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The New Negro

The New Negro
The Life of Alain Locke

by Jeffrey C. Stewart

  • Publisher : Oxford University Press
  • Release : 2018
  • Pages : 932
  • ISBN : 019508957X
  • Language : En, Es, Fr & De
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Winner of the 2018 National Book Award for Nonfiction. A tiny, fastidiously dressed man emerged from Black Philadelphia around the turn of the century to mentor a generation of young artists including Langston Hughes, Zora Neale Hurston, and Jacob Lawrence and call them the New Negro -- the creative African Americans whose art, literature, music, and drama would inspire Black people to greatness. In The New Negro: The Life of Alain Locke, Jeffrey C. Stewart offers the definitive biography of the father of the Harlem Renaissance, based on the extant primary sources of his life and on interviews with those who knew him personally. He narrates the education of Locke, including his becoming the first African American Rhodes Scholar and earning a PhD in philosophy at Harvard University, and his long career as a professor at Howard University. Locke also received a cosmopolitan, aesthetic education through his travels in continental Europe, where he came to appreciate the beauty of art and experienced a freedom unknown to him in the United States. And yet he became most closely associated with the flowering of Black culture in Jazz Age America and his promotion of the literary and artistic work of African Americans as the quintessential creations of American modernism. In the process he looked to Africa to find the proud and beautiful roots of the race. Shifting the discussion of race from politics and economics to the arts, he helped establish the idea that Black urban communities could be crucibles of creativity. Stewart explores both Locke's professional and private life, including his relationships with his mother, his friends, and his white patrons, as well as his lifelong search for love as a gay man. Stewart's thought-provoking biography recreates the worlds of this illustrious, enigmatic man who, in promoting the cultural heritage of Black people, became -- in the process -- a New Negro himself.

The New Negro

The New Negro
An Interpretation

by Alain Locke

  • Publisher : Unknown Publisher
  • Release : 1968
  • Pages : 446
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Alain L. Locke

Alain L. Locke
The Biography of a Philosopher

by Leonard Harris,Charles Molesworth

  • Publisher : University of Chicago Press
  • Release : 2010-04-02
  • Pages : 448
  • ISBN : 0226317803
  • Language : En, Es, Fr & De
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Alain L. Locke (1886-1954), in his famous 1925 anthology TheNew Negro, declared that “the pulse of the Negro world has begun to beat in Harlem.” Often called the father of the Harlem Renaissance, Locke had his finger directly on that pulse, promoting, influencing, and sparring with such figures as Langston Hughes, Zora Neale Hurston, Jacob Lawrence, Richmond Barthé, William Grant Still, Booker T. Washington, W. E. B. Du Bois, Ralph Bunche, and John Dewey. The long-awaited first biography of this extraordinarily gifted philosopher and writer, Alain L. Locke narrates the untold story of his profound impact on twentieth-century America’s cultural and intellectual life. Leonard Harris and Charles Molesworth trace this story through Locke’s Philadelphia upbringing, his undergraduate years at Harvard—where William James helped spark his influential engagement with pragmatism—and his tenure as the first African American Rhodes Scholar. The heart of their narrative illuminates Locke’s heady years in 1920s New York City and his forty-year career at Howard University, where he helped spearhead the adult education movement of the 1930s and wrote on topics ranging from the philosophy of value to the theory of democracy. Harris and Molesworth show that throughout this illustrious career—despite a formal manner that many observers interpreted as elitist or distant—Locke remained a warm and effective teacher and mentor, as well as a fierce champion of literature and art as means of breaking down barriers between communities. The multifaceted portrait that emerges from this engaging account effectively reclaims Locke’s rightful place in the pantheon of America’s most important minds.

The Philosophy of Alain Locke

The Philosophy of Alain Locke
Harlem Renaissance and Beyond

by Alain Locke

  • Publisher : Temple University Press
  • Release : 1991-02-05
  • Pages : 342
  • ISBN : 9780877228295
  • Language : En, Es, Fr & De
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Discusses Locke's life and views and their impact on American philosophy, as well as his role in the Harlem Renaissance

The Black Art Renaissance

The Black Art Renaissance
African Sculpture and Modernism across Continents

by Joshua I. Cohen

  • Publisher : University of California Press
  • Release : 2020-07-21
  • Pages : 304
  • ISBN : 0520309685
  • Language : En, Es, Fr & De
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Reading African art’s impact on modernism as an international phenomenon, The “Black Art” Renaissance tracks a series of twentieth-century engagements with canonical African sculpture by European, African American, and sub-Saharan African artists and theorists. Notwithstanding its occurrence during the benighted colonial period, the Paris avant-garde “discovery” of African sculpture—known then as art nègre, or “black art”—eventually came to affect nascent Afro-modernisms, whose artists and critics commandeered visual and rhetorical uses of the same sculptural canon and the same term. Within this trajectory, “black art” evolved as a framework for asserting control over appropriative practices introduced by Europeans, and it helped forge alliances by redefining concepts of humanism, race, and civilization. From the Fauves and Picasso to the Harlem Renaissance, and from the work of South African artist Ernest Mancoba to the imagery of Negritude and the École de Dakar, African sculpture’s influence proved transcontinental in scope and significance. Through this extensively researched study, Joshua I. Cohen argues that art history’s alleged centers and margins must be conceived as interconnected and mutually informing. The “Black Art” Renaissance reveals just how much modern art has owed to African art on a global scale.

The Works of Alain Locke

The Works of Alain Locke
A Book

by Charles Molesworth

  • Publisher : Oxford University Press
  • Release : 2012-06-11
  • Pages : 400
  • ISBN : 0199795096
  • Language : En, Es, Fr & De
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With the publication of The New Negro in 1925, Alain Locke introduced readers all over the U.S. to the vibrant world of African American thought. As an author, editor, and patron, Locke rightly earned the appellation "Godfather of the Harlem Renaissance." Yet, his intellectual contributions extend far beyond that single period of cultural history. Throughout his life he penned essays, on topics ranging from John Keats to Sigmund Freud, in addition to his trenchant social commentary on race and society. The Works of Alain Locke provides the largest collection available of his brilliant essays, gathered from a career that spanned forty years. They cover an impressively broad field of subjects: philosophy, literature, the visual arts, music, the theory of value, race, politics, and multiculturalism. Alongside seminal works such as "The New Negro" the volume features essays like "The Ethics of Culture," "Apropos of Africa," and "Pluralism and Intellectual Democracy." Together, these writings demonstrate Locke's standing as the leading African American thinker between W. E. B. Du Bois and Martin Luther King, Jr. The foreword by Henry Louis Gates Jr. and the introduction by

Black Access

Black Access
A Bibliography of Afro-American Bibliographies

by Richard Newman

  • Publisher : Greenwood
  • Release : 1984
  • Pages : 249
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Product information not available.

Alain Locke

Alain Locke
Faith and Philosophy

by Christopher Buck

  • Publisher : Kalimat Press
  • Release : 2005
  • Pages : 302
  • ISBN : 9781890688387
  • Language : En, Es, Fr & De
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Alain Locke was one of the leading African American intellectuals of his day. Best known as the father of the Harlem Renaissance - the mastermind behind the explosion of black music, literature, and art during the 1920s and 1930s that centered in New York - he also pioneered calls for multicultural democracy and cultural pluralism, tirelessly demanding that America make good on its promises of interracial equality. Locke became a Baha'i in 1918, and remained a believer until his death. While his contributions to African American history have been widely appreciated, Locke's commitment to the Baha'i Faith is not widely known or understood. Here is the first and only serious, scholarly study of Locke's identity and commitment as a Baha'i. The book provides exhaustive evidence of Locke's conversion; his two pilgrimages to the Baha'i Shrines in the Holy Land; his correspondence with Shoghi Effendi Rabbani, then Guardian of the Baha'i Faith; and his years of estrangement from the Washington, D.C., Baha'i community. Beyond this, the book explores Locke's ideas of "spiritual democracy" and demonstrates how the Baha'i principles of the unity of humanity and "unity in diversity" influenced Locke's thinking - and how Locke also left his mark on Baha'i ideals.

Looking at Life Through Drama

Looking at Life Through Drama
A Book

by Lydia May Glover Deseo,Hulda Mossberg Phipps

  • Publisher : Unknown Publisher
  • Release : 1931
  • Pages : 203
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Philosophy Born of Struggle

Philosophy Born of Struggle
Anthology of Afro-American Philosophy from 1917

by Leonard Harris

  • Publisher : Unknown Publisher
  • Release : 1983
  • Pages : 316
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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The Critical Temper of Alain Locke

The Critical Temper of Alain Locke
A Selection of His Essays on Art and Culture

by Alain Locke,Mariah Stewart

  • Publisher : Scholarly Title
  • Release : 1983
  • Pages : 491
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Freedomways

Freedomways
A Book

by Anonim

  • Publisher : Unknown Publisher
  • Release : 1973
  • Pages : 329
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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The New Negro Renaissance

The New Negro Renaissance
An Anthology

by Arthur Paul Davis,Michael W. Peplow

  • Publisher : Holt McDougal
  • Release : 1975
  • Pages : 538
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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A thematically arranged collection of short selections and excerpts from the fiction, nonfiction, poetry, and drama of famous and lesser-known black American writers active between 1910 and 1940.

The Harlem Renaissance

The Harlem Renaissance
A Book

by Harold Bloom

  • Publisher : Infobase Publishing
  • Release : 2004-01
  • Pages : 336
  • ISBN : 0791076792
  • Language : En, Es, Fr & De
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Harlem in the 1920s and '30s was the epicenter of a flourishing in African-American literature with the poetry and prose of Langston Hughes, Zora Neale Hurston, Gwendolyn Brooks, and Claude McKay, to name a few. This volume examines the defining themes and styles of African-American literature during this period, which laid the groundwork for contemporary African-American writers.

Wallace Thurman's Harlem Renaissance

Wallace Thurman's Harlem Renaissance
A Book

by Eleonore van Notten

  • Publisher : Rodopi
  • Release : 1994
  • Pages : 365
  • ISBN : 9789051836929
  • Language : En, Es, Fr & De
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Wallace Thurman (1902 - 1934) played a pivotal role in creating and defining the Harlem Renaissance. Thurman's complicated life as a black writer is described here for the first time: from his birth in Salt Lake City, Utah; through his quixotic and spotty education; to his arrival and residence in New York City at the height of the New Negro Movement in Harlem. Seen as it often is through the life of Langston Hughes, the Harlem Renaissance is celebrated as a highly successful Afro-centrist achievement. Seen from Thurman's perspective, as set against the historical and cultural background of the Jazz Age, the accomplishments of the Harlem Renaissance appear more qualified and more equivocal. In Thurman's view the Harlem Renaissance's failure to live up to its initial promise resulted from an ideological underpinning which was overwhelmingly concerned with race. He felt that the movement's self-consciousness and faddism compromised the aesthetic standards of many of its writers and artists, including his own.

Notable Black American Women

Notable Black American Women
A Book

by Jessie Carney Smith

  • Publisher : UXL
  • Release : 1992
  • Pages : 1334
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Provides brief biographies of business executives, writers, journalists, lawyers, physicians, actresses, singers, musicians, artists, educators, religious leaders, civil rights activists, politicians, aviators, athletes, and scientists

Theatre and Nationalism

Theatre and Nationalism
Wole Soyinka and LeRoi Jones

by Alain Ricard

  • Publisher : Unknown Publisher
  • Release : 1983
  • Pages : 205
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Inventing the New Negro

Inventing the New Negro
Narrative, Culture, and Ethnography

by Daphne Lamothe

  • Publisher : University of Pennsylvania Press
  • Release : 2013-03-01
  • Pages : 240
  • ISBN : 0812204042
  • Language : En, Es, Fr & De
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It is no coincidence, Daphne Lamothe writes, that so many black writers and intellectuals of the first half of the twentieth century either trained formally as ethnographers or worked as amateur collectors of folklore and folk culture. In Inventing the New Negro Lamothe explores the process by which key figures such as Zora Neale Hurston, Katherine Dunham, W. E. B. Du Bois, James Weldon Johnson, and Sterling Brown adapted ethnography and folklore in their narratives to create a cohesive, collective, and modern black identity. Lamothe explores how these figures assumed the roles of self-reflective translators and explicators of African American and African diasporic cultures to Western, largely white audiences. Lamothe argues that New Negro writers ultimately shifted the presuppositions of both literary modernism and modernist anthropology by making their narratives as much about ways of understanding as they were about any quest for objective knowledge. In critiquing the ethnographic framework within which they worked, they confronted the classist, racist, and cultural biases of the dominant society and challenged their readers to imagine a different set of relations between the powerful and the oppressed. Inventing the New Negro combines an intellectual history of one of the most important eras of African American letters with nuanced and original readings of seminal works of literature. It will be of interest not only to Harlem Renaissance scholars but to anyone who is interested in the intersections of culture, literature, folklore, and ethnography.

The Wings of Ethiopia

The Wings of Ethiopia
Studies in African-American Life and Letters

by Wilson Jeremiah Moses

  • Publisher : Iowa State Press
  • Release : 1990
  • Pages : 291
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Diaspora

Diaspora
A Journal of Transnational Studies

by Anonim

  • Publisher : Unknown Publisher
  • Release : 1996
  • Pages : 329
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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