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THE FILM EXP

THE FILM EXP

by CORRIGAN T WHITE P

  • Publisher :
  • Release : 2015-04-01
  • Pages : 329
  • ISBN : 9781137463951
  • Language : En, Es, Fr & De
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The Film Experience

The Film Experience
An Introduction

by Timothy Corrigan,Patricia White

  • Publisher : Macmillan
  • Release : 2012-01-03
  • Pages : 518
  • ISBN : 0312681704
  • Language : En, Es, Fr & De
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"A comprehensive introduction to film that recognizes students as movie fans and helps them understand the art form's full scope. The authors situate their strong coverage of the medium's formal elements within the larger cultural contexts that inform the ways we watch film, from economics and exhibition to marketing and the star system." -- Blackwells.

The Address of the Eye

The Address of the Eye
A Phenomenology of Film Experience

by Vivian Sobchack

  • Publisher : Princeton University Press
  • Release : 2020-05-05
  • Pages : 358
  • ISBN : 0691213275
  • Language : En, Es, Fr & De
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Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical situations of both the spectator and the film, the author makes the radical proposal that the cinematic experience depends on two "viewers" viewing: the spectator and the film, each existing as both subject and object of vision. Drawing on existential and semiotic phenomenology, and particularly on the work of Merleau-Ponty, Sobchack shows how the film experience provides empirical insight into the reversible, dialectical, and signifying nature of that embodied vision we each live daily as both "mine" and "another's." In this attempt to account for cinematic intelligibility and signification, the author explores the possibility of human choice and expressive freedom within the bounds of history and culture.

Phenomenology of Film

Phenomenology of Film
A Heideggerian Account of the Film Experience

by Shawn Loht

  • Publisher : Lexington Books
  • Release : 2017-08-25
  • Pages : 220
  • ISBN : 1498519032
  • Language : En, Es, Fr & De
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Phenomenology of Film: A Heideggerian Account of the Film Experience uses the philosophy of Martin Heidegger as a framework for addressing key issues in the philosophy of film. This study grapples with the question of how we can reconcile film as a popular entertainment medium with Heidegger’s own various critiques of popular media and culture throughout his career. Shawn Loht also explores topics such as the ontology of film and moving images; the phenomenological character of the viewer experience; film conceived as an art medium; and the function of films as vehicles for philosophical thought. He further discusses important concepts from Heidegger’s philosophy--Dasein, existentiality, world, art and poetry, and the nature of philosophy. The first four chapters take up these issues from a theoretical perspective. The remaining chapters provide robust application of the theoretical material to the films of three contemporary filmmakers: Terrence Malick, Michael Haneke, and David Gordon Green. As the first single-author monograph that takes up Heidegger’s relevance to film, Phenomenology of Film will be of particular interest to philosophers of film and specialists of film and media studies working in the intersection of phenomenology and film or phenomenological approaches to issues in popular culture.

Launchpad Solo for the Film Experience, Six Month Access

Launchpad Solo for the Film Experience, Six Month Access
An Introduction

by Corrigan,Patricia White

  • Publisher :
  • Release : 2017-11-10
  • Pages : 329
  • ISBN : 9781319093525
  • Language : En, Es, Fr & De
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Structures Film Experience Jean-Pierre

Structures Film Experience Jean-Pierre

by Julian Hanich,Daniel Fairfax

  • Publisher : Film Theory in Media History
  • Release : 2019-08-26
  • Pages : 360
  • ISBN : 9789462986565
  • Language : En, Es, Fr & De
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For the first time this volume makes Jean-Pierre Meunier's influential thoughts on the film experience available for an English-speaking readership. Introduced and commented by specialists in film studies and philosophy, Meunier's intricate phenomenological descriptions of the spectator's engagement with fiction films, documentaries and home movies can reach the wide audience they have deserved ever since their publication in French in 1969.

The Film Experience

The Film Experience

by Timothy Corrigan,Patricia White

  • Publisher : Macmillan Higher Education
  • Release : 2020-09-25
  • Pages : 476
  • ISBN : 1319324215
  • Language : En, Es, Fr & De
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Now with Macmillan's highly touted LaunchPad to deliver superior content online, The Film Experience offers a comprehensive introduction to the art, language, industry, culture, and experience of the movies?--with new digital tools to bring that experience to life and help students master course material. The text highlights how formal elements like cinematography, editing, and sound can be analyzed and interpreted within the context of a film as a whole. With superior tools for reading and writing about film, as well as unparalleled coverage of diversity, inclusion, and non-mainstream filmmaking traditions, The most robust introduction to film on the market, the Sixth Edition emphasizes film technology through expanded coverage of animation and a new Technology in Action feature, which puts the evolving technology of film in historical context. The Film Experience is also now available with LaunchPad, Macmillan's customizable online course space, which includes the full e-book, LearningCurve adaptive quizzing, a rich array of video activities aligned with the text, and more.

The Multisensory Film Experience

The Multisensory Film Experience
A Cognitive Model of Experiental Film Aesthetics

by Luis Rocha Antunes

  • Publisher : Intellect Books
  • Release : 2016-05-01
  • Pages : 218
  • ISBN : 1783206306
  • Language : En, Es, Fr & De
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When the lights dim in a movie theatre and the projector begins to click and whir, the light and sounds of the motion picture become the gateway to a multisensory experience. Moving beyond the oft-discussed perceptual elements of vision and hearing, The Multisensory Film Experience analyses temperature, pain and balance in order to argue that it is the experience of film that’s inherently multisensory, not the medium. Luis Rocha Antunes here explores the work of well-loved filmmakers Erik Jensen, Gus Van Sant and Ki-Duk Kim to offer new insights into how viewers experience films and understand their stories. This is an original contribution to an emerging field of research and will become essential reading for film scholars.

Melancholy Emotion in Contemporary Cinema

Melancholy Emotion in Contemporary Cinema
A Spinozian Analysis of Film Experience

by Francesco Sticchi

  • Publisher : Routledge
  • Release : 2019-01-15
  • Pages : 198
  • ISBN : 0429847459
  • Language : En, Es, Fr & De
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This work outlines a new methodology for film analysis based on the radical materialist thought of Baruch Spinoza, re-evaluating contemporary cognitive media theory and philosophical theories on the emotional and intellectual aspects of film experience. Sticchi’s exploration of Spinozian philosophy creates an experiential constructive model to blend the affective and intellectual aspects of cognition, and to combine it with different philosophical interpretations of film theory. Spinoza’s embodied philosophy rejected logical and ethical dualisms, and established a perfect parallelism between sensation and reason and provides the opportunity to address negative emotions and sad passions without referring exclusively to traditional notions such as catharsis or sublimation, and to put forth a practical/embodied notion of Film-Philosophy. This new analytical approach is tested on four case studies, films that challenge the viewer’s emotional engagement since they display situations of cosmic failure and depict controversial and damaged characters: A Serious Man (2009); Melancholia (2011); The Act of Killing (2012) and Only Lovers Left Alive (2013). This book is an important addition to the literature in Film Studies, particularly in Cognitive Film Theory and Philosophy of Film. Its affective and semantic analyses of film experience (studies of embodied conceptualisation), connecting Spinoza’s thought to the analysis of audiovisual media, will also be of interest to Philosophy scholars and in academic courses of film theory, film-philosophy and cognitive film studies.

Audience Effect

Audience Effect
On the Collective Cinema Experience

by Julian Hanich

  • Publisher : Edinburgh University Press
  • Release : 2018-03-07
  • Pages : 240
  • ISBN : 1474414966
  • Language : En, Es, Fr & De
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The first comprehensive conceptualisation of Russia and neighbouring Eastern Europe in post-1989 Nordic film

Moving Viewers

Moving Viewers
American Film and the Spectator's Experience

by Carl Plantinga

  • Publisher : Univ of California Press
  • Release : 2009-04-08
  • Pages : 296
  • ISBN : 9780520943919
  • Language : En, Es, Fr & De
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Everyone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience? In Moving Viewers, Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of movies in culture. Through an in-depth discussion of mainstream Hollywood films, Plantinga investigates what he terms "the paradox of negative emotion" and the function of mainstream narratives as ritualistic fantasies. He describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. He uses cognitive science and philosophical aesthetics to demonstrate why cinema may deliver a similar emotional charge for diverse audiences.

Eye of the Century

Eye of the Century
Film, Experience, Modernity

by Francesco Casetti

  • Publisher : Columbia University Press
  • Release : 2008
  • Pages : 269
  • ISBN : 0231139942
  • Language : En, Es, Fr & De
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Acclaimed film scholar Francesco Casetti situates the cinematic experience within discourses of 20th century modernity. He suggests that film defined a unique gaze not only because it recorded many of the centuries most important events, but also because it determined the manner in which they were received.

The Tactile Eye

The Tactile Eye
Touch and the Cinematic Experience

by Jennifer M. Barker

  • Publisher : Univ of California Press
  • Release : 2009-05-27
  • Pages : 208
  • ISBN : 9780520943902
  • Language : En, Es, Fr & De
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The Tactile Eye expands on phenomenological analysis and film theory in its accessible and beautifully written exploration of the visceral connection between films and their viewers. Jennifer M. Barker argues that the experience of cinema can be understood as deeply tactile—a sensuous exchange between film and viewer that goes beyond the visual and aural, gets beneath the skin, and reverberates in the body. Barker combines analysis of embodiment and phenomenological film theory to provide an expansive description of cinematic tactility. She considers feminist experimental film, early cinema, animation, and horror, as well as classic, modernist, and postmodern cinema; films from ten national cinemas; and work by Chuck Jones, Buster Keaton, the Quay Brothers, Satyajit Ray, Carolee Schneemann, and Tom Tykwer, among others.

The Cult Film Experience

The Cult Film Experience
Beyond All Reason

by J. P. Telotte

  • Publisher : University of Texas Press
  • Release : 2014-02-19
  • Pages : 236
  • ISBN : 0292761856
  • Language : En, Es, Fr & De
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"Play it again, Sam" is the motto of cult film enthusiasts, who will watch their favorite movie over and over, "beyond all reason." What is the appeal of cult movies? Why do fans turn up in droves at midnight movies or sit through the same three-hanky classics from Hollywood's golden era? These are some of the questions J. P. Telotte and twelve other noted film scholars consider in this groundbreaking study of the cult film. The book identifies two basic types of cult films—older Hollywood movies, such as Casablanca, that have developed a cult following and "midnight movies," most notably The Rocky Horror Picture Show. Telotte, Bruce Kawin, and Timothy Corrigan offer thought-provoking discussions about why these two types of movies become cult films, the sort of audience they attract, and the needs they fulfill for that audience. Subsequent essays employ a variety of cultural, feminist, ideological, and poststructural strategies for exploring these films. In a section on the classical cult film, the movie Casablanca receives extensive treatment. An essay by T. J. Ross considers Beat the Devil as a send-up of cult films, while another essay by Wade Jennings analyzes the cult star phenomenon as personified in Judy Garland. "Midnight movie madness" is explored in essays on The Rocky Horror Picture Show, movie satires of the 1950s, science fiction double features, and horror thrillers. Illustrated with scenes from favorite movies and written for both fans and scholars, The Cult Film Experience will appeal to a wider audience than the "usual suspects."

The Cult Film Experience

The Cult Film Experience
Beyond All Reason

by J. P. Telotte

  • Publisher : University of Texas Press
  • Release : 2014-02-19
  • Pages : 236
  • ISBN : 0292761856
  • Language : En, Es, Fr & De
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"Play it again, Sam" is the motto of cult film enthusiasts, who will watch their favorite movie over and over, "beyond all reason." What is the appeal of cult movies? Why do fans turn up in droves at midnight movies or sit through the same three-hanky classics from Hollywood's golden era? These are some of the questions J. P. Telotte and twelve other noted film scholars consider in this groundbreaking study of the cult film. The book identifies two basic types of cult films—older Hollywood movies, such as Casablanca, that have developed a cult following and "midnight movies," most notably The Rocky Horror Picture Show. Telotte, Bruce Kawin, and Timothy Corrigan offer thought-provoking discussions about why these two types of movies become cult films, the sort of audience they attract, and the needs they fulfill for that audience. Subsequent essays employ a variety of cultural, feminist, ideological, and poststructural strategies for exploring these films. In a section on the classical cult film, the movie Casablanca receives extensive treatment. An essay by T. J. Ross considers Beat the Devil as a send-up of cult films, while another essay by Wade Jennings analyzes the cult star phenomenon as personified in Judy Garland. "Midnight movie madness" is explored in essays on The Rocky Horror Picture Show, movie satires of the 1950s, science fiction double features, and horror thrillers. Illustrated with scenes from favorite movies and written for both fans and scholars, The Cult Film Experience will appeal to a wider audience than the "usual suspects."

The Independent Film Experience

The Independent Film Experience
Interviews with Directors and Producers

by Kevin J. Lindenmuth

  • Publisher : McFarland
  • Release : 2002-01-31
  • Pages : 240
  • ISBN : 9780786410750
  • Language : En, Es, Fr & De
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You see them on the video shelves, with titles such as Shadow Tracker, Psycho Girls, and The Blair Witch Project. Skeptically, perhaps, you rent one and slip it into the VCR. Hey, you think, this isn't so bad--sometimes actually quite good. Suddenly, you discover that there is a whole range of movies from filmmakers operating outside the studio system that have their own attractions that the big budget fare can't match. You have, of course, discovered the world of independent filmmaking. A fascinating group of independent film directors and producers, in interviews with the author, discuss their work and the state of the independent film industry at the end of the 20th century. Joe Bagnardi, Dennis Devine, Andrew Harrison, Jeff Leroy, Andrew Parkinson, Brett Piper, and 23 others cover such topics as the increased interest in independent films and how they are changing thanks to high-tech advances. These filmmakers vary widely in age, experience, formats and budgets--and choice of subject matter--but they all have a great passion for their work.

The Essay Film

The Essay Film
From Montaigne, After Marker

by Timothy Corrigan

  • Publisher : Oxford University Press
  • Release : 2011-08-01
  • Pages : 256
  • ISBN : 0199910561
  • Language : En, Es, Fr & De
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Why have certain kinds of documentary and non-narrative films emerged as the most interesting, exciting, and provocative movies made in the last twenty years? Ranging from the films of Ross McElwee (Bright Leaves) and Agn?s Varda (The Gleaners and I) to those of Abbas Kiarostami (Close Up) and Ari Folman (Waltz with Bashir), such films have intrigued viewers who at the same time have struggled to categorize them. Sometimes described as personal documentaries or diary films, these eclectic works are, rather, best understood as cinematic variations on the essay. So argues Tim Corrigan in this stimulating and necessary new book. Since Michel de Montaigne, essays have been seen as a lively literary category, and yet--despite the work of pioneers like Chris Marker--seldom discussed as a cinematic tradition. The Essay Film, offering a thoughtful account of the long rapport between literature and film as well as novel interpretations and theoretical models, provides the ideas that will change this.

The Multisensory Film Experience

The Multisensory Film Experience
A Cognitive Model of Experiental Film Aesthetics

by Luis Rocha Antunes

  • Publisher : Intellect Books
  • Release : 2016-05-01
  • Pages : 218
  • ISBN : 1783206306
  • Language : En, Es, Fr & De
GET BOOK

When the lights dim in a movie theatre and the projector begins to click and whir, the light and sounds of the motion picture become the gateway to a multisensory experience. Moving beyond the oft-discussed perceptual elements of vision and hearing, The Multisensory Film Experience analyses temperature, pain and balance in order to argue that it is the experience of film that’s inherently multisensory, not the medium. Luis Rocha Antunes here explores the work of well-loved filmmakers Erik Jensen, Gus Van Sant and Ki-Duk Kim to offer new insights into how viewers experience films and understand their stories. This is an original contribution to an emerging field of research and will become essential reading for film scholars.

Cinematic Ethics

Cinematic Ethics
Exploring Ethical Experience through Film

by Robert Sinnerbrink

  • Publisher : Routledge
  • Release : 2015-10-23
  • Pages : 216
  • ISBN : 1317336119
  • Language : En, Es, Fr & De
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How do movies evoke and express ethical ideas? What role does our emotional involvement play in this process? What makes the aesthetic power of cinema ethically significant? Cinematic Ethics: Exploring Ethical Experience through Film addresses these questions by examining the idea of cinema as a medium of ethical experience with the power to provoke emotional understanding and philosophical thinking. In a clear and engaging style, Robert Sinnerbrink examines the key philosophical approaches to ethics in contemporary film theory and philosophy using detailed case studies of cinematic ethics across different genres, styles, and filmic traditions. Written in a lucid and lively style that will engage both specialist and non-specialist readers, this book is ideal for use in the academic study of philosophy and film. Key features include annotated suggestions for further reading at the end of each chapter and a filmography of movies useful for teaching and researching cinematic ethics.

Innovation in Audio Description Research

Innovation in Audio Description Research

by Sabine Braun,Kim Starr

  • Publisher : Routledge
  • Release : 2020-07-30
  • Pages : 202
  • ISBN : 1000080676
  • Language : En, Es, Fr & De
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This state-of-the-art volume covers recent developments in research on audio description, the professional practice dedicated to making audiovisual products, artistic artefacts and performances accessible to those with supplementary visual and cognitive needs. Harnessing the power of the spoken word, the projects covered in this book illustrate the value of audiovisual content descriptions not only in relation to the role of breaking down physical, cognitive and emotional barriers to entertainment, but also in informing broader media practices such as video archive retrieval, video gaming development and application software creation. The first section maps out the field, discusses key concepts in relation to new developments and illustrates their application; the second part focuses on new audiences for AD, whilst the third part covers the impact of new technologies. Throughout this book contributors focus on methodological innovation, regarding audio description as an opportunity to engage in multi-dimensional linguistic and user-experience analysis, as it intersects with and contributes to a range of other research disciplines. This book is key reading for researchers, advanced students and practitioners of audiovisual translation, media, film and performance studies, as well as those in related fields including cognition, narratology, computer vision and artificial intelligence.