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The Modern Conductor

The Modern Conductor
A College Text on Conducting Based on the Technical Principles of Nicolai Malko as Set Forth in His The Conductor and His Baton

by Elizabeth A. H. Green,Mark Gibson

  • Publisher : Prentice Hall
  • Release : 2004
  • Pages : 252
  • ISBN :
  • Language : En, Es, Fr & De
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Written in a clear style that speaks directly to the serious conducting student, The Modern Conductor, Seventh Edition, maintains Dr. Elizabeth A.H. Green's time-honored approach to conducting technique while offering new insights into opera conducting, career-building, and score study. Building on the concept of conducting as a time-space activity, co-author Mark Gibson clarifies the pedagogical ideas of the legendary Russian maestro, Nicolai Malko, as first put forth by Dr. Green. The Seventh Edition incorporates into Malko's classic approach a heightened emphasis on the role of the conductor and the non-technical skills that the aspiring conductor must acquire to prepare for a podium career in the twenty-first century. Among the topics included are: The Usefulness of the Baton Expressive Gestures "Zig-Zag" Audition/Rehearsal Checklist The student will attain insights into handling contemporary scores and unconventional notation, as well as instrumental and choral conducting and aspects of advanced musicianship in relation to wind ensemble, orchestra and chorus. Important concepts and terms are highlighted to enable the reader to find them quickly. Exercises and drills are included in the text to reinforce critical concepts and skills.

The Modern Conductor

The Modern Conductor
A College Text on Conducting Based on the Technical Principles of Nicolai Malko as Set Forth in His The Conductor and His Baton

by Elizabeth A. H. Green

  • Publisher : Prentice Hall
  • Release : 1987
  • Pages : 273
  • ISBN : 9780135901830
  • Language : En, Es, Fr & De
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Extensively refined and updated, this new edition on conducting posits that conducting is atime-space art. It builds basic book techniques and includes additional band scores excerpts, placed in proximity with the classic repertoire. The text adds new baton timing techniques, and shows the relationships of time, speed, and motion. Key words and principles are highlighted in boldface or italics. This book states a new principle regarding gesture-speed as related to dynamics and phrasing. Drills to train the mind and hands simultaneously are presented. Complete diagrams, all time-beating patterns, and logical classification of expressive gestures are included. Offers manual-technique photo illustrations and a wealth of music examples that show the application of techniques. Features an extensive appendix that includes seating charts, language tables (scores), less common terms, and an outline of musical form to aid in score study. For musicians.

A Dictionary for the Modern Conductor

A Dictionary for the Modern Conductor

by Emily Freeman Brown

  • Publisher : Scarecrow Press
  • Release : 2015-08-20
  • Pages : 432
  • ISBN : 0810884011
  • Language : En, Es, Fr & De
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Titles in Dictionaries for the Modern Musician: A Scarecrow Press Music Series offer both the novice and the advanced artist key information designed to convey the field of study and performance for a major instrument or instrument class, as well as the workings of musicians in areas from conducting to composing. Unlike other encyclopedic works, contributions to this series focus primarily on the knowledge required by the contemporary musical student or performer. Each dictionary covers topics from instrument parts to playing technique, major works to key figures. A must-have for any musician’s personal library! Filling a vital need in the rapidly changing and complex field of conducting, A Dictionary for the Modern Conductor is a concise one-volume reference tool that brings together for the first time information covering a broad array of topics essential for today’s conductor to know. Author and conductor Emily Freeman Brown offers easy-to-read definitions of key musical terms, translated foreign terms, examples of usage from orchestral music and practical vocabulary in multiple languages. A Dictionary for the Modern Conductor includes biographies of major conductors and other individual important to the world of modern conducting, emphasizing throughout their contributions to the progress of the conducting professional; critical information on major orchestras, significant ensembles, key institutions and organizations, with a focus on the ways in which they preserve and advance today’s musical life; and practical entries covering baton and rehearsal techniques, bowing terms, information about instruments, voice types and much more. In a series of appendixes, A Dictionary for the Modern Conductor also covers such topics as orchestral works that changed the art and practice of conducting, a short historiography of conducting, a comprehensive bibliography, a look at conducting recitative, and a list of pitches, interval names, rhythmic terms, orchestral and percussion instrument names, and finally translations of all of these categories of information into French, German, Italian, and Spanish. A Dictionary for the Modern Conductor will appeal to aspiring conductors and seasoned professionals. It is an invaluable resource.

Guide to Score Study for the Wind Band Conductor

Guide to Score Study for the Wind Band Conductor

by Frank Battisti,Robert Garofalo

  • Publisher : Meredith Music
  • Release : 2000-03-01
  • Pages : 128
  • ISBN : 1476850674
  • Language : En, Es, Fr & De
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(Meredith Music Resource). This outstanding "one-of-a-kind" text was designed to assist the conductor in achieving a personal interpretation of music.

The Conductor and His Score

The Conductor and His Score

by Elizabeth A. H. Green,Nicolai Malko

  • Publisher : Prentice Hall
  • Release : 1975
  • Pages : 191
  • ISBN :
  • Language : En, Es, Fr & De
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The Compleat Conductor

The Compleat Conductor

by Gunther Schuller

  • Publisher : Oxford University Press
  • Release : 1998-12-10
  • Pages : 592
  • ISBN : 9780199840588
  • Language : En, Es, Fr & De
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A world-renowned conductor and composer who has lead most of the major orchestras in North America and Europe, a talented musician who has played under the batons of such luminaries as Toscanini and Walter, and an esteemed arranger, scholar, author, and educator, Gunther Schuller is without doubt a major figure in the music world. Now, in The Compleat Conductor, Schuller has penned a highly provocative critique of modern conducting, one that is certain to stir controversy. Indeed, in these pages he castigates many of this century's most venerated conductors for using the podium to indulge their own interpretive idiosyncrasies rather than devote themselves to reproducing the composer's stated and often painstakingly detailed intentions. Contrary to the average concert-goer's notion (all too often shared by the musicians as well) that conducting is an easily learned skill, Schuller argues here that conducting is "the most demanding, musically all embracing, and complex" task in the field of music performance. Conducting demands profound musical sense, agonizing hours of study, and unbending integrity. Most important, a conductor's overriding concern must be to present a composer's work faithfully and accurately, scrupulously following the score including especially dynamics and tempo markings with utmost respect and care. Alas, Schuller finds, rare is the conductor who faithfully adheres to a composer's wishes. To document this, Schuller painstakingly compares hundreds of performances and recordings with the original scores of eight major compositions: Beethoven's fifth and seventh symphonies, Schumann's second (last movement only), Brahms's first and fourth, Tchaikovsky's sixth, Strauss's "Till Eulenspiegel" and Ravel's "Daphnis et Chloe, Second Suite." Illustrating his points with numerous musical examples, Schuller reveals exactly where conductors have done well and where they have mangled the composer's work. As he does so, he also illuminates the interpretive styles of many of our most celebrated conductors, offering pithy observations that range from blistering criticism of Leonard Bernstein ("one of the world's most histrionic and exhibitionist conductors") to effusive praise of Carlos Kleiber (who "is so unique, so remarkable, so outstanding that one can only describe him as a phenomenon"). Along the way, he debunks many of the music world's most enduring myths (such as the notion that most of Beethoven's metronome markings were "wrong" or "unplayable," or that Schumann was a poor orchestrator) and takes on the "cultish clan" of period instrument performers, observing that many of their claims are "totally spurious and chimeric." In his epilogue, Schuller sets forth clear guidelines for conductors that he believes will help steer them away from self indulgence towards the correct realization of great art. Courageous, eloquent, and brilliantly insightful, The Compleat Conductor throws down the gauntlet to conductors worldwide. It is a controversial book that the music world will be debating for many years to come.

The Conductor

The Conductor

by Sarah Quigley

  • Publisher : Penguin Random House New Zealand Limited
  • Release : 2011-08-26
  • Pages : 300
  • ISBN : 1869795075
  • Language : En, Es, Fr & De
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A best-selling, compelling and evocatively realised novel based on real events and figures. It has now sold into eight different countries around the world. In June 1941, Nazi troops march on Leningrad and surround it. Hitler's plan is to shell, bomb, and starve the city into submission. Most of the cultural elite are evacuated early in the siege, but Dmitri Shostakovich, the most famous composer in Russia, stays on to defend his city, digging ditches and fire-watching. At night he composes a new work. But after Shostakovich and his family are forced to evacuate, only Karl Eliasberg - a shy and difficult man, conductor of the second-rate Radio Orchestra - and an assortment of musicians are left behind in Leningrad to face an unendurable winter and start rehearsing the finished score of Shostakovich's Leningrad Symphony.

The Conductor and His Baton

The Conductor and His Baton
Fundamentals of the Technic of Conducting

by Nicolai Malko

  • Publisher :
  • Release : 1950
  • Pages : 280
  • ISBN :
  • Language : En, Es, Fr & De
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Wisdom, Wit, and Will

Wisdom, Wit, and Will
Women Choral Conductors on Their Art

by Joan C. Conlon

  • Publisher : GIA Publications
  • Release : 2009
  • Pages : 470
  • ISBN : 9781579997601
  • Language : En, Es, Fr & De
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Includes biographies of selected American women choral conductors.

The Score, the Orchestra, and the Conductor

The Score, the Orchestra, and the Conductor

by Gustav Meier

  • Publisher : Oxford University Press
  • Release : 2009-08-26
  • Pages : 512
  • ISBN : 9780199716906
  • Language : En, Es, Fr & De
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Known internationally for his work as a teacher of conducting, Gustav Meier's influence in the field cannot be overstated. In The Score, the Orchestra and the Conductor, Meier demystifies the conductor's craft with explanations and illustrations of what the conductor must know to attain podium success. He provides useful information from the rudimentary to the sophisticated, and offers specific and readily applicable advice for technical and musical matters essential to the conductor's first rehearsal with the orchestra. This book details many topics that otherwise are unavailable to the aspiring and established conductor, including the use of the common denominator, the "The ZIG-ZAG method", a multiple, cross-indexed glossary of orchestral instruments in four languages, an illustrated description of string harmonics, and a comprehensive listing of voice categories, their overlaps, dynamic ranges and repertory. The Score, the Orchestra and the Conductor is an indispensable addition to the library of every conductor and conducting student.

For the Love of Music

For the Love of Music
A Conductor's Guide to the Art of Listening

by John Mauceri

  • Publisher : Knopf
  • Release : 2019
  • Pages : 224
  • ISBN : 0525520651
  • Language : En, Es, Fr & De
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With a lifetime of experience, profound knowledge and understanding, and heartwarming appreciation, an internationally celebrated conductor and teacher answers the questions: Why should I listen to classical music? How can I get the most from the listening experience? A protégé of Leonard Bernstein--his colleague for eighteen years--and an eminent conductor who has toured and recorded all over the world, John Mauceri helps us to reap the joys and pleasures classical music has to offer. Briefly, we learn the way a musical tradition born in ancient Greece, embraced by the Roman Empire, and subsequently nurtured by influences from across the globe, gave shape to the classical music that came to be embraced by cultures from Japan to Bolivia. Then Mauceri examines the music itself, helping us understand what it is we hear when we listen to classical music: how, by a kind of sonic metaphor, it expresses the deepest recesses of human feeling and emotion; how each piece bears the traces of its history; how the concert experience--a unique one each and every time--allows us to discover music anew. Unpretentious, graceful, instructive, this is a book for the aficionado, the novice, and anyone looking to have the love of music fired within them.

Exam Prep for: The Modern Conductor

Exam Prep for: The Modern Conductor

by N.A

  • Publisher :
  • Release :
  • Pages : 329
  • ISBN :
  • Language : En, Es, Fr & De
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Methods and Materials for Conducting

Methods and Materials for Conducting

by Douglas Stotter

  • Publisher : G I A Publications
  • Release : 2006
  • Pages : 253
  • ISBN :
  • Language : En, Es, Fr & De
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Beyond the Baton

Beyond the Baton
What Every Conductor Needs to Know

by Diane Wittry

  • Publisher : OUP USA
  • Release : 2007
  • Pages : 337
  • ISBN : 0195300939
  • Language : En, Es, Fr & De
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Beyond the Baton is a view of the music director's job from the inside - starting at the moment you decide you want to be a conductor, through your first job, to being a successful artistic leader within a community. This book will revolutionize the way a conductor thinks about their duties, both on and off the podium, and give a glimpse of the realities of the music director job to those not involved in the field.

On Becoming a Conductor

On Becoming a Conductor
Lessons and Meditations on the Art of Conducting

by Frank L. Battisti

  • Publisher : Hal Leonard Corporation
  • Release : 2007
  • Pages : 167
  • ISBN : 9781574630862
  • Language : En, Es, Fr & De
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(Meredith Music Resource). This incredible book by one of the world's foremost authorities on conducting contains no conducting patterns, and no advice on how to conduct any piece. Instead, it focuses on the skills, knowledge and experiences needed to become and function as a conductor-teacher. "This text is a 'must have' for all serious musicians. It captures the legacy and wisdom of one of the most important conductors of our time. This is what can happen when a focused and inquisitive mind meets up with a uniquely creative imagination." Eugene Migliaro Corporon, Director of Wind Studies, College of Music University of North Texas (a href="http://youtu.be/JM6g4KBA4Fk" target="_blank")Click here for a YouTube video on On Becoming a Conductor(/a)

The Conductor as Leader

The Conductor as Leader
Principles of Leadership Applied to Life on the Podium

by Ramona M. Wis

  • Publisher : GIA Publications
  • Release : 2007
  • Pages : 177
  • ISBN : 9781579996536
  • Language : En, Es, Fr & De
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This book applies the principles of business leadership to the task of leading a musical ensemble.

Conducting Technique

Conducting Technique
For Beginners and Professionals

by Brock McElheran,Lukas Foss

  • Publisher : Oxford University Press, USA
  • Release : 1989
  • Pages : 134
  • ISBN :
  • Language : En, Es, Fr & De
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Young Sarah, with the help of her friend Billy the Ghost, proves herself as a deputy by planning the perfect capture of two bank robbers in her Western town of Cactus Junction.

Performing Twentieth-century Music

Performing Twentieth-century Music
A Handbook for Conductors and Instrumentalists

by Arthur Weisberg

  • Publisher : Yale University Press
  • Release : 1993
  • Pages : 142
  • ISBN : 9780300066555
  • Language : En, Es, Fr & De
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This concise, straightforward handbook by the renowned conductor and instrumentalist Arthur Weisberg is the first practical manual to address the performance problems specific to twentieth-century music. Book jacket.

Absolutely on Music

Absolutely on Music
Conversations

by Haruki Murakami,Seiji Ozawa

  • Publisher : Bond Street Books
  • Release : 2016-11-15
  • Pages : 224
  • ISBN : 0385683170
  • Language : En, Es, Fr & De
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A deeply personal, intimate conversation about music and writing between the internationally acclaimed, best-selling author and his close friend, the former conductor of the Boston Symphony Orchestra. Haruki Murakami's passion for music runs deep. Before turning his hand to writing, he ran a jazz club in Tokyo, and from The Beatles' "Norwegian Wood" to Franz Liszt's "Years of Pilgrimage," the aesthetic and emotional power of music permeates every one of his much-loved books. Now, in Absolutely on Music, Murakami fulfills a personal dream, sitting down with his friend, acclaimed conductor Seiji Ozawa, to talk, over a period of two years, about their shared interest. Transcribed from lengthy conversations about the nature of music and writing, here they discuss everything from Brahms to Beethoven, from Leonard Bernstein to Glenn Gould, from record collecting to pop-up orchestras, and much more. Ultimately this book gives readers an unprecedented glimpse into the minds of the two maestros. It is essential reading for book and music lovers everywhere.

The Armchair Conductor

The Armchair Conductor
How to Lead a Symphony Orchestra in the Privacy of Your Own Home

by Dan Carlinsky,Edwin Goodgold

  • Publisher :
  • Release : 1994
  • Pages : 96
  • ISBN : 9781852865399
  • Language : En, Es, Fr & De
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