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The Theatre Experience

The Theatre Experience

by Edwin Wilson

  • Publisher : McGraw-Hill Humanities/Social Sciences/Languages
  • Release : 2008-07-08
  • Pages : 480
  • ISBN : 9780073382142
  • Language : En, Es, Fr & De
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The ideal theatre appreciation text for courses focusing on theater elements, The Theatre Experience encourages students to be active theatre-goers as they learn about the fundamentals of a production. By addressing the importance of the audience, Wilson brings the art of performance to life for students who may have little experience with the medium. Two new chapters and added Global Cross-Currents boxes throughout greatly expand the text's coverage of global theatre, while revised coverage of theatrical design and production exposes students to the latest processes, techniques, and technologies in the field. Along with an extended box program and dynamic new photos, these elements combine to provide an engaging, current, and comprehensive introduction to the world of theatre.

The Theatre Experience

The Theatre Experience

by Edwin Wilson

  • Publisher : McGraw-Hill Education
  • Release : 2014-03-18
  • Pages : 384
  • ISBN : 9780073514277
  • Language : En, Es, Fr & De
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The thirteenth edition of The Theatre Experience is students' ticket to the best seat in the house. From Broadway to makeshift theater spaces around the world, the author demonstrates the active and lively role they play as audience members by engaging them in the collaborative and creative processes behind and in front of the curtain. Wilson introduces students to the roles of the performers, directors, producers and designers, while emphasizing the insights they as audience members bring to any production. The thirteenth edition better accommodates today's teaching schedules, as well as improves accessibility for students by concise insight and up-to-date vibrant production visuals. Students join the creative process with The Theatre Experience, and rehearse for their role as life-long audience members.

The Theater Experience

The Theater Experience

by Edwin Wilson

  • Publisher : McGraw-Hill Companies
  • Release : 1994
  • Pages : 475
  • ISBN : 9780070706859
  • Language : En, Es, Fr & De
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The ideal theater appreciation text for courses focusing on theater elements, "The Theater Experience" encourages students to be active theater-goers as they learn about the fundamentals of a production. By addressing the importance of the audience, Wilson brings the art of performance to life for students who may have little experience with the medium. .

Loose Leaf for The Theatre Experience

Loose Leaf for The Theatre Experience

by Edwin Wilson

  • Publisher : McGraw-Hill Education
  • Release : 2019-01-18
  • Pages : 368
  • ISBN : 9781260493405
  • Language : En, Es, Fr & De
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The Theatre Experience prepares students to be well-informed, well-prepared theatre audience members. With an audience-centered narrative that engages today's students, a vivid photo program that brings concepts to life, and features that teach and encourage a variety of skill sets, students master core concepts and learn to think critically about the theatre and the world around them. As a result, students are better prepared for class, and better prepared for theatre going.

Immersive Theatre and Audience Experience

Immersive Theatre and Audience Experience
Space, Game and Story in the Work of Punchdrunk

by Rose Biggin

  • Publisher : Springer
  • Release : 2017-09-06
  • Pages : 225
  • ISBN : 3319620398
  • Language : En, Es, Fr & De
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This book is the first full-length monograph to focus on Punchdrunk, the internationally-renowned theatre company known for its pioneering approach to immersive theatre. With its promises of empowerment, freedom and experiential joy, immersive theatre continues to gain popularity - this study brings necessary critical analysis to this rapidly developing field. What exactly do we mean by audience “immersion”? How might immersion in a Punchdrunk production be described, theorised, situated or politicised? What is valued in immersive experience - and are these values explicit or implied? Immersive Theatre and Audience Experience draws on rehearsals, performances and archival access to Punchdrunk, providing new critical perspectives from cognitive studies, philosophical aesthetics, narrative theory and computer games. Its discussion of immersion is structured around three themes: interactivity and game; story and narrative; environment and space. Providing a rigorous theoretical toolkit to think further about the form’s capabilities, and offering a unique set of approaches, this book will be of significance to scholars, students, artists and spectators.

Real Theatre

Real Theatre
Essays in Experience

by Paul Rae

  • Publisher : Cambridge University Press
  • Release : 2018-12-31
  • Pages : 246
  • ISBN : 1107186595
  • Language : En, Es, Fr & De
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Draws on musicals, plays and experimental performances to show what theatre is made of and how we experience it.

The Anatomy of Fraud and Corruption

The Anatomy of Fraud and Corruption
Organizational Causes and Remedies

by Tomas Brytting,Richard Minogue,Veronica Morino

  • Publisher : CRC Press
  • Release : 2016-04-01
  • Pages : 294
  • ISBN : 1317045092
  • Language : En, Es, Fr & De
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This ground-breaking book explores what happens when the fine line between competitive excellence and fraudulent and corrupt practice is crossed. Whilst most fraud literature focuses on the individual perpetrator, The Anatomy of Fraud and Corruption looks at how organizations as a whole and the people within it behave when fraud and corruption occur. By presenting a theoretical basis and a practical methodology for fraud risk awareness training, the book helps risk management professionals, and all those in critical corporate roles to redesign and train their organizations to strengthen their culture and become more resistant and resilient to the ever present threat of fraud and corruption. The Anatomy of Fraud and Corruption demonstrates that what we see as objective facts are not always what they seem. The qualified and uniquely experienced authors present a refreshing interpretation of Cressey's triangle of need, opportunity and rationalization. They employ a drama metaphor to reflect the interaction between fraudsters, victims and bystanders on the organizational stage. Corporate design, management and culture dictate what behaviour is normal or abnormal, whether it be manager and employee behaviour or their ability to become suspicious and question apparently improper actions. Using actual cases and investigations, the organizational conditions that give rise to fraud and corruption are explored. The authors then provide important insights as to how employees may be trained and motivated to reduce the likelihood and impact of fraudulent incidents. Whilst fundamentally a practical guide, this book is also essential reading for academics wanting to stay abreast of the latest developments in the study of ethics, organizational and work psychology and sociology, and criminology.

The Essential Theatre, Enhanced

The Essential Theatre, Enhanced

by Oscar G. Brockett,Robert J. Ball

  • Publisher : Cengage Learning
  • Release : 2013-03-29
  • Pages : 496
  • ISBN : 1285687515
  • Language : En, Es, Fr & De
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Whether you are a theatre major looking forward to a career in the arts, or a non major interested in an overview to help you better appreciate theatre as an audience member, THE ESSENTIAL THEATRE Enhanced 10E is a welcome and helpful resource. Written by highly respected theatre historians, the text has earned its reputation as one of the most comprehensive, authoritative surveys of the theatre. Its vibrant treatment of theatre practice--past and present--catalogs the origins of theatre through postmodernism and performance art. THE ESSENTIAL THEATRE will encourage you and get you excited about becoming an active theatergoer, while providing the insight and understanding that will enrich your theatre experience throughout your life. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

The Reasonable Audience

The Reasonable Audience
Theatre Etiquette, Behaviour Policing, and the Live Performance Experience

by Kirsty Sedgman

  • Publisher : Springer
  • Release : 2018-11-02
  • Pages : 174
  • ISBN : 3319991663
  • Language : En, Es, Fr & De
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Audiences are not what they used to be. Munching crisps or snapping selfies, chatting loudly or charging phones onstage – bad behaviour in theatre is apparently on the rise. And lately some spectators have begun to fight back... The Reasonable Audience explores the recent trend of ‘theatre etiquette’: an audience-led crusade to bring ‘manners and respect’ back to the auditorium. This comes at a time when, around the world, arts institutions are working to balance the traditional pleasures of receptive quietness with the need to foster more inclusive experiences. Through investigating the rhetorics of morality underpinning both sides of the argument, this book examines how models of 'good' and 'bad' spectatorship are constructed and legitimised. Is theatre etiquette actually snobbish? Are audiences really more selfish? Who gets to decide what counts as ‘reasonable’ within public space?Using theatre etiquette to explore wider issues of social participation, cultural exclusion, and the politics of identity, Kirsty Sedgman asks what it means to police the behaviour of others.

Presence in Play

Presence in Play
A Critique of Theories of Presence in the Theatre

by Cormac Power

  • Publisher : Rodopi
  • Release : 2008-01
  • Pages : 228
  • ISBN : 9042023813
  • Language : En, Es, Fr & De
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Presence in Play: A Critique of Theories of Presence in the Theatre is the first comprehensive survey and analysis of theatrical presence to be published. Theatre as an art form has often been associated with notions of presence. The 'live' immediacy of the actor, the unmediated unfolding of dramatic action and the 'energy' generated through an actor-audience relationship are among the ideas frequently used to explain theatrical experience – and all are underpinned by some understanding of 'presence.' Precisely what is meant by presence in the theatre is part of what Presence in Play sets out to explain. While this work is rooted in twentieth century theatre and performance since modernism, the author draws on a range of historical and theoretical material. Encompassing ideas from semiotics and phenomenology, Presence in Play puts forward a framework for thinking about presence in theatre, enriched by poststructuralist theory, forcefully arguing in favour of 'presence' as a key concept for theatre studies today.

Architecture, Actor and Audience

Architecture, Actor and Audience

by Iain Mackintosh

  • Publisher : Routledge
  • Release : 2003-09-02
  • Pages : 192
  • ISBN : 1134969120
  • Language : En, Es, Fr & De
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Understanding the theatre space on both the practical and theoretical level is becoming increasingly important to people working in drama, in whatever capacity. Theatre architecture is one of the most vital ingredients of the theatrical experience and one of the least discussed or understood. In Architecture, Actor and Audience Mackintosh explores the contribution the design of a theatre can make to the theatrical experience, and examines the failings of many modern theatres which despite vigorous defence from the architectural establishment remain unpopular with both audiences and theatre people. A fascinating and provocative book.

Student Guide

Student Guide
The Theatre Experience

by Tracy Lybbert

  • Publisher :
  • Release : 2019-07-18
  • Pages : 25
  • ISBN : 9781081503918
  • Language : En, Es, Fr & De
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The student self study guide introduces students to theatre and keeps students works organized. This is the worksheets that go with the teacher lesson plan book.Lets begin! The first two weeks of school is used to set up the culture of the classroom. Where to start when it comes to game play, teaching high standards of etiquette, creating culture and setting up routines is an uphill climb made easy and effortlessly in this unit guide.In this unit students will....Learn how to enter and exit the theatre classroom,How to transition between activities,Responsibly participate in group activities, andShow respect for self and others through personal conduct and performances.

Media Archaeology and Intermedial Performance

Media Archaeology and Intermedial Performance
Deep Time of the Theatre

by Nele Wynants

  • Publisher : Springer
  • Release : 2018-12-30
  • Pages : 290
  • ISBN : 3319995766
  • Language : En, Es, Fr & De
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This book develops media archaeological approaches to theatre and intermediality. As an age-old art form, theatre has always embraced ‘new’ media. To create theatrical effects and optical illusions, theatre makers were ready to integrate state-of-the-art technics and technologies, and by doing so they playfully explored and popularized scientific knowledge on mechanics, optics and sound for live audiences. This book highlights this obvious but often overlooked relation between media developments and the history of intermedial theater. By considering the interplay between present intermedial performances and their archaeological traces, the authors assembled here revisit old and often forgotten media approaches and theatre technologies. This archaeology is understood less as the discovery of a forgotten past than as the establishment of an active relationship between past and present. Rather than treating archaeological remains as representative tokens of a fragmented past that need to be preserved, the authors stress the return of the past in the present, but in a different, performative guise.

Places of Performance

Places of Performance
The Semiotics of Theatre Architecture

by Marvin A. Carlson

  • Publisher :
  • Release : 1989
  • Pages : 212
  • ISBN :
  • Language : En, Es, Fr & De
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Explores the cultural, social, and poltical aspects of theatrical architecture, from the threatres of ancient Greece of the present

Theatre

Theatre

by Robert Cohen,John Von Szeliski

  • Publisher : McGraw-Hill Humanities, Social Sciences & World Languages
  • Release : 1988
  • Pages : 497
  • ISBN :
  • Language : En, Es, Fr & De
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This lively introduction to theatre offers equal measures of appreciation of theatrical arts, history of performance, and descriptions of the collaborative theatrical crafts. The author's enthusiasm for and knowledge of the current theatre, highlighted by contemporary production shots from around the world, put the students in the front row. The text includes extensive excerpts from seven plays: Prometheus Bound, Oedipus Tyrannos, The York Cycle, Romeo and Juliet, The Bourgeois Gentleman, The Three Sisters, and Happy Days.

Youth Theatre

Youth Theatre
Drama for Life

by Michael Richardson

  • Publisher : Routledge
  • Release : 2015-04-10
  • Pages : 194
  • ISBN : 1317555244
  • Language : En, Es, Fr & De
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Youth Theatre: Drama for Life defines the youth theatre process, by outlining its constituent parts and explaining how these activities work in order to support young people’s development. As well as describing what is done in youth theatre, it also explores why it’s done and how to ensure the best possible outcomes. The book is in four parts: Part 1 explores the nature and purpose of youth theatre, drawing on Michael Richardson’s extensive personal experience as a practitioner and manager. Part 2 explains, in detail, the youth theatre process: warming up, playing games, voice work, developing skills, devising and the presentation of devised work. Part 3 discusses how to create an appropriate environment within which the youth theatre process can be most effectively applied. Part 4 covers the most common applications of the youth theatre process, namely using it in different education environments; and youth theatre productions and performance. On top of this, two appendices give a list of over 60 games that are useful to use in youth theatre; and a list of recommended further reading that supports this book. As well as giving key tips and advice from his own invaluable experience, Richardson offers comments from practitioners and participants on what makes a successful youth theatre experience. Michael Richardson has worked in youth theatre for over 20 years, has been involved in the training of other practitioners, and in the strategic development of the youth theatre sector in the UK.

Shakespeare and the 'Live' Theatre Broadcast Experience

Shakespeare and the 'Live' Theatre Broadcast Experience

by N.A

  • Publisher : Bloomsbury Publishing
  • Release : 2018-07-26
  • Pages : 264
  • ISBN : 1350030473
  • Language : En, Es, Fr & De
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This ground breaking collection of essays is the first to examine the phenomenon of how, in the twenty-first century, Shakespeare has been experienced as a 'live' or 'as-live' theatre broadcast by audiences around the world. Shakespeare and the 'Live' Theatre Broadcast Experience explores the precursors of this phenomenon and its role in Shakespeare's continuing globalization. It considers some of the most important companies that have produced such broadcasts since 2009, including NT Live, Globe on Screen, RSC Live from Stratford-upon-Avon, Stratford Festival HD, Kenneth Branagh Theatre Company Live, and Cheek by Jowl, and examines the impact these broadcasts have had on branding, ideology, style and access to Shakespeare for international audiences. Contributors from around the world reflect on how broadcasts impact on actors' performances, changing viewing practices, local and international Shakespearean fan cultures and the use of social media by audience members for whom “liveness” is increasingly tied up in the experience economy. The book tackles vexing questions regarding the 'presentness' and 'liveness' of performance in the 21st century, the reception of Shakespeare in a globally-connected environment, the challenges of sustaining an audience for stage Shakespeare, and the ideological implications of consuming theatre on screen. It will be crucial reading for scholars of the 'live' theatre broadcast, and enormously helpful for scholars of Shakespeare on screen and in performance more broadly.

Theatre Craft

Theatre Craft
A Director's Practical Companion from A to Z

by John Caird

  • Publisher : Faber & Faber
  • Release : 2013-03-21
  • Pages : 816
  • ISBN : 0571305113
  • Language : En, Es, Fr & De
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Theatre Craft is an all-encompassing, practical guide for anyone working in the theatre, from the enthusiastic amateur to the committed professional. With entries arranged alphabetically, Theatre Craft offers advice on all areas of directing, from Acting, Adaptation, and Accent to Sound Effects, Superstition, Trap Doors and Wardrobe. Enlightening and entertaining by turns, the celebrated director John Caird shares his profound knowledge of the stage to provide an invaluable companion to anyone creating a play, musical or opera. Whatever the theatre space - the backroom of a bar, a studio theatre, or the biggest stages of the West End or Broadway - this authoritative volume is an essential reference tool for the modern theatre practitioner. Internationally renowned theatre director John Caird has directed and adapted countless productions of plays, operas, and musicals for the Royal Shakespeare Company, London's National Theatre, in the West End, and on Broadway-from Les Misrables and Nicholas Nickleby to Hamlet and Peter Pan.

The Immediate Experience

The Immediate Experience
Movies, Comics, Theatre & Other Aspects of Popular Culture

by Robert Warshow,Stanley Cavell

  • Publisher : Harvard University Press
  • Release : 2001
  • Pages : 302
  • ISBN : 9780674007260
  • Language : En, Es, Fr & De
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This collection of essays, which originally appeared as a book in 1962, is virtually the complete works of an editor of Commentary magazine who died, at age 37, in 1955. Long before the rise of Cultural Studies as an academic pursuit, in the pages of the best literary magazines of the day, Robert Warshow wrote analyses of the folklore of modern life that were as sensitive and penetrating as the writings of James Agee, George Orwell, and Walter Benjamin. Some of these essays--notably "The Westerner," "The Gangster as Tragic Hero," and the pieces on the New Yorker, Mad Magazine, Arthur Miller's The Crucible, and the Rosenberg letters--are classics, once frequently anthologized but now hard to find. Along with a new preface by Stanley Cavell, The Immediate Experience includes several essays not previously published in the book--on Kafka and Hemingway--as well as Warshow's side of an exchange with Irving Howe.

Theatre and Politics

Theatre and Politics

by Joe Kelleher

  • Publisher : Macmillan International Higher Education
  • Release : 2009-06-02
  • Pages : 80
  • ISBN : 0230364667
  • Language : En, Es, Fr & De
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What happens to politics when it takes the form of theatre? How has theatre both exploited and undermined politics both in society and on the stage? Theatre& Politics explores the complex relationship between theatre and politics, questioning some of the assumptions that often arise when they are brought together. Challenging ideas about 'entertainment' and 'communication', the book draws on a broad range of key writing from Plato to Rancière, and theatrical examples from Shakespeare and his adaptors through Peter Handke to debbie tucker green.