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Women, Art, and Society

Women, Art, and Society
A Book

by Whitney Chadwick

  • Publisher : Unknown Publisher
  • Release : 2002
  • Pages : 496
  • ISBN : 9780500203545
  • Language : En, Es, Fr & De
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"This expanded edition is brought up to date in the light of the most recent developments in contemporary art. A new chapter considers globalization in the visual arts and the complex issues it raises, focusing on the many major international exhibitions since 1990 that have become an important arena for women artists from around the world."--BOOK JACKET.

Politics, Gender, and the Arts

Politics, Gender, and the Arts
Women, the Arts, and Society

by Ronald L. Dotterer,Susan Bowers

  • Publisher : Susquehanna University Press
  • Release : 1992
  • Pages : 210
  • ISBN : 9780945636304
  • Language : En, Es, Fr & De
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The first of three volumes in a series on women, the arts, and society, this collection of essays examines the full range of political consequences inherent in women's art. Bringing together important new perspectives on music, the visual arts, theatre, film, television, literature, philosophy, and psychology, the contributors to this volume present a cohesive revisionist look at the arts. The first two essays discuss feminist aesthetics, giving several models for new critical readings of the arts. Suffrage art and an important nineteenth-century feminist utopian novel are examined from the genres they revise, as do essays focusing on a long-running television series and a social activist actress. Childhood and womanhood are explicitly compared in one essay. Breastfeeding and housewifery in the visual arts and music in American women's organizations are the subjects of three other essays. Finally, political implications within the fiction of Jane Austen, Fanny Fern, Eudora Welty, and Mary Lee Settie offer divergent historical perspectives and applications of artistry of women.

Women, Art, and Society (World of Art)

Women, Art, and Society (World of Art)
A Book

by Whitney Chadwick

  • Publisher : Thames & Hudson
  • Release : 2020-09-08
  • Pages : 560
  • ISBN : 0500775966
  • Language : En, Es, Fr & De
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A new edition of the groundbreaking book by Whitney Chadwick maps the complete history of women artists from the Middle Ages and the Renaissance to today. Art historian Whitney Chadwick’s acclaimed bestselling study challenges the assumption that great women artists are exceptions to the rule who “transcended” their gender to produce major works of art. While introducing some of the many women since the Middle Ages whose contributions to visual culture have often been neglected, Chadwick’s survey reexamines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her discussion of feminism and its influence on such a reappraisal, she also addresses the closely related issues of ethnicity, class, and sexuality. This revised edition features a completely redesigned interior and full-color illustrations. With a new preface and epilogue from this emerging authority on the history of women artists, curator and professor Flavia Frigeri, this revised edition continues the project of charting the evolution of feminist art history and pedagogy, revealing how artists have responded to new strategies of feminism for the current moment.

Women, Art and Society

Women, Art and Society
A Tribute to Virginia Woolf

by Judy Chicago

  • Publisher : Unknown Publisher
  • Release : 2012
  • Pages : 22
  • ISBN : 9780954062125
  • Language : En, Es, Fr & De
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"Illustrated text of Judy Chicago's inspiring lecture of 21 October 1982, transcribed and reworked for publication, together with a CD recording of the original lecture."--Page 4 of cover.

Women, Art, and Society

Women, Art, and Society
A Book

by Whitney Chadwick

  • Publisher : Unknown Publisher
  • Release : 2007
  • Pages : 528
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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"This study challenges the assumption that great women artists are exceptions to the rule who "transcended" their sex to produce major works of art. While acknowledging the many women whose contributions to visual culture since the Middle Ages have often been neglected, Whitney Chadwick's survey amounts to much more than an alternative canon of women artists: it re-examines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her discussion of feminism and its influence on such a reappraisal, the author also addresses the closely related issues of ethnicity, class, and sexuality."--BOOK JACKET.

I Claudia II

I Claudia II
Women in Roman Art and Society

by Yale University Art Gallery

  • Publisher : University of Texas Press
  • Release : 2000
  • Pages : 191
  • ISBN : 9780292743403
  • Language : En, Es, Fr & De
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I, Claudia: Women in Ancient Rome—an exhibition and catalog produced by the Yale University Art Gallery—provided the first comprehensive study of the lives of Roman women as revealed in Roman art. Responding to the popular success of the exhibit and catalog, Diana E. E. Kleiner and Susan B. Matheson here gather ten additional essays by specialists in art history, history, and papyrology to offer further reflections on women in Roman society based on the material evidence provided by art, archaeology, and ancient literary sources. In addition to the editors, the contributors are Cornelius C. Vermeule, Rolf Winkes, Mary T. Boatwright, Susan Wood, Eve D'Ambra, Andrew Oliver, Diana Delia, and Ann Ellis Hanson. Their essays, illustrated with black-and-white photos of the art under discussion, treat such themes as mothers and sons, marriage and widowhood, aging, adornment, imperial portraiture, and patronage.

The Politics Of Vision

The Politics Of Vision
Essays On Nineteenth-century Art And Society

by Linda Nochlin

  • Publisher : Routledge
  • Release : 2018-02-12
  • Pages : 227
  • ISBN : 0429975597
  • Language : En, Es, Fr & De
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A leading critic and historian of nineteenth-century art and society explores in nine essays the interaction of art, society, ideas, and politics.

Women, Art and the Politics of Identity in Eighteenth-Century Europe

Women, Art and the Politics of Identity in Eighteenth-Century Europe
A Book

by Melissa Hyde,Jennifer Milam

  • Publisher : Routledge
  • Release : 2017-03-02
  • Pages : 328
  • ISBN : 1351871722
  • Language : En, Es, Fr & De
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The eighteenth century is recognized as a complex period of dramatic epistemic shifts that would have profound effects on the modern world. Paradoxically, the art of the era continues to be a relatively neglected field within art history. While women's private lives, their involvement with cultural production, the project of Enlightenment, and the public sphere have been the subjects of ground-breaking historical and literary studies in recent decades, women's engagement with the arts remains one of the richest and most under-explored areas for scholarly investigation. This collection of new essays by specialist authors addresses women's activities as patrons and as "patronized" artists over the course of the century. It provides a much needed examination, with admirable breadth and variety, of women's artistic production and patronage during the eighteenth century. By opening up the specific problems and conflicts inherent in women's artistic involvements from the perspective of what was at stake for the eighteenth-century women themselves, it also acts as a corrective to the generalizing and stereotyping about the prominence of those women, which is too often present in current day literature. Some essays are concerned with how women's involvement in the arts allowed them to fashion identities for themselves (whether national, political, religious, intellectual, artistic, or gender-based) and how such self-fashioning in turn enabled them to negotiate or intervene in the public domains of culture and politics where "The Woman Question" was so hotly debated. Other essays examine how men's patronage of women also served as a vehicle for self-fashioning for both artist and sponsor. Artists and patrons discussed include: Carriera; Queen Lovisa Ulrike and Chardin; the Bourbon Princesses Mlle Clermont, Mme Adélaïde and Nattier; the Duchess of Osuna and Goya; Marie-Antoinette and Vigée-Lebrun; Labille-Guiard; Queen Carolina of Naples, Prince Stanislaus Poniatowski of Poland and Kauffman; David and his students, Mesdames Benoist, Lavoisier and Mongez.

Sexuality, the Female Gaze, and the Arts

Sexuality, the Female Gaze, and the Arts
Women, the Arts, and Society

by DOTTERER/BOWERS,the Arts Conference on Women, and Society (1988 : Susquehanna University)

  • Publisher : Unknown Publisher
  • Release : 1992
  • Pages : 191
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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The second of three volumes in a series on women, the arts, and society, this collection of essays presents a range of definitions of the female gaze and considerations of how gender and sexuality influence artistry and criticism. Bringing together important new perspectives on music, the visual arts, theater, film, literature, television, philosophy, and psychology, these essays taken together represent a cohesive revisionist look at the arts. Bisexuality and the female grotesque are subjects of essays devoted to how l'ecriture feminine presents ways of seeing that challenge long-held assumptions about the artistic vision. Three essays discussing cinema look variously at sexuality in the earlier films of Susan Seidelman and in The Unbearable Lightness of Being as well as female madness as it is constructed in mainstream film. Subversions within the eighteenth-century romance novel, the voice of woman and Ovid's Echo and Narcissus, the quests for personal freedom by three Old French heroines - these are subjects of three essays providing historical context to the issues raised in this volume. The poetry of Adrienne Rich, Elizabeth Barrett Browning, Denise Levertov, Tess Gallagher, and Julia de Burgos is examined for images of women, sexuality, and perspective that each author creates.

Women Artists, 1550-1950

Women Artists, 1550-1950
A Book

by Ann Sutherland Harris,Linda Nochlin,Los Angeles County Museum of Art

  • Publisher : Unknown Publisher
  • Release : 1976
  • Pages : 368
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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"This book represents a major event in the art world. It is based on the first international exhibition of art by women, assembled by the Los Angeles County Museum of Art from dozens of private and public collections throughout the world, among them the Metropolitan, the Louvre, the Uffizi, the Victoria and Albert, and the Prado. It contains the work, chronologically arranged, of eighty-four women painters, from the Renaissance to the mid-twentieth century, from sixteenth-century portraiture to modern abstraction. Works by artists as familiar as Kathe Kollwitz, Mary Cassatt, Marie Laurencin, Georgia O'Keeffe, Leonor Fini, and Sonia Delaunay."--BOOK COVER.

Women, Art, and Architecture in Northern Italy, 1520–1580

Women, Art, and Architecture in Northern Italy, 1520–1580
Negotiating Power

by Katherine A. McIver

  • Publisher : Routledge
  • Release : 2017-09-29
  • Pages : 300
  • ISBN : 1351871692
  • Language : En, Es, Fr & De
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Expanding interdisciplinary investigations into gender and material culture, Katherine A. McIver here adds a new dimension to Renaissance patronage studies by considering domestic art - the decoration of the domestic interior - as opposed to patronage of the fine arts (painting, sculpture and architecture). Taking a multidimensional approach, McIver looks at women as collectors of precious material goods, as organizers of the early modern home, and as decorators of its interior. By analyzing the inventories of women's possessions, McIver considers the wide range of domestic objects that women owned, such as painted and inlaid chests, painted wall panels, tapestries, fine fabrics for wall and bed hangings, and elaborate jewelry (pendant earrings, brooches, garlands for the hair, necklaces and rings) as well as personal devotional objects. Considering all forms of patronage opportunities open to women, she evaluates their role in commissioning and utilizing works of art and architecture as a means of negotiating power in the court setting, in the process offering fresh insights into their lives, limitations, and the possibilities open to them as patrons. Using her subjects' financial records to track their sources of income and the circumstances under which it was spent, McIver thereby also provides insights into issues of Renaissance women's economic rights and responsibilities. The primary focus on the lives and patronage patterns of three relatively unknown women, Laura Pallavicina-Sanvitale, Giacoma Pallavicina and Camilla Pallavicina, provides a new model for understanding what women bought, displayed, collected and commissioned. By moving beyond the traditional artistic centers of Florence, Venice and Rome, analyzing instead women's artistic patronage in the feudal courts around Parma and Piacenza during the sixteenth century, McIver nuances our understanding of women's position and power both in and out of the home. Carefully integrating extensive archival

Women, Art, and Technology

Women, Art, and Technology
A Book

by Sean Cubitt,Roger F. Malina

  • Publisher : MIT Press
  • Release : 2003
  • Pages : 541
  • ISBN : 9780262134248
  • Language : En, Es, Fr & De
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A sourcebook to the intersection between art and technology identifies the major female players in this movement, featuring a series of essays exploring the line between these two fields written by artists and promoters who are well respected in their fields. (Fine Arts)

Women Artists at the Millennium

Women Artists at the Millennium
A Book

by Yvonne Rainer,Linda Nochlin,Griselda Pollock

  • Publisher : Mit Press
  • Release : 2006
  • Pages : 450
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Artists, art historians, and critics look at the legacies of feminism and critical theory in the work of women artists, more than thirty years after the beginning of the modern women's movement and Linda Nochlin's landmark essay "Why Have There Been No Great Women Artists?" More than thirty years after the birth of the modern women's movement and the beginnings of feminist art-making and art history, the time is ripe to examine the legacies of those revolutions. In Women Artists at the Millennium, artists, art historians, and critics examine the differences that feminist art practice and critical theory have made in late twentieth-century art and the discourses surrounding it. In 1971, when Linda Nochlin published her essay "Why Have There Been No Great Women Artists?" in a special issue of Art News, there were no women's studies, no feminist theory, no such thing as feminist art criticism; there was instead a focus on the mythic figure of the great (male) artist through history. Since then, the "woman artist" has not simply been assimilated into the canon of "greatness" but has expanded art-making into a multiplicity of practices with new parameters and perspectives. In Women Artists at the Millennium artists including Martha Rosler and Yvonne Rainer reflect upon their own varied practices and art historians discuss the innovative work of such figures as Louise Bourgeois, Lygia Clark, Mona Hatoum, and Carrie Mae Weems. And Linda Nochlin considers changes since her landmark essay and looks to the future, writing, "We will need all our wit and courage to make sure that women's voices are heard, their work seen and written about." Artist Pages ByEllen Gallagher, Ann Hamilton, Mary Kelly, Yvonne Rainer, Martha Rosler Contributing Writers: Emily Apter, Carol Armstrong, Catherine de Zegher, Maria DiBattista, Brigid Doherty, Briony Fer, Tamar Garb, Anne Higonnet, Ewa Lajer-Burcharth, Molly Nesbit, Mignon Nixon, Linda Nochlin, Griselda Pollock, Abigail Solomon-Godeau, Lisa Tickner, Anne Wagner

The Chinese Women's Calligraphy and Painting Society

The Chinese Women's Calligraphy and Painting Society
The First Women's Art Society in Modern China

by Mei-yin Leung,University of Hong Kong

  • Publisher : Unknown Publisher
  • Release : 2004
  • Pages : 512
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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Women, Art, and Power

Women, Art, and Power
And Other Essays

by Linda Nochlin

  • Publisher : HarperCollins Publishers
  • Release : 1988
  • Pages : 181
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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"Women, Art, and Power --seven landmark essays on women artists and women in art history--brings together the work of almost twenty years of scholarship and speculation."

Representing Women

Representing Women
A Book

by Linda Nochlin

  • Publisher : Unknown Publisher
  • Release : 2019-02-28
  • Pages : 272
  • ISBN : 9780500294758
  • Language : En, Es, Fr & De
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Women--as warriors, workers, mothers, lovers--haunt nineteenth and twentieth-century Western painting. This republication of Representing Women brings together the late Linda Nochlin's most important and pioneering writings on the representation of women in art as she considers works by Jean-Francois Millet, Eugene Delacroix, Gustave Courbet, Edgar Degas, Georges Seurat, Mary Cassatt, and Kathe Kollwitz, among many others. In a riveting, partly autobiographical introduction, Nochlin argues for the honest virtues of an art history that rejects methodological presuppositions and for art historians to investigate the work before their eyes while focusing on its subject matter, informed by a sensitivity to its feminist spirit.

The Chinese Women's Calligraphy and Painting Society

The Chinese Women's Calligraphy and Painting Society
The First Women's Art Society in Modern China

by Mei-Yin Leung,梁美賢

  • Publisher : Open Dissertation Press
  • Release : 2017-01-27
  • Pages : 329
  • ISBN : 9781361474785
  • Language : En, Es, Fr & De
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This dissertation, "The Chinese Women's Calligraphy and Painting Society: the First Women's Art Society in Modern China" by Mei-yin, Leung, 梁美賢, was obtained from The University of Hong Kong (Pokfulam, Hong Kong) and is being sold pursuant to Creative Commons: Attribution 3.0 Hong Kong License. The content of this dissertation has not been altered in any way. We have altered the formatting in order to facilitate the ease of printing and reading of the dissertation. All rights not granted by the above license are retained by the author. DOI: 10.5353/th_b3862869 Subjects: Women artists - China Art - China - Societies, etc

Women Artists

Women Artists
The Linda Nochlin Reader

by Linda Nochlin

  • Publisher : Unknown Publisher
  • Release : 2020-05-05
  • Pages : 472
  • ISBN : 9780500295557
  • Language : En, Es, Fr & De
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A comprehensive compendium of renowned art historian Linda Nochlin's work, including her landmark essays on the position and influence of women artists.

Women, Art and Nationalism in the Irish Revival

Women, Art and Nationalism in the Irish Revival
Presence and Absence

by Adela Flamarique

  • Publisher : Unknown Publisher
  • Release : 2021-01-31
  • Pages : 226
  • ISBN : 9781911454335
  • Language : En, Es, Fr & De
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The contribution of women to the construction of modern society has been largely forgotten in Irish history. Even though the interest in women's studies has improved in the past decades, adding women's names to history is not enough: we need to question its basis, Adela Flamarike argues in this original new book. / The author explores how the distinctive features of Irish cultural nationalism led to a distinctive understanding of both womanhood and the role of women's arts in Irish cultural self-realisation. / The focus on female visual art gives new clarity to the participation and circumstances of Irish women in the Irish revolution and the creation of modern society. It recovers some of the voices that have been silenced and the experiences that have been forgotten by giving them an aesthetic platform. /This book is a major attempt to explore the construction of womanhood created by nationalism and the Irish Revival, to investigate whether female artists challenged this idealised representation of the feminine and, if so, how they did it. / It exposes female participation in the Irish cultural scene by interrogating the new styles and techniques that women artists and craftswomen in Ireland developed between 1890 and 922. It focuses in particular on two groups of women - those in the Arts & Crafts movement - whose guilds sought to offer poor women a self-determining future - and those women who travelled to the continent (notably Paris) to gain an art education which they then they integrated into their creative practice on returning to Ireland. / Adela Flamarike shows that if we ignore female creation, the history of art will remain complete, and false. This book seeks to recuperate female artworks of the Irish Revival in order to contribute to creating a more complete and true history of art and therefore of culture. It also re-frames a history of art in an unbiased manner. Analysing the representation of the Irish reality painted by female artists provides a better picture of what happened and how women participated in the nationalist movement while engaging or not with feminism. / The author shows that culture has played a very important part in Ireland's current process of identity definition. Irish nationalism utilised the image of the woman as a mark of the fight for independence, developing an archetype of a weak woman that needs the protection of a man. The reconstruction of the nation once independence was gained was based on the same stereotypes, and the consequences are still visible in rights and experiences of Irish women nowadays. / Analysis of this concern has only begun very recently, with work on such authors as Maria Luddy, Gerardine Meaney or Sinead McCoole. However, although studies about female artists in the Irish Revival are also increasing as we can see in the writings of historians such as imear O'Connor or Nicola Gordon Bowe] the researching of women artists' roles is still limited. Many studies are also biographical records which do not focus on the context, circumstances, symbology, or the role of Irish women in Irish nationalism. / In the period leading up to the formation of the Irish State, governed as it was by masculine and authoritarian values, it was not acceptable for women in Irish society to claim or pursue the life of the artists. Creativity, renovation and innovation were valued as key components of life before, during and after revolution, and yet intellectual women at the beginning of the 20th century had to claim their capacity, talent and values in the shadows of their female fellows. As culture emerged as the mode of expression of nationalist ideas, visual artists were still considered less than those who dedicated themselves to literature. / In this context, female artistic talent was considered a simple pastime for well-off women, even though many of these artists were active in the nationalist political and Cultural Revolution at the end of the 19th century. Yet the author

Women, Suicide and the Idea of Death in Victorian Art and Society

Women, Suicide and the Idea of Death in Victorian Art and Society
A Book

by E. Akhgar,University of Manchester

  • Publisher : Unknown Publisher
  • Release : 2003
  • Pages : 329
  • ISBN : 9876543210XXX
  • Language : En, Es, Fr & De
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