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Voice & Vision

Voice & Vision
A Creative Approach to Narrative Film and DV Production

by Mick Hurbis-Cherrier

  • Publisher : Taylor & Francis
  • Release : 2007
  • Pages : 537
  • ISBN : 0240807731
  • Language : En, Es, Fr & De
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Voice & Vision is a comprehensive manual for the independent filmmakers and film students who want a solid grounding in the tools, techniques, and processes of narrative film in order to achieve their artistic vision. This book includes essential and detailed information on relevant film and digital video tools, a thorough overview of the filmmaking stages, and the aesthetic considerations for telling a visual story. The ultimate goal of this book is to help you develop your creative voice while acquiring the solid practical skills and confidence to use it. Unlike many books that privilege raw technical information or the line-producing aspects of production, Voice & Vision places creativity, visual expression, and cinematic ideas front and center. After all, every practical decision a filmmaker makes, like choosing a location, an actor, a film stock, a focal length, a lighting set-up, an edit point, or a sound effect is also an expressive one and should serve the filmmaker's vision. Every decision, from the largest conceptual choices to the smallest practical solutions, has a profound impact on what appears on the screen and how it moves an audience. “In Practice” sidebars throughout Voice & Vision connect conceptual, aesthetic and technical issues to their application in the real world. Some provide a brief analysis of a scene or technique from easily rentable films which illustrate how a specific technology or process is used to support a conceptual, narrative, or aesthetic choice. Others recount common production challenges encountered on real student and professional shoots which will inspire you to be innovative and resourceful when you are solving your own filmmaking challenges. Other features in Voice & Vision include: * Comprehensive technical information on film and digital video production with a focus on low-budget techniques and creative expression * Close to 600 lavish illustrations * A seamless integration of film and digital video. Express yourself with any camera and any format. * A focus on successful filmmaking within limitations, learn to work successfully with available resources (time, equipment, budget, personnel) and turn limitations into opportunities. * A substantial exploration of the sound tools and techniques used in film production and the creative impact of the post-production sound design.

Voice and Vision

Voice and Vision
A Creative Approach to Narrative Film and DV Production

by Mick Hurbis-Cherrier

  • Publisher : Taylor & Francis
  • Release : 2012-11-12
  • Pages : 552
  • ISBN : 1136067655
  • Language : En, Es, Fr & De
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Voice & Vision is a comprehensive manual for the independent filmmakers and film students who want a solid grounding in the tools, techniques, and processes of narrative film in order to achieve their artistic vision. This book includes essential and detailed information on relevant film and digital video tools, a thorough overview of the filmmaking stages, and the aesthetic considerations for telling a visual story. The ultimate goal of this book is to help you develop your creative voice while acquiring the solid practical skills and confidence to use it. Unlike many books that privilege raw technical information or the line-producing aspects of production, Voice & Vision places creativity, visual expression, and cinematic ideas front and center. After all, every practical decision a filmmaker makes, like choosing a location, an actor, a film stock, a focal length, a lighting set-up, an edit point, or a sound effect is also an expressive one and should serve the filmmaker's vision. Every decision, from the largest conceptual choices to the smallest practical solutions, has a profound impact on what appears on the screen and how it moves an audience. "In Practice" sidebars throughout connect conceptual, aesthetic and technical issues to their application in the real world. Some provide a brief analysis of a scene or technique from easily rentable films which illustrate how a specific technology or process is used to support a conceptual, narrative, or aesthetic choice. Others recount common production challenges encountered on real student and professional shoots which will inspire you to be innovative and resourceful when you are solving your own filmmaking challenges.

Documentary Voice & Vision

Documentary Voice & Vision
A Creative Approach to Non-Fiction Media Production

by Kelly Anderson,Martin Lucas

  • Publisher : CRC Press
  • Release : 2016-03-31
  • Pages : 460
  • ISBN : 1317636139
  • Language : En, Es, Fr & De
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Learn the creative and technical essentials of documentary filmmaking with Documentary Voice & Vision. This comprehensive work combines clear, up-to-date technical information, production techniques and gear descriptions with an understanding of how technical choices can create meaning and serve a director’s creative vision. Drawing on the authors’ years of experience as documentary filmmakers, and on interviews with a range of working professionals in the field, the book offers concrete and thoughtful guidance through all stages of production, from finding and researching ideas to production, editing and distribution. Documentary Voice & Vision will help students and aspiring filmmakers think though research and story structure, ethics, legal issues and aesthetics, as well as techniques from camera handling to lighting, sound recording and editing. The book explores a full range of production styles, from expository to impressionistic to observational, and provides an overview of contemporary distribution options. Documentary Voice & Vision is a companion text to Mick Hurbis-Cherrier’s Voice & Vision: A Creative Approach to Narrative Film and DV Production, and employs a similar style and approach to that classic text. This text is written from the perspective of documentary filmmakers, and includes myriad examples from the world of non-fiction filmmaking. A robust companion website featuring additional resources and interactive figures accompanies the book.

Voice and Vision

Voice and Vision
A Guide to Writing History and Other Serious Nonfiction

by Stephen J. Pyne

  • Publisher : Harvard University Press
  • Release : 2009-05-15
  • Pages : 336
  • ISBN : 0674054458
  • Language : En, Es, Fr & De
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It has become commonplace these days to speak of "unpacking" texts. Voice and Vision is a book about packing that prose in the first place. This book is for those who wish to understand the ways in which literary considerations can enhance nonfiction writing. Stephen Pyne, an experienced and skilled writer himself, explores the many ways to understand what makes good nonfiction, and explains how to achieve it. His counsel and guidance will be invaluable to experts as well as novices in the art of writing serious and scholarly nonfiction.

Voice & Vision, 3rd Edition

Voice & Vision, 3rd Edition

by Mick Hurbis-Cherrier

  • Publisher :
  • Release : 2018
  • Pages : 638
  • ISBN :
  • Language : En, Es, Fr & De
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Develop your creative voice while acquiring the practical skills and confidence to use it with this new and fully updated edition of Mick Hurbis-Cherrier's filmmaking bible, Voice & Vision . Written for independent filmmakers and film students who want a solid grounding in the tools, techniques, and processes of narrative film, this comprehensive manual covers all of the essentials while keeping artistic vision front and center. Hurbis-Cherrier walks the reader through every step of the process-from the transformation of an idea into a cinematic story, to the intricacies of promotion and distribution-and every detail in between. Features of this book include: Comprehensive technical information on video production and postproduction tools, allowing filmmakers to express themselves with any camera, in any format, and on any budget An emphasis on the collaborative filmmaking process, including the responsibilities and creative contributions of every principal member of the crew and cast A focus on learning to work successfully with available resources (time, equipment, budget, personnel, etc.) in order to turn limitations into opportunities Updated digital filmmaking workflow breakdowns for Rec. 709 HD, Log Format, and D-Cinema productions Substantial coverage of the sound tools and techniques used in film production and the creative impact of postproduction sound design An extensive discussion of digital cinematography fundamentals, including essential lighting and exposure control tools, common gamma profiles, the use of LUTs, and the role of color grading Abundant examples referencing contemporary and classic films from around the world Indispensible information on production safety, team etiquette, and set procedures. The third edition also features a robust companion website that includes eight award-winning example short films; interactive and high-resolution figures; downloadable raw footage; production forms and logs for preproduction, production, and postproduction; video examples that illustrate key concepts found within the book, and more. Whether you are using it in the classroom or are looking for a comprehensive reference to learn everything you need to know about the filmmaking process, Voice & Vision delivers all of the details in an accessible and reader-friendly format.

Joaquin Rodrigo - Voice & Vision

Joaquin Rodrigo - Voice & Vision

by Raymond Calcraft

  • Publisher :
  • Release : 2016
  • Pages : 329
  • ISBN : 9781785450822
  • Language : En, Es, Fr & De
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Reclaiming Indigenous Voice and Vision

Reclaiming Indigenous Voice and Vision

by Marie Battiste

  • Publisher : UBC Press
  • Release : 2011-11-01
  • Pages : 314
  • ISBN : 0774842474
  • Language : En, Es, Fr & De
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The essays in Reclaiming Indigenous Voice and Vision spring from an International Summer Institute held in 1996 on the cultural restoration of oppressed Indigenous peoples. The contributors, primarily Indigenous, unravel the processes of colonization that enfolded modern society and resulted in the oppression of Indigenous peoples.

Against Silence

Against Silence
The Voice and Vision of Elie Wiesel

by Elie Wiesel

  • Publisher : Schocken
  • Release : 1985
  • Pages : 1068
  • ISBN :
  • Language : En, Es, Fr & De
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An anthology of works - lectures, reviews, interviews, dialogues, forewords, essays, etc. In Vol. 1, section 1 (pp. 89-240), "The Holocaust Era", deals with the Holocaust past, present, and future - also in connection with Jewish destiny. In Vol. 2, section 7 (pp. 171-218), "Israel", contains several items relating to the Eichmann trial. Section 8 (pp. 221-263), "Soviet Jewry", contains items devoted to antisemitism and the fate of the Jews in the USSR. In Vol. 3, sections 12-14 include literary works - television scripts, a drama, and stories, while section 15 (pp. 57-125), "The Books: Genesis and Commentary", contains Wiesel's writings about his own books, including his Holocaust novels. Sections 18-19 deal with the President's Commission on the Holocaust and the U.S. Holocaust Memorial Council. Pp. 337-372 present a bibliography of works by Wiesel. Numerous short items in other sections of the volumes also relate to antisemitism.

The Vocal Vision

The Vocal Vision
Views on Voice

by Hal Leonard Corp. Staff

  • Publisher : Applause Theatre & Cinema
  • Release : 1997
  • Pages : 276
  • ISBN :
  • Language : En, Es, Fr & De
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Twenty-four leading voice experts speak out on the changing role of voice on stage. Among the essay topics include: Re-Discovering Lost Voices * Thoughts on Theatre, Therapy, and the Art of Voice * Finding Our Lost Singing Voices * Voice Training, Where Have We Come From? * Vocal Coaching in Private Practice * and more.

Arab, Muslim, Woman

Arab, Muslim, Woman
Voice and Vision in Postcolonial Literature and Film

by Lindsey Moore

  • Publisher : Routledge
  • Release : 2008-05-14
  • Pages : 208
  • ISBN : 1134138784
  • Language : En, Es, Fr & De
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Given a long history of representation by others, what themes and techniques do Arab Muslim women writers, filmmakers and visual artists foreground in their presentation of postcolonial experience? Lindsey Moore’s groundbreaking book demonstrates ways in which women appropriate textual and visual modes of representation, often in cross-fertilizing ways, in challenges to Orientalist/colonialist, nationalist, Islamist, and ‘multicultural’ paradigms. She provides an accessible but theoretically-informed analysis by foregrounding tropes of vision, visibility and voice; post-nationalist melancholia and mother/daughter narratives; transformations of ‘homes and harems’; and border crossings in time, space, language, and media. In doing so, Moore moves beyond notions of speaking or looking ‘back’ to encompass a diverse feminist poetics and politics and to emphasize ethical forms of representation and reception. Aran, Muslim, Woman is distinctive in the eclectic body of work that it brings together. Discussing Algeria, Egypt, Jordan, Lebanon, Morocco, the Palestinian territories, and Tunisia, as well as postcolonial Europe, Moore argues for better integration of Arab Muslim contexts in the postcolonial canon. In a book for readers interested in women's studies, history, literature, and visual media, we encounter work by Assia Djebar, Mona Hatoum, Fatima Mernissi, Ahlam Mosteghanemi, Nawal el Saadawi, Leila Sebbar, Zineb Sedira, Ahdaf Soueif, Moufida Tlatli, Fadwa Tuqan, and many other women.

Prophet Singer

Prophet Singer
The Voice and Vision of Woody Guthrie

by Mark Allan Jackson

  • Publisher : Univ. Press of Mississippi
  • Release : 2007
  • Pages : 303
  • ISBN : 9781604731026
  • Language : En, Es, Fr & De
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Prophet Singer: The Voice and Vision of Woody Guthrie examines the cultural and political significance of lyrics by beloved songwriter and activist Woodrow Wilson "Woody" Guthrie. The text traces how Guthrie documented the history of America's poor and disadvantaged through lyrics about topics as diverse as the Dust Bowl and the poll tax. Divided into chapters covering specific historical topics such as race relations and lynchings, famous outlaws, the Great Depression, and unions, the book takes an in-depth look at how Guthrie manipulated his lyrics to explore pressing issues and to bring greater political and economic awareness to the common people. Incorporating the best of both historical and literary perspectives, Mark Allan Jackson references primary sources including interviews, recordings, drawings, and writings. He includes a variety of materials from the Smithsonian Institution, the Library of Congress, and the Woody Guthrie Archives. Many of these have never before been widely available. The result provides new insights into one of America's most intriguing icons. Prophet Singer offers an analysis of the creative impulse behind and ideals expressed in Guthrie's song lyrics. Details from the artist's personal life as well as his interactions with political and artistic movements from the first half of the twentieth century afford readers the opportunity to understand how Guthrie's deepest beliefs influenced and found voice in the lyrics that are now known and loved by millions. Mark Allan Jackson is currently an assistant professor of English at DePauw University. His articles and reviews have been featured in Popular Music and Society and American Music.

Verse, Voice, and Vision

Verse, Voice, and Vision
Poetry and the Cinema

by Marlisa Santos

  • Publisher : Scarecrow Press
  • Release : 2013-09-26
  • Pages : 214
  • ISBN : 0810892103
  • Language : En, Es, Fr & De
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This collection of essays explore the relationship between one of the world’s oldest art forms—poetry—and one of the world’s newest art forms—film. These essays include analyses of biopics of poets, films inspired by particular poems, cinematic representations of poets or poetic studies and the avant-garde phenomenon of the “poem-film.”

Directing

Directing
Film Techniques and Aesthetics

by Michael Rabiger

  • Publisher : Taylor & Francis
  • Release : 2013-04-02
  • Pages : 560
  • ISBN : 1136042490
  • Language : En, Es, Fr & De
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Directing: Film Techniques and Aesthetics is a comprehensive manual that teaches the essentials of filmmaking from the perspective of the director. Ideal for film production and directing classes, as well as for aspiring and current directors, Directing covers all phases of preproduction and production, from idea development to final cut. Thoroughly covering the basics, Directing guides the reader to professional standards of expression and control, and goes to the heart of what makes a director. The book outlines a great deal of practical work to meet this goal, with projects, exercises. The third edition emphasizes the connection between knowing and doing, with every principle realizable through projects and exercises. Much has been enhanced and expanded, notably: aspects of dramaturgy; beats and dramatic units; pitching stories and selling one's work; the role of the entrepreneurial producer; and the dangers of embedded moral values. Checklists are loaded with practical recommendations for action, and outcomes assessment tables help the reader honestly gauge his or her progress. Entirely new chapters present: preproduction procedures; production design; script breakdown; procedures and etiquette on the set; shooting location sound; continuity; and working with a composer. The entire book is revised to capitalize on the advantages offered by the revolutionary shift to digital filmmaking.

Point of View, Perspective, and Focalization

Point of View, Perspective, and Focalization
Modeling Mediation in Narrative

by Peter Hühn,Wolf Schmid,Jörg Schönert

  • Publisher : Walter de Gruyter
  • Release : 2009
  • Pages : 305
  • ISBN : 3110218909
  • Language : En, Es, Fr & De
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Stories do not actually exist in the (fictional or factual) world but are constituted, structured and endowed with meaning through the process of mediation, i.e. they are represented and transmitted through systems of verbal, visual or audio-visual signs. The terms usually proposed to describe aspects of mediation, especially perspective, point of view, and focalization, have yet to bring clarity to this field, which is of central importance, not only for narratology but also for literary and media studies. One crucial problem about mediation concerns the dimensions of its modeling effect, particularly the precise status and constellation of the mediating agents, i.e. author, narrator or presenter and characters. The question is how are the structure and the meaning of the story conditioned by these different positions in relation to the mediated happenings perceived from outside and/or inside the storyworld? In this volume, fourteen articles by international scholars from seven different countries address these problems anew from various angles, reviewing the sub-categorization of mediation and re-specifying its dimensions both in literary texts and other media such as drama and theater, film, and computer games

The Vision & the Voice With Commentary and Other Papers

The Vision & the Voice With Commentary and Other Papers
The Collected Diaries of Aleister Crowley, 1909-1914 E.V.

by Aleister Crowley,Victor B Neuburg,Mary Desti

  • Publisher : Weiser Books
  • Release : 1999-11-01
  • Pages : 452
  • ISBN : 9780877289067
  • Language : En, Es, Fr & De
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In 1909, Crowley received and wrote down his visions in the Sahara. In them, he gives an account of crossing the Abyss and attaining the grade of Master of the Temple. The core of this book is a record of his visions of the 30 Aethyres of the Enochian Magick developed by John Dee and Edward Kelley. It includes Crowley's own diagrams and the original typescript of the Commentaries. There is also a record of Crowley's magical work conducted with Victor B. Neuberg, and includes the "Esoteric Record of the Paris Working" as well as "The Holy Hymns to the Great Gods of Heaven".

What Shall We Do Without Us?

What Shall We Do Without Us?
The Voice and Vision of Kenneth Patchen

by Kenneth Patchen,James Laughlin

  • Publisher : Random House (NY)
  • Release : 1984
  • Pages : 80
  • ISBN :
  • Language : En, Es, Fr & De
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Gathers picture poems by the Ohio-born writer and artist and offers a brief appreciation of Patchen and his work

The Print and the Process

The Print and the Process
Taking Compelling Photographs from Vision to Expression

by David duChemin

  • Publisher : New Riders
  • Release : 2012-11-30
  • Pages : 264
  • ISBN : 0133085414
  • Language : En, Es, Fr & De
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The Print and the Process is a book of ideas, thoughts, and techniques about our photographs and the process that leads us to the final image. (To be clear, it is not an instructional book about how to print your images.) In this beautiful book, David duChemin takes the reader behind the scenes on four distinct photographic projects, discussing motivation, image creation, and post-production. The projects he walks the reader through are from Iceland, Kenya, Antarctica, and Venice–and for each he discusses the hows and whys of his own image-making process. Each project begins with a beautiful series of 20-30 final images from that project–this is "the print" section, and it's geared for the reader to really take in those images holistically. Then, duChemin discusses "the process" behind creating those images. In this section, the reader will see the project images again but as thumbnails, and David goes through each one, explaining very thoroughly his process. duChemin does not "pre-visualize" a scene, as Ansel Adams famously discussed. Instead, he feels it. And it's from that feeling that he begins working with the elements in front of him and looking at the choices available to him. As he moves around, including and excluding elements from the frame, the camera and the photographer become collaborators. It's from this struggle that the final image emerges. DuChemin has been making images for over two decades, and this process has changed and evolved during that time. By exploring duChemin's images and reflecting on the process behind them–both behind the camera and in post-processing–the reader learns to pay more attention to their own process, and identify ways in which their process can be further examined and improved in order to take more compelling images.

Vision & Voice

Vision & Voice
Extending the Literacy Spectrum

by Linda Rief

  • Publisher : Boynton/Cook
  • Release : 1999
  • Pages : 94
  • ISBN :
  • Language : En, Es, Fr & De
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Extending our notions of the literacy spectrum to include the visual and oral arts in the reading and writing classroom encourages students to develop their imaginations as they envision possibilities for their lives and their worlds.

I Know what the Red Clay Looks Like

I Know what the Red Clay Looks Like
The Voice and Vision of Black Women Writers

by Rebecca Carroll

  • Publisher : Clarkson Potter Publishers
  • Release : 1994
  • Pages : 246
  • ISBN :
  • Language : En, Es, Fr & De
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Black women writers share their views on race, gender, and writing

Finding Our Voice

Finding Our Voice
A Vision for Asian North American Preaching

by Matthew D. Kim,Daniel L. Wong

  • Publisher :
  • Release : 2020-05-27
  • Pages : 208
  • ISBN : 9781683593782
  • Language : En, Es, Fr & De
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No one preaches in a cultural vacuum. The message of what God has done in Christ is good news to all, but to have the greatest impact on its hearers--or even to be understood at all--it must be culturally contextualized. Finding Our Voice speaks clearly to an issue that has largely been ignored: preaching to Asian North American (ANA) contexts. In addition to reworking hermeneutics, theology, and homiletics for these overlooked contexts, Kim and Wong include examples of culturally-specific sermons and instructive questions for contextualizing one's own sermons. Finding Our Voice is essential reading for all who preach and teach in ANA contexts. But by examining this kind of contextualization in action, all who preach in their own unique contexts will benefit from this approach.