagination and shows teachers how to be effective observers and support the deeper meaning that comes from working inside and outside the text. This authoritative resource is full of simple strategies and texts that have been chosen for their ability to engage students, get them out of their chairs, and let them learn actively and socially. The strategies begin with simple games, and evolve into more complex learning opportunities. The model texts give teachers a great place to start, and anecdotes from real classrooms put them into context. These classroom glimpses illustrate the real power that students can bring to their learning as they share within groups and find ways to involve their audience."--Publisher.

The Ritual Theater of Aimé Césaire

The Ritual Theater of Aimé Césaire
Mythic Structures of the Dramatic Imagination

by Marianne Wichmann Bailey

  • Publisher : Gunter Narr Verlag
  • Release : 1992
  • Pages : 255
  • ISBN : 9783823346029
  • Language : En, Es, Fr & De
GET BOOK

The Tragic Imagination

The Tragic Imagination
The Literary Agenda

by Rowan Williams

  • Publisher : Oxford University Press
  • Release : 2016-09-01
  • Pages : 176
  • ISBN : 019873641X
  • Language : En, Es, Fr & De
GET BOOK

The Literary Agenda is a series of short polemical monographs about the importance of literature and of reading in the wider world and about the state of literary education inside schools and universities. The category of "the literary" has always been contentious. What is clear, however, is how increasingly it is dismissed or is unrecognized as a way of thinking or an arena for thought. It is sceptically challenged from within, for example, by the sometimes rival claims of cultural history, contextualized explanation, or media studies. It is shaken from without by even greater pressures: by economic exigency and the severe social attitudes that can follow from it; by technological change that may leave the traditional forms of serious human communication looking merely antiquated. For just these reasons this is the right time for renewal, to start reinvigorated work into the meaning and value of literary reading. This short but thought-provoking volume asks the question, "What is it that tragedy makes us know?" The focus is on tragedy as a mode of representing the experience of radical suffering, pain, or loss, a mode of narrative through which we come to know certain things about ourselves and our world--about its fragility and ours. Through a mixture of historical discussion and close reading of a number of dramatic texts--from Sophocles to Sarah Kane--the book addresses a wide range of debates: how tragedy is defined, whether there is such a thing as "absolute tragedy," various modern attempts to rework the classical heritage and the relation of comedy to tragedy. There is also a fresh discussion of whether religious--particularly Christian--discourse is inimical to the tragic and of the necessary tension between tragic narrative and certain kinds of political as well as religious rhetoric. Rowan Williams argues that tragic drama both articulates failure and frailty and, in affirming the possibility of narrating the story of traumatic loss, refuses to settle for passivity, resignation, or despair. In this sense, it still shows the trace of its ritual and religious roots. And in challenging two-dimensional models of society, power, humanity and human knowing, it remains an intrinsic part of any fully humanist culture.

Walt Disney

Walt Disney
The Triumph of the American Imagination

by Neal Gabler

  • Publisher : Vintage
  • Release : 2007
  • Pages : 851
  • ISBN : 0679757473
  • Language : En, Es, Fr & De
GET BOOK

A portrait of the private life and public career of Walt Disney ranges from his deprived youth, to his contributions to the art of animation, to his visionary creation of the first synergistic entertainment empire, to his reclusive and lonely private world.

Scenographic Imagination

Scenographic Imagination

by Darwin Reid Payne

  • Publisher : SIU Press
  • Release : 1993
  • Pages : 328
  • ISBN : 9780809318513
  • Language : En, Es, Fr & De
GET BOOK

In this enlarged and thoroughly revised third edition of his widely used text, Darwin Reid Payne explores the principles and philosophies that shape the visual elements of theatre. Payne sets out to discover who scenographers are and to define their responsibilities. He sees scenographers as not merely craftspersons but artists with "a special vision that spans all the arts." Such artists are in a position to "extend and amplify underlying meanings of the production." The proper goal of beginning scenographers, according to Payne, is one day to be able to approach the job as artists in full command of their craft. Payne seeks to instill in beginning scenographers a basic core of knowledge: an understanding of theatre history and the development of drama; a knowledge of art history and an understanding of periods and styles of architecture, painting, sculpture, furnishings, and costume; and a familiarity with the principles, techniques, and materials of pictorial and three-dimensional design. This new edition contains 248 illustrations, 38 more than the second edition. Payne's goal, certainly, is to teach students what to do and how to do it; equally important, however, is Payne's view that scenographers must know why. To Payne, "Scenography is an art whose scope is nothing less than the whole world outside the theatre." Scenographers must read not only in their own field but in others as well. Payne has incorporated into his text many suggestions for outside readings, quoting passages and even entire chapters from important works. Stressing research, Payne argues that without knowledge of the literature of their own and related arts, scenographers cannot grow. And that is the emphasis of this book: to present aspiring scenographers with an approach and a set of concepts that will enable them to grow. Toward that end, Payne establishes five priorities, the first of which is to develop in students what he calls "time vision," or the ability to "see" the historical past as a living place with living inhabitants. The second priority is to bring about an awareness that allows students to "see" beneath the surface of objects and events. Third, students must be helped to recognize and appreciate the difference between the "concept of space as it exists outside the theatre and the concept of space as it is used within the theatre." The fourth priority is to ingrain in students an understanding of the importance of imagery to the scenographer, and the final priority is to teach those technical skills necessary to carry out the concepts of the scenographer.

Performing Chekhov

Performing Chekhov

by David Allen

  • Publisher : Routledge
  • Release : 2002-01-04
  • Pages : 280
  • ISBN : 113465796X
  • Language : En, Es, Fr & De
GET BOOK

First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

The Music of Tragedy

The Music of Tragedy
Performance and Imagination in Euripidean Theater

by Naomi A. Weiss

  • Publisher : Univ of California Press
  • Release : 2018
  • Pages : 284
  • ISBN : 0520295900
  • Language : En, Es, Fr & De
GET BOOK

The Music of Tragedy offers a new approach to the study of classical Greek theater by examining the use of musical language, imagery, and performance in the late work of Euripides. Naomi Weiss demonstrates that Euripides’ allusions to music-making are not just metatheatrical flourishes or gestures towards musical and religious practices external to the drama but closely interwoven with the dramatic plot. Situating Euripides’ experimentation with the dramaturgical effects of mousike within a broader cultural context, she shows how much of his novelty lies in his reinvention of traditional lyric styles and motifs for the tragic stage. If we wish to understand better the trajectories of this most important ancient art form, The Music of Tragedy argues, we must pay closer attention to the role played by both music and text.

Offstage Space, Narrative, and the Theatre of the Imagination

Offstage Space, Narrative, and the Theatre of the Imagination

by W. Gruber

  • Publisher : Springer
  • Release : 2010-03-01
  • Pages : 192
  • ISBN : 0230105645
  • Language : En, Es, Fr & De
GET BOOK

Offstage Space, Narrative, and the Theatre of the Imagination is a study of extrascenic space and how playwrights have used narrative as an alternative to conventional scenic enactment. The book covers the work of writers as diverse as Euripides, Plautus, Shakespeare, Susan Glaspell, Gertrude Stein, Bertolt Brecht, Samuel Beckett, Marguerite Duras, Brian Friel, and Thomas Bernhard. William Gruber offers a wide-ranging overview of the dramaturgical choices dramatists make when they substitute imagined events for perceptual ones.

What is Scenography?

What is Scenography?

by Pamela Howard

  • Publisher : Psychology Press
  • Release : 2002-01
  • Pages : 134
  • ISBN : 0415100852
  • Language : En, Es, Fr & De
GET BOOK

Pamela Howard's What is Scenography?has become a classic text in contemporary theatre design and performance practice. In this second edition, the author expands on her holistic analysis of scenography as comprising space, text, research, art, performers, directors and spectators, to examine the changing nature of scenography in the twenty-first century. The book includes: case studies and anecdotes from Howard's own celebrated career illustrations of her own recent work, including black and white illustrations throughout and an eight page colour section an updated 'world view' of scenography, with definitions from the world's most famous and influential scenographers A direct and personal response to the question of how to define scenography by one of the world's leading practitioners, What is Scenography?continues to shape the work of visual theatremakers throughout the world.